Published in 1942 by French author Albert Camus, The Stranger has long been considered a classic of twentieth-century literature. Le Monde ranks it as number one on its "100 Books of the Century" list. Through this story of an ordinary man unwittingly drawn into a senseless murder on a sundrenched Algerian beach, Camus explores what he termed "the nakedness of man faced with the absurd."

A traditional American woman, a beautiful wife and mother who sells her pioneer lifestyle of raw milk and farm-fresh eggs to her millions of social media followers, suddenly awakens cold, filthy, and terrified in the brutal reality of 1805—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the Republican equivalent of a Kennedy? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a brutal reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

Lasse er efter mange års kamp ankommet til et liv i den øvre middelklasse. Han har sin egen psykologpraksis, er i et langvarigt forhold med sin kæreste, Emil, og de bor i en ejerlejlighed ved vandet. For første gang nogensinde føler han sig tryg i tilværelsen. Der er bare et problem. Lasses begær er formet af en opvækst med mandemænd, og han bliver ikke just tændt af den omsorg, som er Emils naturlige kærlighedssprog. Lasse savner vildskab og risiko, men er tilliden imellem dem stærk nok til, at de kan åbne parforholdet? Og hvad med den lille fighter-stemme i Lasses hoved – den der siger: kæmp kun for dig selv? JEG ER IKKE FÆRDIG MED DIG er en rådvild, humoristisk og ligefrem roman om kærlighed, begær og klassejetlag.

Lasse er efter mange års kamp ankommet til et liv i den øvre middelklasse. Han har sin egen psykologpraksis, er i et langvarigt forhold med sin kæreste, Emil, og de bor i en ejerlejlighed ved vandet. For første gang nogensinde føler han sig tryg i tilværelsen. Der er bare et problem. Lasses begær er formet af en opvækst med mandemænd, og han bliver ikke just tændt af den omsorg, som er Emils naturlige kærlighedssprog. Lasse savner vildskab og risiko, men er tilliden imellem dem stærk nok til, at de kan åbne parforholdet? Og hvad med den lille fighter-stemme i Lasses hoved – den der siger: kæmp kun for dig selv? JEG ER IKKE FÆRDIG MED DIG er en rådvild, humoristisk og ligefrem roman om kærlighed, begær og klassejetlag.

A page-turning debut of suspense about a young couple desperate to have a child of their own―and the unsettling consequences of getting what they always wanted. Christopher and Hannah are a happily married surgeon and nurse with picture-perfect lives. All that’s missing is a child. When Janie, an abandoned six-year-old, turns up at their hospital, Christopher forms an instant connection with her, and he convinces Hannah they should take her home as their own. But Janie is no ordinary child, and her damaged psyche proves to be more than her new parents were expecting. Janie is fiercely devoted to Christopher, but she acts out in increasingly disturbing ways, directing all her rage at Hannah. Unable to bond with Janie, Hannah is drowning under the pressure, and Christopher refuses to see Janie’s true nature. Hannah knows that Janie is manipulating Christopher and isolating him from her, despite Hannah’s attempts to bring them all together. But as Janie’s behavior threatens to tear Christopher and Hannah apart, the truth behind Janie’s past may be enough to push them all over the edge.

At seventeen, Lenora Hope Hung her sister with a rope Now reduced to a schoolyard chant, the Hope family murders shocked the Maine coast one bloody night in 1929. While most people assume seventeen-year-old Lenora was responsible, the police were never able to prove it. Other than her denial after the killings, she has never spoken publicly about that night, nor has she set foot outside Hope’s End, the cliffside mansion where the massacre occurred. Stabbed her father with a knife Took her mother’s happy life It’s now 1983, and home-health aide Kit McDeere arrives at a decaying Hope’s End to care for Lenora after her previous nurse fled in the middle of the night. In her seventies and confined to a wheelchair, Lenora was rendered mute by a series of strokes and can only communicate with Kit by tapping out sentences on an old typewriter. One night, Lenora uses it to make a tantalizing offer—I want to tell you everything. “It wasn’t me,” Lenora said But she’s the only one not dead As Kit helps Lenora write about the events leading to the Hope family massacre, it becomes clear there’s more to the tale than people know. But when new details about her predecessor’s departure come to light, Kit starts to suspect Lenora might not be telling the complete truth—and that the seemingly harmless woman in her care could be far more dangerous than she first thought.

What is a happily ever after really worth? Naomi was living the quintessential love story. Boy meets girl. They fall in love, get married, buy a dream house, start a family… Then―he kicks her out, hires the city’s best divorce lawyers, drains their accounts, and takes up with a 20-something. It’s a brutal end to the story. Naomi should accept defeat: move into a dingy apartment, get back into the workforce, and piece together the shattered remains of her life. Except, why should she? Instead, Naomi fixates on her husband’s new girlfriend. What begins as cynical curiosity soon twists into obsession―and then into something far darker. As Naomi uncovers secrets she never imagined, she realizes her own life may be in danger. But if it keeps her perfect family intact, isn’t it worth it? In The Divorce, #1 New York Times and internationally bestselling author Freida McFadden delivers a razor-sharp, subversive thriller where love curdles into vengeance, and survival becomes the most dangerous game of all.

Alternate cover editions here and here. Paul Sheldon. He's a bestselling novelist who has finally met his biggest fan. Her name is Annie Wilkes and she is more than a rabid reader - she is Paul's nurse, tending his shattered body after an automobile accident. But she is also his captor, keeping him prisoner in her isolated house.