“A stroke of genius! This is the definitive love letter to the film, written with such meticulous passion and demented glee that you feel yourself standing on the set during the shoot.”—Greg Nicotero A New York Times bestselling author dives into a horror movie classic to examine his favorite film’s importance to our history, culture, and psychology, creating a perfect blend of research and memoir in the vein of Quentin Tarantino’s Cinema Speculation. Daniel Kraus first saw George A. Romero’s Night of the Living Dead when he was five years old. Through watching it approximately three hundred times since, Kraus discovered the many ways the film is tied to his childhood trauma and how its influence has carried into his adulthood. He couldn’t help but Are there other admirers of the film out there who feel the same? Partially Devoured uses a frame-by-frame deep dive into Night of the Living Dead to produce a kaleidoscopic cultural investigation of the film’s importance and to examine the author’s early life of rural isolation and local violence. Careening from film analysis to rabbit-hole tangents, Partially Devoured will take readers from screaming laughter to the depths of grief, all while illustrating how a beloved genre film has woven itself into so many facets of our lives.

In her analysis of the cultural construction of gender in early America, Elizabeth Reis explores the intersection of Puritan theology, Puritan evaluations of womanhood, and the Salem witchcraft episodes. She finds in those intersections the basis for understanding why women were accused of witchcraft more often than men, why they confessed more often, and why they frequently accused other women of being witches. In negotiating their beliefs about the devil's powers, both women and men embedded womanhood in the discourse of depravity. Puritan ministers insisted that women and men were equal in the sight of God, with both sexes equally capable of cleaving to Christ or to the devil. Nevertheless, Reis explains, womanhood and evil were inextricably linked in the minds and hearts of seventeenth-century New England Puritans. Women and men feared hell equally but Puritan culture encouraged women to believe it was their vile natures that would take them there rather than the particular sins they might have committed. Following the Salem witchcraft trials, Reis argues, Puritans' understanding of sin and the devil changed. Ministers and laity conceived of a Satan who tempted sinners and presided physically over hell, rather than one who possessed souls in the living world. Women and men became increasingly confident of their redemption, although women more than men continued to imagine themselves as essentially corrupt, even after the Great Awakening.

All strays are welcome here.From Sunday Times and New York Times bestselling author Heather Fawcett comes a healing and heart-warming fantasy with magic shops, rescue cats and a second chance at love.Agnes Aubert is very fond of making lists. These lists kept her afloat when she lost her husband two years ago. And now, as the founder of a cat rescue charity, her meticulous organization skills feel like the only thing standing between her beloved cats - His Majesty, Banshee and sweet elderly Thoreau, to name a few - and utter disaster.But when Agnes is forced to move the charity, she soon discovers that her new shop is being used as a front; right under her feet is the lair of the decidedly disorganised - not to mention self-absorbed and infuriatingly handsome - Havelock Renard.Havelock is everything Agnes doesn't want in her chaos, mischief, and a little too much adventure. But as she gets to know him, she discovers he's more than the dark magician of legend, and that she may be ready for a little intrigue, perhaps even romance. After all, second chances aren't just for rescue cats. . . Praise for the Emily Wilde 'Forget dark give me instead this kind of winter-sunshined, sharp-tongued and footnoted academia, full of field trips and grumpy romance' Freya Marske, author of A Marvellous Light'Enchanting in every sense of the word. . . This book is real magic' H. G. Parry, author of The Unlikely Escape of Uriah Heep'A book so vividly, endlessly enchanting, so crisply assured, so rich and complete and wise and far-reaching in its worldbuilding that you'll walk away half ensorcelled, sure Fawcett found Emily Wilde's journal in some sea-stained trunk' Melissa Albert'The ideal book to curl up with on a chilly winter's evening. . . this book is an absolute delight.' Megan Bannen, author of The Undertaking of Hart and Mercy'A charmingly whimsical delight. . . Five dazzling, gladdening stars' India Holton, author of The Wisteria Society of Lady Scoundrels'I enjoyed every word of this gorgeously written fairy tale featuring a grumpy heroine and an utterly charming love interest' Isabel Ibañez, author of Woven In Moonlight

molka (n): the Korean term for spy cameras secretly and illegally installed, often to capture voyeuristic images and videos Dahye can't believe her luck when she finds herself in a whirlwind romance with handsome, charismatic Hyukjoon, the heir to a multi-million dollar fortune. But then a shocking revelation threatens: the couple has been caught on a spycam amid Korea's growing molka epidemic, and the video is all over the internet. When Hyukjoon flees the country to avoid the intense public scrutiny, Dahye is left to grapple with the ramifications on her own; and the demons from her childhood, long dormant, begin to surface. Amid the chaos, she catches the attention of Junyoung, a nerdy, introverted IT tech at work. Junyoung harbours a dark secret: he has been spying on the women at work with his own hidden cameras. As Dahye's life begins to unravel, she unknowingly becomes the sole target of Junyoung's perverse obsession. When the facts surrounding the invasion of her privacy come to light, Dahye is faced with the humiliating truth. Her pain and hurt turn to rage as she faces her past. Her desire for vengeance is insatiable, and she will not rest until the men who have wronged her have paid in blood...

molka (n): the Korean term for spy cameras secretly and illegally installed, often to capture voyeuristic images and videos Dahye can't believe her luck when she finds herself in a whirlwind romance with handsome, charismatic Hyukjoon, the heir to a multi-million dollar fortune. But then a shocking revelation threatens: the couple has been caught on a spycam amid Korea's growing molka epidemic, and the video is all over the internet. When Hyukjoon flees the country to avoid the intense public scrutiny, Dahye is left to grapple with the ramifications on her own; and the demons from her childhood, long dormant, begin to surface. Amid the chaos, she catches the attention of Junyoung, a nerdy, introverted IT tech at work. Junyoung harbours a dark secret: he has been spying on the women at work with his own hidden cameras. As Dahye's life begins to unravel, she unknowingly becomes the sole target of Junyoung's perverse obsession. When the facts surrounding the invasion of her privacy come to light, Dahye is faced with the humiliating truth. Her pain and hurt turn to rage as she faces her past. Her desire for vengeance is insatiable, and she will not rest until the men who have wronged her have paid in blood...

A chilling supernatural revenge novella from the acclaimed author of Wake Up and Open Your Eyes. Perfect for fans of Joe Hill and Delilah S. Dawson. At sixty-six years old, Winston Kemper has always been a nonentity. No one notices him. His simple existence barely registers for those who come into contact with him. Some call him feeble-minded. He is a janitor at the local church, a groundskeeper by default, and that's it. No friends, no family. When he's done with work, he returns home—a remote, single room apartment located above a garage—and that is where his true work begins. Winston Kemper is a collector of voices, and his magnum opus—The Butterfly Girls—is a sprawling epic of untapped imagination. It has no single canvas, no particular frame. It is everywhere—scribbled on the walls, the floor, and countless notebooks. Winston is creating a fantasia which exists in words, images and blood. As part of his 'art' he has been murdering forgotten women. Poor souls who slip through the cracks of society, who no one's looking for. Mothers, sisters, daughters to someone, but no more. Winston takes their lives, their voices. But now he can hear them. They whisper to him. They talk of revenge. Winston Kemper might not believe in ghosts, but he is about to learn they are very real. And they are very, very angry.