"Getting the job done" for one single mom takes on a whole new meaning in Finlay Donovan is Killing It. Finlay Donovan is killing it . . . except, she’s really not. She’s a stressed-out single-mom of two and struggling novelist, Finlay’s life is in the new book she promised her literary agent isn’t written, her ex-husband fired the nanny without telling her, and this morning she had to send her four-year-old to school with hair duct-taped to her head after an incident with scissors. When Finlay is overheard discussing the plot of her new suspense novel with her agent over lunch, she’s mistaken for a contract killer, and inadvertently accepts an offer to dispose of a problem husband in order to make ends meet . . . Soon, Finlay discovers that crime in real life is a lot more difficult than its fictional counterpart, as she becomes tangled in a real-life murder investigation. Fast-paced, deliciously witty, and wholeheartedly authentic in depicting the frustrations and triumphs of motherhood in all its messiness, hilarity, and heartfelt moment, Finlay Donovan Is Killing It is the first in a brilliant new series from YA Edgar Award nominee Elle Cosimano.

Highly acclaimed New York Times bestseller Laura Lippman returns with an irresistible mystery featuring Muriel Blossom, a former private investigator and middle-aged widow whose vacation on a Parisian river cruise turns into a deadly international mystery…that only she can solve.  Mrs. Blossom is not the kind of woman to play the lottery. She is practical, a devoted grandmother, and has a knack for blending into the background, which was an asset during her days assisting private investigator Tess Monaghan. But when Mrs. Blossom finds a winning ticket in a parking lot, everything changes...including Mrs. Blossom. She is determined to see the world that sometimes feels as if it’s passing her by. But when Mrs. Blossom booked her cruise through France on the MS Solitaire, she did not expect to meet Allan on her transatlantic flight. He is the first man who’s sparked something inside her since her beloved husband passed. She also didn’t expect Allan to be found, dead, twenty-four hours later in Paris, a city he wasn’t supposed to be in. Now Mrs. Blossom doesn’t know who to trust on board the ship, especially when a new, mystifying man, Danny, keeps popping up around every corner, always present when things go awry. He claims that Allan was involved in the transport of a stolen, precious piece of art, and he’s convinced that Mrs. Blossom knows more than she lets on, regarding both the artifact and Allan’s murder. Mrs. Blossom’s questions only increase as the cruise sails down the Seine. Why does it feel like she is being followed? Who was Allan, and why was he killed? Most alarmingly, why do these mysterious men keep flirting with her? What follows is a charming one-of-a-kind mystery from one of Time magazine’s “essential crime writers of the last 100 years.” The perfect combination of cozy and thrilling, this novel and the delightful Mrs. Blossom are sure to be unforgettable.

Three women in three different eras encounter danger and witchcraft in this eerie multigenerational horror saga from the New York Times bestselling author of Mexican Gothic.“Back then, when I was a young woman, there were still witches”: That was how Nana Alba always began the stories she told her great-granddaughter Minerva—stories that have stayed with Minerva all her life. Perhaps that’s why Minerva has become a graduate student focused on the history of horror literature and is researching the life of Beatrice Tremblay, an obscure author of macabre tales.In the course of assembling her thesis, Minerva uncovers information that reveals that Tremblay’s most famous novel, The Vanishing, was inspired by a true Decades earlier, during the Great Depression, Tremblay attended the same university where Minerva is now studying and became obsessed with her beautiful and otherworldly roommate, who then disappeared under mysterious circumstances.As Minerva descends ever deeper into Tremblay’s manuscript, she begins to sense that the malign force that stalked Tremblay and the missing girl might still walk the halls of the campus. These disturbing events also echo the stories Nana Alba told about her girlhood in 1900s Mexico, where she had a terrifying encounter with a witch.Minerva suspects that the same shadow that darkened the lives of her great-grandmother and Beatrice Tremblay is now threatening her own in 1990s Massachusetts. An academic career can be a punishing pursuit, but it might turn outright deadly when witchcraft is involved.

One of the most significant and intriguing Gothic novels of the Victorian period and is enjoyed today as a modern psychological thriller. In UNCLE SILAS (1864) Le Fanu brought up to date Mrs Radcliffe's earlier tales of virtue imprisoned and menaced by unscrupulous schemers. The narrator, Maud Ruthyn, is a 17 year old orphan left in the care of her fearful uncle, Silas. The novel established Le Fanu as a master of horror fiction.

"Getting the job done" for one single mom takes on a whole new meaning in Finlay Donovan is Killing It. Finlay Donovan is killing it . . . except, she’s really not. She’s a stressed-out single-mom of two and struggling novelist, Finlay’s life is in the new book she promised her literary agent isn’t written, her ex-husband fired the nanny without telling her, and this morning she had to send her four-year-old to school with hair duct-taped to her head after an incident with scissors. When Finlay is overheard discussing the plot of her new suspense novel with her agent over lunch, she’s mistaken for a contract killer, and inadvertently accepts an offer to dispose of a problem husband in order to make ends meet . . . Soon, Finlay discovers that crime in real life is a lot more difficult than its fictional counterpart, as she becomes tangled in a real-life murder investigation. Fast-paced, deliciously witty, and wholeheartedly authentic in depicting the frustrations and triumphs of motherhood in all its messiness, hilarity, and heartfelt moment, Finlay Donovan Is Killing It is the first in a brilliant new series from YA Edgar Award nominee Elle Cosimano.

The Spellshop is Sarah Beth Durst’s romantasy debut–a lush cottagecore tale full of stolen spellbooks, unexpected friendships, sweet jams, and even sweeter love. Kiela has always had trouble dealing with people. Thankfully, as a librarian at the Great Library of Alyssium, she and her assistant, Caz—a magically sentient spider plant—have spent the last decade sequestered among the empire’s most precious spellbooks, preserving their magic for the city’s elite. When a revolution begins and the library goes up in flames, she and Caz flee with all the spellbooks they can carry and head to a remote island Kiela never thought she’d see again: her childhood home. Taking refuge there, Kiela discovers, much to her dismay, a nosy—and very handsome—neighbor who can’t take a hint and keeps showing up day after day to make sure she’s fed and to help fix up her new home. In need of income, Kiela identifies something that even the bakery in town doesn’t have: jam. With the help of an old recipe book her parents left her and a bit of illegal magic, her cottage garden is soon covered in ripe berries. But magic can do more than make life a little sweeter, so Kiela risks the consequences of using unsanctioned spells and opens the island’s first-ever and much needed secret spellshop. Like a Hallmark rom-com full of mythical creatures and fueled by cinnamon rolls and magic, The Spellshop will heal your heart and feed your soul.

Throughout her life Sybil Van Antwerp has used letters to make sense of the world and her place in it. Most mornings around half past ten Sybil sits down to write letters—to her brother, to her best friend, to the president of the university who will not allow her to audit a class she desperately wants to take, to Joan Didion and Larry McMurtry to tell them what she thinks of their latest books, and to one person to whom she writes often yet never sends the letter. Sybil expects her world to go on as it always has. A mother, grandmother, wife, divorcée, distinguished lawyer, she has lived a full life. But when letters from someone in her past force her to examine one of the most painful periods of her life, she realizes the letter she has been writing over the years needs to be read and that she cannot move forward until she finds it in her heart to offer forgiveness.

From #1 NEW YORK TIMES BESTSELLING author Jennifer Niven, a novel about America’s favorite TV family, whose perfect façade cracks "I LOVED Meet the Newmans!" —Judy Blume, #1 New York Times bestselling author "[A] WITTY AND MOVING novel." —People "Fans of LESSONS IN CHEMISTRY will love Meet the Newmans." —Woman's World For two decades, Del and Dinah Newman and their sons, Guy and Shep, have ruled television as America’s Favorite Family. Millions of viewers tune in every week to watch them play flawless, black-and-white versions of themselves. But now it’s 1964, and the Newmans’ idealized apple-pie perfection suddenly feels woefully out of touch. Ratings are in free fall, as are the Newmans themselves. Del is keeping an explosive secret from his wife, and Dinah is slowly going numb—literally. Steady, stable Guy is hiding the truth about his love life, and the charmed luck of rock ‘n roll idol Shep may have finally run out. When Del—the creative motor behind the show—is in a mysterious car accident, Dinah decides to take matters into her own hands. She hires Juliet Dunne, an outspoken, impassioned young reporter, to help her write the final episode. But Dinah and Juliet have wildly different perspectives about what it means to be a woman, and a family, in 1964. Can the Newmans hold it together to change television history? Or will they be canceled before they ever have the chance? Funny, big-hearted, and deeply moving, Meet the Newmans is a rich family story about the dual lives we lead. Because even when our lives aren’t televised weekly, we all have a behind-the-scenes.

For Joanna, her husband, Walter, and their children, the move to beautiful Stepford seems almost too good to be true. It is. For behind the town's idyllic facade lies a terrible secret -- a secret so shattering that no one who encounters it will ever be the same. At once a masterpiece of psychological suspense and a savage commentary on a media-driven society that values the pursuit of youth and beauty at all costs, The Stepford Wives is a novel so frightening in its final implications that the title itself has earned a place in the American lexicon.

The Virgin Suicides meets I Have Some Questions For You in a dual timeline suspense following one woman as she begins to uncover the truth of the death of her estranged best friend and the Sylvia Plath adoring sad girls they attended college with decades ago, all while holding a secret that will slowly unravel her new, suburban dream life. Some stories refuse to stay buried. For best friends Nikki and Sadie, college was supposed to be a fresh start, a way to blast Courtney Love from car speakers and leave their youth behind. But along with sadness-obsessed girls and intrusive professors, a dark story plagues their small all-women’s school: the Sylvia Club, a campus legend surrounding the deaths of multiple Sylvia Plath-adoring students, all written off as suicides. Aspiring writer Nikki finds herself drawn to the tragic tales, so much so that dead girls begin to haunt her dark imagination. As she digs deeper, Nikki soon suspects there's much more to the story - a suspicion that will lead to a tragedy of its own, one that will tear her and Sadie apart. It’s been nearly twenty years since Sadie last saw her estranged friend. Now, Nikki is dead, and when Sadie ends up pregnant by Nikki’s grieving husband not long after the funeral, she finds herself stepping into her ex-best friend’s seemingly perfect life. But the longer Sadie lives in Nikki’s eerily preserved home, the more she sees her appear and soon, she’s convinced that Nikki is sending her clues from beyond the grave. Because it seems Nikki never stopped looking for answers about what happened to the girls of the Sylvia Club, and she may have been its latest victim. Told in a dual timeline, Doll Parts is an evocative and irresistible debut, at once an exploration of the dark chasms that break apart friendships, an ode to the aching beauty of girlhood, and a sharp portrayal of grief that can physically haunt you.

The FIRST of two Eleanor Rushing books, each a cockeyed (but charming) literary venture by Kindle bestselling author Patty Friedmann. Honors for Eleanor Rushing —Original Voices —BookSense 76 “Intriguing and touching…One finishes [Eleanor Rushing] impressed by Friedmann’s compassion for human frailty." -Publishers Weekly “Friedmann's latest subject is brilliant, bitterly funny, and deeply scary ... the reader is seduced by that willful voice, wavering between shock and grudging admiration at Friedmann's high-wire balancing act. And laughing all the way." -The New Orleans Times-Picayune ***WARNING*** To open these pages is not to enter Disneyland! Before you purchase ELEANOR RUSHING, please be aware that, while loved by many, it is an extremely controversial work of black humor. One reviewer "Not what I was expecting & the theme & tone of the story was dark/disturbed." Heed this man's words! This reviewer was also "Very interesting with a twist. Though it's not for everyone, it sure grasps the attention for the right audience." Yes, a twist! If you need bluebirds and honeymoons, seek entertainment elsewhere. A tour de force whose heroine falls somewhere between the southern elegance of Walker Percy and the zany black comedy of THE CONFEDERACY OF DUNCES . It might also be called "Diary of a Stalker." Surrounded by the splendor and excess of old money in New Orleans, Eleanor Rushing is a wry and witty young woman who first locks eyes with the love of her life at a City Council meeting—or so we’re led to believe. What starts as an innocuous infatuation with Dr. Maxim Walters, a Methodist minister who just so happens to be married, quickly turns into obsessive she orchestrates an automobile accident outside his house, stuffs envelopes at his church, follows him on a business venture, sets up camp in the tools shed in his backyard… Eleanor’s voice is both acutely perceptive and macabrely unhinged. She considers herself blessed with the ability to “remember everything,” except that her recollections and impressions seem to be at odds with everyone around her. As her “relationship” with Dr. Walters begins to spin frantically out of control, we can't help being her willing and faithful admirers. Magnificently showcases Friedmann's touted powers of psychological acuity and laugh-out-loud black humor . Who will like Fans of THE SILVER LININGS PLAYBOOK, ONE FLEW OVER THE CUCKOO'S NEST, RUNNING WITH SCISSORS; dark humorists like Kurt Vonnegut, Chuck Palahniuk, Christopher Moore—and of course the hometown favorite, John Kennedy Toole. " A dazzling novel , capturing that complex mix of lightness and darkness that is New Orleans." -Robert Olen Butler “Expertly, gracefully, Patty Friedmann overlays topographies of loss and desire, reality and delusion , making fiction as strange—and as sad and funny—as truth." -Kathryn Harrison, Author of The Kiss I think it is impossible to change the world unless you are truly evil and so mad for control you never sleep. And it’s ridiculous to try to change yourself at all. Scientists have studied identical twins who feel pain in the gut at the same time, as if everything were laid out from the moment they were conceived. Sometimes I figure all you can do is watch yourself, as if you’re viewing a simple, dull film; eventually you find out what was going to happen. Unless death catches you by surprise. So I go to City Council meetings. I haven’t missed one in four years, not even for a case of B-type influenza... Sitting in those meetings is the only way I can pretend to feel any breezes of serendipity. Somewhere between the global and the personal, they play out the grandest battles of silliness.

From the #1 New York Times bestselling author of I’m Glad My Mom Died comes a sad, funny, thrilling novel about sex, consumerism, class, desire, loneliness, the internet, rage, intimacy, power, and the (oftentimes misguided) lengths we’ll go to in order to get what we want. Waldo is ravenous. Horny. Blunt. Naive. Wise. Impulsive. Lonely. Angry. Forceful. Hurting. Perceptive. Endlessly wanting. And the thing she wants most of Mr. Korgy, her creative writing teacher with the wife and the kid and the mortgage and the bills, with the dead dreams and the atrophied looks and the growing paunch. She doesn’t know why she wants him. Is it his passion? His life experience? The fact that he knows books and films and things that she doesn’t? Or is it purer than that, rooted in their unlikely connection, their kindred spirits, the similar filter with which they each take in the world around them? Or, perhaps, it’s just enough that he sees her when no one else does. Startlingly perceptive, mordantly funny, and keenly poignant, Half His Age is a rich character study of a yearning seventeen-year-old who disregards all obstacles—or attempts to overcome them—in her effort to be seen, to be desired, to be loved.

Everywhere hailed as a novel of rare beauty and power, White Oleander tells the unforgettable story of Ingrid, a brilliant poet imprisoned for murder, and her daughter, Astrid, whose odyssey through a series of Los Angeles foster homes--each its own universe, with its own laws, its own dangers, its own hard lessons to be learned--becomes a redeeming and surprising journey of self-discovery.