New York Times-bestselling author, Grady Hendrix (Horrorstör, Paperbacks from Hell), savagely satirizes Victorian adventure fiction in this steampunk smackdown full of decapitated heads that sing, Tong wars, bacon sex, German holiday demons, and the Potato Homunculus! Some of the most popular stories ever released on audio fiction platform Pseudopod, the White Street Society tells the tales of a band of 19th Century gentleman adventurers who investigate the supernatural, often with violence, sometimes with science. Sending up 19th century fears about women, Germans, the Irish, Chinatown, Southerners, politicians, and anyone who wasn’t the “right” kind of person (read: male and white) this collection of cases contains shocking details that are sure to tighten the corsets and spin the mustaches of all gentle readers. Animals and pregnant women are advised to KEEP AWAY from “The Hairy Ghost!”, “The Corpse Army of Khartoum!”, “The Yellow Peril!”, and “The Christmas Spirits!” as well as the shocking new story premiering in this collection, “The President Who Would Not Die!” For those bold readers who desire a strong blast of nonsense, allow us to introduce you to the supernatural wonders that these bold men of the 19th century were compelled to shoot, poison, burn, and beat to death with shovels, all in the name of PROGRESS!

In early October 2023, Palestinian Plestia Alaqad was a recent graduate with dreams of becoming a successful journalist. By the end of November, her social media posts depicting daily life in Gaza, amid Israel's deadly invasion and bombardment, would profoundly move millions of people. She would be internationally known as the 'Eyes of Gaza'. Written as a series of diary extracts, The Eyes of Gaza relates the horrors of her experiences while showcasing the indomitable spirit of the men, women and children who share her communities. From the epicentre of turmoil, while bombs rain around her and devastation grips her people, she is witness to their emotions, their gentle acts of quiet, necessary heroism, and the moments of unexpected tenderness and vulnerability amid the chaos.Through the raw honesty and vulnerability of a normal 21-year-old woman trying to make her way through a human tragedy, The Eyes of Gaza is a potent reminder of the horrors of violence and a powerful testament to the human spirit. It recounts a harrowing experience, but it is not a heart-breaking lamentation. Rather, it is a deeply intimate love letter to a girl's demolished before her eyes, yes, but forever present in her heart.

The Pages and Co. series comes to a thrilling end in this perfect final instalment. As Tilly, Oskar, Alessia and Milo venture into Arthurian legend to find the first bookwanderer – the wizard Merlin – they discover that everything they thought they knew about bookwandering might be wrong. Working together to figure out how to untangle the Alchemist's grip on the world's imagination, save Pages & Co., and defeat an unexpected enemy, they learn about the true power of imagination in a journey through myths and legend that will help them to save the very foundations of bookwandering . . .

Part activist memoir, part crash course in Jewish and Palestinian history, Genocide Bad dismantles Zionist propaganda and maps a course towards collective liberation in ten unapologetic essays. Part activist memoir, part crash course in Jewish and Palestinian history, Genocide Bad dismantles Zionist propaganda in ten unapologetic essays. Drawing connections between Biblical promises and exploding pagers, medieval dress codes and modern-day apartheid, Kern sketches a sweeping history of imperialism with their characteristic blend of far-ranging research, pop-culture insights, and scathing humor.Kern, a former teacher, journalist, novelist, and book influencer, gained international recognition as an anti-Zionist Jewish activist in the days after October 7th, 2023. At a time when social media was flooded with “I Stand with Israel” posts, Kern started sharing content encouraging their followers to read Palestinian books, learn Palestinian history, and question Western reporting on Palestine—videos which went viral into tens of millions of views.Despite facing hate messages, death threats, and exile from the Zionist Jewish community, Kern has remained steadfast in their advocacy over the past year. They’ve posted daily videos on Palestinian, Jewish, and colonial history, and they’ve raised over $500,000 in direct aid for families in Gaza—all while navigating the challenges of pregnancy, childbirth, and parenting a newborn. In Genocide Bad, Kern reflects on the life experiences that led them to anti-Zionist activism, while capturing and expanding upon their online educational content.Kern doesn’t flinch when confronting the horrors of genocides past and present, but there is also tremendous hope contained in these pages—hope that springs from examples of courage and resilience in the face of extreme violence, and from the kinds of resistance that might just lead to our collective liberation.

The author of the widely praised Wordslut analyzes the social science of cult influence: how cultish groups from Jonestown and Scientology to SoulCycle and social media gurus use language as the ultimate form of power. What makes “cults” so intriguing and frightening? What makes them powerful? The reason why so many of us binge Manson documentaries by the dozen and fall down rabbit holes researching suburban moms gone QAnon is because we’re looking for a satisfying explanation for what causes people to join—and more importantly, stay in—extreme groups. We secretly want to know: could it happen to me? Amanda Montell’s argument is that, on some level, it already has . . . Our culture tends to provide pretty flimsy answers to questions of cult influence, mostly having to do with vague talk of “brainwashing.” But the true answer has nothing to do with freaky mind-control wizardry or Kool-Aid. In Cultish, Montell argues that the key to manufacturing intense ideology, community, and us/them attitudes all comes down to language. In both positive ways and shadowy ones, cultish language is something we hear—and are influenced by—every single day. Through juicy storytelling and cutting original research, Montell exposes the verbal elements that make a wide spectrum of communities “cultish,” revealing how they affect followers of groups as notorious as Heaven’s Gate, but also how they pervade our modern start-ups, Peloton leaderboards, and Instagram feeds. Incisive and darkly funny, this enrapturing take on the curious social science of power and belief will make you hear the fanatical language of “cultish” everywhere.

Working at the local processing plant, Marcos is in the business of slaughtering humans —though no one calls them that anymore. His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the “Transition.” Now, eating human meat—“special meat”—is legal. Marcos tries to stick to numbers, consignments, processing. Then one day he’s given a gift: a live specimen of the finest quality. Though he’s aware that any form of personal contact is forbidden on pain of death, little by little he starts to treat her like a human being. And soon, he becomes tortured by what has been lost—and what might still be saved.

Passive programming is a cheap, quick, fun way to make all library customers feel like part of the community. It can support reading initiatives, foster family engagement, encourage visit frequency, and coax interaction out of library lurkers--while barely making a dent in your programming budget. Passive programming can be targeted at children, teens, adults, or seniors; used to augment existing programs; and executed in places where staff-led programming can't reach. It can be light-footed, spontaneous, and easily deployed to reflect and respond to current news, media, library events, and even the weather. But even passive programming pros run out of ideas sometimes, and when that happens, they want a fresh, funny source of inspiration.

From the powerhouse creator of Nimona comes a breathtaking illustrated novel following two orphans who leave the only home they’ve ever known to sail with an eccentric crew of pirates. Viola and Wilmur have been waiting for their parents for fifteen boring years in the colorless town of Caveat. Their lives are a drudge of salt, trash, pirate stories, and what-ifs . . . until one very stormy night, when Captain Cadence Chase breaks down their door. They cut a deal with the Chase can take their most prized possession, a mysterious book, but only if she takes them, too. After all, if their parents aren’t coming, Viola and Wilmur might as well have a grand adventure to find them. Setting sail into the treacherous and beautiful world beyond Caveat, the two inseparable friends must uncover the facts behind legend—and the key to saving all of Dickerson’s Sea from obliteration—before the truth tears them apart. Wickedly funny, deeply emotional, and sharply incisive, Scarlet Morning is a tale of love, betrayal, and the extraordinary lengths we’d go to save a world broken beyond repair.

Suburban Seattle, the mid-1970s. We learn from the out-set that a strange plague has descended upon the area's teenagers, transmitted by sexual contact. The disease is manifested in any number of ways—from the hideously grotesque to the subtle (and concealable)—but once you've got it, that's it. There's no turning back. As we inhabit the heads of several key characters—some kids who have it, some who don't, some who are about to get it—what unfolds isn't the expected battle to fight the plague, or bring heightened awareness to it, or even to treat it. What we become witness to instead is a fascinating and eerie portrait of the nature of high school alienation itself—the savagery, the cruelty, the relentless anxiety and ennui, the longing for escape. And then the murders start. As hypnotically beautiful as it is horrifying, Black Hole transcends its genre by deftly exploring a specific American cultural moment in flux and the kids who are caught in it—back when it wasn't exactly cool to be a hippie anymore, but Bowie was still just a little too weird. To say nothing of sprouting horns and molting your skin…

From the actor who lived through the most improbable Hollywood success story, with an award-winning narrative nonfiction writer, comes the inspiring, fascinating and laugh-out-loud story of a mysteriously wealthy outsider who sundered every road block in the Hollywood system to achieve success on his own terms—the making of The Room, “the Citizen Kane of bad movies” (Entertainment Weekly). In 2003, an independent film called The Room—written, produced, directed, and starring a very rich social misfit of indeterminate age and origin named Tommy Wiseau—made its disastrous debut in Los Angeles. Described by one reviewer as “like getting stabbed in the head,” the $6 million film earned a grand total of $1,800 at the box office and closed after two weeks. Now in its tenth anniversary year, The Room is an international phenomenon to rival The Rocky Horror Picture Show. Thousands of fans wait in line for hours to attend screenings complete with costumes, audience rituals, merchandising, and thousands of plastic spoons. Readers need not have seen The Room to appreciate its costar Greg Sestero’s account of how Tommy Wiseau defied every law of artistry, business, and interpersonal relationships to achieve the dream only he could love. While it does unravel mysteries for fans, The Disaster Artist is more than just an hilarious story about cinematic hubris: It is ultimately a surprisingly inspiring tour de force that reads like a page-turning novel, an open-hearted portrait of a supremely enigmatic man who will capture your heart.

A compelling, intelligent, and timely exploration of the horror genre from one of Columbia University’s most popular professors, shedding light on how classic horror films demonstrate larger cultural attitudes about women’s rights, bodily autonomy, and more.In May of 2022, Columbia University’s Dr. Eleanor Johnson watched along with her students as the Supreme Court reversed Roe v. Wade. At the same time, her class was studying the 1968 horror film Rosemary’s Baby and Johnson had a sudden horror cinema engages directly with the combustive politics of women’s rights and offer a light through the darkness and an outlet to scream. With a voice as persuasive as it is insightful, Johnson reveals how classics like Rosemary’s Baby, The Exorcist, and The Shining expose and critique issues of reproductive control, domestic violence, and patriarchal oppression. Scream with Me weaves these iconic films into the fabric of American feminism, revealing that true horror often lies not in the supernatural, but in the familiar confines of the home, exposing the deep-seated fears and realities of women’s lives. While on the one hand a joyful celebration of seminal and beloved horror films, Scream with Me is also an unflinching and timely recognition of the power of this genre to shape and reflect cultural dialogues about gender and power.

From the acclaimed author of American Comics and Jewish Comedy comes a sweeping and entertaining narrative that details the rise and enduring grip of horror in American literature, cinema, and, ultimately, culture—from the taut, terrifying stories of Edgar Allan Poe to the grisly, lingering films of Jordan Peele America is held captive by horror stories. They flicker on the screen of a darkened movie theater and are shared around the campfire. They blare out in tabloid true-crime headlines, and in the worried voices of local news anchors. They are consumed, virally, on the phones in each of our pockets. Like the victims in any slasher worth its salt, we can’t escape the thrall of scary stories. In American Scary, noted cultural historian and Columbia professor Jeremy Dauber takes the reader to the startling origins of the horror genre in the United States, drawing a surprising through-line between the lingering influence of the European Gothic, the enslaved insurrection tales propagated by slaveholders, and the apocryphal chronicles of colonial settlers kidnapped by Native Americans, among many others. These foundational narratives give rise to and are influenced by the body of work we more closely associate with the weird fiction of HP Lovecraft, the lingering stories of Shirley Jackson, the unsettling films of Alfred Hitchcock, the up-all-night tales of Stephen King, and the gripping critiques of Jordan Peele. From “The Tell-Tale Heart” to M3gan, we begin to see why the horror genre is the perfect prism through which to view America’s past and present. With the extraordinary historical breadth and dexterous weave of insight and style that has made him twice a finalist for the National Jewish Book, Dauber makes the haunting case that horror reveals the true depths of the American mind.  Featuring cameos Shirley Jackson • The Sixth Sense •  Edgar Allan Poe • Nathaniel Hawthorne • Anne Radcliffe • Charles Brockden Brown • Los Espookys • Washington Irving • Nat Turner •  Night of the Living Dead • H.P. Lovecraft • Alien • Mary Heaton Vorse • Edith Wharton • Norman Bates • Lon Chaney • Frankenstein • Dracula • H.G. Wells • William Faulkner • Dashiell Hammett • Tananarive Due • Twilight Zone • The Handmaid’s Tale • Ray Bradbury • I Am Legend • Elia Kazan • Psycho • Ralph Ellison • The Blair Witch Project • Stanley Kubrick • Helter Skelter • Jordan Peele • The Walking Dead • H.H. Holmes • Harriet Beecher Stowe

The Pages and Co. series comes to a thrilling end in this perfect final instalment. As Tilly, Oskar, Alessia and Milo venture into Arthurian legend to find the first bookwanderer – the wizard Merlin – they discover that everything they thought they knew about bookwandering might be wrong. Working together to figure out how to untangle the Alchemist's grip on the world's imagination, save Pages & Co., and defeat an unexpected enemy, they learn about the true power of imagination in a journey through myths and legend that will help them to save the very foundations of bookwandering . . .