A burned-out bisexual confronts old demons, her estranged chosen family, and the ex she maybe shouldn’t have walked away from when she attends her five-year college reunion. Charlotte Thorne does not want to go back to Hein University. Her life postcollege isn’t what she expected—her career in media is stalled, her passion for drawing has fallen by the wayside, and she’s done a terrible job keeping in touch with her queer chosen family since graduation day. Willingly spend a full weekend with her incredibly successful classmates? Hard pass. But when her demanding boss, tech journalist Roger Ludermore, is invited to give the commencement address at this year’s graduation—which falls on the same weekend as her five-year reunion—Charlotte has no choice but to return to campus. The minute she steps foot on Hein property, the past comes crawling back in its glory and cringe: disco parties at the LGBTQIA+ program house, sleeping in a twin XL bed, and her chemistry with Reece Kreuger, the hockey player she rebounded with after a traumatic breakup. Suddenly the weekend Charlotte has dreaded for months feels like an opportunity to go back in time. Determined to have some fun, Charlotte dodges her best friend’s questions about her mental health, ignores her boss’s constant Slack messages, and tries to avoid the truth about why she ghosted Reece five years ago. But can she really outrun her past and get her life together in seventy-two hours?

As a child, the Name-Bearer had one duty; to receive and deliver the names of the future monarchy from the Flowers of Prophecy. But on the day of the Naming Ceremony, the Flowers refused. They claim another child was born more worthy of the Naming, and the Name-Bearer must find him and bring him to them in order to restore peace to her land. Ten years later the Name-Bearer, along with trusted allies, sets out on her quest to find the Unnamed Prince and fulfill the prophecy. But embracing one’s destiny is never an easy path, and they must battle enemy territory, a bounty on their heads, the increasing sightings of monstros, and more. With so much opposition, will their courage – and their friendships, survive?

Explore the folklore of the trickster, villain, and rescuer known as Baba Yaga in a new light.   When darkness, fear, and instability inundate our daily lives, folktale figures like Baba Yaga speak to the dichotomy of our existence—the hope and the horror, the magic and the mundane. At once an old hag and an enchantress, a demon and wish granter, a feminist and nothing more than a fairytale, Baba Yaga is an endlessly complex folktale character.  Becoming Baba Yaga provides an in-depth look at the Baba Yaga mythos and history through Slavic folklore. Filled with historical and cultural context, analyses, and the stories themselves that add depth to the conversation. A comprehensive resource for anyone hoping to learn more about this ambiguous character and how her multifaceted presence still ripples through the present day, Becoming Baba Yaga is as thoughtful as it is illuminating.   Spisak explores Baba Yaga’s connection to nature as an Earth goddess and as an herbalist. She also delves into the Shadow Self and Baba Yaga’s aspect as a trickster and places her in a modern context as not merely a witch of the woods but also as an archetype and force for finding your own path. Becoming Baba Yaga shares how she is both a force for good as much as evil and a feminist before her time.

Helen Capel is hired as a live-in lady-help to the Warren family in the countryside. She enjoys the eccentric household and her duties, but her peaceful and simple life is soon disturbed by a series of mysterious murders in the isolated community. As Helen’s employer, Professor Sebastian Warren, battens down the hatches and locks all the doors of their remote country house, the eight residents begin to feel safe. But somewhere out there lurks a murderer of young girls. As the murders crawl closer to home, Helen starts to wonder if there really is safety in numbers—and what happens when those numbers start to dwindle? About the Author Novelist and short story writer Ethel White was born in Abergavenny, Monmouthshire, Wales, in 1876. She worked for the government at the Ministry of Pensions in London and began writing fiction in the 1920s. She made her writing debut with the mainstream novel The Wish-Bone (1927). After two more mainstream novels, Twill Soon Be Dark (1929) and The Eternal Journey (1930), she began writing thriller and mystery novels, where her popularity flourished for the next 14 years. Her novel The Spiral Staircase was made into a film by director Robert Sidomark, but White's best-known and most successful work remains The Wheel Spins, on which Hitchcock based his film The Lady Vanishes. The Lady Vanishes was remade in the 1970s and starred Cybil Shepherd. More recently, The Lady Vanishes has enjoyed a successful run as a play.

Sequel to Herland. Published serially in the author's monthly magazine, Forerunner, volume 7 (1916). Herland described an all-women utopia in a secluded high valley, where 3 adventurous young men visit by airplane. Eventually, 2 of the 3 are expelled, along with a young Herland woman who has married one of the men. With Her in Ourland continues as the husband and wife tour the world outside of Herland, interviewing people, taking notes and photographs, and discussing history, religions, war, child-rearing, the role of women, treatment of immigrants, women's suffrage, and more. The two novels together convey the author's social criticisms of our world at her time and her prescriptions to improve the human condition in the United States.

A “poignant and swoony” romance about a woman with a rare neurological condition who agrees to fake-date the hot guy in her chronic pain support group—only to discover he’s an Olympic snowboarder whose career-ending injury is as infamous as his dating history (Gigi Griffis, author of The Empress).Your fake relationship shouldn’t come with chronic feelings. Skylar is done with offline relationships—especially romantic ones. Living with chronic illness means she’s heard it all unreliable, high-maintenance, too much. She’d rather spend her free time in her online chronic pain support group, and lately, she can’t help but notice Pike, the hot new guy with a penchant for broody poetry. When a chaotic night in the group forces her to pose as his girlfriend, she reluctantly agrees to keep up the charade in real life. Surprisingly, he’s thoughtful, sweet, and—most importantly—doesn’t flinch at the things that have scared others away. Fake dating gets a lot more complicated when she discovers Pike isn’t just some guy. He’s a professional snowboarder whose career-ending injury is as infamous as his playboy past. He won’t talk about that, though. He’s fine. Really. But pretending to be in love with Skylar turns out to be the least depressing thing he’s done in months. As they spend more time together, she starts to notice the cracks in his carefully crafted image, and for once, he doesn’t mind being seen. After all the bed-sharing and late-night talks, it becomes harder for both of them to pretend. But just as things start turning real, the paparazzi catch on, wanting the scoop on how everyone’s favorite Olympic medalist is doing post-accident. Dating while disabled comes with challenges of its own, but public speculation and invasive questions are something else entirely. If their newfound feelings can’t survive the spotlight, their not-so-fake relationship may be over before it ever truly begins.

In a faraway land where members of the royal family are named for the virtues they embody, one young boy will become a walking enigma. Born on the wrong side of the sheets, Fitz, son of Chivalry Farseer, is a royal bastard, cast out into the world, friendless and lonely. Only his magical link with animals - the old art known as the Wit - gives him solace and companionship. But the Wit, if used too often, is a perilous magic, and one abhorred by the nobility. So when Fitz is finally adopted into the royal household, he must give up his old ways and embrace a new life of weaponry, scribing, courtly manners; and how to kill a man secretly, as he trains to become a royal assassin.