"Molly McGhee reminds me of absolutely no one. Here’s an original mind brimming over with invention and comic ferocity . . . [a] mad, hilarious writer.” —Ben Marcus, author of The Flame Alphabet For readers of Patricia Lockwood and Ling Ma, a debut novel for the modern working stiff Jonathan Abernathy is a loser . . . he’s behind on his debts, he has no prospects, no friends, no ambitions. But when a government loan forgiveness program offers him a literal dream job, he thinks he’s found his big break. If he can appear to be competent at his new job, entering the minds of middle-class workers while they sleep and removing the unsavory detritus of their waking lives from their unconscious, he might have a chance at a new life. As Abernathy finds his footing in this new role, reality and morality begin to warp around him. Soon, the lines between life and work, love and hate, right and wrong, even sleep and consciousness, begin to blur. Written with all the dramatic irony of Charlie Kaufman as written by Kurt Vonnegut, Jonathan Abernathy You Are Kind touches on a theme most people know all too well—the relentlessly crushing weight of debt. A workplace novel, at once tender, startling, and deeply funny, Jonathan Abernathy You Are Kind is a stunning, critical work of surrealist fiction. With a keen sense of her readers, a wry wit, and an undeniable dexterity with language, Molly McGhee’s debut novel is a piercing critique of late-stage capitalism and a reckoning with its true cost.

A definitive and surprising exploration of the history of Black horror films, after the rising success of Get Out , Candyman , and Lovecraft Country from creators behind the acclaimed documentary, Horror Noire. The Black Guy Dies First explores the Black journey in modern horror cinema, from the fodder epitomized by Spider Baby to the Oscar-​winning cinematic heights of Get Out and beyond. This eye-opening book delves into the themes, tropes, and traits that have come to characterize Black roles in horror since 1968, a year in which race made national headlines in iconic moments from the enactment of the 1968 Civil Rights Act and Martin Luther King Jr.’s assassination in April. This timely book is a must-read for cinema and horror fans alike.

"Molly McGhee reminds me of absolutely no one. Here’s an original mind brimming over with invention and comic ferocity . . . [a] mad, hilarious writer.” —Ben Marcus, author of The Flame Alphabet For readers of Patricia Lockwood and Ling Ma, a debut novel for the modern working stiff Jonathan Abernathy is a loser . . . he’s behind on his debts, he has no prospects, no friends, no ambitions. But when a government loan forgiveness program offers him a literal dream job, he thinks he’s found his big break. If he can appear to be competent at his new job, entering the minds of middle-class workers while they sleep and removing the unsavory detritus of their waking lives from their unconscious, he might have a chance at a new life. As Abernathy finds his footing in this new role, reality and morality begin to warp around him. Soon, the lines between life and work, love and hate, right and wrong, even sleep and consciousness, begin to blur. Written with all the dramatic irony of Charlie Kaufman as written by Kurt Vonnegut, Jonathan Abernathy You Are Kind touches on a theme most people know all too well—the relentlessly crushing weight of debt. A workplace novel, at once tender, startling, and deeply funny, Jonathan Abernathy You Are Kind is a stunning, critical work of surrealist fiction. With a keen sense of her readers, a wry wit, and an undeniable dexterity with language, Molly McGhee’s debut novel is a piercing critique of late-stage capitalism and a reckoning with its true cost.

Composed in the last years of Roberto Bolano's life, 2666 was greeted across Europe and Latin America as his most brilliant achievement, surpassing even his previous work in its strange beauty, daring experimentation, and epic scope. The book's subject matter ranges from the heady heights of literature and love to the gritty realism of violence and death as it explores how humans make sense of senseless events. Its throng of unforgettable characters includes academics and convicts, writers and cops, pursuing their own separate yet interrelated quests for an enigmatic Prussian novelist who disappears from the public eye after the death of his lover; a group of literary critics who bond through their shared love of the novelist's works; an African American journalist sent to Mexico on a sports beat in the wake of his mother's death; and a Spanish professor and widowed father whose mind is beginning to lose its grip on reality. Their lives intersect in the urban sprawl of Santa Teresa, a fictional Juarez on the US-Mexico border, where the serial killings of hundreds of young working class women remain unsolved.

A young woman jilted by her ex-fiancé is given a second shot at love when her meddling relatives contrive ways to pair her up with her handsome neighbor in this laugh-out-loud contemporary romance novella that will sweep you off your feet.After Sophie’s long-term boyfriend decides he doesn’t want to marry her, she flies back home to her native Philippines with her tail tucked between her legs. Forget romance. With the help of Ninang, her wealthy grand-aunt on her mother’s side, she picks her pieces back up and throws herself headfirst into her dream opening a coffee shop on the famous beach resort island of Dalisay.But there’s a catch. Ninang agrees to help fund the cost of starting a new business, if and only if Sophie hosts her younger sister, Narra, and their cousin, Layla for the summer. Fresh out of college, Narra and Layla have come to Dalisay for three months of fun and romance, and they refuse to leave Sophie out of it.Enter Archie Hastings. A smooth-talking, motorcycle-riding Brit, he moved to the island to work at a non-profit and nurse a heartbreak of his own. When Narra indulges in a little too much fun and romance, he’s there to help Sophie save the day, only to find himself pulled into a scheme to get Sophie—and by extension, himself—laid.Sophie just wants to be left alone. But love has a funny way of sneaking up on you, and this summer, on the beautiful sunny island of Dalisay, where the white sand is soft like powder and the blue sea impossibly clear, it might just catch her off-guard.

Funny, heartwarming, and swoon-worthy witchy romantic comedy from bestselling author Molly Harper. Caroline Wilton is “dying” to get off Starfall Point, but if she leaves the island, there’s a good chance she’ll literally die. For centuries, any Wilton who ventured off the island immediately perished in some freak accident. Caroline, like every Wilton before her, has accepted this curse and made peace with staying put and running the Wilted Rose Tavern. But thanks to her newfound magic and favorite coven of witches, Starfall Point has gotten a lot more exciting. And then there's Ben... When gorgeous physician Ben Hoult—Caroline's high school sweetheart who left without so much of a goodbye—returns to the island to take over the medical clinic with two frustratingly likeable teenagers in tow, Caroline feels the calm waters of her life begin to churn. Practical, sensible Ben didn’t believe in her family curse then, and Caroline has no interest in trying to convince him now. Besides, Caroline has her hands full managing all of the ghosts she now has the special power to see—especially the angry woman in eighteen-century garb occupying her tavern with a menacing glare. As Caroline and her witches grow their magic, they soon discover the angry family ghost as one of the island’s most sinister legends—information that could be the key to breaking the Wilton curse and finding lasting true love with Ben.

In Daretana’s most opulent mansion, a high Imperial officer lies dead—killed, to all appearances, when a tree spontaneously erupted from his body. Even in this canton at the borders of the Empire, where contagions abound and the blood of the Leviathans works strange magical changes, it’s a death at once terrifying and impossible. Called in to investigate this mystery is Ana Dolabra, an investigator whose reputation for brilliance is matched only by her eccentricities. At her side is her new assistant, Dinios Kol. Din is an engraver, magically altered to possess a perfect memory. His job is to observe and report, and act as his superior’s eyes and ears--quite literally, in this case, as among Ana’s quirks are her insistence on wearing a blindfold at all times, and her refusal to step outside the walls of her home. Din is most perplexed by Ana’s ravenous appetite for information and her mind’s frenzied leaps—not to mention her cheerful disregard for propriety and the apparent joy she takes in scandalizing her young counterpart. Yet as the case unfolds and Ana makes one startling deduction after the next, he finds it hard to deny that she is, indeed, the Empire’s greatest detective. As the two close in on a mastermind and uncover a scheme that threatens the safety of the Empire itself, Din realizes he’s barely begun to assemble the puzzle that is Ana Dolabra—and wonders how long he’ll be able to keep his own secrets safe from her piercing intellect. Featuring an unforgettable Holmes-and-Watson style pairing, a gloriously labyrinthine plot, and a haunting and wholly original fantasy world, The Tainted Cup brilliantly reinvents the classic mystery tale.

Inception meets True Detective in this science fiction thriller of spellbinding tension and staggering scope that follows a special agent into a savage murder case with grave implications for the fate of mankind... Shannon Moss is part of a clandestine division within the Naval Criminal Investigative Service. In western Pennsylvania, 1997, she is assigned to solve the murder of a Navy SEAL's family--and to locate his vanished teenage daughter. Though she can't share the information with conventional law enforcement, Moss discovers that the missing SEAL was an astronaut aboard the spaceship U.S.S. Libra—a ship assumed lost to the currents of Deep Time. Moss knows first-hand the mental trauma of time-travel and believes the SEAL's experience with the future has triggered this violence. Determined to find the missing girl and driven by a troubling connection from her own past, Moss travels ahead in time to explore possible versions of the future, seeking evidence to crack the present-day case. To her horror, the future reveals that it's not only the fate of a family that hinges on her work, for what she witnesses rising over time's horizon and hurtling toward the present is the Terminus: the terrifying and cataclysmic end of humanity itself. Luminous and unsettling, The Gone World bristles with world-shattering ideas yet remains at its heart an intensely human story.

The Emperor needs necromancers. The Ninth Necromancer needs a swordswoman. Gideon has a sword, some dirty magazines, and no more time for undead bullshit. Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse. She packs up her sword, her shoes, and her dirty magazines, and prepares to launch her daring escape. But her childhood nemesis won't set her free without a service. Harrowhark Nonagesimus, Reverend Daughter of the Ninth House and bone witch extraordinaire, has been summoned into action. The Emperor has invited the heirs to each of his loyal Houses to a deadly trial of wits and skill. If Harrowhark succeeds she will become an immortal, all-powerful servant of the Resurrection, but no necromancer can ascend without their cavalier. Without Gideon's sword, Harrow will fail, and the Ninth House will die. Of course, some things are better left dead.

1990. The teen detectives once known as the Blyton Summer Detective Club (of Blyton Hills, a small mining town in the Zoinx River Valley in Oregon) are all grown up and haven't seen each other since their fateful, final case in 1977. Andy, the tomboy, is twenty-five and on the run, wanted in at least two states. Kerri, one-time kid genius and budding biologist, is bartending in New York, working on a serious drinking problem. At least she's got Tim, an excitable Weimaraner descended from the original canine member of the team. Nate, the horror nerd, has spent the last thirteen years in and out of mental health institutions, and currently resides in an asylum in Arkham, Massachusetts. The only friend he still sees is Peter, the handsome jock turned movie star. The problem is, Peter's been dead for years. The time has come to uncover the source of their nightmares and return to where it all began in 1977. This time, it better not be a man in a mask. The real monsters are waiting.

A young woman discovers a strange portal in her uncle’s house, leading to madness and terror in this gripping new novel. Pray they are hungry. Kara finds these words in the mysterious bunker that she’s discovered behind a hole in the wall of her uncle’s house. Freshly divorced and living back at home, Kara now becomes obsessed with these cryptic words and starts exploring the peculiar bunker—only to discover that it holds portals to countless alternate realities. But these places are haunted by creatures that seem to hear thoughts…and the more you fear them, the stronger they become.

On Earth We're Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family's history that began before he was born — a history whose epicenter is rooted in Vietnam — and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We're Briefly Gorgeous is as much about the power of telling one's own story as it is about the obliterating silence of not being heard. With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years.

In her youth, Tara was wild. She abandoned her arranged marriage to join an ashram, took a hapless artist for a lover, rebelled against every social expectation of a good Indian woman - all with her young child in tow. Years on, she is an old woman with a fading memory, mixing up her maid's wages and leaving the gas on all night, and her grown-up daughter is faced with the task of caring for a mother who never seemed to care for her. This is a poisoned love story. But not between lovers - between mother and daughter. Sharp as a blade and laced with caustic wit, Burnt Sugar gradually untangles the knot of memory and myth that bind two women together, revealing the truth that lies beneath.

A definitive and surprising exploration of the history of Black horror films, after the rising success of Get Out , Candyman , and Lovecraft Country from creators behind the acclaimed documentary, Horror Noire. The Black Guy Dies First explores the Black journey in modern horror cinema, from the fodder epitomized by Spider Baby to the Oscar-​winning cinematic heights of Get Out and beyond. This eye-opening book delves into the themes, tropes, and traits that have come to characterize Black roles in horror since 1968, a year in which race made national headlines in iconic moments from the enactment of the 1968 Civil Rights Act and Martin Luther King Jr.’s assassination in April. This timely book is a must-read for cinema and horror fans alike.

Published in 1942 by French author Albert Camus, The Stranger has long been considered a classic of twentieth-century literature. Le Monde ranks it as number one on its "100 Books of the Century" list. Through this story of an ordinary man unwittingly drawn into a senseless murder on a sundrenched Algerian beach, Camus explores what he termed "the nakedness of man faced with the absurd."