Authors June Hayward and Athena Liu were supposed to be twin rising stars: same year at Yale, same debut year in publishing. But Athena's a cross-genre literary darling, and June didn't even get a paperback release. Nobody wants stories about basic white girls, June thinks. So when June witnesses Athena's death in a freak accident, she acts on impulse: she steals Athena's just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers to the British and French war efforts during World War I. So what if June edits Athena's novel and sends it to her agent as her own work? So what if she lets her new publisher rebrand her as Juniper Song--complete with an ambiguously ethnic author photo? Doesn't this piece of history deserve to be told, whoever the teller? That's what June claims, and the New York Times bestseller list seems to agree. But June can't get away from Athena's shadow, and emerging evidence threatens to bring June's (stolen) success down around her. As June races to protect her secret, she discovers exactly how far she will go to keep what she thinks she deserves. With its totally immersive first-person voice, Yellowface takes on questions of diversity, racism, and cultural appropriation not only in the publishing industry but the persistent erasure of Asian-American voices and history by Western white society. R. F. Kuang's novel is timely, razor-sharp, and eminently readable.

A masterpiece of rebellion and imprisonment where war is peace freedom is slavery and Big Brother is watching Thought Police Big Brother Orwellian These words have entered our vocabulary because of George Orwell s classic dystopian novel 1984 The story of one man s nightmare odyssey as he pursues a forbidden love affair through a world ruled by warring states and a power structure that controls not only information but also individual thought and memory 1984 is a prophetic haunting tale More relevant than ever before 1984 exposes the worst crimes imaginable the destruction of truth freedom and individuality With a foreword by Thomas Pynchon With a foreword by Thomas Pynchon A masterpiece of rebellion and imprisonment where war is peace freedom is slavery and Big Brother is watching View our feature on George Orwell s 1984 Thought Police Big Brother Orwellian These words have entered our vocabulary because of George Orwell s classic dystopian novel 1984 The story of one man s nightmare odyssey as he pursues a forbidden love affair through a world ruled by warring states and a power structure that controls not only information but also individual thought and memory 1984 is a prophetic haunting tale More relevant than ever before 1984 exposes the worst crimes imaginable the destruction of truth freedom and individuality This beautiful paperback edition features deckled edges and french flaps a perfect gift for any occasion Alternate cover edition can be found here.

‘A work of genius’ Philip Hoare‘One of the best things I’ve read in many many years’ Hilton Als'Beautifully provocative ... the most compelling exploration of life, death, love and resistance that I've read for a very long time' Eimear McBrideA story of loss and grief, sex and love, and refusing to relinquish dreamsHe said he would understand if it was too much for me, that I could leave him, that I was young, I should be living, I said to him, I am living.Johnny Grant faces stark life decisions. Seeking answers, he looks back to his relationship with Jerry Field. When they met, nearly thirty years ago, Johnny was 19, Jerry was 45. They fell in love and made a life on their own terms in Jerry’s 1, Nova Scotia House. Johnny is still there today – but Jerry is gone, and so is the world they knew.As Johnny’s mind travels between then and now, he begins to remember stories of Jerry’s of experiments in living; of radical philosophies; of the many possibilities of love, sex and friendship before the AIDS crisis devastated the queer community. Slowly, he realizes what he must do next—and attempts to restore ways of being that could be lost forever.Nova Scotia House takes us to the heart of a relationship, a community and an era. It is both a love story and a lament; bearing witness to the enduring pain of the AIDS pandemic and honouring the joys and creativity of queer life. Intimate, visionary, and profoundly original, it marks the debut of a vibrant new voice in contemporary fiction, and a writer with a liberating new story to tell.

“With unsettling insight and disturbing clarity, How Fascism Works is an essential guidebook to our current national dilemma of democracy vs. authoritarianism.”—Jelani Cobb, New Yorker staff writer “No single book is as relevant to the present moment.”—Claudia Rankine, author of Citizen NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE • With a new preface • A Yale philosopher identifies the ten pillars of fascist politics, and charts their horrifying rise and deep history. As the child of refugees of World War II Europe and a renowned philosopher and scholar of propaganda, Jason Stanley has a deep understanding of how democratic societies can be vulnerable to fascism: Nations don’t have to be fascist to suffer from fascist politics. In fact, fascism’s roots have been present in the United States long before Donald Trump. Alarmed by the pervasive rise of fascist tactics both at home and around the globe, Stanley focuses here on the structures that unite them, laying out and analyzing the ten pillars of fascist politics—the language and beliefs that separate people into an “us” and a “them.” He knits together reflections on history, philosophy, sociology, and critical race theory with stories from contemporary Hungary, Poland, India, Myanmar, and the United States, among other nations. He makes clear the immense danger of underestimating the cumulative power of these tactics, which include • exploiting a mythic version of a nation’s past • propaganda that twists the language of democratic ideals against themselves • anti-intellectualism directed against universities and experts • law and order politics predicated on the assumption that members of minority groups are criminals • fierce attacks on labor groups and welfare These mechanisms all build on one another, creating and reinforcing divisions and shaping a society vulnerable to the appeals of authoritarian leadership. By uncovering disturbing patterns that are as prevalent today as ever, Stanley reveals that the stuff of politics—charged by rhetoric and myth—can quickly become policy and reality. Only by recognizing fascists politics, he argues, may we resist its most harmful effects and return to democratic ideals.

A stunning debut novel from the acclaimed young Irish poet Seán Hewitt, reminiscent of Garth Greenwell and Douglas Stuart in the intensity of its evocation of sexual awakening.Set in a remote village in the North of England, Open, Heaven unfolds over the course of one year in which two sixteen year old boys meet and transform each other’s lives.James—a sheltered, shy sixteen-year-old—is alone in his newly discovered sexuality, full of an unruly desire but entirely inexperienced. As he is beginning to understand himself and his longings, he also realizes how his feelings threaten to separate him from his family and the rural community he has grown up in. He dreams of another life, fantasizing about what lies beyond the village’s leaf-ribboned boundaries, beyond his autonomy, tenderness, sex. Then, in the autumn of 2002, he meets Luke, a slightly older boy, handsome, unkempt, who comes with a reputation for danger. Abandoned by his parents—his father imprisoned, and his mother having moved to France for another man—Luke has been sent to live with his aunt and uncle at their farm just outside the village. James is immediately drawn to him, like the pull a fire makes on the air, dragging things into it and blazing them into its hot, white centre, drawn to this boy who is beautiful and impulsive, charismatic, troubled. But underneath Luke’s bravado is a deep wound—a longing for the love of his father and for the stability of family life.Open, Heaven is a novel about desire, yearning, and the terror of first love. With the striking economy and lyricism that animate his work as a poet, Hewitt has written a mesmerizing hymn to boyhood, sensuality, and love in all its forms. A truly exceptional debut.

Alle verfallen ihr. Sie geht selbstbewusst durch die Straßen in ihrem Glanz, zieht magisch die Aufmerksamkeit auf sich. Ruth.Ruth ist ein ganz besonderer Mensch. Sie kommt mit einem Fell zur Welt wie schon ihre Mutter und ihre Großmutter, am Ende der Kindheit verliert sie es. Und Ruth hat «die Kraft». Sie kann Gewitter aufziehen lassen, Bäche zum Versiegen bringen, Dinge bewegen.Aber vor allem kann sie Menschen in Tiere verwandeln, vorübergehend. Und die Menschen strömen zu ihr, wollen Qualle sein auf Zeit, Languste, Hund, Vogel, Echse und dabei die Rechnungen vergessen, die Sitzungen im Büro, den Haushalt, das ganze moderne Leben.Ruth teilt ihre Kraft mit jedem einzelnen Menschen, sie sehen bei ihr das Glück, sehen, was sein könnte und nicht ist, was sie vergessen haben und jetzt vermissen. Und sie hilft mit ihrer Kraft auch denen, die Gewalt erleben. Aber dann kommt Linda, die große, schöne Linda. Die verheiratete Linda. Was soll jetzt werden?«Weil ich Ruth bin» ist ein verblüffender Roman voller Magie in einer einzigartig sinnlichen Sprache.

A stunning debut novel from the acclaimed young Irish poet Seán Hewitt, reminiscent of Garth Greenwell and Douglas Stuart in the intensity of its evocation of sexual awakening.Set in a remote village in the North of England, Open, Heaven unfolds over the course of one year in which two sixteen year old boys meet and transform each other’s lives.James—a sheltered, shy sixteen-year-old—is alone in his newly discovered sexuality, full of an unruly desire but entirely inexperienced. As he is beginning to understand himself and his longings, he also realizes how his feelings threaten to separate him from his family and the rural community he has grown up in. He dreams of another life, fantasizing about what lies beyond the village’s leaf-ribboned boundaries, beyond his autonomy, tenderness, sex. Then, in the autumn of 2002, he meets Luke, a slightly older boy, handsome, unkempt, who comes with a reputation for danger. Abandoned by his parents—his father imprisoned, and his mother having moved to France for another man—Luke has been sent to live with his aunt and uncle at their farm just outside the village. James is immediately drawn to him, like the pull a fire makes on the air, dragging things into it and blazing them into its hot, white centre, drawn to this boy who is beautiful and impulsive, charismatic, troubled. But underneath Luke’s bravado is a deep wound—a longing for the love of his father and for the stability of family life.Open, Heaven is a novel about desire, yearning, and the terror of first love. With the striking economy and lyricism that animate his work as a poet, Hewitt has written a mesmerizing hymn to boyhood, sensuality, and love in all its forms. A truly exceptional debut.

A grandmother tells her granddaughter about her twisty, often surprising, journey to who she is now in this sweeping love story by USA Today bestselling author Jesse Q. Sutanto.Izzy Chen is dreading her family’s annual Chinese New Year celebration, where they all come together at a Michelin-starred restaurant to flaunt their status and successes in hopes to one up each other. So when her seventy-three-year-old glamorous and formidable grandmother walks in with a stunning woman on her arm and kisses her in front of everyone, it shakes Izzy to her core. She’d always considered herself the black sheep of the family for harboring similar feelings to the ones her Nainai just displayed.Seeing herself in her teenage granddaughter's struggles with identity and acceptance, Magnolia Chen tells Izzy her own story, of how as a teen she was sent by her Indo-Chinese parents from Jakarta to Los Angeles for her education and fell in love with someone completely forbidden to her by both culture and gender norms—Ellery, an American college student who became Magnolia's best friend and the love of her life. Stretching across decades and continents, Magnolia's star-crossed love story reveals how life can take unexpected turns but ultimately lead you to exactly who you're meant to be.

A landmark history of one hundred years of war waged against the Palestinians from the foremost US historian of the Middle East, told through pivotal events and family history In 1899, Yusuf Diya al-Khalidi, mayor of Jerusalem, alarmed by the Zionist call to create a Jewish national home in Palestine, wrote a letter aimed at Theodore Herzl: the country had an indigenous people who would not easily accept their own displacement. He warned of the perils ahead, ending his note, “in the name of God, let Palestine be left alone.” Thus Rashid Khalidi, al-Khalidi’s great-great-nephew, begins this sweeping history, the first general account of the conflict told from an explicitly Palestinian perspective. Drawing on a wealth of untapped archival materials and the reports of generations of family members—mayors, judges, scholars, diplomats, and journalists—The Hundred Years' War on Palestine upends accepted interpretations of the conflict, which tend, at best, to describe a tragic clash between two peoples with claims to the same territory. Instead, Khalidi traces a hundred years of colonial war on the Palestinians, waged first by the Zionist movement and then Israel, but backed by Britain and the United States, the great powers of the age. He highlights the key episodes in this colonial campaign, from the 1917 Balfour Declaration to the destruction of Palestine in 1948, from Israel’s 1982 invasion of Lebanon to the endless and futile peace process. Original, authoritative, and important, The Hundred Years' War on Palestine is not a chronicle of victimization, nor does it whitewash the mistakes of Palestinian leaders or deny the emergence of national movements on both sides. In reevaluating the forces arrayed against the Palestinians, it offers an illuminating new view of a conflict that continues to this day.