Forty years ago, the world nearly ended. Be is an old robot who was there, and doesn’t want to think about what happened, or what role they played in that conflict. They have settled into a life of isolation in the abandoned ruins of an old mill in the former New York Botanical Gardens, disinterested in what has happened in the outside world since they stepped away from the war. Someone out there, though, has not forgotten about them, and when they are attacked, their person vandalized, and one of their leg stolen, they set out to find the thief accompanied by a cyborg dog and a human mechanic. The world has changed, but the recovery from the war is uneven and faltering, and Be begins to suspect a malicious hand trying to rekindle the old conflict and finish what was started. In order to stop them, Be needs to come to terms with both their own past and who they have become, and how everything and everyone else they knew has changed in their absence. Being left alone is no longer an option, and peace may be impossible. This is a story about coming to terms with your past, with who you’ve become and who you still want to be: a tale of resilence and hope, an ode to those struggling to become whole in a world half-broken.

The Grimm brothers were early 19th-century writers best known for their fairy tales coming from Scandinavian, Icelandic and Germanic origins. By 1807 there was a growing interest in German folk tales. The Grimm brothers were academics who invited friends to their home and asked them to relate stories they had heard. They soon published their first collection of tales and from there several more volumes followed. This compilation of fairy tales which includes the complete canon of over 200 tales has become a beloved set of classical stories the world over. Included in this collection are Hansel and Gretel, Briar Rose, The Fisherman and His Wife, Rapunzel, The Frog Prince, Little Red Riding Hood, Rumpelstiltskin, Tom Thumb, and many more. These stories are a delight to read and will rekindle up many childhood memories as they are reread. Presented here in this edition is the faithful translation of Margaret Hunt.

Two warriors shepherd an ancient god across a broken land to end the tyrannical reign of a royal family in this new epic fantasy from the author of The Vanished Birds.The people suffer under the centuries-long rule of the Moon Throne. The royal family—the despotic emperor and his monstrous sons, the Three Terrors—hold the countryside in their choking grip. They bleed the land and oppress the citizens with the frightful powers they inherited from the god locked under their palace.But that god cannot be contained forever.With the aid of Jun, a guard broken by his guilt-stricken past, and Keema, an outcast fighting for his future, the god escapes from her royal captivity and flees from her own children, the triplet Terrors who would drag her back to her unholy prison. And so it is that she embarks with her young companions on a five-day pilgrimage in search of freedom—and a way to end the Moon Throne forever. The journey ahead will be more dangerous than any of them could have imagined.Both a sweeping adventure story and an intimate exploration of identity, legacy, and belonging, The Spear Cuts Through Water is an ambitious and profound saga that will transport and transform you—and is like nothing you’ve ever read before.

The 30th-anniversary edition of a historical account, called “brilliantly original” by Katha Pollitt ( Washington Post Book World ), that reframed our understanding of women’s lives in early societies. Twenty thousand years ago, women were making and wearing clothing created from spun fibers. In Women’s Work , archaeologist-linguist Elizabeth Wayland Barber “weaves the strands of mythology and literature, ethnology and documented history into a rich tapestry” (John Noble Wilford, New York Times Book Review ), illuminating the vital role women held in preindustrial societies. With a distinctive and innovative approach to ancient remains, Barber examines ancient textiles from Stone Age string skirts and ancient Egyptian sleeved tunics to intricate Neolithic Swiss linens and colorfully patterned Minoan dresses, offering us captivating glimpses into the daily lives of women through the cloth they made and wore. “A fascinating history and prehistory of the making of textiles, a craft, exclusive to women (including queens and goddesses), that preceded and made possible civilization itself.”― New York Times Book Review “Fortunately, this most distinctive of female occupations has a sympathetic and authoritative chronicler in Elizabeth Wayland Barber.”―Mary R. Lefkowitz, New York Review of Books 71 illustrations, 5 maps

Spread Me is a darkly seductive tale of survival from Sarah Gailey, after a routine probe at a research station turns deadly when the team discovers a strange specimen in search of a warm place to stay. Kinsey has the perfect job as the team lead in a remote research outpost. She loves the solitude, and the way the desert keeps her far away from the temptations teeming out in the civilian world. When her crew discovers a mysterious specimen buried deep in the sand, Kinsey breaks quarantine and brings it into the hab. But the longer it's inside, the more her carefully controlled life begins to unravel. Temptation has found her after all, and it can't be ignored any longer. One by one, Kinsey's team realizes the thing they're studying is in search of a new host—and one of them is the perfect candidate....

In this spellbinding fantasy debut set in a future where language magic reigns, a young Hawaiian woman must solve a murder to clear her name. Kea Petrova is dealing with more than her fair share of trouble. At just twenty-five years old, she’s the youngest of five Hawaiian clan leaders living on the Homestead in outer Los Angeles. Nearly 200 years ago, when a catastrophic flood submerged the Hawaiian islands and unleashed magic into the world, these clans forged a treaty with the city, establishing a new Hawaiian homeland. But that treaty is about to expire. Kea struggles to keep her small clan afloat, scraping together rent each month through odd jobs and selling her own crafted Hawaiian language spells. While her talent for language magic is her saving grace, she feels like a shadow of those who came before her. Just when she thinks things can’t get any more complicated, the murder of Angelo Reyes—LA’s most prominent Filipino activist—turns her world upside-down. Angelo was killed by a death spell—something that, due to the properties of each school of language magic, can only exist in Hawaiian. With independent spellsmithing being technically illegal, Kea quickly becomes the prime suspect, known for her spellwork on the Homestead. To clear her name, she must unravel the mystery behind Angelo’s murder and confront LA’s most powerful (and dangerous) players, each wielding their own type of magic. The clock is ticking—can Kea save herself, her clan, and the Homestead before it’s too late?

ASIN B08H831J18 moved to the more recent edition Centuries before, robots of Panga gained self-awareness, laid down their tools, wandered, en masse into the wilderness, never to be seen again. They faded into myth and urban legend. Now the life of the tea monk who tells this story is upended by the arrival of a robot, there to honor the old promise of checking in. The robot cannot go back until the question of "what do people need?" is answered. But the answer to that question depends on who you ask, and how. They will need to ask it a lot. Chambers' series asks: in a world where people have what they want, does having more matter?