Paradise of the Blind is an exquisite portrait of three Vietnamese women struggling to survive in a society where subservience to men is expected and Communist corruption crushes every dream. Through the eyes of Hang, a young woman in her twenties who has grown up amidst the slums and intermittent beauty of Hanoi, we come to know the tragedy of her family as land reform rips apart their village. When her uncle Chinh‘s political loyalties replace family devotion, Hang is torn between her mother‘s appalling self–sacrifice and the bitterness of her aunt who can avenge but not forgive. Only by freeing herself from the past will Hang be able to find dignity –– and a future.

"Using the techniques of both the fabulist and the polemicist, Parsipur continues her protest against traditional Persian gender relations in this charming, powerful novella." —Publishers Weekly This modern literary masterpiece follows the interwoven destinies of five women—including a wealthy middle-aged housewife, a prostitute, and a schoolteacher—as they arrive by different paths to live together in an abundant garden on the outskirts of Tehran. Drawing on elements of Islamic mysticism and recent Iranian history, this unforgettable novel depicts women escaping the narrow confines of family and society, and imagines their future living in a world without men.

A glorious fiction debut written with exceptional acuity by an award-winning twenty-five-year-old Thai-American writer. Read a complete short story at BookBrowse. Sightseeing is a masterful new work of fiction, a collection of stories set in contemporary Thailand and written with a grace and sophistication that belie the age of its young author. These are generous, tender tales of family bonds, youthful romance, generational conflicts, and cultural shiftings beneath the glossy surface of a warm, Edenic setting. Rattawut Lapcharoensap offers a diverse, humorous, and deeply affectionate view of life in a small Southeast Asian country that is inevitably absorbing the waves of encroaching Westernization. In the prizewinning opening story, "Farangs," the young son of a modest beachside motel owner commits the cardinal sin of falling for a pretty tourist, and the confrontation that ensues between the native boy and the girl's pompous American boyfriend culminates wondrously amid flying mangoes and Clint Eastwood—a pet pig—swimming out to sea. In "Sightseeing," the much-anticipated holiday of a young man about to leave for college and his loving and fiercely independent mother becomes a different kind of pilgrimage altogether when they are forced to confront the mother's impending blindness. The concluding novella, "Cockfighter," is a triumph of storytelling in which a young girl witnesses her proud father's valiant but foolhardy and drawn-out battle against the local delinquent and violent hoodlum whose family's vicious stranglehold on the villagers has passed down unchecked through generations. Through his vivid assemblage of parents and children, natives and transients, ardent lovers and sworn enemies, Lapcharoensap dares us to look with new eyes at the circumstances that shape our views and the prejudices that form our blind spots. Gorgeous and lush, painful and candid, Sightseeing is an extraordinary reading experience, one that powerfully reveals that when it comes to how we respond to pain, anger, hurt, and love, no place is too far from home.

From sci-fi visionary and acclaimed author Annalee Newitz comes Automatic Noodle, a cozy near-future novella about a crew of abandoned food service bots opening their very own restaurant. While San Francisco rebuilds from the chaos of war, a group of food service bots in an abandoned ghost kitchen take over their own delivery app account. They rebrand as a neighborhood lunch spot and start producing some of the tastiest hand-pulled noodles in the city. But there’s just one problem. Someone―or something―is review bombing the restaurant’s feedback page with fake “bad service” reports. Can the bots find the culprit before their ratings plummet and destroy everything they created?

A bittersweet story of love between two women, nested in an artful exploration of language, history, and power May 1938. The young novelist Aoyama Chizuko has sailed from her home in Nagasaki, Japan, and arrived in Taiwan. She’s been invited there by the Japanese government ruling the island, though she has no interest in their official banquets or imperialist agenda. Instead, Chizuko longs to experience real island life and to taste as much of its authentic cuisine as her famously monstrous appetite can bear. Soon a Taiwanese woman―who is younger even than she is, and who shares the characters of her name―is hired as her interpreter and makes her dreams come true. The charming, erudite, meticulous Chizuru arranges Chizuko’s travels all over the Land of the South and also proves to be an exceptional cook. Over scenic train rides and braised pork rice, lively banter and winter melon tea, Chizuko grows infatuated with her companion and intent on drawing her closer. But something causes Chizuru to keep her distance. It’s only after a heartbreaking separation that Chizuko begins to grasp what the “something” is. Disguised as a translation of a rediscovered text by a Japanese writer, this novel was a sensation on its first publication in Mandarin Chinese in 2020 and won Taiwan’s highest literary honor, the Golden Tripod Award. Taiwan Travelogue unburies lost colonial histories and deftly reveals how power dynamics inflect our most intimate relationships.

Who is the biggest villain in your office? A gripping and incisive psychological drama from the internationally bestselling author of DallerGut Dream Department Store. Eight unsuspecting people receive an invitation to participate in a mysterious new reality show called Break Room. But what starts as an opportunity for fame is quickly revealed to be something far more unsettling when they learn how they were chosen - voted in by their own co-workers as the people they'd least like to share a break room with. But there's another twist. Among them is an imposter - a mole planted by the show's producers. The only way to win the prize money is to uncover the saboteur before time runs out. Labelled as "villains", the participants are left to grapple with the alarming realisation that their actions might be perceived differently by others. As alliances shift and paranoia festers, the contestants begin to realise that the true challenge isn't surviving the show - it's facing their own selves. Welcome . . . Step into the world of the reality show, Break Room, where every smile hides suspicion, and every word could be a clue.

Set in the post-martial-law era of late 1980s Taipei, Notes of a Crocodile depicts the coming-of-age of a group of queer misfits discovering love, friendship, and artistic affinity while hardly studying at Taiwan's most prestigious university. Told through the eyes of an anonymous lesbian narrator nicknamed Lazi, Qiu Miaojin's cult classic novel is a postmodern pastiche of diaries, vignettes, mash notes, aphorisms, exegesis, and satire by an incisive prose stylist and countercultural icon. Afflicted by her fatalistic attraction to Shui Ling, an older woman, Lazi turns for support to a circle of friends that includes a rich kid turned criminal and his troubled, self-destructive gay lover, as well as a bored, mischievous overachiever and her alluring slacker artist girlfriend. Illustrating a process of liberation from the strictures of gender through radical self-inquiry, Notes of a Crocodile is a poignant masterpiece of social defiance by a singular voice in contemporary Chinese literature.

In these witty, postmodern stories, Yoon riffs on pop culture, experiments with punctuation, flirts with sci-fi and, in a metafictional twist, mocks his own position as omnipotent author. Highly literary, his narratives offer an oblique reflection of contemporary Bangkok life, exploring the bewildering disjunct and oft-hilarious contradictions of a modernity that is at odds with many traditional Thai ideas on relationships, family, school and work.Credited with having 'brought fresh energy to Thai literature with his distinctive urban voice', Yoon's is the voice of a new generation, responding to his country's recent and rapid urbanisation with fresh, off-beat perspectives and exciting formal innovation. The collection from which the majority of the stories in The Sad Part Was are taken made the young author a household name when it was published in 2002 and won the S.E.A. Writers Award. Two of its stories have been excerpted in Two Lines Journal, and Yoon already has a fan in prominent critic Scott Esposito. One story is currently being made into a feature film.

Honorable mention in the Global Humanities Translation Prize When five-year-old Kampol is told by his father to wait for him in front of some run-down apartment buildings, the confused boy does as told―he waits, and waits, and waits, until he realizes his father isn’t coming back anytime soon. Adopted by the community, Kampol is soon being raised by figures like Chong the shopkeeper, who rents out calls on his telephone and goes into debt while extending his customers endless credit. Kampol also plays with local kids like Noi, whose shirt is so worn that it rips right in half, and the sweet, deceptively cute toddler Penporn. Dueling flea markets, a search for a ten-baht coin lost in the sands of a beach, pet crickets that get eaten for dinner, bouncy ball fads in school, and loneliness so merciless that it kills a boy’s appetite all combine into Bright, the first-ever novel by a Thai woman to appear in English translation. Duanwad Pimwana’s urban, and at times gritty, vignettes are balanced with a folk-tale-like feel and a charmingly wry sense of humor. Together, these intensely concentrated, minimalist gems combine into an off-beat, highly satisfying coming-of-age story of a very memorable young boy and the age-old legends, practices, and personalities that raise him.

A bestselling and award-winning debut collection from one of South Korea's most prominent young writers. In crisp, unembellished prose, Eun-young Choi paints intimate portraits of the lives of young women in South Korea, balancing the personal with the political. In the title story, a fraught friendship between an exchange student and her host sister follows them from adolescence to adulthood. In A Song from Afar, a young woman grapples with the death of her lover, traveling to Russia to search for information about the deceased. In Secret, the parents of a teacher killed in the Sewol ferry sinking hide the news of her death from her grandmother. In the tradition of Sally Rooney, Banana Yoshimoto, and Marilynne Robinson--writers from different cultures who all take an unvarnished look at human relationships and the female experience--Choi Eunyoung is a writer to watch.

From the Pulitzer Prize-winning author of Liliana's Invincible Summer, a dreamlike, genre-defying novel about a professor and detective seeking justice in a world suffused with gendered violence.A city is always a cemetery.When a professor named Cristina Rivera Garza stumbles upon the corpse of a man in a dark alley, she finds a stark warning scrawled on the brick wall beside the body, written in coral nail “Beware of me, my love / beware of the silent woman in the desert.”After reporting the crime to the police, the professor becomes the lead informant of the case, led by a detective with a newfound obsession with poetry and a long list of failures on her back. But what has the professor really seen? As more bodies of men are found across the city, the detective tries to decipher the meaning of the poems, and if they are facing a darker stream of violence spreading throughout the city.Death Takes Me is a thrilling masterpiece of literary fiction that flips the traditional crime narrative on its head, in a world where death is rampant and violence is gendered. Written in sentences as sharp as the cuts on the bodies of the victims—a word which, in Spanish, is always feminine—Death Takes Me unfolds with the charged logic of a dream, moving from the professor’s classroom into the slippery worlds of Latin American poetry and art, as it explores with masterful imagination the unstable terrains of desire and sexuality.

K romantickému příběhu o bývalém galejníkovi, který zbohatne a pomáhá svým přátelům, se vracejí nové a nové generace čtenářů, kteří spolu s Hugovými hrdiny prožívají jeden z nejkrásnějších příběhů o utrpení a lásce, jaký kdy byl napsán. Sledujme tedy po letech znovu dobrodružství Jeana Valjeana a jeho věčného stínu Javerta, osudem pronásledované Fantiny a její malé Cossety, ušlechtilého Maria a vykutáleného Thénardiera. Ke kouzlu románu přispívá i to, že děj se odehrává v romantické scenérii staré Paříže třicátých let devatenáctého století, v zákoutí úzkých uliček, za tajuplnými zdmi kláštěrů a hřbitovů a dokonce i v podzemních stokách Paříže.