Reality is illusory and magical in the stunning new literary SF novel from the multiple award-winning author of The Prestige—for fans of Haruki Murakami and David Mitchell   A tale of murder, artistic rivalry, and literary trickery; a Chinese puzzle of a novel where nothing is quite what it seems; a narrator whose agenda is artful and subtle; a narrative that pulls you in and plays an elegant game with you. The Dream Archipelago is a vast network of islands. The names of the islands are different depending on who you talk to, their very locations seem to twist and shift. Some islands have been sculpted into vast musical instruments, others are home to lethal creatures, others the playground for high society. Hot winds blow across the archipelago and a war fought between two distant continents is played out across its waters. The Islanders serves both as an untrustworthy but enticing guide to the islands; an intriguing, multi-layered tale of a murder; and the suspect legacy of its appealing but definitely untrustworthy narrator. It shows Christopher Priest at the height of his powers and illustrates his undiminished power to dazzle.

How a force that’s hard to name, but which we all feel, is reshaping what it means to be humanIn Against the Machine, “furiously gifted” (The Washington Post) novelist, poet, and essayist Paul Kingsnorth presents a wholly original—and terrifying—account of the technological-cultural matrix enveloping all of us. With masterful insight into the spiritual and economic roots of techno-capitalism, Kingsnorth reveals how the Machine, in the name of progress, has choked Western civilization, is destroying the Earth itself, and is reshaping us in its image. From the First Industrial Revolution to the rise of artificial intelligence, he shows how the hollowing out of humanity has been a long game—and how your very soul is at stake.It takes effort to remain truly human in the age of the Machine. Writing in the tradition of Wendell Berry, Jacques Ellul and Simone Weil, Kingsnorth reminds us what humanity a healthy suspicion of entrenched power; connection to land, nature and heritage; and a deep attention to matters of the spirit. Prophetic, poetic, and erudite, Against the Machine is the spiritual manual for dissidents in the technological age.

In post-climate disaster Alberta, a woman infected with a mysterious parasite must choose whether to pursue a rare opportunity far from home or stay and help rebuild her community. The world is nothing like it once was: climate disasters have wracked the continent, causing food shortages, ending industry, and leaving little behind. Then came Cad, mysterious mind-altering fungi that invade the bodies of the now scattered citizenry. Reid, a young woman who carries this parasite, has been given a chance to get away - to move to one of the last remnants of pre-disaster society - but she can't bring herself to abandon her mother and the community that relies on her. When she's offered a coveted place on a dangerous and profitable mission, she jumps at the opportunity to set her family up for life, but how can Reid ask people to put their trust in her when she can't even trust her own mind?

In The Carrier Bag Theory of Fiction, visionary author Ursula K. Le Guin retells the story of human origin by redefining technology as a cultural carrier bag rather than a weapon of domination. Hacking the linear, progressive mode of the Techno-Heroic, the Carrier Bag Theory of human evolution proposes: 'before the tool that forces energy outward, we made the tool that brings energy home.' Prior to the preeminence of sticks, swords and the Hero's long, hard, killing tools, our ancestors' greatest invention was the container: the basket of wild oats, the medicine bundle, the net made of your own hair, the home, the shrine, the place that contains whatever is sacred. The recipient, the holder, the story. The bag of stars. This influential essay opens a portal to terra ignota: unknown lands where the possibilities of human experience and knowledge can be discovered anew. With a new introduction by Donna Haraway, the eminent cyberfeminist, author of the revolutionary A Cyborg Manifesto and most recently, Staying with the Trouble and Manifestly Haraway. With images by Lee Bul, a leading South Korean feminist artist who had a retrospective at London's Hayward Gallery in 2018.

On a warm March night in 2083, Judy Wallach-Stevens wakes to a warning of unknown pollutants in the Chesapeake Bay. She heads out to check what she expects to be a false alarm--and stumbles upon the first alien visitors to Earth. These aliens have crossed the galaxy to save humanity, convinced that the people of Earth must leave their ecologically-ravaged planet behind and join them among the stars. And if humanity doesn't agree, they may need to be saved by force. The watershed networks aren't ready to give up on Earth. Decades ago, they rose up to exile the last corporations to a few artificial islands, escape the dominance of nation-states, and reorganize humanity around the hope of keeping their world liveable. By sharing the burden of decision-making, they've started to heal the wounded planet. But now corporations, nation-states, and networks all vie to represent humanity to these powerful new beings, and if any one accepts the aliens' offer, Earth may be lost. With everyone’s eyes turned skyward, everything hinges on the success of Judy's effort to create understanding, both within and beyond her own species.

In this dazzling third collection, poet Savannah Brown holds a magnifying glass to modern intimacy with a lens that burns as often as it illuminates. Moths, ex-lovers, Jeff Bezos, and other supernatural creatures flit through the pages as Brown charts her own cartographies through London and the world wide web seething in everybody's pocket. These poems pinch and pull through the smallest moments, like someone trying to zoom in on a smartphone photo, or someone in the thrall of a bad, bad habit.

Lispector at her most philosophically radical. A meditation on the nature of life and time, Água Viva (1973) shows Lispector discovering a new means of writing about herself, more deeply transforming her individual experience into a universal poetry. In a body of work as emotionally powerful, formally innovative, and philosophically profound as Clarice Lispector’s, Água Viva stands out as a particular triumph.

A thrilling confessional from the award-winning, beloved author of Pure Colour. Sheila Heti kept a record of her thoughts over a ten-year period, then arranged the sentences from A to Z. Passionate and reflective, joyful and despairing, these are her alphabetical diaries.

The city you grew up in is gone, as if sunk to the bottom of the ocean. So much has vanished with it—classmates, teachers, counterfeit watches, the erotic toe cleavage that used to lead the way down secret passages. Yet you still catch snatches of conversation lingering in the air and glimpse sun-dazzled residents retreating into dark crevices.People seem to keep disappearing. Your mother joins in a housewives’ protest, each woman waving the fake, bloody lotus roots they were sold until police helicopters unleash a glittery spray that turns them into statues. Then it’s just you and your father at home, until he is quietly absorbed into the enormous new TV gifted by the government, and you spot him doing tai chi or picking through leftovers in the background of soap operas. And didn’t you once have a little sister, before she flew away in her school uniform? As the police go undercover and transform your neighborhood into a violent labyrinth you can no longer navigate, where does this leave you?Lucid, nightmarish, and indelible, City Like Water is a wondrous and pointed message in a bottle from a city not so different from your own.

Nearly two weeks early, on March 3, 1947, in the maternity ward of Beth Israel Hospital in Newark, New Jersey, Archibald Isaac Ferguson, the one and only child of Rose and Stanley Ferguson, is born. From that single beginning, Ferguson’s life will take four simultaneous and independent fictional paths. Four identical Fergusons made of the same DNA, four boys who are the same boy, go on to lead four parallel and entirely different lives. Family fortunes diverge. Athletic skills and sex lives and friendships and intellectual passions contrast. Each Ferguson falls under the spell of the magnificent Amy Schneiderman, yet each Amy and each Ferguson have a relationship like no other. Meanwhile, readers will take in each Ferguson’s pleasures and ache from each Ferguson’s pains, as the mortal plot of each Ferguson’s life rushes on. As inventive and dexterously constructed as anything Paul Auster has ever written, yet with a passion for realism and a great tenderness and fierce attachment to history and to life itself that readers have never seen from Auster before. 4 3 2 1 is a marvelous and unforgettably affecting tour de force.

Catalog of Unabashed Gratitude is a sustained meditation on that which goes away—loved ones, the seasons, the earth as we know it—that tries to find solace in the processes of the garden and the orchard. That is, this is a book that studies the wisdom of the garden and orchard, those places where all—death, sorrow, loss—is converted into what might, with patience, nourish us.

On losing her father, Teresa returns to a small town on the Greek coast – the same place she visited when grieving her mother nine years ago. She immerses herself again in the life of the town, observing the inhabitants going about their business, a quiet backdrop for her reckoning with herself. An episode from her first visit resurfaces vividly – her encounter with John, a man struggling to come to terms with the violent death of his nephew. Soon Teresa encounters some of the people she met last time Petros, an eccentric mechanic, whose life story may or may not be part of John's; the beautiful Niko, a diving instructor; and Xanthe, a waitress in one of the cafés on the leafy town square. They talk about their longings, regrets, the passing of time, their sense of who they are. Artfully constructed, absorbing and insightful, One Boat is a brilliant novel grappling with questions of identity, free will, guilt and responsibility.