Manhunt author Gretchen Felker-Martin is back with Black Flame, a historical horror about one woman's deadly obsession with a haunted film, perfect for fans of Midsommar and Night Film.Ellen, a deeply closeted lesbian spends all her time in solitude, restoring films at a failing archive in New York City.When a group of German academics present her with a print of an infamous exploitation film believed to have been destroyed during the Holocaust, Ellen finds herself forced to confront her own repressed sexuality. And the more she works on the restoration, the more obsessed she becomes over its depictions of occult practices and queer debauchery.She’s soon convinced that the acts portrayed in the film are not fiction, but reality. And they’re happening to her…

A book that asks: Is there life after the internet? As this urgent, genre-defying book opens, a woman who has recently been elevated to prominence for her social media posts travels around the world to meet her adoring fans. She is overwhelmed by navigating the new language and etiquette of what she terms "the portal," where she grapples with an unshakable conviction that a vast chorus of voices is now dictating her thoughts. When existential threats—from climate change and economic precariousness to the rise of an unnamed dictator and an epidemic of loneliness—begin to loom, she posts her way deeper into the portal's void. An avalanche of images, details, and references accumulate to form a landscape that is post-sense, post-irony, post-everything. "Are we in hell?" the people of the portal ask themselves. "Are we all just going to keep doing this until we die?" Suddenly, two texts from her mother pierce the fray: "Something has gone wrong," and "How soon can you get here?" As real life and its stakes collide with the increasingly absurd antics of the portal, the woman confronts a world that seems to contain both an abundance of proof that there is goodness, empathy, and justice in the universe, and a deluge of evidence to the contrary. Fragmentary and omniscient, incisive and sincere, No One Is Talking About This is at once a love letter to the endless scroll and a profound, modern meditation on love, language, and human connection from a singular voice in American literature.

For years, rumors of the “Marsh Girl” haunted Barkley Cove, a quiet fishing village. Kya Clark is barefoot and wild; unfit for polite society. So in late 1969, when the popular Chase Andrews is found dead, locals immediately suspect her. But Kya is not what they say. A born naturalist with just one day of school, she takes life's lessons from the land, learning the real ways of the world from the dishonest signals of fireflies. But while she has the skills to live in solitude forever, the time comes when she yearns to be touched and loved. Drawn to two young men from town, who are each intrigued by her wild beauty, Kya opens herself to a new and startling world—until the unthinkable happens. In Where the Crawdads Sing, Owens juxtaposes an exquisite ode to the natural world against a profound coming of age story and haunting mystery. Thought-provoking, wise, and deeply moving, Owens’s debut novel reminds us that we are forever shaped by the child within us, while also subject to the beautiful and violent secrets that nature keeps. The story asks how isolation influences the behavior of a young woman, who like all of us, has the genetic propensity to belong to a group. The clues to the mystery are brushed into the lush habitat and natural histories of its wild creatures.

NATIONAL BESTSELLER • An exhilarating novel about one American family, the dark moment that shatters their suburban paradise, and the wild legacy of trauma and inheritance, from the New York Times bestselling author of Fleishman Is in Trouble New York Times Book Review Editors’ Choice • New York Magazine’s Beach Read Book Club Pick • Belletrist Book Club Pick “A big, juicy, wickedly funny social satire . . . probably the funniest book ever about generational family trauma.”—Oprah Daily “Were we gangsters? No. But did we know how to start a fire?” In 1980, a wealthy businessman named Carl Fletcher is kidnapped from his driveway, brutalized, and held for ransom. He is returned to his wife and kids less than a week later, only slightly the worse, and the family moves on with their lives, resuming their prized places in the saga of the American dream, comforted in the realization that though their money may have been what endangered them, it is also what assured them their safety. But now, nearly forty years later, it’s clear that perhaps nobody ever got over anything, after all. Carl has spent the ensuing years secretly seeking closure to the matter of his kidnapping, while his wife, Ruth, has spent her potential protecting her husband’s emotional health. Their three grown children aren’t doing much better: Nathan’s chronic fear won’t allow him to advance at his law firm; Beamer, a Hollywood screenwriter, will consume anything—substance, foodstuff, women—in order to numb his own perpetual terror; and Jenny has spent her life so bent on proving that she’s not a product of her family’s pathology that she has come to define it. As they hover at the delicate precipice of a different kind of survival, they learn that the family fortune has dwindled to just about nothing, and they must face desperate questions about how much their wealth has played a part in both their lives’ successes and failures. Long Island Compromise spans the entirety of one family’s history, winding through decades and generations, all the way to the outrageous present, and confronting the mainstays of American Jewish life: tradition, the pursuit of success, the terror of history, fear of the future, old wives’ tales, evil eyes, ambition, achievement, boredom, dybbuks, inheritance, pyramid schemes, right-wing capitalists, beta-blockers, psychics, and the mostly unspoken love and shared experience that unite a family forever.

The award-winning author of The Resisters returns with an engrossing, blisteringly funny-sad autobiographical novel tracing a tumultuous mother-daughter relationship.My mother had died, but still I heard her voice. . . Gish’s mother—Loo Shu-hsin—is born in 1925 to a wealthy Shanghai family where girls are expected to behave and be quiet. Every act of disobedience prompts the same “Bad bad girl! You don’t know how to talk!” She gets sent to Catholic school, where she is baptized, re-named for St. Agnes, and, unusually for a girl, given an internationally minded education. Still, her father would say, "Too bad. If you were a boy, you could accomplish a lot." Aggie finds solace in books, reading every night with a flashlight and an English-Chinese dictionary, before announcing her intention to pursue a Ph.D. in America. It is 1947, and with the forces of Communist revolution on the horizon, she leaves—never to return.Lonely and adrift in Manhattan, Aggie begins dating Chao-Pei, an engineering student also from Shanghai. While news of their country and their families grows increasingly dire, they set out to make a new life marriage, a number one son, a small house in the suburbs. By the time Gish is born, her parents’ marriage is unraveling, and her mother, struggling to understand her strong-willed American daughter, is repeating the refrain that punctuated her own “Bad bad girl! You don’t know how to talk!”  Bad Bad Girl is a novel about a mother and a daughter forced to reckon with each other across decades of curiosity and ambition, elation and disappointment, intense intimacy and misunderstanding. Spanning continents and generations, this is a rich, heartbreaking portrait of two fierce women locked in a complicated lifelong embrace.

'The Talented Mr. Ripley meets The Bad Seed in this breathless, chilling psychological thriller by the bestselling novelist known as "Korea's Stephen King" Who can you trust if you can't trust yourself? Early one morning, twenty-six-year-old Yu-jin wakes up to a strange metallic smell, and a phone call from his brother asking if everything's all right at home - he missed a call from their mother in the middle of the night. Yu-jin soon discovers her murdered body, lying in a pool of blood at the bottom of the stairs of their stylish Seoul duplex. He can't remember much about the night before; having suffered from seizures for most of his life, Yu-jin often has trouble with his memory. All he has is a faint impression of his mother calling his name. But was she calling for help? Or begging for her life? Thus begins Yu-jin's frantic three-day search to uncover what happened that night, and to finally learn the truth about himself and his family. A shocking and addictive psychological thriller, The Good Son explores the mysteries of mind and memory, and the twisted relationship between a mother and son, with incredible urgency.

From an incendiary new talent, a contemporary queer folktale about a mother and daughter living in the woods, for fans of Angela Carter, Margaret Atwood, and Julia Armfield. “Deliciously dark and shockingly bold—someone needs to make this into a film right now! Lucy Rose is one to watch. This is one of my favorite debuts in a long time.”—Kirsty Logan, author of Now She is Witch and Things We Say in the Dark A FOLK TALE. A HORROR STORY. A LOVE STORY. AN ENCHANTMENT. Margot and Mama have lived by the forest ever since Margot can remember. When Margot is not at school, they spend quiet days together in their cottage, waiting for strangers to knock on their door. Strays, Mama calls them. People who have strayed too far from the road. Mama loves the strays. She feeds them wine, keeps them warm. Then she picks apart their bodies and toasts them off with some vegetable oil. But Mama’s want is stronger than her hunger sometimes, and when a beautiful, white-toothed stray named Eden turns up in the heart of a snowstorm, Margot must confront the shifting dynamics of her family, untangle her own desires, and make her own bid for freedom. With this gothic coming-of-age tale, debut novelist Lucy Rose explores how women swallow their anger, desire, and animal instincts—and wrings the relationship between mother and daughter until blood drips from it.

Miri thinks she has got her wife back, when Leah finally returns after a deep-sea mission that ended in catastrophe. It soon becomes clear, though, that Leah is not the same. Whatever happened in that vessel, whatever it was they were supposed to be studying before they were stranded on the ocean floor, Leah has brought part of it back with her, onto dry land and into their home. Moving through something that only resembles normal life, Miri comes to realize that the life that they had before might be gone. Though Leah is still there, Miri can feel the woman she loves slipping from her grasp. Our Wives Under The Sea is the debut novel from Julia Armfield, the critically acclaimed author of Salt Slow. It’s a story of falling in love, loss, grief, and what life there is in the deep deep sea.

Popular psychotherapist Joe Nucci (@JoeNucciTherapy) shares truth and research as he discusses common mental health myths and replaces them with no-nonsense truths and accessible guidance for real healing. The popularization of mental health content on social media has led to an epidemic of mental health misinformation. In Psychobabble, licensed psychotherapist Joe Nucci argues that too many of us are self-diagnosing, improperly deploying therapy-speak, and even coaching others to engage in harmful activities under the guise of “self-care.” Nucci dismantles 40 popular misconceptions, such as: Everyone needs to go to therapy. Your feelings are credible. People gaslight you when they disagree. Mindfulness is good for everyone. Everyone has trauma. The reason you can’t focus is ADHD. This dangerous misinformation encourages well-meaning individuals to make consequential life decisions based on false beliefs, half-truths, and the advice of unlicensed armchair experts. It is time for a professional to call this out. Nucci replaces these myths with liberating truths that can help readers avoid misinformation, navigate important philosophical debates, and better maneuver their own mental health journeys. He shares client examples and evidence-based psychological theory, and draws from reputable studies and research. TikTok influencers and “life coaches” create viral videos telling people to cut off their problematic parents, and are cheered on by millions of followers. Recent divorcees proudly declare on Instagram that they are finally healing from their “narcissistic” ex-partner, even though you get the sense they can’t actually define that word. Teenage “mental health advocates” lament the struggles of living with autism, but then subtly add that their condition is “self-diagnosed.” It is time for a professional to call out the misinformation and absurdity. Psychobabble is a must-read book for anyone who values mental health and cares about others.