Once upon a time, Andrew had cut out his heart and given it to this boy, and he was very sure Thomas had no idea that Andrew would do anything for him. Protect him. Lie for him. Kill for him. High school senior Andrew Perrault finds refuge in the twisted fairytales that he writes for the only person who can ground him to reality—Thomas Rye, the boy with perpetually ink-stained hands and hair like autumn leaves. And with his twin sister, Dove, inexplicably keeping him at a cold distance upon their return to Wickwood Academy, Andrew finds himself leaning on his friend even more. But something strange is going on with Thomas. His abusive parents have mysteriously vanished, and he arrives at school with blood on his sleeve. Thomas won’t say a word about it, and shuts down whenever Andrew tries to ask him questions. Stranger still, Thomas is haunted by something, and he seems to have lost interest in his artwork—whimsically macabre sketches of the monsters from Andrew’s wicked stories. Desperate to figure out what’s wrong with his friend, Andrew follows Thomas into the off-limits forest one night and catches him fighting a nightmarish monster—Thomas’s drawings have come to life and are killing anyone close to him. To make sure no one else dies, the boys battle the monsters every night. But as their obsession with each other grows stronger, so do the monsters, and Andrew begins to fear that the only way to stop the creatures might be to destroy their creator…

Once upon a time, Andrew had cut out his heart and given it to this boy, and he was very sure Thomas had no idea that Andrew would do anything for him. Protect him. Lie for him. Kill for him. High school senior Andrew Perrault finds refuge in the twisted fairytales that he writes for the only person who can ground him to reality—Thomas Rye, the boy with perpetually ink-stained hands and hair like autumn leaves. And with his twin sister, Dove, inexplicably keeping him at a cold distance upon their return to Wickwood Academy, Andrew finds himself leaning on his friend even more. But something strange is going on with Thomas. His abusive parents have mysteriously vanished, and he arrives at school with blood on his sleeve. Thomas won’t say a word about it, and shuts down whenever Andrew tries to ask him questions. Stranger still, Thomas is haunted by something, and he seems to have lost interest in his artwork—whimsically macabre sketches of the monsters from Andrew’s wicked stories. Desperate to figure out what’s wrong with his friend, Andrew follows Thomas into the off-limits forest one night and catches him fighting a nightmarish monster—Thomas’s drawings have come to life and are killing anyone close to him. To make sure no one else dies, the boys battle the monsters every night. But as their obsession with each other grows stronger, so do the monsters, and Andrew begins to fear that the only way to stop the creatures might be to destroy their creator…

Once upon a time, Andrew had cut out his heart and given it to this boy, and he was very sure Thomas had no idea that Andrew would do anything for him. Protect him. Lie for him. Kill for him. High school senior Andrew Perrault finds refuge in the twisted fairytales that he writes for the only person who can ground him to reality—Thomas Rye, the boy with perpetually ink-stained hands and hair like autumn leaves. And with his twin sister, Dove, inexplicably keeping him at a cold distance upon their return to Wickwood Academy, Andrew finds himself leaning on his friend even more. But something strange is going on with Thomas. His abusive parents have mysteriously vanished, and he arrives at school with blood on his sleeve. Thomas won’t say a word about it, and shuts down whenever Andrew tries to ask him questions. Stranger still, Thomas is haunted by something, and he seems to have lost interest in his artwork—whimsically macabre sketches of the monsters from Andrew’s wicked stories. Desperate to figure out what’s wrong with his friend, Andrew follows Thomas into the off-limits forest one night and catches him fighting a nightmarish monster—Thomas’s drawings have come to life and are killing anyone close to him. To make sure no one else dies, the boys battle the monsters every night. But as their obsession with each other grows stronger, so do the monsters, and Andrew begins to fear that the only way to stop the creatures might be to destroy their creator…

Norwegian Wood meets Perfect Blue in a contemporary evocation of the classical Greek myth. Brutal and haunting. Tender and intimate. A debut novel about a young musician's collision with rage and grief. The Yoshida family is dysfunctional. The father, Kiichiro, is a leading member of the Miyajima-gumi crime syndicate, while the mother, Miyuki, works long hours as the commissioner of police. With the matriarch and patriarch of the household habitually absent, their oldest, George, must take care of his little brother, Naoyuki. After a revelation in the form of a letter, Naoyuki confirms his his birth may have exacerbated the frigid loneliness and hidden hostility their family occupies. Determined to make amends, Naoyuki concocts a plan. He'll gather everyone together for his birthday party, and once there, he'll play a song—in this song, communicating his sincere longing for connection and love. Everything goes as he hopes. George agrees to it, putting aside his disdain for their parents, and helping Naoyuki prepare for the performance. But when the day arrives, tragedy strikes in the form of a blood-splattered crime scene. Years later, despite his recent success as a musician, Naoyuki still senses a debilitating self-hate from within himself. When his father—fresh from prison—appears at his doorstep, Naoyuki is offered an opportunity for atonement. And so, Orpheus braves the underworld for his revenge. Devastatingly beautiful, If Orpheus Was a Carp is a lyrical reckoning with and voyage through connection, legacy, and the elusive nature of memory. It marks the sincere and poignant entry of a young literary voice.

Yellowjackets meets Girl, Interrupted when a group of troubled teens in a wilderness therapy program find themselves stranded in a forest full of monsters eager to take their place. Devin Green wakes in the middle of the night to find two men in her bedroom. No stranger to a fight, she calls to her foster parents for help, but it soon becomes clear this is a planned abduction—one everyone but Devin signed up for. She’s shoved in a van and driven deep into the Idaho woods, where she’s dropped off with a cohort of equally confused teens. Finally, two camp counselors inform them that they've all been enrolled in an experimental therapy program. If the campers can learn to change their self-destructive ways—and survive a fifty-days hike through the wilderness—they’ll come out the other side as better versions of themselves. Or so the counselors say. Devin is immediately determined to escape. She’s also determined to ignore Sheridan, the cruel-mouthed, lavender-haired bully who mocks every group exercise. But there’s something strange about these woods—inhuman faces appearing between the trees, visions of people who shouldn't be there flashing in the leaves—and when the campers wake up to find both counselors missing, therapy becomes the least of their problems. Stranded and left to fend for themselves, the teens quickly realize they’ll have to trust each other if they want to survive. But what lies in the woods may not be as dangerous as what the campers are hiding from each other—and if the monsters have their way, no one will leave the woods alive. Atmospheric and sharp, What the Woods Took is a poignant story of transformation that explores the price of becoming someone—or something—new.

In Tokyo, sixteen-year-old Nao has decided there's only one escape from her aching loneliness and her classmates' bullying, but before she ends it all, Nao plans to document the life of her great-grandmother, a Buddhist nun who's lived more than a century. A diary is Nao's only solace—and will touch lives in a ways she can scarcely imagine. Across the Pacific, we meet Ruth, a novelist living on a remote island who discovers a collection of artifacts washed ashore in a Hello Kitty lunchbox—possibly debris from the devastating 2011 tsunami. As the mystery of its contents unfolds, Ruth is pulled into the past, into Nao's drama and her unknown fate, and forward into her own future.  Full of Ozeki's signature humour and deeply engaged with the relationship between writer and reader, past and present, fact and fiction, quantum physics, history, and myth, A Tale for the Time Being is a brilliantly inventive, beguiling story of our shared humanity and the search for home.