“Epic in its scope, intimate in its evocation, Whidbey reads like a thriller, compels like a mystery and regarding the human condition, converses with the classics. This is the book everyone will be talking about.” — Adam Johnson, Pulitzer Prize and National Book Award winning author of The Orphan Master’s Son and Fortune Smiles A stunning literary achievement and portrait of three women connected through one man in the aftermath of his murder—the explosive and highly anticipated debut novel from beloved and award-winning memoirist, T Kira Madden. Birdie Chang didn’t know anything about Whidbey Island when she chose it, only that it was about as far away as she could get from her own life. She’s a woman on the run, desperate for an escape from the headlines back home and the look of concern in her girlfriend’s eyes—and from Calvin Boyer, the man who abused her as a child and who’s now resurfaced. On her way, she has an unnerving encounter with a stranger on the ferry who offers her a proposition, a sinister solution, a plan for revenge. But Birdie isn’t the only girl Calvin harmed back then. There’s also Linzie King, a former reality TV star who recently wrote all about it in her bestselling memoir. Though the two women have never met, their stories intertwine. Once Birdie arrives on Whidbey, she finally cracks the book’s spine, only to find too much she recognizes in its pages. Soon after, on the other side of the country, Calvin’s loving mother, Mary-Beth, receives a shocking phone call from the her only son has been murdered. Calvin’s death sets into motion a series of events that sends each woman on a desperate search for answers. A complex whodunnit told from alternating points of view, Whidbey is searingly perceptive and astonishingly original. Exploring the long reach of violence and our flawed systems of incarceration and rehabilitation, this is a tense and provocative debut that’s sure to incite crucial questions about the pursuit of justice and who has real power over a the one who lives it, or the one who tells it?

In this spellbinding fantasy debut set in a future where language magic reigns, a young Hawaiian woman must solve a murder to clear her name. Kea Petrova is dealing with more than her fair share of trouble. At just twenty-five years old, she’s the youngest of five Hawaiian clan leaders living on the Homestead in outer Los Angeles. Nearly 200 years ago, when a catastrophic flood submerged the Hawaiian islands and unleashed magic into the world, these clans forged a treaty with the city, establishing a new Hawaiian homeland. But that treaty is about to expire. Kea struggles to keep her small clan afloat, scraping together rent each month through odd jobs and selling her own crafted Hawaiian language spells. While her talent for language magic is her saving grace, she feels like a shadow of those who came before her. Just when she thinks things can’t get any more complicated, the murder of Angelo Reyes—LA’s most prominent Filipino activist—turns her world upside-down. Angelo was killed by a death spell—something that, due to the properties of each school of language magic, can only exist in Hawaiian. With independent spellsmithing being technically illegal, Kea quickly becomes the prime suspect, known for her spellwork on the Homestead. To clear her name, she must unravel the mystery behind Angelo’s murder and confront LA’s most powerful (and dangerous) players, each wielding their own type of magic. The clock is ticking—can Kea save herself, her clan, and the Homestead before it’s too late?

An insanely competitive housing market. A desperate buyer on the edge. In Marisa Kashino’s darkly hilarious debut novel, Best Offer Wins, the white picket fence becomes the ultimate symbol of success—and obsession. How far would you go for the house of your dreams? Eighteen months and 11 lost bidding wars into house-hunting in the overheated Washington, DC suburbs, 37-year-old publicist Margo Miyake gets a tip about the perfect house, in the perfect neighborhood, slated to come up for sale in one month. Desperate to escape the cramped apartment she shares with her husband Ian—and in turn, get their marriage, plan to have a baby, and whole life back on track—Margo becomes obsessed with buying the house before it’s publicly listed and the masses descend (with unbeatable, all-cash offers in hand). A little stalking? Harmless. A bit of trespassing? Necessary. As Margo infiltrates the homeowners’ lives, her tactics grow increasingly unhinged—but just when she thinks she’s won them over, she hits a snag in her plan. Undeterred, Margo will prove again and again that there’s no boundary she won’t cross to seize the dream life she’s been chasing. The most unsettling part? You’ll root for her, even as you gasp in disbelief. Dark, biting, and laugh-out-loud funny, Best Offer Wins is a propulsive debut and a razor-sharp exploration of class, ambition, and the modern housing crisis.

Ruth is a woman who believes in and despairs of the curative power of love. Her daughter, Eleanor, who is addicted to drugs, has just had a baby, Lily. Ruth adjusts herself in ways large and small to give to Eleanor what she thinks she may need—nourishment, distance, affection—but all her gifts fall short. After someone dies of an overdose in Eleanor's apartment, Ruth hands her daughter an envelope of cash and takes Lily home with her, and Lily, as she grows, proves a compensation for all of Ruth's past defeats and disappointment. Love without fear is a new feeling for her, almost unrecognizable. Will it last? Love and Missed is a whip-smart, incisive, and mordantly witty novel about love's gains and missteps. British writer Susie Boyt's seventh novel, and the first to be published in the United States, is a triumph.

From the Pulitzer Prize-winning author of The Return , a luminous novel of friendship, family, and the unthinkable realities of exile The trick time plays is to lull us into the belief that everything lasts forever, and although nothing does, we continue, inside our dream. One evening, as a young boy growing up in Benghazi, Khaled hears a bizarre short story read aloud on the radio, about a man being eaten alive by a cat. Obsessed by the power of those words—and by their enigmatic author, Hosam Zowa—Khaled eventually embarks on a journey that will take him far from home, to pursue a life of the mind at the University of Edinburgh. There, thrust into an open society that is light years away from the world he knew in Libya, Khaled begins to change. He attends a protest against the Qaddafi regime in London, only to watch it explode in tragedy. In a flash, Khaled finds himself injured, clinging to life, an exile, unable to leave England, much less return to the country of his birth. To even tell his mother and father back home what he has done, on tapped phone lines, would jeopardize their safety. When a chance encounter in a hotel brings Khaled face to face with Hosam Zowa, the author of the fateful short story, he is subsumed into the deepest friendship of his life. It is a friendship that not only sustains him, but eventually forces him, as the Arab Spring erupts, to confront agonizing tensions between revolution and safety, family and exile, and how to define his own sense of self against those closest to him. A devastating meditation on friendship and family, and the ways in which time tests—and frays—those bonds, My Friends is an achingly beautiful work of literature by an author at the peak of his powers.

If Charles Dickens and Agatha Christie had ever managed to collaborate, they might have produced this shamelessly entertaining novel, which introduces readers to what may be the most powerful family in England--and is certainly the vilest. A tour de force of menace, malicious comedy, and torrential social bile, this book marks the American debut of an extraordinary writer.

Throughout her life Sybil Van Antwerp has used letters to make sense of the world and her place in it. Most mornings around half past ten Sybil sits down to write letters—to her brother, to her best friend, to the president of the university who will not allow her to audit a class she desperately wants to take, to Joan Didion and Larry McMurtry to tell them what she thinks of their latest books, and to one person to whom she writes often yet never sends the letter. Sybil expects her world to go on as it always has. A mother, grandmother, wife, divorcée, distinguished lawyer, she has lived a full life. But when letters from someone in her past force her to examine one of the most painful periods of her life, she realizes the letter she has been writing over the years needs to be read and that she cannot move forward until she finds it in her heart to offer forgiveness.

Samantha Irby invites us to share in the gory particulars of her real life, all that festers behind the glitter and glam. The success of Irby's career has taken her to new heights. She fields calls with job offers from Hollywood and walks the red carpet with the iconic ladies of Sex and the City. Finally, she has made it. But, behind all that new-found glam, Irby is just trying to keep her life together as she always had. Her teeth are poisoning her from inside her mouth, and her diarrhea is back. She gets turned away from a restaurant for wearing ugly clothes, she goes to therapy and tries out Lexapro, gets healed with Reiki, explores the power of crystals, and becomes addicted to QVC. Making light of herself as she takes us on an outrageously funny tour of all the details that make up a true portrait of her life, Irby is once again the relatable, uproarious tonic we all need.

The author of the widely praised Wordslut analyzes the social science of cult influence: how cultish groups from Jonestown and Scientology to SoulCycle and social media gurus use language as the ultimate form of power. What makes “cults” so intriguing and frightening? What makes them powerful? The reason why so many of us binge Manson documentaries by the dozen and fall down rabbit holes researching suburban moms gone QAnon is because we’re looking for a satisfying explanation for what causes people to join—and more importantly, stay in—extreme groups. We secretly want to know: could it happen to me? Amanda Montell’s argument is that, on some level, it already has . . . Our culture tends to provide pretty flimsy answers to questions of cult influence, mostly having to do with vague talk of “brainwashing.” But the true answer has nothing to do with freaky mind-control wizardry or Kool-Aid. In Cultish, Montell argues that the key to manufacturing intense ideology, community, and us/them attitudes all comes down to language. In both positive ways and shadowy ones, cultish language is something we hear—and are influenced by—every single day. Through juicy storytelling and cutting original research, Montell exposes the verbal elements that make a wide spectrum of communities “cultish,” revealing how they affect followers of groups as notorious as Heaven’s Gate, but also how they pervade our modern start-ups, Peloton leaderboards, and Instagram feeds. Incisive and darkly funny, this enrapturing take on the curious social science of power and belief will make you hear the fanatical language of “cultish” everywhere.

Throughout her life Sybil Van Antwerp has used letters to make sense of the world and her place in it. Most mornings around half past ten Sybil sits down to write letters—to her brother, to her best friend, to the president of the university who will not allow her to audit a class she desperately wants to take, to Joan Didion and Larry McMurtry to tell them what she thinks of their latest books, and to one person to whom she writes often yet never sends the letter. Sybil expects her world to go on as it always has. A mother, grandmother, wife, divorcée, distinguished lawyer, she has lived a full life. But when letters from someone in her past force her to examine one of the most painful periods of her life, she realizes the letter she has been writing over the years needs to be read and that she cannot move forward until she finds it in her heart to offer forgiveness.

Doppelgängers, corporate intrigue, heartbreak, betrayal, and the harsh permanence of the border: Sublimation is a thrilling and provocative debut for fans of Severance that asks what you'd sacrifice for a different life from award-winning author Isabel J. Kim. The border cuts you in two. When you immigrate, you leave a copy of yourself behind, an instance. One person enters their new country; the other stays trapped at home. Some instances keep in touch, call each other daily, keep their lives and minds in sync in the hopes of reintegrating and resuming a life as one person. Others, like Soyoung Rose Kang, leave home at ten years old and never speak to their other selves again. Rose, in America, never imagined going back to Korea until her grandfather died and her Korean instance called her home for the funeral. She doesn’t know that Soyoung plans to steal her body and her life. How far would you go to live the choice you didn’t make?

Told from alternating perspectives, this novel follows two women, one Black and one white, whose friendship is indelibly altered by a tragic event. Jen and Riley have been best friends since kindergarten. As adults, they remain as close as sisters, though their lives have taken different directions. Jen married young, and after years of trying, is finally pregnant. Riley pursued her childhood dream of becoming a television journalist and is poised to become one of the first Black female anchors of the top news channel in their hometown of Philadelphia. But the deep bond they share is severely tested when Jen’s husband, a city police officer, is involved in the shooting of an unarmed Black teenager. Six months pregnant, Jen is in freefall as her future, her husband’s freedom, and her friendship with Riley are thrown into uncertainty. Covering this career-making story, Riley wrestles with the implications of this tragic incident for her Black community, her ambitions, and her relationship with her lifelong friend. We Are Not Like Them is both a powerful conversation starter and a celebration of the enduring power of friendship.

Told from alternating perspectives, this novel follows two women, one Black and one white, whose friendship is indelibly altered by a tragic event. Jen and Riley have been best friends since kindergarten. As adults, they remain as close as sisters, though their lives have taken different directions. Jen married young, and after years of trying, is finally pregnant. Riley pursued her childhood dream of becoming a television journalist and is poised to become one of the first Black female anchors of the top news channel in their hometown of Philadelphia. But the deep bond they share is severely tested when Jen’s husband, a city police officer, is involved in the shooting of an unarmed Black teenager. Six months pregnant, Jen is in freefall as her future, her husband’s freedom, and her friendship with Riley are thrown into uncertainty. Covering this career-making story, Riley wrestles with the implications of this tragic incident for her Black community, her ambitions, and her relationship with her lifelong friend. We Are Not Like Them is both a powerful conversation starter and a celebration of the enduring power of friendship.

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

Een jonge Franse fotograaf reist af naar Gaza-Stad om een reportage te maken. Hij raakt in gesprek met een boekhandelaar en in ruil voor toestemming om de oude man te fotograferen, luistert hij naar diens een verhaal van ballingschap, vlucht, ontheemding, politiek activisme, vaderschap en van het onmetelijke leed dat daaruit kan ontstaan. Een persoonlijke geschiedenis die onlosmakelijk verbonden is met het collectieve leed van de Palestijnen vanaf de stichting van de staat Israël in 1948 tot en met de oorlog in Gaza nu.De boekhandelaar vertelt hem ook over zijn lievelingsromans, en over de verbindende kracht van het geschreven woord. Boeken vormen de rode draad in het levensverhaal van de oude man, en een onuitputtelijke bron van medemenselijkheid en troost.

Vad betyder ett lag för en stad? Vad betyder en sport för en familj? Vad betyder en enda match för ett samhälle som kämpar för sin överlevnad? Bara allt. Den betyder bara allt. Björnstad är den första delen i en serie om en liten plats med stora drömmar. Den handlar om 15-åriga flickors odödliga vänskap och 17-åriga pojkar som spelar hockey med en hel stad på sina axlar. Men den handlar också om ett oförlåtligt brott, hur snabbt ett samhälle kan lära sig att blunda, och de fruktansvärda saker vi ibland är redo att göra för framgång. Mitt i allt står Peter, som flyttar hem efter livet som hockeyproffs för att bygga upp sin moderklubb, och Mira, som slits mellan advokatkarriären och ett tyst liv i skogen som fru och mamma. Det är en saga om idrott och familj, och om hur långt vi är redo att gå för att skydda våra barn. Björnstad är Fredrik Backmans allvarligaste roman hittills. En berättelse om kärleken till en folkrörelse, men även om manlighet, identitet och längtan efter att få visa vem man verkligen är.