In the fifth Vampire Chronicle, Lestat is searching for Dora, the beautiful and charismatic mortal daughter of a drug lord. Dora has moved Lestat like no other mortal ever has, and he cannot get her out of his visions. At the same time, he is increasingly aware that the Devil knows who he is and wants something from him. While torn betwen his vampire world and his passion for Dora, Lestat is sucked in by Memnoch, who claims to be the Devil himself. Memnoch presents Lestat with unimagined opportunities: to witness creation, to visit purgatory, to be treated like a prophet. Lestat faces a choice between the Devil or God. Whom does he believe in? Who does he serve? What are the element of religious belief? Lestat finds himself caught in a whirlpool of the ultimate choice

WANTED - Bloodmaid of exceptional taste. Must have a keen proclivity for life's finer pleasures. Girls of weak will need not apply. A young woman is drawn into the upper echelons of a society where blood is power, in this dark and enthralling gothic novel from the author of The Year of the Witching. Marion Shaw has been raised in the slums, where want and deprivation is all she knows. Despite longing to leave the city and its miseries, she has no real hope of escape until the day she spots a peculiar listing in the newspaper, seeking a bloodmaid. Though she knows little about the far north--where wealthy nobles live in luxury and drink the blood of those in their service--Marion applies to the position. In a matter of days, she finds herself the newest bloodmaid at the notorious House of Hunger. There, Marion is swept into a world of dark debauchery--and at the center of it all is her. Countess Lisavet, who presides over this hedonistic court, is loved and feared in equal measure. She takes a special interest in Marion. Lisavet is magnetic, and Marion is eager to please her new mistress. But when her fellow bloodmaids begin to go missing in the night, Marion is thrust into a vicious game of cat and mouse. She'll need to learn the rules of her new home--and fast--or its halls will soon become her grave.

Kafkaesque slow-burn domestic horror from a master of the uncanny. Mr. Montessori and his family return home from a trip to the beach to discover that their sofa is different. Once dark and contemporary, it’s now antique, green and yellow, and smelling faintly of damp. Its appearance and origins are a mystery. A joke? An inverted theft? A break in the fabric of reality? Yes, the police take the “crime” seriously. But what happens next lies outside their expertise. Strange sounds in the night. A half-bathroom toilet with a mind of its own. Odd, fleeting glimpses of something (or someone) in mirrors. The inexplicable vision of Montessori’s neighbor: He swears he saw a burglar. . . . Montessori’s quest for answers will take him to a dank highway overpass in decayed upstate New York, a very strange dry-cleaning supply concern in outermost Queens, and into the depths of an eerie, warped forest where time and space no longer connect, all while putting his ever-more-troubled marriage and young family in grave danger. But that’s what it costs to find out if we own our possessions — or if they own us. Munson emerges as a master stylist in this tense, taut work of surreal humor and psychological horror.

Where do ideas come from? In Catching the Big Fish, internationally acclaimed filmmaker David Lynch provides a rare window into his methods as an artist, his personal working style, and the immense creative benefits he has experienced from the practice of meditation. Lynch describes the experience of "diving within" and "catching" ideas like fish - and then preparing them for television or movie screens, and other mediums in which he works, such as painting, music, and design. Lynch writes for the first time about his more than three-decade commitment to Transcendental Meditation and the difference it has made in his creative process. In brief chapters, Lynch explains the development of his ideas - where they came from, how he grasps them, and which ones appeal to him the most. He specifically discusses how he puts his thoughts into action and how he engages with others around him. Finally, he considers the self and the surrounding world - and how the process of "diving within" that has so deeply affected his own work can directly benefit others. Catching the Big Fish comes as a revelation to the legion of fans who have longed to better understand Lynch's personal vision. And it is equally intriguing to those who wonder how they can nurture their own creativity.

Amid a global pandemic one young woman is trying to keep the pieces together—of her family, stunned by a devastating loss, and of her mind, left mangled and misfiring from a mystifying disease She’s afraid of her own floorboards, and she hears “What is love? Baby, don't hurt me" playing repeatedly in her head. She hates her friends, or more accurately, she doesn’t know who they are. Has the illness stolen her mind and given her a new one? Does it mean she’ll get to start over, a chance afforded to few people? The very weave of herself seems to have loosened as time and memories pass straight through her body. “I’m sorry not to respond to your email,” she writes, “but I live completely in the present now." Will There Ever be Another You is the brain-shredding, phosphorescent story of one woman’s dissolution and her attempt to create a new way of thinking, as well as a profound investigation into what keeps us alive in times of unprecedented disorientation and loss.

"Molly McGhee reminds me of absolutely no one. Here’s an original mind brimming over with invention and comic ferocity . . . [a] mad, hilarious writer.” —Ben Marcus, author of The Flame Alphabet For readers of Patricia Lockwood and Ling Ma, a debut novel for the modern working stiff Jonathan Abernathy is a loser . . . he’s behind on his debts, he has no prospects, no friends, no ambitions. But when a government loan forgiveness program offers him a literal dream job, he thinks he’s found his big break. If he can appear to be competent at his new job, entering the minds of middle-class workers while they sleep and removing the unsavory detritus of their waking lives from their unconscious, he might have a chance at a new life. As Abernathy finds his footing in this new role, reality and morality begin to warp around him. Soon, the lines between life and work, love and hate, right and wrong, even sleep and consciousness, begin to blur. Written with all the dramatic irony of Charlie Kaufman as written by Kurt Vonnegut, Jonathan Abernathy You Are Kind touches on a theme most people know all too well—the relentlessly crushing weight of debt. A workplace novel, at once tender, startling, and deeply funny, Jonathan Abernathy You Are Kind is a stunning, critical work of surrealist fiction. With a keen sense of her readers, a wry wit, and an undeniable dexterity with language, Molly McGhee’s debut novel is a piercing critique of late-stage capitalism and a reckoning with its true cost.

Gideon the Ninth meets Moby Dick in USA Today bestselling author Alexis Hall's science fiction debut, Hell's Heart!Earth is a ruin, and the scattered remnants of humanity scavenge what they can from the stars under the watchful auspices of a grab-bag of collectives, corporations, and churches which are all that remains of what we once called society. Having long exhausted any conventional sources of energy, life in the solar system is now sustained by a volatile, hallucinogenic substance called spermaceti, which is harvested from the brains of vast cetacean-like Leviathans that swim the atmospheric currents of Jupiter.Finding herself with no money and little to occupy her groundside, the narrator (“I”) takes a commission aboard the hunter-barque Pequod as it sets out in pursuit of precious spermaceti. Once aboard, however, she finds herself pulled inexorably into the orbit of the barque’s captain, a charismatic but fanatically driven woman who the narrator names only as “A”. As the Pequod plunges ever deeper into the turbulent, monster-haunted atmosphere of the gas giant, the narrator begins to lose herself in the eerie word of Leviathan-hunting and the captain’s increasingly insistent delusions; the only thing that might keep her grounded is the bond she develops with Q, a woman from the wreck of Old Earth whose skin is marked with holographic light and who remembers things otherwise lost.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.