An incisive examination of why the pillars of feminism have eroded—and how all women, not just the #girlbosses, can rebuild them After more than 175 years, the feminist movement, now in its fourth wave, is at risk of collapsing on its eroding foundation. In Faux Feminism, political philosopher Serene Khader advocates for another feminism—one that doesn’t overwhelmingly serve white, affluent #girlbosses. With empathy, passion, and wit, Khader invites the reader to join her as she excavates the movement’s history and draws a blueprint for a more inclusive and resilient future. A feminist myth buster, Khader begins by deconstructing “faux feminisms.” Thought to be the pillars of good feminism, they may appeal to many but, in truth, leave most women behind. Her critical inquiry begets a new vision of feminism: one that tackles inequality at the societal, not individual, level and that is ultimately rooted in community.

NATIONAL BESTSELLER "Inspiring. . . . insights that are scientific, intimate and surprising. . . . a call to action for those who still care."― The Washington Post Inspired by forests, trees, leaves, roots, and seeds, The Language of A Rewilding of Literature and Landscape invites readers to discover an unexpected and imaginative language to better read and write the natural world around us and reclaim our relationship with it. In this gorgeously illustrated and deeply thoughtful collection, Katie Holten gifts readers her tree alphabet and uses it to masterfully translate and illuminate beloved lost and new, original writing in praise of the natural world. With an introduction from Ross Gay, and featuring writings from over fifty contributors including Ursula K. Le Guin, Ada Limón, Robert Macfarlane, Zadie Smith, Radiohead, Aimee Nezhukumatathil, James Gleick, Elizabeth Kolbert, Plato, and Robin Wall Kimmerer, Holten illustrates each selection with an abiding love and reverence for the magic of trees. She guides readers on a journey from creation myths and cave paintings to the death of a 3,500-year-old cypress tree, from Tree Clocks in Mongolia and forest fragments in the Amazon to the language of fossil poetry, unearthing a new way to see the natural beauty all around us and an urgent reminder of what could happen if we allow it to slip away. The Language of Trees considers our relationship with literature and landscape, resulting in an astonishing fusion of storytelling and art and a deeply beautiful celebration of trees through the ages.

'An extraordinary, necessary book' Robert Macfarlane, author of Underland'[Jason Allen-Paisant] intimately explores ideas around class, leisure, economics and self-discovery, looking closely at the life of his farmer grandmother, as well as the plants and people that shaped who he is today' Observer'Strangely restorative and tenderly written. Hold it in your hands and then dream of the green world' Monique Roffey, author of Passiontide'This book is a triumph' Professor Corinne Fowler, author of Our Island Stories'An unforgettable read' Tice Cin, author of Keeping The House'Profound and lyrical' Ekow Eshun, author of The StrangersThe Possibility of Tenderness is a personal history narrated through the lens of the ‘grung’ and plants. It’s also a people’s history of the land, a family saga, an archival detective story through time. It’s the migration tale of a young scholar who arrives in Britain from rural Jamaica to study at Oxford to achieve ‘upward social mobility’ and who now lives in Roundhay Leeds. Suddenly, amidst his journey of dreams and class aspiration, the plants and people of his native district, Coffee Grove, begin to offer different ways of living, alternative dreams, and the possibility of tenderness and the permission to roam England.Marrying the local and the familial with global history and unfolding as a timely and immersive tale of land, environment, and the world of plants, The Possibility of Tenderness reveals how the history of a tiny rural village in a mountainous region of Jamaica is interlinked with that of modern Britain. And, also what that rural village can teach us about leisure, land ownership and reclamation today.Mama, the author’s grandmother, is a central protagonist of the story. Alongside her, herbalists, plant workers, farmers, and plant lovers help forge an intimate portrait of Coffee Grove, as do the plants themselves; fever grass, jointa, search mi heart, leaf of life, helping Allen-Paisant revise his sense of self and solidify a new understanding of his place in the world.The Possibility of Tenderness is a cross-pollinating book about the transformative power of plants, the legacy of dreams, and the lessons they offer for living with the earth.

Growing up on the moon, Xingyin is accustomed to solitude, unaware that she is being hidden from the feared Celestial Emperor who exiled her mother for stealing his elixir of immortality. But when Xingyin’s magic flares and her existence is discovered, she is forced to flee her home, leaving her mother behind. Alone, powerless, and afraid, she makes her way to the Celestial Kingdom, a land of wonder and secrets. Disguising her identity, she seizes an opportunity to learn alongside the emperor's son, mastering archery and magic, even as passion flames between her and the prince. To save her mother, Xingyin embarks on a perilous quest, confronting legendary creatures and vicious enemies across the earth and skies. But when treachery looms and forbidden magic threatens the kingdom, she must challenge the ruthless Celestial Emperor for her dream—striking a dangerous bargain in which she is torn between losing all she loves or plunging the realm into chaos. A captivating debut fantasy inspired by the legend of Chang'e, the Chinese moon goddess, in which a young woman’s quest to free her mother pits her against the most powerful immortal in the realm. Daughter of the Moon Goddess begins an enchanting, romantic duology which weaves ancient Chinese mythology into a sweeping adventure of immortals and magic—where love vies with honor, dreams are fraught with betrayal, and hope emerges triumphant.

Comprising a selection of essays, Upstream finds beloved poet Mary Oliver reflecting on her astonishment and admiration for the natural world and the craft of writing.  As she contemplates the pleasure of artistic labor, finding solace and safety within the woods, and the joyful and rhythmic beating of wings, Oliver intimately shares with her readers her quiet discoveries, boundless curiosity, and exuberance for the grandeur of our world. This radiant collection of her work, with some pieces published here for the first time, reaffirms Oliver as a passionate and prolific observer whose thoughtful meditations on spiders, writing a poem, blue fin tuna, and Ralph Waldo Emerson inspire us all to discover wonder and awe in life's smallest corners.

This debut novel by a Palestinian-American voice takes us inside the lives of a conservative Arab family living in America. In Brooklyn, eighteen-year-old Deya is starting to meet with suitors. Though she doesn’t want to get married, her grandparents give her no choice. History is repeating itself: Deya’s mother, Isra, also had no choice when she left Palestine as a teenager to marry Adam. Though Deya was raised to believe her parents died in a car accident, a secret note from a mysterious, yet familiar-looking woman makes Deya question everything she was told about her past. As the narrative alternates between the lives of Deya and Isra, she begins to understand the dark, complex secrets behind her community.

There’s power in a book… They call them wayward girls. Loose girls. Girls who grew up too fast. And they’re sent to the Wellwood Home in St. Augustine, Florida, where unwed mothers are hidden by their families to have their babies in secret, give them up for adoption, and most important of all, to forget any of it ever happened. Fifteen-year-old Fern arrives at the home in the sweltering summer of 1970, pregnant, terrified and alone. Under the watchful eye of the stern Miss Wellwood, she meets a dozen other girls in the same predicament. There’s Rose, a hippie who insists she’s going to find a way to keep her baby and escape to a commune. And Zinnia, a budding musician who knows she’s going to go home and marry her baby’s father. And Holly, a wisp of a girl, barely fourteen, mute and pregnant by no-one-knows-who. Everything the girls eat, every moment of their waking day, and everything they’re allowed to talk about is strictly controlled by adults who claim they know what’s best for them. Then Fern meets a librarian who gives her an occult book about witchcraft, and power is in the hands of the girls for the first time in their lives. But power can destroy as easily as it creates, and it’s never given freely. There’s always a price to be paid…and it’s usually paid in blood. In Witchcraft for Wayward Girls, the author of How to Sell a Haunted House and The Final Girl Support Group delivers another searing, completely original novel and further cements his status as a “horror master” (NPR).

Donika Kelly's fierce debut collection, longlisted for the 2016 National Book Award and winner of the 2015 Cave Canem Poetry Prize I thought myself lion and serpent. Thought myself body enough for two, for we. Found comfort in never being lonely. What burst from my back, from my bones, what lived along the ridge from crown to crown, from mane to forked tongue beneath the skin. What clamor we made in the birthing. What hiss and rumble at the splitting, at the horns and beard, at the glottal bleat. What bridges our back. What strong neck, what bright eye. What menagerie are we. What we've made of ourselves. --from "Love Chimera" Across this remarkable first book are encounters with animals, legendary beasts, and mythological monsters--half human and half something else. Donika Kelly's Bestiary is a catalogue of creatures--from the whale and ostrich to the pegasus and chimera to the centaur and griffin. Among them too are poems of love, self-discovery, and travel, from "Out West" to "Back East." Lurking in the middle of this powerful and multifaceted collection is a wrenching sequence that wonders just who or what is the real monster inside this life of survival and reflection. Selected and with an introduction by the National Book Award winner Nikky Finney, Bestiary questions what makes us human, what makes us whole.