Inspired by Agatha Christie's real-life Detection Club, a murder among a group of golden age mystery writers meets a second chance romance in this debut novel from author Jackie McMahon.London, 1930. Lucy Hubbard is on the cusp of achieving her dreams. With her first mystery novel debuting with strong sales and glowing reviews, she's been invited by Horace Hazelmoor, the king of crime fiction, to join his elite group of writers—the Cloak and Dagger Club.Thrilled at the opportunity, Lucy finds herself swept up into Horace's glamorous world at the Ritz hotel. She's even willing to put up with the inconvenient presence of her former fiancé, Frank Murray, the club's rising star who is on track to eclipse Horace as Britain's most popular crime writer.But when Horace is found with a knife in his back, Frank is the police's prime suspect. Despite their complicated history, Lucy knows he's not capable of murder. With suspects galore and the danger rising, these two mystery writers must race to solve the crime—and fight their lingering feelings for each other—before the murderer strikes again.

'Secrets don't stay secret for long in publishing' Six authors. One private island. Seventy-two hours to write the ending that will change their lives. ‘This is a house of novelists, not murderers. You dream up crimes. You don’t commit them.’ ‘But a writer has. And so, who better than a writer to catch them?’ World famous author Arthur Fletch is dead. His final novel, the most anticipated book in history, remains unfinished. But the ending won’t write itself. Fletch’s publisher, Merriweather Press, has invited six authors to Fletch’s private island in Scotland. Authors whose books have never had the big marketing budgets or publicity opportunities. In other words, midlist. And they’re about to be presented with the opportunity of a lifetime. Whoever writes a worthy ending will receive one million dollars, and a further one million dollars for a new three-book contract. They have just seventy-two hours, with no access to the outside world, just a typewriter and a blank page. All they have to do is write… Starting is often the hardest part. But getting to the end could be murder. ‘Smart, original and completely addictive…The Ending Writes Itself is both a great locked-room thriller and a brilliant satire on the publishing industry. An absolute must-read’ Karin Slaughter

So, then. You want a story and I will tell you one...Afghanistan, 1952. Abdullah and his sister Pari live with their father and stepmother in the small village of Shadbagh. Their father, Saboor, is constantly in search of work and they struggle together through poverty and brutal winters. To Abdullah, Pari - as beautiful and sweet-natured as the fairy for which she was named - is everything. More like a parent than a brother, Abdullah will do anything for her, even trading his only pair of shoes for a feather for her treasured collection. Each night they sleep together in their cot, their heads touching, their limbs tangled. One day the siblings journey across the desert to Kabul with their father. Pari and Abdullah have no sense of the fate that awaits them there, for the event which unfolds will tear their lives apart; sometimes a finger must be cut to save the hand. Crossing generations and continents, moving from Kabul, to Paris, to San Francisco, to the Greek island of Tinos, with profound wisdom, depth, insight and compassion, Khaled Hosseini writes about the bonds that define us and shape our lives, the ways in which we help our loved ones in need, how the choices we make resonate through history and how we are often surprised by the people closest to us.

From the acclaimed author of the "wise and addictive" (New York Times) The Gifted School comes a riveting family drama about moral responsibility in the age of artificial intelligence. When the Cassidy-Shaws’ autonomous minivan collides with an oncoming car, killing an elderly couple, seventeen-year-old Charlie is in the driver’s seat, with his father, Noah, riding shotgun. In the back seat, tweens Alice and Izzy are on their phones, while their mother, Lorelei, a world leader in the field of artificial intelligence, is absorbed in her work. Yet each family member harbors a secret, implicating them all in the tragic accident. During a weeklong recuperation on the Chesapeake Bay, the family confronts the excruciating moral dilemmas triggered by the crash. Noah tries to hold the family together as a seemingly routine police investigation jeopardizes Charlie’s future. Alice and Izzy turn strangely furtive. And Lorelei’s odd behavior tugs at Noah’s suspicions that there is a darker truth behind the incident—suspicions heightened by the sudden intrusion of Daniel Monet, a tech mogul whose mysterious history with Lorelei hints at betrayal. When Charlie falls for Monet’s teenaged daughter, the stakes are raised even higher in this propulsive family drama that is also a fascinating exploration of the moral responsibility and ethical consequences of AI. Culpability explores a world newly shaped by chatbots, autonomous cars, drones, and other nonhuman forces in ways that are thrilling, challenging, and unimaginably provocative.

From Kiana Davenport, the bestselling author of Song of the Exile and Shark Dialogues, comes another mesmerizing novel about her people and her islands. Told in spellbinding and mythic prose, House of Many Gods is a deeply complex and provocative love story set against the background of Hawaii and Russia. Interwoven throughout with the indelible portrait of a native Hawaiian family struggling against poverty, drug wars, and the increasing military occupation of their sacred lands. Progressing from the 1960s to the turbulent present, the novel begins on the island of O’ahu and centers on Ana, abandoned by her mother as a child. Raised by her extended family on the “lawless” Wai’anae coast, west of Honolulu, Ana, against all odds, becomes a physician. While tending victims of Hurricane ‘Iniki on the neighboring island of Kaua’i, she meets Nikolai, a Russian filmmaker with a violent and tragic past, who can confront reality only through his unique prism of lies. Yet he is dedicated to recording the ecological horrors in his motherland and across the Pacific. As their lives slowly and inextricably intertwine, Ana and Nikolai’s story becomes an odyssey that spans decades and sweeps the reader from rural Hawaii to the forbidding Arctic wastes of Russia; from the poverty-stricken Wai’anae coast to the glittering harshness of “new Moscow” and the haunting, faded beauty of St. Petersburg. With stunning narrative inventiveness, Davenport has created a timeless epic of loss and remembrance, of the search for family and identity, and, ultimately, of the redemptive power of love.