A traditional American woman, a beautiful wife and mother who sells her pioneer lifestyle of raw milk and farm-fresh eggs to her millions of social media followers, suddenly awakens cold, filthy, and terrified in the brutal reality of 1805—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the Republican equivalent of a Kennedy? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a brutal reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

A deeply irreverent and Biblically correct takedown of the far-right and their co-opting of religion, and guide to engaging them in effective conversational combat For more than two centuries the United States constitution has given Americans the right to live in a society where church and state exist independently and without conflict. So why is Christianity suddenly being co-opted by far-right groups, politicians, friends, and family members to justify oppressive and unequal policies? And how do we fight back against those acting—literally—in bad faith? Separation of Church and Hate, by comedian and TV and radio host John Fugelsang—himself the child of a former Catholic nun and Franciscan brother—finally offers the answers. In this informative, perspective-shifting guide, Fugelsang takes readers through common talking points and arguments—God condemns abortion, gay marriage is a sin, guns are an ordained right, and more—and exposes their hypocrisy and inaccuracy through scripture, philosophy, and plain old common sense. Told with Fugelsang’s trademark blend of radical honesty, relevant humor, and deep political and religious knowledge, Separation of Church and Hate is the book every American today needs. It's a return to civility, a rallying cry for compassion and clarity, and a reclamation of the values and truths Americans hold dear. It's for anyone raised Christian but now disillusioned by organized religion; for Democrats, progressives, liberals, and moderates fed up with the right wing pretending to own Christianity; for atheists, agnostics, and any one of any faith who's sick of fundamentalists cloaking hatred in religion. It's for everyone who's realized that one doesn't have to subscribe to a religion to be a good person.

A haunting, virtuosic debut novel about two young men who fall in love during a time of war. It's 1914, and World War I is ceaselessly churning through thousands of young men on both sides of the fight. The violence of the front feels far away to Henry Gaunt, Sidney Ellwood and the rest of their classmates, safely ensconced in their idyllic boarding school in the English countryside. News of the heroic deaths of their friends only makes the war more exciting. Gaunt, half German, is busy fighting his own private battle--an all-consuming infatuation with his best friend, the glamorous, charming Ellwood--without a clue that Ellwood is pining for him in return. When Gaunt's family asks him to enlist to forestall the anti-German sentiment they face, Gaunt does so immediately, relieved to escape his overwhelming feelings for Ellwood. To Gaunt's horror, Ellwood rushes to join him at the front, and the rest of their classmates soon follow. Now death surrounds them in all its grim reality, often inches away, and no one knows who will be next. An epic tale of both the devastating tragedies of war and the forbidden romance that blooms in its grip, In Memoriam is a breathtaking debut.

A haunting, virtuosic debut novel about two young men who fall in love during a time of war. It's 1914, and World War I is ceaselessly churning through thousands of young men on both sides of the fight. The violence of the front feels far away to Henry Gaunt, Sidney Ellwood and the rest of their classmates, safely ensconced in their idyllic boarding school in the English countryside. News of the heroic deaths of their friends only makes the war more exciting. Gaunt, half German, is busy fighting his own private battle--an all-consuming infatuation with his best friend, the glamorous, charming Ellwood--without a clue that Ellwood is pining for him in return. When Gaunt's family asks him to enlist to forestall the anti-German sentiment they face, Gaunt does so immediately, relieved to escape his overwhelming feelings for Ellwood. To Gaunt's horror, Ellwood rushes to join him at the front, and the rest of their classmates soon follow. Now death surrounds them in all its grim reality, often inches away, and no one knows who will be next. An epic tale of both the devastating tragedies of war and the forbidden romance that blooms in its grip, In Memoriam is a breathtaking debut.

From BookTok sensation and NYT bestselling author Rachel Gillig, comes the next big romantasy phenomenon: a gothic, mist-cloaked tale of a prophetess who is forced beyond the safety of her cloister on an impossible quest to defeat the gods with the one knight whose future is beyond her sight. Sybil Delling has spent nine years dreaming of having no dreams at all. Like the other foundling girls who traded a decade of service for a home in the great cathedral, Sybil is a Diviner. In her dreams she receives visions from six unearthly figures known as Omens. From them, she can predict terrible things before they occur, and lords and common folk alike travel across the kingdom of Traum's windswept moors to learn their futures by her dreams. Just as she and her sister Diviners near the end of their service, a mysterious knight arrives at the cathedral. Rude, heretical, and devilishly handsome, the knight Rodrick has no respect for Sybil's visions. But when Sybil's fellow Diviners begin to vanish one by one, she has no choice but to seek his help in finding them. For the world outside the cathedral's cloister is wrought with peril. Only the gods have the answers she is seeking, and as much as she'd rather avoid Rodrick's dark eyes and sharp tongue, only a heretic can defeat a god.

Ryland Grace is the sole survivor on a desperate, last-chance mission—and if he fails, humanity and the earth itself will perish. Except that right now, he doesn’t know that. He can’t even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he’s been asleep for a very, very long time. And he’s just been awakened to find himself millions of miles from home, with nothing but two corpses for company. His crewmates dead, his memories fuzzily returning, Ryland realizes that an impossible task now confronts him. Hurtling through space on this tiny ship, it’s up to him to puzzle out an impossible scientific mystery—and conquer an extinction-level threat to our species. And with the clock ticking down and the nearest human being light-years away, he’s got to do it all alone. Or does he?

When the witch Baba Yaga walks her house into the backyard, eleven-year-old Summer enters into a bargain for her heart’s desire. Her search will take her to the strange, surreal world of Orcus, where birds talk, women change their shape, and frogs sometimes grow on trees. But underneath the whimsy of Orcus lies a persistent darkness, and Summer finds herself hunted by the monstrous Houndbreaker, who serves the distant, mysterious Queen-in-Chains… Summer in Orcus is a free serial released twice weekly, by the award-winning author T. Kingfisher.

When Gerta’s friend Kay is stolen away by the mysterious Snow Queen, it’s up to Gerta to find him. Her journey will take her through a dangerous land of snow and witchcraft, accompanied only by a bandit and a talking raven. Can she win her friend’s release, or will following her heart take her to unexpected places? A strange, sly retelling of Hans Christian Andersen’s "Snow Queen," by T. Kingfisher, author of "Bryony and Roses" and "The Seventh Bride."

For fans of Sigrid Nunez’s The Friend and Nicholson Baker’s The Mezzanine, a polyphonic debut following an aging French bulldog and the parasitic worms that send her toward death — a singular, sly novel about form, freedom, interiors, and the matter by which we are composed and consumed.Gelsomina is an elderly French bulldog who lives in a glass house in the mountains. Paned by transparency, she’s lived in imitations—of the man and the woman, of the younger dog, Zampanò, of the wild unknown beyond the windows.     One day, Gelsomina accidentally ingests an orb of parasitic worms. Approaching death, and filled with new life, she begins to see everything differently. She makes changes in the pattern of her days, and the glass house fractures into many voices. The worms burrowing into Gelsomina regard her body as an imperfect structure, the home they inherited but did not dream of. The couple—Wendy, in interiors, and John, in architectural design—face the claws of human attachment, and what our will to domesticate means for the life of an animal who can see the wild, but never know it.     Day’s architectural instincts breath into Gelsomina’s new and panting life meditations on animal suicide, string theory, philosophical approaches to form, and the question of whether a glass house can ever be a home. The Oldest Bitch Alive tails Gelsomina into one final, ecstatic sprint through the invisible fence and into a wilderness she’s never seen—activating the depths of attachment, reverence, death, and the bounded self in dichromatic color.

In a pre-apocalyptic world not unlike our own, a young Instagram poet starts an affair with a California billionaire who's promised a time machine that will make everything normal again—whatever that means. For fans of Patricia Lockwood and Marlowe Granados—a whip-smart, absurdly funny debut novel by a bold new talent in sad girl literature. Everyone knows something’s off, but nobody can agree on just what it is. Maybe it’s the weather; maybe everyone’s just so damn sensitive these days. Or maybe it’s because the animals of the world have finally had enough, besieging towns and cities and terrorizing their human residents. Jenlena and her best friend Daphne are two humanities grads in their early 20s, trying to find their way in a society that has just eradicated all animals for the safety of humanity. In the post-fauna world, Jenlena transforms from an aspiring poet to a gig worker, capitalizing on other people’s grief by selling house plants that have come to replace pets and cosplaying as dogs for pay. Meanwhile Daphne, a once-promising student, flounders in a deep depression, smoking weed and ditching work to hang out with her once famous, now canceled boyfriend. When Jenlena meets the California billionaire Roderick Maeve, and the two become romantically entangled, she is exposed to a new understanding of wealth, power, and the gender economy—just as the world hurtles toward its alleged salvation. Marked with Frankie Barnet’s poignant intelligence and sly sense of humor, Mood Swings is a stand-out debut novel that imagines with pitch-perfect absurdity what comes after life as we know it.

Published in 1936, Absalom, Absalom! is considered by many to be William Faulkner's masterpiece. Although the novel's complex and fragmented structure poses considerable difficulty to readers, the book's literary merits place it squarely in the ranks of America's finest novels. The story concerns Thomas Sutpen, a poor man who finds wealth and then marries into a respectable family. His ambition and extreme need for control bring about his ruin and the ruin of his family. Sutpen's story is told by several narrators, allowing the reader to observe variations in the saga as it is recounted by different speakers. This unusual technique spotlights one of the novel's central questions: To what extent can people know the truth about the past?

Ryland Grace is the sole survivor on a desperate, last-chance mission—and if he fails, humanity and the earth itself will perish. Except that right now, he doesn’t know that. He can’t even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he’s been asleep for a very, very long time. And he’s just been awakened to find himself millions of miles from home, with nothing but two corpses for company. His crewmates dead, his memories fuzzily returning, Ryland realizes that an impossible task now confronts him. Hurtling through space on this tiny ship, it’s up to him to puzzle out an impossible scientific mystery—and conquer an extinction-level threat to our species. And with the clock ticking down and the nearest human being light-years away, he’s got to do it all alone. Or does he?

Cora Zeng is a crime scene cleaner, washing away the remains of brutal murders and suicides in Chinatown. The bloody messes don't bother her, not when she's already witnessed the most horrific thing possible: her sister being pushed in front of a train. Before fleeing the scene, the murderer whispered two words: bat eater. Months pass, the killer is never caught, and Cora can barely keep herself together. She pushes away all feelings, disregards the bite marks that appear on her coffee table, and won't take her aunt's advice to prepare for the Hungry Ghost Festival, when the gates of hell open. Cora tries to ignore the rising dread in her stomach, even when she and her weird co-workers begin finding bat carcasses at their crime scene clean-ups. But Cora can't ignore the fact that all their recent clean-ups have been the bodies of East Asian women. Soon Cora will learn: you can't just ignore hungry ghosts.