A detective with everything to prove. A devastating murder. A town full of secrets… Haunted by the serial killer she never caught, Detective Kimberley King leaves her job in New York and relocates to the sleepy town of Dead Woman Crossing, Oklahoma. Kimberley hopes to bring her daughter Jessica up close to her family, far from the bad memories the city holds. But her quiet new home is not the peaceful place she dreamed of. Within days of her arrival, Kimberley is called to the scene of a terrible crime: her friend Hannah, a single mother, has been brutally murdered, her one-year-old daughter the only witness. Kimberley can’t ignore the similarity of Hannah’s death to that of Katie James, a young woman who was murdered in 1905 on the banks of the same twisting creek. Dead Woman Crossing is named after her, and it seems someone is drawing inspiration from the crime. Could this killer be a copycat? Teaming up with Sheriff Sam Walker, Kimberley struggles to make headway with Hannah’s murder. In a small town, people don’t talk to outsiders and Kimberley has a hard time gaining trust, even within her own family. Kimberley isn’t afraid to ask questions, but when she receives a threatening note, she realises that, as a single mother to a young daughter, she might be putting herself dangerously in the killer’s sights…

Greta liked knowing people's secrets. That wasn't a problem. Until she met Big Swiss. Big Swiss. That's Greta's nickname for her - she is tall, and she is from Switzerland. Greta can see her dressed top to toe in white, that adorable gap between her two front teeth, her penetrating blue eyes. She's a including the heads of infants and dogs. Well that's how Greta imagines seeing her; they haven't actually ever met in person. Nor has Greta actually ever been to Switzerland. Greta and Big Swiss are not in the same room, or even the same building. Greta is miles away, sitting at a desk in her own house, wearing only headphones, fingerless gloves, a kimono, and legwarmers, transcribing this disembodied voice. What Greta doesn't know is that she's about to bump into Big Swiss in the local dog park. A new - and not entirely honest - relationship is going to be born. A relationship that will transform both of their lives.

William Stoner is born at the end of the nineteenth century into a dirt-poor Missouri farming family. Sent to the state university to study agronomy, he instead falls in love with English literature and embraces a scholar’s life, so different from the hardscrabble existence he has known. And yet as the years pass, Stoner encounters a succession of disappointments: marriage into a “proper” family estranges him from his parents; his career is stymied; his wife and daughter turn coldly away from him; a transforming experience of new love ends under threat of scandal. Driven ever deeper within himself, Stoner rediscovers the stoic silence of his forebears and confronts an essential solitude. John Williams’s luminous and deeply moving novel is a work of quiet perfection. William Stoner emerges from it not only as an archetypal American, but as an unlikely existential hero, standing, like a figure in a painting by Edward Hopper, in stark relief against an unforgiving world.

‘For a very long time, the days went by, each just like the day before, then I began to think, and everything changed’ Deep underground, thirty-nine women live imprisoned in a cage. Watched over by guards, the women have no memory of how they got there, no notion of time, and only vague recollection of their lives before. As the burn of electric light merges day into night and numberless years pass, a young girl - the fortieth prisoner - sits alone and outcast in the corner. Soon she will show herself to be the key to the others' escape and survival in the strange world that awaits them above ground.

An absent father dies. Home is no longer so homely. And yet, wherever you go, you cannot escape yourself. Manthipe Moila's captivating debut follows a young woman as she finds her place between the blossoming South Africa of her past and the blustery South Korea of her present. How does one grow in a new place, in a new language? Is it possible to grow new roots, or does pain forever bind us to the past? Drawing on the botanical environment - as well as a self-made jungle of houseplants - Moila meditates on memory and loss, the thrills of exploration, and the journey of becoming. A fresh, inventive and essential new voice in South African literature.

Nebula, Locus, and Alex Award-winner P. Djèlí Clark returns to his popular alternate Cairo universe for his fantasy novel debut, A Master of Djinn Cairo, 1912: Though Fatma el-Sha’arawi is the youngest woman working for the Ministry of Alchemy, Enchantments and Supernatural Entities, she’s certainly not a rookie, especially after preventing the destruction of the universe last summer. So when someone murders a secret brotherhood dedicated to one of the most famous men in history, al-Jahiz, Agent Fatma is called onto the case. Al-Jahiz transformed the world 50 years ago when he opened up the veil between the magical and mundane realms, before vanishing into the unknown. This murderer claims to be al-Jahiz, returned to condemn the modern age for its social oppressions. His dangerous magical abilities instigate unrest in the streets of Cairo that threaten to spill over onto the global stage. Alongside her Ministry colleagues and her clever girlfriend Siti, Agent Fatma must unravel the mystery behind this imposter to restore peace to the city -or face the possibility he could be exactly who he seems…