Written in 1914 but not published until 1925, a year after Kafka’s death, The Trial is the terrifying tale of Josef K., a respectable bank officer who is suddenly and inexplicably arrested and must defend himself against a charge about which he can get no information. Whether read as an existential tale, a parable, or a prophecy of the excesses of modern bureaucracy wedded to the madness of totalitarianism, The Trial has resonated with chilling truth for generations of readers.

"Com uma linguagem leve, lúcida e atraente, neste texto Sêneca ensina como examinar os temas práticos da vida, sobretudo um dos mais cruciais da atualidade: o tempo. Sua atenção concentra-se na velocidade com que a vida humana passa, enfatizando o fato de que o problema não é a falta, mas sim como nosso tempo é empregado. Devemos não só reservar tempo para nós mesmos, mas sobretudo evitar toda dispersão fútil e enganosa da vida, cuidando do tempo presente e vivendo o agora. Ao mesmo tempo, o filósofo destaca a importância da prática do bem e das virtudes, bem como o papel da filosofia, que nos ensina a viver de modo correto e nos fornece os elementos para uma análise crítica do mundo."

These two important essays show Schopenhauer at his most accessible, offering two self-contained and clearly argued contributions to ethical theory, published here in a new translation that preserves Schopenhauer's style in a lucid and engaging way. This is also the only paperback edition to publish both essays together. Schopenhauer argues, in uniquely powerful prose, that self-consciousness gives the illusion of freedom and that human actions are determined, but that we rightly feel guilt because our actions issue from our essential individual character. He locates moral value in the virtues of loving kindness and voluntary justice that spring from the fundamental incentive of compassion. Morality's basis is ultimately metaphysical, resting on an intuitive identification of the self with all other striving and suffering beings. The Introduction by leading Schopenhauer scholar Christopher Janaway gives a clear summary of the argument of the essays in the context of Schopenhauer's life and works and the history of ethics in the modern period. The volume includes helpful notes, up-to-date bibliography, and a full index. About the For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

An argument that love requires the courage to accept self-negation for the sake of discovering the Other. Byung-Chul Han is one of the most widely read philosophers in Europe today, a member of the new generation of German thinkers that includes Markus Gabriel and Armen Avanessian. In The Agony of Eros, a bestseller in Germany, Han considers the threat to love and desire in today's society. For Han, love requires the courage to accept self-negation for the sake of discovering the Other. In a world of fetishized individualism and technologically mediated social interaction, it is the Other that is eradicated, not the self. In today's increasingly narcissistic society, we have come to look for love and desire within the “inferno of the same.” Han offers a survey of the threats to Eros, drawing on a wide range of sources—Lars von Trier's film Melancholia, Wagner's Tristan und Isolde, Fifty Shades of Grey, Michel Foucault (providing a scathing critique of Foucault's valorization of power), Martin Buber, Hegel, Baudrillard, Flaubert, Barthes, Plato, and others. Han considers the “pornographication” of society, and shows how pornography profanes eros; addresses capitalism's leveling of essential differences; and discusses the politics of eros in today's “burnout society.” To be dead to love, Han argues, is to be dead to thought itself. Concise in its expression but unsparing in its insight, The Agony of Eros is an important and provocative entry in Han's ongoing analysis of contemporary society. This remarkable essay, an intellectual experience of the first order, affords one of the best ways to gain full awareness of and join in one of the most pressing struggles of the day: the defense, that is to say—as Rimbaud desired it—the “reinvention” of love.—from the foreword by Alain Badiou

Everything is mine and is taken from me. That’s what it means to be a girl. Highly acclaimed in Denmark, Girlbeast is a fearless, unsettling, and poetic reimagining of the Lolita narrative, where power shifts unpredictably and desire and coercion become indistinguishable. In a world that fetishises girlhood, it asks whether a girl be blamed for internalising the roles imposed upon her? Can she wield her youth as power in a system designed to render her powerless? With sharp, fast-paced prose and an addictive plot, Cecilie Lind crafts a daring examination of female agency, sexuality and the complexities of consent. The novel evokes the idea of the girl as animal – a creature conditioned to be both docile pet and wild beast, torn between submission and rebellion, innocence and desire. Brave, provocative, and unflinching, Girlbeast is a gripping, vital novel for our times.

A busy young writer struggling to cope with domestic chores, hires a housekeeper recommended by a friend. The housekeeper's reputation is one built on dependable efficiency, though she is something of an oddity. Stubborn, foul-mouthed and with a flagrant disregard for her employer's opinions she may even be crazy. She allows no-one to set foot inside her house; she masks herself with a veil and is equally guarded about her personal life. And yet Emerence is revered as much as she is feared. As the story progresses her energy and passion to help becomes clear, extinguishing any doubts arising out of her bizarre behaviour. A stylishly told tale which recounts a strange relationship built up over 20 years between a writer and her housekeeper. After an unpromising and caustic start benign feelings develop and ultimately the writer benefits from what becomes an inseparable relationship. Simultaneously we learn Emerence's tragic past which is revealed in snapshots throughout the book.

In November 2021, an inflatable dinghy carrying migrants from France to the United Kingdom capsized in the Channel causing the death of 27 people on board. Despite receiving numerous calls for help, the French authorities wrongly told the migrants they were in British waters and had to call the British authorities for help. By the time rescue vessels arrived on the scene, all but two of the migrants had died. The narrator of Delecroix’s fictional account of the events is the woman who took the calls. Accused of failing in her duty, she refuses to be held more responsible than others for this disaster. Why should she be more responsible than the sea, than the war, than the crises behind these tragedies? A shocking, moral tale of our times, Small Boat reminds us of the power of fiction to illuminate our darkest crimes.

Đây là lần thứ hai Chinatown được xuất bản tại Việt Nam. Cuốn tiểu thuyết vừa mang nặng nuối tiếc quá khứ vừa cay độc những khi cần này không chỉ chinh phục người đọc Việt Nam mà còn bắt đầu đến với độc giả Pháp qua bản dịch của Đoàn Cầm Thi (NXB Seuil, 2009). Toàn bộ câu chuyện diễn ra trong vòng hai tiếng đồng hồ khi hai mẹ con nhân vật chính bị kẹt lại trên một chuyến tàu điện ngầm vì có nghi ngờ đoàn tàu bị đánh bom. Trong hai tiếng đó là một cuộc độc thoại nội tâm bất tận, đầy tiếc nhớ quá khứ và những nhận xét sắc bén về cuộc sống và số phận, khi nhân vật chính nhìn lại cuộc đời của mình, từ Hà Nội đến Leningrad rồi Paris, những con người đã đi qua đời mình, nhất là Thụy, người tình Trung Hoa từ thuở nhỏ, một mối tình đầy trắc trở, rồi sau đó trở thành người chồng chạy trốn, đến một Chinatown (Chợ Lớn) vô hình nào đó, nơi không mảnh vụn quá khứ nào bắt kịp được. Ngồi trên tàu điện ngầm, cô nhớ về Hà Nội và tình yêu duy nhất của mình, từng bị hy sinh cho cuộc chiến biên giới Việt-Trung. Về cái thời cô còn chưa biết đến từ Chinatown, còn giờ đây nó đã trở thành số phận của cô. Giành được một thành công lớn tại Việt Nam, cuốn tiểu thuyết của Thuận, hiện sống ở Paris, làm nhòe đi các ranh giới giữa cái thực và hư cấu. Thỉnh thoảng chị nhét vào đây đó vài trang một cuốn tiểu thuyết khác được đưa vào đầy khéo léo, theo một lối mỉa mai tạo nên một mối liên hệ khó nhận ra với tác phẩm của Duras, và mang đến cho chúng ta, một cách đầy bình dị, một khúc ca xé lòng về lưu vong.

Đây là lần thứ hai Chinatown được xuất bản tại Việt Nam. Cuốn tiểu thuyết vừa mang nặng nuối tiếc quá khứ vừa cay độc những khi cần này không chỉ chinh phục người đọc Việt Nam mà còn bắt đầu đến với độc giả Pháp qua bản dịch của Đoàn Cầm Thi (NXB Seuil, 2009). Toàn bộ câu chuyện diễn ra trong vòng hai tiếng đồng hồ khi hai mẹ con nhân vật chính bị kẹt lại trên một chuyến tàu điện ngầm vì có nghi ngờ đoàn tàu bị đánh bom. Trong hai tiếng đó là một cuộc độc thoại nội tâm bất tận, đầy tiếc nhớ quá khứ và những nhận xét sắc bén về cuộc sống và số phận, khi nhân vật chính nhìn lại cuộc đời của mình, từ Hà Nội đến Leningrad rồi Paris, những con người đã đi qua đời mình, nhất là Thụy, người tình Trung Hoa từ thuở nhỏ, một mối tình đầy trắc trở, rồi sau đó trở thành người chồng chạy trốn, đến một Chinatown (Chợ Lớn) vô hình nào đó, nơi không mảnh vụn quá khứ nào bắt kịp được. Ngồi trên tàu điện ngầm, cô nhớ về Hà Nội và tình yêu duy nhất của mình, từng bị hy sinh cho cuộc chiến biên giới Việt-Trung. Về cái thời cô còn chưa biết đến từ Chinatown, còn giờ đây nó đã trở thành số phận của cô. Giành được một thành công lớn tại Việt Nam, cuốn tiểu thuyết của Thuận, hiện sống ở Paris, làm nhòe đi các ranh giới giữa cái thực và hư cấu. Thỉnh thoảng chị nhét vào đây đó vài trang một cuốn tiểu thuyết khác được đưa vào đầy khéo léo, theo một lối mỉa mai tạo nên một mối liên hệ khó nhận ra với tác phẩm của Duras, và mang đến cho chúng ta, một cách đầy bình dị, một khúc ca xé lòng về lưu vong.

In The Women I Think About at Night, Mia Kankimäki blends travelogue, memoir, and biography as she recounts her enchanting travels in Japan, Kenya, and Italy while retracing the steps of ten remarkable female pioneers from history. What can a forty-something childless woman do? Bored with her life and feeling stuck, Mia Kankimäki leaves her job, sells her apartment, and decides to travel the world, following the paths of the female explorers and artists from history who have long inspired her. She flies to Tanzania and then to Kenya to see where Karen Blixen—of Out of Africa—fame lived in the 1920s. In Japan, Mia attempts to cure her depression while researching Yayoi Kusama, the contemporary artist who has voluntarily lived in a psychiatric hospital for decades. In Italy, Mia spends her days looking for the works of forgotten Renaissance women painters of the Uffizi Gallery in Florence, and finally finds her heroines in the portraits of Sofonisba Anguissola, Lavinia Fontana, and Artemisia Gentileschi. If these women could make it in the world hundreds of years ago, why can’t Mia? The Women I Think About at Night is part travelogue and part thrilling exploration of the lost women adventurers of history who defied expectations in order to see—and change—the world.

For years Carmen Maria Machado has struggled to articulate her experiences in an abusive same-sex relationship. In this extraordinarily candid and radically inventive memoir, Machado tackles a dark and difficult subject with wit, inventiveness and an inquiring spirit, as she uses a series of narrative tropes—including classic horror themes—to create an entirely unique piece of work which is destined to become an instant classic.

‘A wake-up call … These women’s stories will make you weep, and then rage at the world's indifference.’ Amal Clooney From award-winning war reporter and co-author of I Am Malala, this is the first major account to address the scale of rape and sexual violence in modern conflict. Christina Lamb has worked in war and combat zones for over thirty years. In Our Bodies, Their Battlefield she gives voice to the women of conflicts, exposing how in today’s warfare, rape is used by armies, terrorists and militias as a weapon to humiliate, oppress and carry out ethnic cleansing. Speaking to survivors first-hand, Lamb encounters the suffering and bravery of women in war and meets those fighting for justice. From Southeast Asia where ‘comfort women’ were enslaved by the Japanese during World War Two to the Rwandan genocide, when an estimated quarter of a million women were raped, to the Yazidi women and children of today who witnessed the mass murder of their families before being enslaved by ISIS. Along the way Lamb uncovers incredible stories of heroism and resistance, including the Bosnian women who have hunted down more than a hundred war criminals, the Aleppo beekeeper rescuing Yazidis and the Congolese doctor who has risked his life to treat more rape victims than anyone else on earth. Rape may be as old as war but it is a preventable crime. Bearing witness does not guarantee it won’t happen again, but it can take away any excuse that the world simply didn’t know.

A trailblazing conversation-starting history of women's health--from Ancient Greece to hormones and autoimmune diseases--brought together in a fascinating sweeping narrative In thirteenth-century Europe, Roman Catholicism decreed that menstruation was the curse of Eve, part of the punishment issued by God to all earthly women. In the 1860s, female circumcision was considered a respective cure for misunderstood diseases including endometriosis and epilepsy. At the University of Oklahoma School of Medicine, between 1950 and 1954, three women aged twenty-eight, thirty-two, and forty-three and identified only as housewives, underwent prefrontal lobotomies as cures for ulcerative colitis. Initial clinical trials of birth control were conducted in Puerto Rico, on some of the poorest residents of the United States. Of those who participated in the trial, many suffered debilitating side effects and three died--but their deaths were never reported in the subsequent release of the pill. In Unwell Women, Elinor Cleghorn explores this almost unbelievable history of how medicine has failed women, and shows how the legacy of disenfranchisement and discrimination is alive and well in the contemporary relationship between women and sickness. When Cleghorn was finally correctly diagnosed with an autoimmune disease after years of being told her symptoms were anything from psychosomatic to a possible pregnancy, she was inspired to unpack the roots of the perpetual misunderstanding, mystification, and misdiagnosis of women's bodies. The result is an authoritative and groundbreaking history of the relationship between women and medical practice, from the wandering womb of Ancient Greece to the rise of witch trials across Europe, and from the dawn of hysteria as a catchall for difficult-to-diagnose disorders to the first forays into autoimmunity and the shifting understanding of hormones, menstruation, and menopause. Packed with character studies and case histories of women who have suffered, challenged, and rewritten medical orthodoxy--and the men who controlled their fate--this is a revolutionary examination of the relationship between women, illness, and medicine. With these case histories, Elinor pays homage to the women whose bodies were sacrificed to make strides in this still-evolving area of medicine and to show how far we still have to go in terms of understanding the female body.

‘A stimulating, elegant yet pugnacious essay’—Observer In this highly acclaimed seminal work, Edward Said surveys the history and nature of Western attitudes towards the East, considering Orientalism as a powerful European ideological creation—a way for writers, philosophers and colonial administrators to deal with the ‘otherness’ of Eastern culture, customs and beliefs. He traces this view through the writings of Homer, Nerval and Flaubert, Disraeli and Kipling, whose imaginative depictions have greatly contributed to the West’s romantic and exotic picture of the Orient. In the Afterword, Said examines the effect of continuing Western imperialism.

A sweeping examination of the core issues of sexual politics, bell hooks' new book Feminist Theory: from margin to center argues that the contemporary feminist movement must establish a new direction for the 1980s. Continuing the debates surrounding her controversial first book, Ain't I A Woman, bell hooks suggests that feminists have not succeeded in creating a mass movement against sexist oppression because the very foundation of women's liberation has, until now, not accounted for the complexity and diversity of female experience. In order to fulfill its revolutionary potential, feminist theory must begin by consciously transforming its own definition to encompass the lives and ideas of women on the margin. Hooks' work is a challenge to the women's movement and will have profound impact on all whose lives have been touched by feminism and its insights.

An intimate portrait of coming of age in a dangerous time and an epic tale of a nation divided. Women can be heroes. When twenty-year-old nursing student Frances “Frankie” McGrath hears these words, it is a revelation. Raised in the sun-drenched, idyllic world of Southern California and sheltered by her conservative parents, she has always prided herself on doing the right thing. But in 1965, the world is changing, and she suddenly dares to imagine a different future for herself. When her brother ships out to serve in Vietnam, she joins the Army Nurse Corps and follows his path. As green and inexperienced as the men sent to Vietnam to fight, Frankie is over- whelmed by the chaos and destruction of war. Each day is a gamble of life and death, hope and betrayal; friendships run deep and can be shattered in an instant. In war, she meets—and becomes one of—the lucky, the brave, the broken, and the lost. But war is just the beginning for Frankie and her veteran friends. The real battle lies in coming home to a changed and divided America, to angry protesters, and to a country that wants to forget Vietnam. The Women is the story of one woman gone to war, but it shines a light on all women who put themselves in harm’s way and whose sacrifice and commitment to their country has too often been forgotten. A novel about deep friendships and bold patriotism, The Women is a richly drawn story with a memorable heroine whose idealism and courage under fire will come to define an era.