Han gav upp allt och försvann från rampljuset. Hon förlorade allt och har kämpat sig tillbaka. Ella har haft några tuffa år med utbrändhet och depression när hon lyckas landa sitt drömjobb som kommunikatör hos Lundmyren SK. Allt är frid och fröjd tills hon upptäcker att hennes nya kollega är Alexander Svartås, skidskyttevärldens bad boy som gör sensationell comeback som längdskidåkare. Han kanske är orimligt het, men det var också han som fick hennes liv att krascha. Alexander däremot förstår inte varför klubbens kommunikatör verkar sky honom som pesten, när han själv finner henne helt oemotståndlig. Att bo vägg i vägg med henne visar sig vara en oläglig distraktion från det han är där för att göra – visa att han fortfarande är att räkna med i skidspåret. Efter en het midsommarnatt ändras allt – men kommer det för förflutna att hinna ikapp och förstöra allt för dem?

He will be the destruction of the crown and the ruination of the throne. Power is much easier to acquire than it is to hold on to. Jude learned that lesson when she released her control over the wicked king, Cardan, in exchange for immeasurable power. Now, as the exiled mortal Queen of Faerie, Jude is left reeling from Cardan's betrayal. She bides her time, determined to reclaim everything he took from her. Opportunity arrives in the form of her deceptive twin sister, Taryn, whose mortal life is in peril. Jude must risk venturing back into the treacherous Faerie Court, and confront her lingering feelings for Cardan, if she wishes to save her sister. But Elfhame is not as she left it. War is brewing. As Jude slips deep within enemy lines, she becomes ensnared in the conflict's bloody politics. And when a terrible curse is unleashed, panic spreads throughout the land, forcing her to choose between her ambition and her humanity.... From #1 New York Times bestselling author Holly Black comes the highly anticipated and jaw-dropping finale to the Folk of the Air series.

On land where enslaved people were once tortured and murdered, the state built a penal colony in the wilderness, where inmates could be rehabilitated, but never escape. Now, decades later, and having only succeeded in trapping men, not changing them for the better, its operations are winding down. But in the prison’s waning days, a new horror is unleashed: every full-moon night, the inmates are released, the warden is armed with rifles, and the hunt begins. Every man plans his escape, not knowing if his end will come at the hands of a familiar face, or from the unknown dangers beyond the prison walls. Ana Paula Maia has once again delivered a bracing vision of our potential for violence, and our collective failure to account for the consequences of our social and political action, or inaction. No crime is committed out of view for this novelist, and her raw, brutal power enlists us all as witness.

From the start of this extraordinary debut, Nana Kwame Adjei-Brenyah’s writing will grab you, haunt you, enrage and invigorate you. By placing ordinary characters in extraordinary situations, Adjei-Brenyah reveals the violence, injustice, and painful absurdities that Black men and women contend with every day in this country. These stories explore urgent instances of racism and cultural unrest, and the ways we fight for humanity in an unforgiving world. In “The Finkelstein Five,” Adjei-Brenyah reckons with the brutal prejudice of our justice system. In “Zimmer Land,” we see a far-too-easy-to-believe imagining of racism as sport. And “Friday Black” and “How to Sell a Jacket as Told by IceKing” show the horrors of consumerism and the toll it takes on us all. Entirely fresh in its style and perspective, and sure to appeal to fans of Colson Whitehead, Marlon James, and George Saunders, Friday Black confronts readers with a complicated, insistent, wrenching chorus of emotions, the final note of which, remarkably, is hope.

Stephen's god died on the longest day of the year… Three years later, Stephen is a broken paladin, living only for the chance to be useful before he dies. But all that changes when he encounters a fugitive named Grace in an alley and witnesses an assassination attempt gone wrong. Now the pair must navigate a web of treachery, beset on all sides by spies and poisoners, while a cryptic killer stalks one step behind… From the Hugo and Nebula Award winning author of Swordheart and The Twisted Ones comes a saga of murder, magic, and love on the far side of despair.

Nothing brings people together like a common enemy, and witches were the greatest enemy of all. Scotland, 1563: Crops failed. People starved. And the Devil's influence was stronger than ever—at least, that's what everyone believed. If you were a woman living in Scotland during this turbulent time, there was a very good chance that you, or someone you knew, would be tried as a witch. During the chaos of the Reformation, violence against women was codified for the first time in the Witchcraft Act—a tool of theocratic control with one chilling to root out witches and rid the land of evil. What followed was a dark and misogynistic chapter in history that fanned the flames of witch hunts across the globe, including in the United States and beyond. In How to Kill a Witch, Zoe Venditozzi and Claire Mitchell, hosts of the popular Witches of Scotland podcast, unravel the grim yet absurdly bureaucratic process of identifying, accusing, trying, and executing women as witches. With sharp wit and keen feminist insight, they reveal the inner workings of a patriarchal system designed to weaponize fear and oppress women. This captivating (and often infuriating) account, which weaves a rich tapestry of trial transcripts, witness accounts, and the documents that set the legal grounds for the witch hunts, exposes how this violent period of history mirrors today's struggles for justice and equality. How to Kill a Witch is a powerful, darkly humorous reminder of the dangers of superstition, bias, and ignorance, and a warning to never forget the past… while raising the question of whether it could ever happen again.

About three things I was absolutely positive. First, Edward was a vampire. Second, there was a part of him - and I didn't know how dominant that part might be - that thirsted for my blood. And third, I was unconditionally and irrevocably in love with him. Deeply seductive and extraordinarily suspenseful, Twilight is a love story with bite.

A brilliant, action-packed reimagining of The Adventures of Huckleberry Finn , both harrowing and ferociously funny, told from the enslaved Jim's point of view. When the enslaved Jim overhears that he is about to be sold to a man in New Orleans, separated from his wife and daughter forever, he decides to hide on nearby Jackson Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father, recently returned to town. As all readers of American literature know, thus begins the dangerous and transcendent journey by raft down the Mississippi River toward the elusive and too-often-unreliable promise of the Free States and beyond. While many narrative set pieces of The Adventures of Huckleberry Finn remain in place (floods and storms, stumbling across both unexpected death and unexpected treasure in the myriad stopping points along the river’s banks, encountering the scam artists posing as the Duke and Dauphin…), Jim’s agency, intelligence and compassion are shown in a radically new light.