A millennial turned magical girl must combat climate change and credit card debt in this delightful, witty, and wildly imaginative ode to magical girl manga. Twenty-nine, depressed, and drowning in credit card debt after losing her job during the pandemic, a millennial woman decides to end her troubles by jumping off Seoul’s Mapo Bridge. But her suicide attempt is interrupted by a girl dressed all in white—her guardian angel. Ah Roa is a clairvoyant magical girl on a mission to find the greatest magical girl of all time. And our protagonist just may be that special someone. But the young woman’s initial excitement turns to frustration when she learns being a magical girl in real life is much different than how it’s portrayed in stories. It isn’t just destiny—it’s work. Magical girls go to job fairs, join trade unions, attend classes. And for this magical girl there are no special powers and no great perks, and despite being magical, she still battles with low self-esteem. Her magic wand . . . is a credit card—which she must use to defeat a terrifying threat that isn’t a monster or an intergalactic war. It’s global climate change. Because magical girls need to think about sustainability, too. Park Seolyeon reimagines classic fantasy tropes in a novel that explores real-world challenges that are both deeply personal and universal: the search for meaning and the desire to do good in a world that feels like it’s ending. A fun, fast-paced, and enchanting narrative that sparkles thanks to award-nominated translator Anton Hur, A Magical Girl Retires reminds us that we are all magical girls—that fighting evil by moonlight and winning love by daylight can be anyone's game. Translated from the Korean by Anton Hur.

A millennial turned magical girl must combat climate change and credit card debt in this delightful, witty, and wildly imaginative ode to magical girl manga. Twenty-nine, depressed, and drowning in credit card debt after losing her job during the pandemic, a millennial woman decides to end her troubles by jumping off Seoul’s Mapo Bridge. But her suicide attempt is interrupted by a girl dressed all in white—her guardian angel. Ah Roa is a clairvoyant magical girl on a mission to find the greatest magical girl of all time. And our protagonist just may be that special someone. But the young woman’s initial excitement turns to frustration when she learns being a magical girl in real life is much different than how it’s portrayed in stories. It isn’t just destiny—it’s work. Magical girls go to job fairs, join trade unions, attend classes. And for this magical girl there are no special powers and no great perks, and despite being magical, she still battles with low self-esteem. Her magic wand . . . is a credit card—which she must use to defeat a terrifying threat that isn’t a monster or an intergalactic war. It’s global climate change. Because magical girls need to think about sustainability, too. Park Seolyeon reimagines classic fantasy tropes in a novel that explores real-world challenges that are both deeply personal and universal: the search for meaning and the desire to do good in a world that feels like it’s ending. A fun, fast-paced, and enchanting narrative that sparkles thanks to award-nominated translator Anton Hur, A Magical Girl Retires reminds us that we are all magical girls—that fighting evil by moonlight and winning love by daylight can be anyone's game. Translated from the Korean by Anton Hur.

A scathingly funny, wildly erotic, and fiercely imaginative story about food, sex, and god from the acclaimed author of The Pisces and So Sad Today. Rachel is twenty-four, a lapsed Jew who has made calorie restriction her religion. By day, she maintains an illusion of existential control, by way of obsessive food rituals, while working as an underling at a Los Angeles talent management agency. At night, she pedals nowhere on the elliptical machine. Rachel is content to carry on subsisting—until her therapist encourages her to take a ninety-day communication detox from her mother, who raised her in the tradition of calorie counting. Early in the detox, Rachel meets Miriam, a zaftig young Orthodox Jewish woman who works at her favorite frozen yogurt shop and is intent upon feeding her. Rachel is suddenly and powerfully entranced by Miriam—by her sundaes and her body, her faith and her family—and as the two grow closer, Rachel embarks on a journey marked by mirrors, mysticism, mothers, milk, and honey. Pairing superlative emotional insight with unabashed vivid fantasy, Broder tells a tale of appetites: physical hunger, sexual desire, spiritual longing, and the ways that we as humans can compartmentalize these so often interdependent instincts. Milk Fed is a tender and riotously funny meditation on love, certitude, and the question of what we are all being fed, from one of our major writers on the psyche—both sacred and profane.

A scathingly funny, wildly erotic, and fiercely imaginative story about food, sex, and god from the acclaimed author of The Pisces and So Sad Today. Rachel is twenty-four, a lapsed Jew who has made calorie restriction her religion. By day, she maintains an illusion of existential control, by way of obsessive food rituals, while working as an underling at a Los Angeles talent management agency. At night, she pedals nowhere on the elliptical machine. Rachel is content to carry on subsisting—until her therapist encourages her to take a ninety-day communication detox from her mother, who raised her in the tradition of calorie counting. Early in the detox, Rachel meets Miriam, a zaftig young Orthodox Jewish woman who works at her favorite frozen yogurt shop and is intent upon feeding her. Rachel is suddenly and powerfully entranced by Miriam—by her sundaes and her body, her faith and her family—and as the two grow closer, Rachel embarks on a journey marked by mirrors, mysticism, mothers, milk, and honey. Pairing superlative emotional insight with unabashed vivid fantasy, Broder tells a tale of appetites: physical hunger, sexual desire, spiritual longing, and the ways that we as humans can compartmentalize these so often interdependent instincts. Milk Fed is a tender and riotously funny meditation on love, certitude, and the question of what we are all being fed, from one of our major writers on the psyche—both sacred and profane.

A collection of nineteen dark, wildly imaginative short stories from the author of the award-winning TikTok sensation Tender Is the Flesh.From celebrated author Agustina Bazterrica, this collection of nineteen brutal, darkly funny short stories takes into our deepest fears and through our most disturbing fantasies. Through stories about violence, alienation, and dystopia, Bazterrica’s vision of the human experience emerges in complex, unexpected ways—often unsettling, sometimes thrilling, and always profound. In “Roberto,” a girl claims to have a rabbit between her legs. A woman’s neighbor jumps to his death in “A Light, Swift, and Monstrous Sound,” and in “Candy Pink,” a woman fails to contend with a difficult breakup in five easy steps. Written in Bazterrica’s signature clever, vivid style, these stories question love, friendship, family relationships, and unspeakable desires.

A collection of nineteen dark, wildly imaginative short stories from the author of the award-winning TikTok sensation Tender Is the Flesh.From celebrated author Agustina Bazterrica, this collection of nineteen brutal, darkly funny short stories takes into our deepest fears and through our most disturbing fantasies. Through stories about violence, alienation, and dystopia, Bazterrica’s vision of the human experience emerges in complex, unexpected ways—often unsettling, sometimes thrilling, and always profound. In “Roberto,” a girl claims to have a rabbit between her legs. A woman’s neighbor jumps to his death in “A Light, Swift, and Monstrous Sound,” and in “Candy Pink,” a woman fails to contend with a difficult breakup in five easy steps. Written in Bazterrica’s signature clever, vivid style, these stories question love, friendship, family relationships, and unspeakable desires.

In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. But Circe is a strange child--neither powerful like her father nor viciously alluring like her mother. Turning to the world of mortals for companionship, she discovers that she does possess power: the power of witchcraft, which can transform rivals into monsters and menace the gods themselves. Threatened, Zeus banishes her to a deserted island, where she hones her occult craft, tames wild beasts, and crosses paths with many of the most famous figures in all of mythology, including the Minotaur, Daedalus and his doomed son Icarus, the murderous Medea, and, of course, wily Odysseus. But there is danger, too, for a woman who stands alone, and Circe unwittingly draws the wrath of both men and gods, ultimately finding herself pitted against one of the most terrifying and vengeful of the Olympians. To protect what she loves most, Circe must summon all her strength and choose, once and for all, whether she belongs with the gods she is born from or with the mortals she has come to love.

From the #1 New York Times bestselling author of I’m Glad My Mom Died comes a sad, funny, thrilling novel about sex, consumerism, class, desire, loneliness, the internet, rage, intimacy, power, and the (oftentimes misguided) lengths we’ll go to in order to get what we want. Waldo is ravenous. Horny. Blunt. Naive. Wise. Impulsive. Lonely. Angry. Forceful. Hurting. Perceptive. Endlessly wanting. And the thing she wants most of Mr. Korgy, her creative writing teacher with the wife and the kid and the mortgage and the bills, with the dead dreams and the atrophied looks and the growing paunch. She doesn’t know why she wants him. Is it his passion? His life experience? The fact that he knows books and films and things that she doesn’t? Or is it purer than that, rooted in their unlikely connection, their kindred spirits, the similar filter with which they each take in the world around them? Or, perhaps, it’s just enough that he sees her when no one else does. Startlingly perceptive, mordantly funny, and keenly poignant, Half His Age is a rich character study of a yearning seventeen-year-old who disregards all obstacles—or attempts to overcome them—in her effort to be seen, to be desired, to be loved.

From the #1 New York Times bestselling author of I’m Glad My Mom Died comes a sad, funny, thrilling novel about sex, consumerism, class, desire, loneliness, the internet, rage, intimacy, power, and the (oftentimes misguided) lengths we’ll go to in order to get what we want. Waldo is ravenous. Horny. Blunt. Naive. Wise. Impulsive. Lonely. Angry. Forceful. Hurting. Perceptive. Endlessly wanting. And the thing she wants most of Mr. Korgy, her creative writing teacher with the wife and the kid and the mortgage and the bills, with the dead dreams and the atrophied looks and the growing paunch. She doesn’t know why she wants him. Is it his passion? His life experience? The fact that he knows books and films and things that she doesn’t? Or is it purer than that, rooted in their unlikely connection, their kindred spirits, the similar filter with which they each take in the world around them? Or, perhaps, it’s just enough that he sees her when no one else does. Startlingly perceptive, mordantly funny, and keenly poignant, Half His Age is a rich character study of a yearning seventeen-year-old who disregards all obstacles—or attempts to overcome them—in her effort to be seen, to be desired, to be loved.

Twelve stories of ghosts, demons and wild women: of sharp-toothed children and stolen skulls. In this sleep-stealing collection, Enríquez transports the reader to the crime-ridden street of post-dictatorship Buenos Aires, where exhausted fathers conjure up child-killers, and young women, tired of suffering in silence, decide there's nothing left to do but set themselves on fire.