Hell is empty and all the devils are here… Alex Stern made it to hell and back more than once, but this time she left the door open behind her. Demons are creeping through the streets of New Haven and the Yale campus, feeding on the souls of the living, terrifying the dead. Alex and her allies can hunt them, but it’s only a matter of time before the gates to the underworld open and they face a war they cannot win. To stop it, they’ll have to reach deep into the secrets of Yale and its societies, and discover the truth hidden in Alex’s own blood. While she struggles to hold onto the dream of a future Yale once offered, Alex must contend with the machinations of a corrupt Lethe Board and a deadly vampire with his own connection to the societies. But for the first time in her life, she won’t have to face the fight alone. Dawes, Turner, Mercy, and even Tripp will have a role to play, none more so than Alex’s mentor Darlington, the golden boy who lived so long in her head, now back in the flesh and cursed with dangerous powers of his own. Hell itself is stalking the delegates of Lethe House, and they’re all about to learn that demons don’t play by human rules.

In this steamy rivals-to-lovers short story from New York Times bestselling author Tessa Bailey, a drama-loving camp counselor confronts the crush she’s been nursing for years on her gruff, rule-following fellow counselor. Senior counselor Margot Berry is finally going to tell Dean Ingram how she feels. Sure, she’s been pranking him for eight years and they’ve formed something of a rivalry. But surely that will all be set aside when she fesses up to her crush, right? Wrong. Dean assumes her confession is just another prank. Can she convince him she’s for real before the camp session ends? Tessa Bailey’s S’more of You is part of Summer Lovin’, a sweet and sultry collection of short summer romances that turn up the heat—and the heart. Read or listen to each short story in one easy, breezy sitting. And to fully immerse yourself in the flirty fun, try out the direct-to-listener audio experience.

Welcome to Normal, Kentucky~ where nothing is normal. Mae West, a far cry from the Hollywood actress, has been thrown for a loop. Her plush lifestyle in the big city of New York comes to a screeching halt after the FBI raids her mansion and arrests her husband, Paul West, for a Ponzi scheme that rips people out of millions of dollars. Mae finds herself homeless, friendless, and penniless. All hope isn't lost. . .the only thing Mae got to keep that the government didn't seize is a tourist camp ground, Happy Trails, in Normal, Kentucky and an RV to live in. One problem, Mae's idea of camping has room service. By the look of the brochure, Happy Trails has plush Kentucky Bluegrass, a crystal clear lake, a beach chair with her name on it and thoughts of how much money it could bring her after she sells it. Mae figures she'll take a couple weeks vacation with her toes dipped in the lake. Things aren't always as they appear. The Kentucky Bluegrass is nothing but dirt and the crystal clue lake is murky with green slime on top. Mae quickly find out that Happy Trails and the citizens of Normal were also victims of Paul's schemes, making her lower than tha lake scum in the residents' eyes. Mae doesn't think things could get much worse, but as luck would have it, Paul West has escaped from prison and is found dead, murdered, floating in the Happy Trails mucky green lake. Mae is the number one suspect on Detective Hank Sharp's short list. After all, Mae has the perfect motive as a kept wife who has been scorned to ashes, embarrassed to death, and seeking revenge. Time is running out for Mae to prove that she's innocent and nothing like her husband. If only she could get someone to believe her and talk Detective Sharp into looking at other residents who've lost all their savings to Paul's Ponzie scheme before the curtain is closed on this Hollywood namesake.

In this steamy rivals-to-lovers short story from New York Times bestselling author Tessa Bailey, a drama-loving camp counselor confronts the crush she’s been nursing for years on her gruff, rule-following fellow counselor. Senior counselor Margot Berry is finally going to tell Dean Ingram how she feels. Sure, she’s been pranking him for eight years and they’ve formed something of a rivalry. But surely that will all be set aside when she fesses up to her crush, right? Wrong. Dean assumes her confession is just another prank. Can she convince him she’s for real before the camp session ends? Tessa Bailey’s S’more of You is part of Summer Lovin’, a sweet and sultry collection of short summer romances that turn up the heat—and the heart. Read or listen to each short story in one easy, breezy sitting. And to fully immerse yourself in the flirty fun, try out the direct-to-listener audio experience.

Two Truths and a Lie. The girls played it all the time in their tiny cabin at Camp Nightingale. Vivian, Natalie, Allison, and first-time camper Emma Davis, the youngest of the group. The games ended when Emma sleepily watched the others sneak out of the cabin in the dead of night. The last she--or anyone--saw of them was Vivian closing the cabin door behind her, hushing Emma with a finger pressed to her lips. Now a rising star in the New York art scene, Emma turns her past into paintings--massive canvases filled with dark leaves and gnarled branches that cover ghostly shapes in white dresses. The paintings catch the attention of Francesca Harris-White, the socialite and wealthy owner of Camp Nightingale. When Francesca implores her to return to the newly reopened camp as a painting instructor, Emma sees an opportunity to try to find out what really happened to her friends. Yet it's immediately clear that all is not right at Camp Nightingale. Already haunted by memories from fifteen years ago, Emma discovers a security camera pointed directly at her cabin, mounting mistrust from Francesca and, most disturbing of all, cryptic clues Vivian left behind about the camp's twisted origins. As she digs deeper, Emma finds herself sorting through lies from the past while facing threats from both man and nature in the present. And the closer she gets to the truth about Camp Nightingale, the more she realizes it may come at a deadly price. In the new novel from the bestselling author of Final Girls, The Last Time I Lied follows a young woman as she returns to her childhood summer camp to uncover the truth about a tragedy that happened there fifteen years ago.

A year into her dream job at a cutthroat Silicon Valley startup, Cassie finds herself trapped in a corporate nightmare. In addition to the long hours, toxic bosses, and unethical projects, she struggles to reconcile the glittering promise of a city where obscene wealth lives alongside abject poverty. Ivy League grads complain about the snack selection from a conference room with a view of unhoused people bathing in the bay. Startup burnouts leap into the paths of commuter trains, and men set themselves on fire in the streets. Though isolated, Cassie is never alone. From her earliest memory, a miniature black hole has been her constant companion. It feeds on her depression and anxiety, its size changing in relation to her distress. The black hole watches, but it also waits. Its relentless pull draws Cassie ever-closer as the world around her unravels. When her CEO’s demands cross an illegal threshold and she ends up unexpectedly pregnant, Cassie must decide whether the tempting fruits of Silicon Valley are really worth it. Sharp but vulnerable, funny yet unsettling, Ripe portrays one millennial woman’s journey through a late-capitalist hellscape and offers an incisive look at the absurdities of modern life.

The far right is on the march again – but this time it’s different from anything we’ve seen before. A new, apocalyptic alliance of religious fundamentalists, billionaire Silicon Valley tech kings and ethno-nationalists is on the move. They’re united in their belief that some kind of cleansing cataclysm is coming, and they welcome a future of shocks, scarcity and collapse, convinced they’ll be among the saved on the other side. This is the world of End Times Fascism. In this blistering reckoning with our age, Naomi Klein and Astra Taylor take us deep into this man-made Armageddon complex – and show us how to resist it. Around the globe, they investigate how those who are making our world unliveable through climate chaos and job-consuming AI are preparing to protect themselves from the fallout, whether it’s by repairing to luxurious private islands for the super-rich, rocketing off to Mars or bunkering nations against a dehumanized ‘other’. But, Klein and Taylor reveal, the new supremacist survivalists are far from impregnable. They have no vision of a shared future. All they offer are remixes of a bygone the nihilistic, sadistic pleasures of domination. If we’re to meet this critical moment and defend what’s left of democracy before it’s smashed up beyond repair, we must break the doom loop, and find a new way of living together, rooted in our existence on this earth, in the here and now. A story not of end times – but of better times. This book shows us how.

As inequality, inflation, and overwhelming corporate power threaten democracy, a rising-star economist asks what it would mean to create an anti-fascist economics that guarantees dignity for all.On the night of President Trump's second presidential victory, economist Isabella Weber tweeted: "Can we now finally have a serious conversation about an anti-fascist economics?" In her view, Democrats had missed the seriousness of the affordability crisis in the wake of pandemic-era inflation. By refusing to step in to protect their constituencies against price explosions in essentials and corporate profiteering, they left room amidst the global crisis for the resurgence of the politics of resentment that Trump and the right reveled in.Her question, though, was a bold one with implications that reached far beyond one election. In a neoliberal world, we tell people at the same time: Democracy is the highest form of political organization. And: When it comes to the economy, to the material foundation of our life, the best the representatives of the people can do is to subordinate their constituencies to the corporate pursuit of profits. This basic contradiction between the rule of the people and the rule of the market makes neoliberal democracy vulnerable to the threat of fascism, she argues. Economists have too often acted as prophets of market subordination and ended up waxing the slippery slope to fascism. Isabella Weber warns that if we are serious about saving democracy and preventing the further rise of fascists, we need an economics that serves democracy and centers people’s needs and dignity rather than seeing their fulfillment as a welcome side effect in the pursuit of other goals.In Anti-Fascist Economics, Weber proposes just such a way out. She envisions an economics that centers on essentials for livelihoods and production, that strives to make life on our planet livable for all, that confronts rather than conceals corporate power, and that charts the way towards international cooperation rather than getting stuck in the dichotomy of free trade and trade wars. To halt the further rise of fascism, we need a tangible alternative to the dystopian status quo, she insists, one that takes affordability seriously as a foundation of democracy. In this paradigm-shifting book, Weber recalls a history of mid-twentieth-century economists for whom “never again” was the North star and reinvents their thinking for our day.

You’ve been taught success comes from careful planning, learning the ropes, and earning one promotion at a time. But what about the people who seem to skip all that? We all know a few rare individuals who never stop moving, taking wild risks, and collecting public failures, yet somehow always seem to land on top. Cate Hall is one of those maddening, inspiring people. She left an elite legal career just before making partner to gamble for a living — and became the world’s top-ranked female poker player. A drug addiction left her broke and brain-damaged, but a year after emerging from it, she co-founded a biotech startup that set a clinical trial speed record. Not long after, she took the helm of one of the world’s largest philanthropic foundations. Why don’t the rules apply to her? What if they don’t apply to you either? In You Can Just Do Things, Cate Hall argues that the so-called “rules” of success aren’t rules at all — they’re productivity guidelines for low-agency people. Hall shows readers how to live with agency and take control of your future: Increase your surface area for luck Take every shortcut available Build “forcing functions” that ensure commitment Use your deepest insecurities as fuel for growth Are you ready to cross the cringe minefield? To show up where you don’t belong, apply for jobs you’re not qualified for, call people who aren’t expecting it, and risk looking foolish in front of others? Every time you think, “Somebody should do this,” that somebody can be you. An uncomfortable psychological journey and a toolkit for bold living, You Can Just Do Things reveals how to stop waiting and start building the life you want.

An Instant New York Times Bestseller“Excellent and deeply reported.” —Tim Wu, The New York Times“Startling and intensely researched . . . an essential account of how OpenAI and ChatGPT came to be and the catastrophic places they will likely take us.” —Vulture“Hao’s reporting inside OpenAI is exceptional, and she’s persuasive in her argument that the public should focus less on A.I.’s putative ‘sentience’ and more on its implications for labor and the environment.” —Benjamin Wallace-Wells, New YorkerFrom a brilliant longtime AI insider with intimate access to the world of Sam Altman's OpenAI from the beginning, an eye-opening account of arguably the most fateful tech arms race in history, reshaping the planet in real time, from the cockpit of the company that is driving the frenzyWhen AI expert and investigative journalist Karen Hao first began covering OpenAI in 2019, she thought they were the good guys. Founded as a nonprofit with safety enshrined as its core mission, the organization was meant, its leader Sam Altman told us, to act as a check against more purely mercantile, and potentially dangerous, forces. What could go wrong?Over time, Hao began to wrestle ever more deeply with that question. Increasingly, she realized that the core truth of this massively disruptive sector is that its vision of success requires an almost unprecedented amount of the “compute” power of high-end chips and the processing capacity to create massive large language models, the sheer volume of data that needs to be amassed at scale, the humans “cleaning up” that data for sweatshop wages throughout the Global South, and a truly alarming spike in the usage of energy and water underlying it all. The truth is that we have entered a new and ominous age of only a small handful of globally scaled companies can even enter the field of play. At the head of the pack with its ChatGPT breakthrough, how would OpenAI resist such temptations?Spoiler it didn’t. Armed with Microsoft’s billions, OpenAI is setting a breakneck pace, chased by a small group of the most valuable companies in human history—toward what end, not even they can define. All this time, Hao has maintained her deep sourcing within the company and the industry, and so she was in intimate contact with the story that shocked the entire tech industry—Altman’s sudden firing and triumphant return. The behind-the-scenes story of what happened, told here in full for the first time, is revelatory of who the people controlling this technology really are. But this isn’t just the story of a single company, however fascinating it is. The g forces pressing down on the people of OpenAI are deforming the judgment of everyone else too—as such forces do. Naked power finds the ideology to cloak itself; no one thinks they’re the bad guy. But in the meantime, as Hao shows through intrepid reporting on the ground around the world, the enormous wheels of extraction grind on. By drawing on the viewpoints of Silicon Valley engineers, Kenyan data laborers, and Chilean water activists, Hao presents the fullest picture of AI and its impact we’ve seen to date, alongside a trenchant analysis of where things are headed. An astonishing eyewitness view from both up in the command capsule of the new economy and down where the real suffering happens, Empire of AI pierces the veil of the industry defining our era.

A pantheon of forgotten gods. An old grudge between a talk show host, an heiress, and the man they shattered along the way. A rapidly deteriorating AI system. An inconvenient tiara upon the head of a friend. It is bedlam on the eighth floor. As management reels from the unexpected conclusion of the seventh level, the surviving crawlers stumble onto the eighth and find themselves scattered. It’s a map based on Earth’s final days before the collapse, where ethereal, intangible ghosts of humanity go about their lives, oblivious of the impending doom. Living amongst these ghosts are monsters based in Earth lore. “Legendary” creatures tied to the geographical location they inhabit. Each team of crawlers is given a task: find and capture six of these beasts. The captured monsters will be turned into cards. Cards that can be summoned into battle again and again. The stronger, the deadlier, the better. At the end of the floor, the bad guys will also have decks, and they will have some of the most powerful cards available. So it’s crucial to assemble the toughest squad possible. But, like always, there is a catch. There’s always a catch. As Carl and Donut know all too well, just because someone is captured, it doesn’t mean they have been tamed. Her name is Shi Maria. She’s easily the most powerful monster in their area. If they want to survive, they must capture her. But she is no ordinary beast. She’s intelligent. She was once married to a god, a god who is now missing. Her special attack is known to drive one insane. They call her the Bedlam Bride. “Beware, beware. Beware the Eye of the Bedlam Bride”

Attention. Attention. The gates are down. The hunters are loose. Run, Run, Run. A lush jungle teeming with danger. Savage dinosaurs seeking blood. A fallen princess intent on vengeance. A mysterious, end-of-floor celebration for the top crawlers, dubbed “The Butcher’s Masquerade.” The sixth floor. The Hunting Grounds. As the remaining crawlers battle for their lives, a new, terrible threat looms. Outside tourists are finally allowed to enter the game, and they are here and ready to hunt. Among them is Vrah, a famed and veteran hunter, intent on collecting the biggest trophy of her career. But their prey is far from harmless, and this season they are fighting back. Dungeon Crawler Carl and Princess Donut return in book five of the acclaimed litrpg series.

A magnetic, stirring debut novel about an adrift young woman whose growing fascination with her boyfriend’s cat ushers her into the possibilities of her own life—but not without first threatening to unravel it. Katie is far from home and fresh out of college, desperate to skirt adulthood’s demands, and all too willing to let her wealthy boyfriend James make decisions for them both. It doesn’t help that she’s no longer speaking to her mother. Or that her roommate has abruptly moved out of their New York City apartment. But when James takes Katie on vacation to his family’s seaside house, he brings Silver, his childhood cat, and Katie discovers a sudden, strange, and giddy sense of connection. Silver doesn’t mind that Katie can’t seem to get a job, hold her own at dinner parties, or make amends with her mother. Silver, who gets to lie around all day, misbehave spectacularly, be cute, gross, and still get fed, seems to have the life Katie increasingly longs for. Soon enough, they’re inseparable, and something inside Katie begins to crack open, or maybe just…crack. Because if Katie has learned anything from her estranged mother, it’s that devotion comes at a price. As Katie’s affection for Silver deepens, all of her other relationships begin to falter. Soon, Katie must confront what it is she desires from her life, and what she might have to risk to get it. Both darkly playful and unexpectedly heartfelt, this debut from a major new voice in fiction is a timeless reckoning with the uncertainty of becoming a person in a world that is as disorienting as it is full of hope and promise.

Two Truths and a Lie. The girls played it all the time in their tiny cabin at Camp Nightingale. Vivian, Natalie, Allison, and first-time camper Emma Davis, the youngest of the group. The games ended when Emma sleepily watched the others sneak out of the cabin in the dead of night. The last she--or anyone--saw of them was Vivian closing the cabin door behind her, hushing Emma with a finger pressed to her lips. Now a rising star in the New York art scene, Emma turns her past into paintings--massive canvases filled with dark leaves and gnarled branches that cover ghostly shapes in white dresses. The paintings catch the attention of Francesca Harris-White, the socialite and wealthy owner of Camp Nightingale. When Francesca implores her to return to the newly reopened camp as a painting instructor, Emma sees an opportunity to try to find out what really happened to her friends. Yet it's immediately clear that all is not right at Camp Nightingale. Already haunted by memories from fifteen years ago, Emma discovers a security camera pointed directly at her cabin, mounting mistrust from Francesca and, most disturbing of all, cryptic clues Vivian left behind about the camp's twisted origins. As she digs deeper, Emma finds herself sorting through lies from the past while facing threats from both man and nature in the present. And the closer she gets to the truth about Camp Nightingale, the more she realizes it may come at a deadly price. In the new novel from the bestselling author of Final Girls, The Last Time I Lied follows a young woman as she returns to her childhood summer camp to uncover the truth about a tragedy that happened there fifteen years ago.

From the #1 New York Times bestselling author of Killers of the Flower Moon, a page-turning story of shipwreck, survival, and savagery, culminating in a court martial that reveals a shocking truth. The powerful narrative reveals the deeper meaning of the events on the Wager, showing that it was not only the captain and crew who ended up on trial, but the very idea of empire. On January 28, 1742, a ramshackle vessel of patched-together wood and cloth washed up on the coast of Brazil. Inside were thirty emaciated men, barely alive, and they had an extraordinary tale to tell. They were survivors of His Majesty's Ship the Wager, a British vessel that had left England in 1740 on a secret mission during an imperial war with Spain. While the Wager had been chasing a Spanish treasure-filled galleon known as "the prize of all the oceans," it had wrecked on a desolate island off the coast of Patagonia. The men, after being marooned for months and facing starvation, built the flimsy craft and sailed for more than a hundred days, traversing nearly 3,000 miles of storm-wracked seas. They were greeted as heroes. But then . . . six months later, another, even more decrepit craft landed on the coast of Chile. This boat contained just three castaways, and they told a very different story. The thirty sailors who landed in Brazil were not heroes - they were mutineers. The first group responded with countercharges of their own, of a tyrannical and murderous senior officer and his henchmen. It became clear that while stranded on the island the crew had fallen into anarchy, with warring factions fighting for dominion over the barren wilderness. As accusations of treachery and murder flew, the Admiralty convened a court martial to determine who was telling the truth. The stakes were life-and-death--for whomever the court found guilty could hang. The Wager is a grand tale of human behavior at the extremes told by one of our greatest nonfiction writers. Grann's recreation of the hidden world on a British warship rivals the work of Patrick O'Brian, his portrayal of the castaways' desperate straits stands up to the classics of survival writing such as The Endurance, and his account of the court martial has the savvy of a Scott Turow thriller. As always with Grann's work, the incredible twists of the narrative hold the reader spellbound.

From the author of the bestselling phenomenon Dietland comes a razor-sharp, subversive thriller about motherhood, obsession, and the stories we tell ourselves to survive. Violet “West” Shelley, a self-described “low-brow” crime journalist, has unwillingly spent her life in the spotlight, as the only daughter of a legendary poet and feminist icon who died tragically young. Now as West approaches fifty—burned out, creatively blocked, and far older than her mother ever was—she retreats to her desolate Colorado hometown to finish a long-overdue book about the Crying Killer, a serial killer who sobs for his mother after committing his crimes. But what begins as a bid for solitude quickly spirals into something far more sinister. A stalker emerges—mysterious, relentless, and disturbingly intimate—claiming that West is their mother; yet West knows this is impossible. As threatening messages escalate and her carefully constructed life starts to unravel, West is drawn into a chilling psychological web where the boundaries between fiction and reality collapse. Is she being watched? Hunted? Or is her own mind turning against her? Gripping, provocative, and laced with pitch-black humor, Furious Violet is a psychological thrill ride and a fierce exploration of motherhood, fame, and the question of who can lay claim to women’s legacies. Sarai Walker delivers a heroine unlike any other: damaged, defiant, and utterly unforgettable.