1988. Charleston, South Carolina. High school sophomores Abby and Gretchen have been best friends since fourth grade. . But after an evening of skinny-dipping goes disastrously wrong, Gretchen begins to act… different. She’s moody. She’s irritable. And bizarre incidents keep happening whenever she’s nearby. Abby’s investigation leads her to some startling discoveries - and by the time their story reaches its terrifying conclusion, the fate of Abby and Gretchen will be determined by a single question: Is their friendship powerful enough to beat the devil? Like an unholy hybrid of Beaches and The Exorcist, My best Friend's Exorcism blends teen angst, adolescent drama, unspeakable horrors, and a mix of '80s pop songs into a pulse-pounding supernatural thriller.

An accessible, bold new vision for the future of intersectional trans feminism, called "one of the best books in trans studies in recent years" by Susan Stryker Why are trans women the most targeted of LGBT people? Why are they in the crosshairs of a resurgent anti-trans politics around the world? And what is to be done about it by activists, organizers, and allies? A Short History of Transmisogyny is the first book-length study to answer these urgent but long overdue questions. Combining new historical analysis with political and activist accessibility, the book shows why it matters to understand trans misogyny as a specific form of violence with a documentable history. Ironically, it is through attending to the specificity of trans misogyny that trans women are no longer treated as inevitably tragic figures. They emerge instead as embattled but tenacious, locked in a struggle over the meaning and material stakes of gender, labor, race, and freedom. The book travels across bustling port cities like New York, New Orleans, London and Paris, the colonial and military districts of the British Raj, the Philippines, and Hawai'i, and the lively travesti communities of Latin America. The book shows how trans femininity has become legible as a fault line of broader global histories, including colonial government, the sex work industry, the policing of urban public space, and the line between the formal and informal economy. This transnational and intersectional approach reinforces that trans women are not isolated social subjects who appear alone; they are in fact central to the modern social world.

The thought they had the whole water park to themselves. They were wrong... In the summer of 1983, thirteen-year-old Cyndi and her three new-found friends Stacy, Zack, and Brad decide to sneak away from their summer camp in the middle of the night by rafting down the nearby rivers. After spending a tense night lost in the woods, the four teenagers stumble into a mysterious water park that appears to be completely empty. At first, they are thrilled to have the rides all to themselves, at least until one of them disappears. Soon they discover that they are trapped in the park, and a dark figure is stalking them from the shadows, picking them off one by one. Once night falls, Cyndi will have to fight to escape the park, a masked maniac, and a living nightmare. Kill River is a wild water park ride filled with blood, gore, and '80s nostalgia. Slasher fans rejoice, old-school horror is back!

1988. Charleston, South Carolina. High school sophomores Abby and Gretchen have been best friends since fourth grade. . But after an evening of skinny-dipping goes disastrously wrong, Gretchen begins to act… different. She’s moody. She’s irritable. And bizarre incidents keep happening whenever she’s nearby. Abby’s investigation leads her to some startling discoveries - and by the time their story reaches its terrifying conclusion, the fate of Abby and Gretchen will be determined by a single question: Is their friendship powerful enough to beat the devil? Like an unholy hybrid of Beaches and The Exorcist, My best Friend's Exorcism blends teen angst, adolescent drama, unspeakable horrors, and a mix of '80s pop songs into a pulse-pounding supernatural thriller.

Andrew and Eddie did everything together, best friends bonded more deeply than brothers, until Eddie left Andrew behind to start his graduate program at Vanderbilt. Six months later, only days before Andrew was to join him in Nashville, Eddie dies of an apparent suicide. He leaves Andrew a horrible inheritance: a roommate he doesn’t know, friends he never asked for, and a gruesome phantom with bleeding wrists that mutters of revenge. As Andrew searches for the truth of Eddie’s death, he uncovers the lies and secrets left behind by the person he trusted most, discovering a family history soaked in blood and death. Whirling between the backstabbing academic world where Eddie spent his days and the circle of hot boys, fast cars, and hard drugs that ruled Eddie’s nights, the walls Andrew has built against the world begin to crumble, letting in the phantom that hungers for him.