In a far future city, where you can fall to a government cull for a single mistake, And What Can We Offer You Tonight tells the story of Jewel, established courtesan in a luxurious House. Jewel’s world is shaken when her friend is murdered by a client, but somehow comes back to life. To get revenge, they will both have to confront the limits of loyalty, guilt, and justice.

An intensely powerful new novel from the best-selling author of The Bastard of Istanbul and Honour 'In the first minute following her death, Tequila Leila's consciousness began to ebb, slowly and steadily, like a tide receding from the shore. Her brain cells, having run out of blood, were now completely deprived of oxygen. But they did not shut down. Not right away...' For Leila, each minute after her death brings a sensuous memory: the taste of spiced goat stew, sacrificed by her father to celebrate the long-awaited birth of a son; the sight of bubbling vats of lemon and sugar which the women use to wax their legs while the men attend mosque; the scent of cardamom coffee that Leila shares with a handsome student in the brothel where she works. Each memory, too, recalls the friends she made at each key moment in her life - friends who are now desperately trying to find her. . .

This collection of important stories by novelist, journalist, teacher, and Palestinian activist Ghassan Kanafani includes the stunning novella Men in the Sun (1962), the basis of the movie The Dupes (1972, directed by Tewfik Saleh). Also in the volume are "The Land of Sad Oranges" (1958), "'If You Were a Horse...'" (1961), "A Hand in the Grave" (1962), "The Falcon" (1961), "Letter from Gaza" (1956), and an excerpt from Umm Saad (1969). In the unsparing clarity of his writing, Kanafani offers the reader a gritty look at the agonized world of Palestine and the adjoining Middle East. Born in Acre (northern Palestine) in 1936, Ghassan Kanafani was a major spokesman for the Popular Front for the Liberation of Palestine (PFLP) and founding editor of its weekly magazine Al-Hadaf. His novels, short stories, and plays have been published in sixteen languages. He was assassinated in a car-bomb explosion in Beirut in 1972.

A national bestseller when it first appeared in 1963, The Fire Next Time galvanized the nation and gave passionate voice to the emerging civil rights movement. At once a powerful evocation of James Baldwin’s early life in Harlem and a disturbing examination of the consequences of racial injustice, the book is an intensely personal and provocative document. It consists of two “letters,” written on the occasion of the centennial of the Emancipation Proclamation, that exhort Americans, both black and white, to attack the terrible legacy of racism. Described by The New York Times Book Review as “sermon, ultimatum, confession, deposition, testament, and chronicle…all presented in searing, brilliant prose,” The Fire Next Time stands as a classic of our literature.

In celebration of its highly anticipated Broadway revival, Ntozake Shange’s classic, award-winning play centering the wide-ranging experiences of Black women, now with introductions by two-time National Book Award winner Jesmyn Ward and Broadway director Camille A. Brown. From its inception in California in 1974 to its Broadway revival in 2022, the Obie Award–winning for colored girls who have considered suicide/when the rainbow is enuf has excited, inspired, and transformed audiences all over the country for nearly fifty years. Passionate and fearless, Shange’s words reveal what it meant to be a woman of color in the 20th century. First published in 1975, when it was praised by The New Yorker for “encompassing…every feeling and experience a woman has ever had,” for colored girls who have considered suicide/when the rainbow is enuf will be read and performed for generations to come. Now with new introductions by Jesmyn Ward and Broadway director Camille A. Brown, and one poem not included in the original, here is the complete text of a groundbreaking dramatic prose poem that resonates with unusual beauty in its fierce message to the world.

Dictée is the best-known work of the versatile and important Korean American artist Theresa Hak Kyung Cha. A classic work of autobiography that transcends the self, Dictée is the story of several women: the Korean revolutionary Yu Guan Soon, Joan of Arc, Demeter and Persephone, Cha's mother Hyung Soon Huo (a Korean born in Manchuria to first-generation Korean exiles), and Cha herself. The elements that unite these women are suffering and the transcendence of suffering. The book is divided into nine parts structured around the Greek Muses. Cha deploys a variety of texts, documents, images, and forms of address and inquiry to explore issues of dislocation and the fragmentation of memory. The result is a work of power, complexity, and enduring beauty.

This groundbreaking collection reflects an uncompromised definition of feminism by women of color. Through personal essays, criticism, interviews, testimonials, poetry, and visual art, the collection explores, as coeditor Cherríe Moraga writes, “the complex confluence of identities—race, class, gender, and sexuality—systemic to women of color oppression and liberation.”