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L'anniversario
Andrea Bajani
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runonthebooks commented on runonthebooks's review of The Deserters
The Deserters feels like stepping into two separate stories that keep glancing at each other without ever fully meeting. You’re always trying to work out how they connect, and Enard makes that uncertainty part of the experience.
The soldier’s storyline is the one that really tightened the screws for me. The way the narration slips between first and third person gives it a strange, disorienting edge. It’s not dramatic, just quietly unsettling. The dynamic between the soldier and the woman is tense enough that you feel yourself bracing. The night kept falling — that line captures the atmosphere perfectly.
Then there’s the other narrative: the daughter of a famous mathematician and Holocaust survivor, caught in the middle of an event celebrating her father’s life. It all unfolds on 11 September 2001, which adds a heavy, unavoidable shadow to everything she observes. Her perspective gives the book a different texture — more reflective, more grounded in history and memory. It’s a completely different voice, and that contrast is deliberate.
You keep waiting for the moment the two stories snap together, but Enard keeps that connection hazy. It’s not frustrating — more like being asked to sit with ambiguity for a while.
A line that stuck with me: You know these things, that torture taught you.
For me, the questions linger… how do these stories speak to each other? What’s hiding in the space between them? And why does the uneasiness stay long after the final page?
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White Noise
Don DeLillo
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A Pale View of Hills
Kazuo Ishiguro
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The Fixer
Bernard Malamud
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Swan Song
Robert McCammon
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The Heart Is a Lonely Hunter
Carson McCullers
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A Pale View of Hills
Kazuo Ishiguro
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Open, Heaven
Seán Hewitt