The full inside story of the breathtaking rise and shocking collapse of a multibillion-dollar startup, by the prize-winning journalist who first broke the story and pursued it to the end in the face of pressure and threats from the CEO and her lawyers. In 2014, Theranos founder and CEO Elizabeth Holmes was widely seen as the female Steve Jobs: a brilliant Stanford dropout whose startup "unicorn" promised to revolutionize the medical industry with a machine that would make blood tests significantly faster and easier. Backed by investors such as Larry Ellison and Tim Draper, Theranos sold shares in a fundraising round that valued the company at $9 billion, putting Holmes's worth at an estimated $4.7 billion. There was just one problem: The technology didn't work. For years, Holmes had been misleading investors, FDA officials, and her own employees. When Carreyrou, working at The Wall Street Journal, got a tip from a former Theranos employee and started asking questions, both Carreyrou and the Journal were threatened with lawsuits. Undaunted, the newspaper ran the first of dozens of Theranos articles in late 2015. By early 2017, the company's value was zero and Holmes faced potential legal action from the government and her investors. Here is the riveting story of the biggest corporate fraud since Enron, a disturbing cautionary tale set amid the bold promises and gold-rush frenzy of Silicon Valley.

A popular novelist and literary blogger answers those who claim the classics are too difficult, too problematic, and too white—and explains what we gain by reading them When she was in her early twenties, then-aspiring writer Naomi Kanakia set out to read the Great Books—humankind’s most highly regarded literary classics, representing “the best that human beings have thought or said,” as determined by the two elderly intellectuals who’d written the guidebook she consulted. After twenty years, she has made her way through about two-thirds of these books, and she’s found reading them to be an immensely pleasurable and insightful activity. Plato, Milton, Tolstoy, Proust, all those dead guys—their books have stood the test of time. But since beginning her journey, Kanakia has found that although reading the Great Books is part of a longstanding tradition of engaging with the thought of previous generations, it is also a highly contingent activity that arose out of a specific time and place, the brainchild of a small group of early twentieth-century popularizers associated with Columbia University and the University of Chicago. And people have always been skeptical about the idea of reading the Great Books, asking if this is truly a realistic or even desirable goal for the ordinary person. A more recent and growing group of Great Books skeptics asks if these works are too problematic, reactionary, and irrelevant to bother reading. Kanakia, a self-described “left-of-center person,” grapples with these objections, attempting to restore context for the Great Books even as she sticks up for them. Because books that expose us to fundamental truths about the nature of beauty and reality are worth fighting for.

'A clear, compassionate, and much-needed book for our time' - Christian Madsbjerg, author of Look and SensemakingOliver Sweet is one of the world's leading business anthropologists. He works with brands like Coke, Ikea, Google and Dyson, as well as local councils and national governments, to reveal the secrets behind our decision making.Why do we do what we do? We might think it's our unique personality and individual differences that guide our choices, but more often than not, it's actually culture shaping our behaviour. From the ways we bring up children to the products we buy, the culture we live in creates who we are. In The Rules That Make Us, business anthropologist Oliver Sweet reveals the secrets to successful people-watching and how we can better understand consumers, voters and our relationships. His decades-long, trailblazing work uses cultural insights to help businesses, governments and NGOs achieve their goals - whether he's working with the Gates Foundation to encourage South African men to get HIV tests, helping a pet food company break into a new market in Brazil, or researching why 'nudge' techniques often backfire.Drawing on research conducted in thirty-five countries, Sweet maps culture's hidden how they govern our behaviour, create our assumptions, even how they help us predict the future. The Rules that Make Us gives us a model for thinking about culture that reveals a new way of understanding our families, colleagues, customers and ourselves.

By one of San Francisco’s foremost chroniclers, the story of the city’s meteoric transformation into a global capital of technology, and how the same creative and political forces that gave rise to its boom nearly engineered its collapse.At the dawn of the 1990s, San Francisco was a beautiful if troubled mid-sized metropolis. The mythic, fog-shrouded city at the edge of the continent was still reeling from the AIDS epidemic and the Loma Prieta earthquake, its economy stuck in a post-industrial slump. Once the undisputed capital of the American West, and later the beating heart of the global counterculture, San Francisco faced an uncertain future. But in that very moment, a band of free-thinking technology enthusiasts was meeting the unique creative zeitgeist of the city, and inventing the contemporary internet. The companies they spawned would change the way we work, play, socialize and engage in politics. San Francisco would undergo a transformation unlike any in modern American history, becoming an economic and cultural juggernaut that could fairly claim the title of tech capital of the world. Local politicians like Gavin Newsom and Kamala Harris advanced to the national stage, even as a union of underground culture and technological optimism gave rise to the annual reverie known as Burning Man. This should have been a happy story for San Francisco. But while the city’s tech economy roared, a host of urban ills lurked in the homelessness, drug addiction, mental illness, and a crippling lack of new housing. The city’s famously liberal political establishment struggled to get its arms around the mounting problems in the streets, becoming a punching bag for President Trump and the new right. When the pandemic arrived in 2020, it didn’t just create new crises but laid old ones bare, and shattered a “City Family” that had ruled for thirty years. Reporter and newsroom leader Jonathan Weber was an eyewitness to these events. He offers a sweeping history of a city that rose to dizzying heights, only to be all but undone by the greed of a tech industry it did so much to spawn, and politicians who had lost the plot. Drawing on nearly two hundred interviews with mayors, CEOs, activists, investors, artists, and beyond, City on the Edge is more than a than a simple chronicle of a city. It’s the story of a war waged for the heart of San Francisco—one that both anticipated and reflected the culture wars raging around the world. Its outcome would have an impact far beyond the city’s famed Golden Gates.

From “tomorrow’s greatest designer” (The Atlantic), a personal and deeply researched look at how the choices we build into our environment reflect and determine the way we think, connect, and live. We've been led to believe that purposefully designed spaces are something reserved only for those that can afford them. But in reality, all the spaces we inhabit—to work, to learn, to heal, and to live—have been planned and built to influence our lives. They sway our emotions, nudge our behaviors, protect us from disease, and do more, or less, to support shared prosperity and our sense of the common good. Our World in Ten Buildings unpacks this hidden but ever more important element of our lived experience. As author and architectural designer Michael Murphy takes us through ten milestone projects in his career he lays bare the physical, political, and intellectual labor at work shaping the world we live in. With rare insight, access, and passion, Murphy braids the history of architecture with his own iconic projects to show the power of urban design and how it revolutionizes our homes, minds, workplaces, safety, and health care. Profound, and accessible, Our World in Ten Buildings will change the way you look at and think about your surroundings.

INSTANT NEW YORK TIMES BESTSELLER For the first time, discover the unedited truth about the Duggars, the traditional Christian family that captivated the nation on TLC’s hit show 19 Kids and Counting . Jill Duggar and her husband Derick are finally ready to share their story, revealing the secrets, manipulation, and intimidation behind the show that remained hidden from their fans. Jill and Derick knew a normal life wasn’t possible for them. As a star on the popular TLC reality show 19 Kids and Counting , Jill grew up in front of viewers who were fascinated by her family’s way of life. She was the responsible, second daughter of Jim Bob and Michelle’s nineteen kids; always with a baby on her hip and happy to wear the modest ankle-length dresses with throat-high necklines. She didn’t protest the strict model of patriarchy that her family followed, which declares that men are superior, that women are expected to be wives and mothers and are discouraged from attaining a higher education, and that parental authority over their children continues well into adulthood, even once they are married. But as Jill got older, married Derick, and they embarked on their own lives, the red flags became too obvious to ignore. For as long as they could, Jill and Derick tried to be obedient family members—they weren’t willing to rock the boat. But now they’re raising a family of their own, and they’re done with the secrets. Thanks to time, tears, therapy, and blessings from God, they have the strength to share their journey. Theirs is a remarkable story of the power of the truth and is a moving example of how to find healing through honesty.

From the author of The Immortal King Rao, finalist for the Pulitzer Prize, a personal and provocative exploration of how technology companies have reshaped human language, and, if we let them, could steal it from usWhen it was released to the public in November 2022, ChatGPT awakened the world to a secretive teaching A.I.-powered machines to write and talk like human beings. Its creators had a sweeping ambition—to get machines to communicate for us. But if this came to pass, would it be liberation or subjugation? Vauhini Vara, an award-winning tech journalist and editor, had long been grappling with this question. In 2021, she used a predecessor of ChatGPT to write about her sister’s death, resulting in an essay that was both more moving and more disturbing than she could have imagined. It quickly went viral.The experience, revealing both the appeal and the danger of corporate-owned language machines, forced Vara to interrogate how technology has changed how she uses language, from discovering online chat rooms as a preteen, to using social media as the Wall Street Journal’s first Facebook reporter, to testing early versions of ChatGPT—all while adding to the trove of human-created material that Big Tech exploits. Interspersed throughout this investigation are her own Google searches, Amazon reviews, and the other raw material of internet life—including the viral A.I. experiment that started it all. Searches illuminates Big Tech’s incursion into our lives, while proposing that by harnessing the collective imagination that taught us to communicate in the first place, we might invent a nobler, freer relationship with our machines and, ultimately, with one another.

A detailed disassembly manual for people who want to dismantle Big Tech When the tech platforms promised a future of "connection," they were lying. They said their "walled gardens" would keep us safe, but those were prison walls. The platforms locked us into their systems and made us easy pickings, ripe for extraction. Twitter, Facebook and other Big Tech platforms are hard to leave by design. They hold hostage the people we love, the communities that matter to us, the audiences and customers we rely on. The impossibility of staying connected to these people after you delete your account has nothing to do with technological limitations: it's a business strategy in service to commodifying your personal life and relationships. We can - we must - dismantle the tech platforms. In The Internet Con, Cory Doctorow explains how to seize the means of computation, by forcing Silicon Valley to do the thing it fears most: interoperate. Interoperability will tear down the walls between technologies, allowing users to leave platforms, remix their media, and reconfigure their devices without corporate permission. Interoperability is the only route to the rapid and enduring annihilation of the platforms. The Internet Con is the disassembly manual we need to take back our internet.

The hidden costs of artificial intelligence, from natural resources and labor to privacy, equality, and freedom“Eloquent, clear and profound—this volume is a classic for our times. It draws our attention away from the bright shiny objects of the new colonialism through elucidating the social, material and political dimensions of Artificial Intelligence.”—Geoffrey C. Bowker, University of California, Irvine What happens when artificial intelligence saturates political life and depletes the planet? How is AI shaping our understanding of ourselves and our societies? In this book Kate Crawford reveals how this planetary network is fueling a shift toward undemocratic governance and increased racial, gender, and economic inequality. Drawing on more than a decade of research, award‑winning science, and technology, Crawford reveals how AI is a technology of extraction: from the energy and minerals needed to build and sustain its infrastructure, to the exploited workers behind “automated” services, to the data AI collects from us.    Rather than taking a narrow focus on code and algorithms, Crawford offers us a political and a material perspective on what it takes to make artificial intelligence and where it goes wrong. While technical systems present a veneer of objectivity, they are always systems of power. This is an urgent account of what is at stake as technology companies use artificial intelligence to reshape the world.

In the spirit of Nickel and Dimed, a necessary and revelatory expose of the invisible human workforce that powers the web—and that foreshadows the true future of work.Hidden beneath the surface of the web, lost in our wrong-headed debates about AI, a new menace is looming. Anthropologist Mary L. Gray and computer scientist Siddharth Suri team up to unveil how services delivered by companies like Amazon, Google, Microsoft, and Uber can only function smoothly thanks to the judgment and experience of a vast, invisible human labor force. These people doing "ghost work" make the internet seem smart. They perform high-tech flagging X-rated content, proofreading, designing engine parts, and much more. An estimated 8 percent of Americans have worked at least once in this “ghost economy,” and that number is growing. They usually earn less than legal minimums for traditional work, they have no health benefits, and they can be fired at any time for any reason, or none. There are no labor laws to govern this kind of work, and these latter-day assembly lines draw in—and all too often overwork and underpay—a surprisingly diverse range of harried young mothers, professionals forced into early retirement, recent grads who can’t get a toehold on the traditional employment ladder, and minorities shut out of the jobs they want. Gray and Suri also show how ghost workers, employers, and society at large can ensure that this new kind of work creates opportunity—rather than misery—for those who do it.

A call to action for the creative class and labor movement to rally against the power of Big Tech and Big Media Corporate concentration has breached the stratosphere, as have corporate profits. An ever-expanding constellation of industries are now monopolies (where sellers have excessive power over buyers) or monopsonies (where buyers hold the whip hand over sellers)--or both. In Culture Heist, scholar Rebecca Giblin and writer and activist Cory Doctorow argue that thanks to "chokepoint capitalism," exploitative businesses create insurmountable barriers to competition that enable them to capture value that rightfully belongs to others. All workers are weakened by this, but the problem is especially well-illustrated by the plight of creative workers. From Amazon's role in radically changing publishing's economics, to the influence of Spotify in leveraging digital rights management, these few vicious monopsonists have lobbied for more barriers for new entrants. By analyzing book publishing and news, live music and music streaming, screenwriting, radio and more, Giblin and Doctorow first deftly show how powerful corporations construct "anti-competitive flywheels" designed to lock in users and suppliers, make their markets hostile to new entrants, and then force workers and suppliers to accept unfairly low prices. In the book's second half, Giblin and Doctorow explain how to batter through those chokepoints, with tools ranging from transparency rights to collective action and ownership, radical interoperability, contract terminations, job guarantees, and minimum wages for creative work. Culture Heist is a call to workers of all sectors to unite to help smash these chokepoints and take back the power and profit that's been siphoned away--before it's too late.

The science on climate change has been clear for a very long time now. Yet despite decades of appeals, mass street protests, petition campaigns, and peaceful demonstrations, we are still facing a booming fossil fuel industry, rising seas, rising emission levels, and a rising temperature. With the stakes so high, why haven’t we moved beyond peaceful protest? In this lyrical manifesto, noted climate scholar (and saboteur of SUV tires and coal mines) Andreas Malm makes an impassioned call for the climate movement to escalate its tactics in the face of ecological collapse. We need, he argues, to force fossil fuel extraction to stop—with our actions, with our bodies, and by defusing and destroying its tools. We need, in short, to start blowing up some oil pipelines. Offering a counter-history of how mass popular change has occurred, from the democratic revolutions overthrowing dictators to the movement against apartheid and for women’s suffrage, Malm argues that the strategic acceptance of property destruction and violence has been the only route for revolutionary change. In a braided narrative that moves from the forests of Germany and the streets of London to the deserts of Iraq, Malm offers us an incisive discussion of the politics and ethics of pacifism and violence, democracy and social change, strategy and tactics, and a movement compelled by both the heart and the mind. Here is how we fight in a world on fire.

Explaining the process of the “enshittification” of digital platforms over time and what to do about it.Cory Doctorow's Enshittification takes a witty yet incisive look at the tech landscape, where platforms like TikTok, Facebook, and Google start off great—before they inevitably turn terrible. In this contemporary moment of digital decline, Doctorow explores how tech giants lure users in with convenience and then degrade their services over time, squeezing profit at the cost of user experience. With a mix of sharp humor and deep insight, he unveils the slow creep of "enshittification," turning the online world into a worse place, one algorithm at a time.

INSTANT NEW YORK TIMES BESTSELLER For the first time, discover the unedited truth about the Duggars, the traditional Christian family that captivated the nation on TLC’s hit show 19 Kids and Counting . Jill Duggar and her husband Derick are finally ready to share their story, revealing the secrets, manipulation, and intimidation behind the show that remained hidden from their fans. Jill and Derick knew a normal life wasn’t possible for them. As a star on the popular TLC reality show 19 Kids and Counting , Jill grew up in front of viewers who were fascinated by her family’s way of life. She was the responsible, second daughter of Jim Bob and Michelle’s nineteen kids; always with a baby on her hip and happy to wear the modest ankle-length dresses with throat-high necklines. She didn’t protest the strict model of patriarchy that her family followed, which declares that men are superior, that women are expected to be wives and mothers and are discouraged from attaining a higher education, and that parental authority over their children continues well into adulthood, even once they are married. But as Jill got older, married Derick, and they embarked on their own lives, the red flags became too obvious to ignore. For as long as they could, Jill and Derick tried to be obedient family members—they weren’t willing to rock the boat. But now they’re raising a family of their own, and they’re done with the secrets. Thanks to time, tears, therapy, and blessings from God, they have the strength to share their journey. Theirs is a remarkable story of the power of the truth and is a moving example of how to find healing through honesty.

Horror is unlike any other literary genre. It seeks to provoke uniquely strong reactions, such as fear, shock, dread, or disgust, and yet remains very popular. Horror is most readily associated with the film industry, but horrific short stories and novels have been wildly loved by readers for well over two centuries. Despite its persistent popularity, until now there has been no up-to-date history of horror fiction for the general reader. This book offers a chronological overview of the genre in fiction and explores its development and mutations over the past 250 years. It also challenges the common misjudgement that horror fiction is necessarily frivolous or dispensable. Leading experts on Gothic and horror literature introduce readers to classics of the genre as well as exciting texts they may not have encountered before. The topics examined include: horror's roots in the Gothic romance and antebellum American fiction; the penny dreadful and sensation novels of Victorian England; fin-de-siècle ghost stories; decadent fiction and the weird; the familial horrors of the Cold War era; the publishing boom of the 1980s; the establishment of contemporary horror auteurs; and the post-millennial zombie trend.