«Toute mon adolescence, j'ai entendu parler des personnages d' À la recherche du temps perdu , persuadée qu'ils étaient des cousins que je n'avais pas encore rencontrés. À la maison, les répliques de Charlus, les vacheries de la duchesse de Guermantes se confondaient avec les bons mots entendus à table, sans solution de continuité entre fiction et réalité. Car le monde révolu où j'ai grandi était encore celui de Proust, qui avait connu mes arrière-grands-parents, dont les noms figurent dans son roman. J'ai fini, vers l'âge de vingt ans, par lire la Recherche . Et là, ma vie à changé. Proust savait mieux que moi ce que je traversais. il me montrait à quel point l'aristocratie est un univers de formes vides. Avant même ma rupture avec ma propre famille, il m'offrait une méditation sur l'exil intérieur vécu par celles et ceux qui s'écartent des normes sociales et sexuelles. Proust ne m'a pas seulement décillée sur mon milieu d'origine. Il m'a constituée comme sujet, lectrice active de ma propre vie, en me révélant le pouvoir d'émancipation de la littérature, qui est aussi un pouvoir de consolation et de réconciliation avec le Temps. » Un roman qui médite sur le pouvoir émancipateur de la littérature, qui est aussi un pouvoir de consolation et de réconciliation avec la vie.

"I'm in your blood, and you are in mine…" The Netherlands, 1887. Lucy's twin sister Sarah is unwell. She refuses to eat, mumbles nonsensically, and is increasingly obsessed with a centuries-old corpse recently discovered on her husband's grand estate. The doctor has diagnosed her with temporary insanity caused by a fever of the brain. To protect her twin from a terrible fate in a lunatic asylum, Lucy must unravel the mystery surrounding her sister's condition, but it's clear her twin is hiding something. Then again, Lucy is harboring secrets of her own, too. Then, the worst happens. Sarah's behavior takes a turn for the strange. She becomes angry… and hungry.  Lucy soon comes to suspect that something is trying to possess her beloved sister. Or is it madness? As Sarah changes before her very eyes, Lucy must reckon with the dark, monstrous truth, or risk losing her forever.

A book-length poem about how an American Indian writer can’t bring himself to write about nature, but is forced to reckon with colonial-white stereotypes, manifest destiny, and his own identity as an young, queer, urban-dwelling poet. A Best Book of the Year at  BuzzFeed, Interview , and more.   Nature Poem follows Teebs―a young, queer, American Indian (or NDN) poet―who can’t bring himself to write a nature poem. For the reservation-born, urban-dwelling hipster, the exercise feels stereotypical, reductive, and boring. He hates nature. He prefers city lights to the night sky. He’d slap a tree across the face. He’d rather write a mountain of hashtag punchlines about death and give head in a pizza-parlor bathroom; he’d rather write odes to Aretha Franklin and Hole. While he’s adamant―bratty, even―about his distaste for the word “natural,” over the course of the book we see him confronting the assimilationist, historical, colonial-white ideas that collude NDN people with nature. The closer his people were identified with the “natural world,” he figures, the easier it was to mow them down like the underbrush. But Teebs gradually learns how to interpret constellations through his own lens, along with human nature, sexuality, language, music, and Twitter. Even while he reckons with manifest destiny and genocide and centuries of disenfranchisement, he learns how to have faith in his own voice.

Full of glimpses into gleaming worlds and fairy tales with teeth, Seasons of Glass and Stories is a collection of acclaimed and awarded work from Amal El-Mohtar. With confidence and style, El-Mohtar guides us through exquisitely told and sharply observed tales about life as it is, was, and could be. Like miscellany from other worlds, these stories are told in letters, diary entries, reference materials, folktales, and lyrical prose. Full of Nebula, Locus, World Fantasy, and Hugo Award-winning and nominated stories, Seasons of Glass and Stories includes "Seasons of Glass and Iron," "The Green Book," "Madeleine," "The Lonely Sea in the Sky," "And Their Lips Rang with the Sun," "The Truth About Owls," "A Hollow Play," "Anabasis," "To Follow the Waves," "John Hollowback and the Witch," "Florilegia, or, Some Lies About Flowers," "Pockets," and more.

The cult Japanese bestseller about a female gourmet cook and serial killer and the journalist intent on cracking her case, inspired by a true story, and translated by Polly Barton. There are two things that I can simply not tolerate: feminists and margarine. Gourmet cook Manako Kajii sits in Tokyo Detention Centre convicted of the serial murders of lonely businessmen, who she is said to have seduced with her delicious home cooking. The case has captured the nation’s imagination but Kajii refuses to speak with the press, entertaining no visitors. That is, until journalist Rika Machida writes a letter asking for her recipe for beef stew and Kajii can’t resist writing back. Rika, the only woman in her news office, works late each night, rarely cooking more than ramen. As the visits unfold between her and the steely Kajii, they are closer to a masterclass in food than journalistic research. Rika hopes this gastronomic exchange will help her soften Kajii but it seems that she might be the one changing. With each meal she eats, something is awakening in her body, might she and Kaji have more in common than she once thought? Inspired by the real case of the convicted con woman and serial killer, "The Konkatsu Killer", Asako Yuzuki’s Butter is a vivid, unsettling exploration of misogyny, obsession, romance and the transgressive pleasures of food in Japan

A mother struggling to repress her violent past, A son struggling to grasp his violent future, A father blind to the danger that threatens them all. When the winds of war reach their peninsula, will the Matsuda family have the strength to defend their empire? Or will they tear each other apart before the true enemies even reach their shores? High on a mountainside at the edge of the Kaigenese Empire live the most powerful warriors in the world, superhumans capable of raising the sea and wielding blades of ice. For hundreds of years, the fighters of the Kusanagi Peninsula have held the Empire’s enemies at bay, earning their frozen spit of land the name ‘The Sword of Kaigen.’ Born into Kusanagi’s legendary Matsuda family, fourteen-year-old Mamoru has always known his purpose: to master his family’s fighting techniques and defend his homeland. But when an outsider arrives and pulls back the curtain on Kaigen’s alleged age of peace, Mamoru realizes that he might not have much time to become the fighter he was bred to be. Worse, the empire he was bred to defend may stand on a foundation of lies. Misaki told herself that she left the passions of her youth behind when she married into the Matsuda house. Determined to be a good housewife and mother, she hid away her sword, along with everything from her days as a fighter in a faraway country. But with her growing son asking questions about the outside world, the threat of an impending invasion looming across the sea, and her frigid husband grating on her nerves, Misaki finds the fighter in her clawing its way back to the surface.

Don't miss the sapphic sports romcom from Adiba Jaigirdar from the award-winning author of Hani and Ishu's Fake Guide to DatingAll is fair in love and rivalry...Dina is done. She's burn out after years in corporate London and now is working in her family's struggling Bangladeshi restaurant. The last thing she expects is to be roped into coaching a football team of disadvantaged amateur players - or to say yes.Maya is back. She could have had a brilliant career, but it all went...well wrong. Now she's back home, back in her childhood bedroom. Her only escape is agreeing to coach her old secondary school's team.It doesn't take long for them to bump into each other again and for as long as anyone can remember, Dina and Maya were rivals. But will the very game that tore them apart bring them back together?An enemies-to-lovers and angsty queer Bend it like Beckham meets Cross the Line jampacked with quirky side characters who cannot help but intervene to push their uptight managers together.

PRE-ORDER THE WORLD-BURNING HORROMANTASY, BRINGING TOGETHER LITERATURE'S MOST FAMOUS LADY VILLAINS, LADY MACBETH AND KLYTEMNESTRA . . . For fans of A Dowry of Blood, Clytemnestra, and Piranesi, Vile Lady Villains is an unforgettable ride into the realm of stories -- With the consequences of her murderous actions closing in, Lady Macbeth turns to the three witches for help. She’s given a brew that transports her to an unknown realm. Desperately lost, she opens a door and comes face to face with a beautiful woman drenched in blood. Klytemnestra, Queen of Mycenae, is exacting bloody vengeance on her husband. Yet as she revels in her triumph, an otherworldly door appears and a strange woman steps in. Thinking this stranger a spirit, she chases Lady Macbeth into the realm of stories. Hunted by screaming wraiths into worlds that are hell bent on their demise, this murderous pair are forced to form an alliance or perish. Yet the realm’s goddess, The Mistress of the House of Books, claims to hold the key to saving them. But can they trust this ancient goddess? As every threat brings our vile lady villains closer, turning ill intentions into fiery attraction that no author dare write, they have a remain within the confines of their original tales … Or burn down the world to pen a new story together . . .