A bold and unabashed novel about a young Palestinian woman's unraveling, far from home, as she gets caught up in a scheme reselling Birkin bags The Coin follows a Palestinian woman as she pursues a dream that generations of her family have failed at: to live and thrive in America. She teaches at a school for underprivileged boys in New York, where her eccentric methods cross conventional boundaries. She befriends a homeless swindler and the two participate in a pyramid scheme reselling Birkin bags, the value of which "increases, year by year, regardless of poverty, of war, of famine." The juxtaposition of luxury and the abject engulfs her as she is able to con her way to bag after bag, preoccupied by the suffering she knows of the world. Eventually, her body and mind go to war. America is stifling her—her willfulness, her sexuality, her ideology. In an attempt to regain control, she becomes preoccupied with purity, cleanliness and self-image, all while drawing her students into her obsessions. In an unforgettable denouement, her childhood memories converge with her feelings of existential statelessness, and the narrator unravels spectacularly. Enthralling, sensory, and uncanny, The Coin explores materiality, nature and civilization, class, homelessness, sexuality, beauty—and how oppression and inherited trauma manifest in every area of our lives—all while resisting easy moralizing. Provocative and original, humorous and inviting, The Coin marks the arrival of a major new literary voice.

A luminous and romantic debut novel in verse about navigating first love as a non–binary teenager. I feel invincible. Like I could run and run and never stop for breath. I feel a power in me I didn’t know I had. The power to speak, to say what I need. Prema knows exactly who they are. Coming out as non-binary to their queer parents and best friend? A total non-event. Catching feelings for Blessing – the boy in drama club whose smile makes their heart race? That’s trickier. As their final year of school unfolds and the two of them grow closer, Prema starts to question: Does Blessing really see them? Or just a version of them that doesn’t exist? They’d ask their best friend for advice, but she’s busy falling in love too. . . With gorgeous illustrations throughout, Bad Queer draws us deeply into queer friendship, family secrets, and the necessary act of loving yourself. Perfect for fans of Alice Oseman, Dean Atta, and Sarah Crossan. This is a love letter to queer futures – tender, curious, and fiercely alive.

The Murderess is a bone-chilling tale of crime and punishment with the dark beauty of a backwoods ballad. Set on the dirt-poor Aegean island of Skiathos, it is the story of Hadoula, an old woman living on the margins of society and at the outer limits of respectability. Hadoula knows about herbs and their hidden properties, and women come to her when they need help. She knows women’s secrets and she knows the misery of their lives, and as the book begins, she is trying to stop her new-born granddaughter from crying so that her daughter can at last get a little sleep. She rocks the baby and rocks her and then the terrible truth hits there’s nothing worse than being born a woman, and there’s something that she, Hadoula, can do about that. Peter Levi’s matchless translation of Alexandros Papadiamantis’s astonishing novella captures the excitement and haunting poetry of the original Greek.

Erin and Max are two trans kids who are just trying to get to California. Max is desperate to finally be able to transition, and Erin is longing to understand why she’s on this trip to begin with, after Max suddenly broke up with her two years earlier. But when they find themselves stranded - and eventually separated - in the creepy woods of rural middle-America, they suddenly have much bigger problems. First, there’s the creature that, according to legend, feeds on girls, hunting them through the shadows. And then there are the locals, who are searching for a female sacrifice. If either of them hope to survive to see the sunrise, Erin and Max will have to come together and stop running: from their attackers, from each other, and, ultimately, from themselves.

A stunning debut novel and an impressive feat of storytelling that pulls together mythology, magic, and ancient legend in the gripping story of a mother's struggle to save her only daughter. Nadine is a storytelling jinn tasked with one telling the stories of the dead. She rises every morning to gather pomegranate seeds--the souls of the dead--that have fallen during the night. With her daughter Layala at her side, she eats the seeds and tells their stories. Only then can the departed pass through the final gate of death. But when the seeds stop falling, Nadine knows something is terribly wrong. All her worst fears are confirmed when she is visited by Kamuna, Death herself, who reveals her desire for someone to replace: it is Layala she wants. Nadine will do whatever it takes to keep her daughter safe, but Kamuna has little patience and a ruthless drive to get what she has come for. Layala's fate, meanwhile, hangs in the balance. Rooted in Middle Eastern mythology, Rania Hanna deftly weaves subtle, yet breathtaking, magic through this vivid and compelling story that has at its heart the universal human desire to, somehow, outmaneuver death.

There is something haunting Nuhad's childhood home in Haifa. Cats avoid its perimeter, strange noises come from within, and residents have been known to disappear entirely in its walls without a trace.Our Cut of Salt is an unflinching, sinister and moving take on the haunted house novel, from a bold new Palestinian voice. Perfect for fans of The Only Good Indians and The Haunting of Hill House.Although Nuhad has not returned to her home since the Nakba in 1948, she always held a place for the house in her heart. And, in return, the house did the same for her. After Nuhad passes away, her granddaughter, Marina, is determined to visit her grandmother's home in Haifa after a lifetime of being kept in the dark about her culture and family history. Marina's mother, Haifa-named for the city that was lost to their family-reluctantly agrees to her trip, despite her omnipresent anxiety. When a long-buried spirit of the past begins to haunt both dreams and waking life, Marina develops breathing problems that cause her to feel as if she is drowning on dry land. Despite Nuhad's warnings, Haifa rushes to help her daughter. As the three women converge in their ancestral haunted home, they must learn what the price of the past truly is.

From the award-winning author of The Bride at Sea comes this visceral tale of feminine rage and magical realism as Layla learns the very human pains of growing up and realizing the world isn't as safe a place as it should be. A man's body is found viciously murdered behind a neighborhood's corner store, sending shockwaves through the tight-knit community in this small-town neighborhood. All the victim's family and bystanders want is to make sense of this brutal crime and move on with their lives. But all seven-year-old Layla wants is a pet donkey. To her, a donkey is the epitome of freedom and being self-sufficient—to think for herself, go anywhere by herself and live an independent life. As the killings continue, Layla's world unravels. Rumors start to fly of supposed hoofprints and a woman with hair like black silk. As the ambiguous messages in lipstick and sweet smell of perfume cause the finger of blame to point towards the women, Layla herself grows into a woman. The kind of woman she has always dreamt of becoming—a woman with sharp instincts. A woman who cannot be tamed.The night is not for you. It has always belonged to her.

The proximity of the East L.A. barrio to Hollywood is as close as a short drive on the 101 freeway, but the cultural divide is enormous. Born to Mexican-born and American-naturalized parents, Alicia Armendariz migrated a few miles west to participate in the free-range birth of the 1970s punk movement. Alicia adopted the punk name Alice Bag, and became lead singer for The Bags, early punk visionaries who starred in Penelope Spheeris' documentary The Decline of Western Civilization. Here is a life of many crossed boundaries, from East L.A.'s musica ranchera to Hollywood's punk rock; from a violent male-dominated family to female-dominated transgressive rock bands. Alice's feminist sympathies can be understood by the name of her satiric all-girl early Goth band Castration Squad. Violence Girl takes us from a violent upbringing to an aggressive punk sensibility; this time a difficult coming-of-age memoir culminates with a satisfying conclusion, complete with a happy marriage and children. Nearly a hundred excellent photographs energize the text in remarkable ways. Alice Bag's work and influence can be seen this year in the traveling Smithsonian exhibition "American Sabor: Latinos in U.S. Popular Music."

A Haitian-American girl uses her previously hidden zombie abilities to exact revenge on the wealthy elites who’ve hurt her family. Brielle Petitfour loves to cook--but with a chronically sick mother and bills to pay, becoming a chef isn’t exactly a realistic career path. When her mom suddenly loses her job, Brielle steps in and uses her culinary skills to earn some extra money. The rich families who love her cooking praise her use of unique flavors and textures, which keep everyone guessing what’s in her dishes. The secret ingredient? Human flesh. Inspired by Haitian zombie lore, The Summer I Ate the Rich scrutinizes the socioeconomic and racial inequity that is the foundation of modern times.