Patience is a kindhearted country girl, eking out a living in Edwardian England as tremors of social change rock the world around her. When she starts her employment in formal service on the grounds of an opulent country manor, she has no idea that her own personal revolution is about to begin. Selfless, dutiful, and just a touch naive, she takes to both her place as a parlor maid and to her new roommate, the bookish and progressive lady’s maid, Esther. In another time, the two women would have kept one another’s company forever in their little attic bedroom, living out their days in the employ of a Lord. But it’s now the dawn of a new age. The expanding empire has brought with it not only plundered wealth, but worldliness and new ideas. Suffragists agitate in the street, idle-rich bohemians challenge sexual mores, and Patience and Esther slowly come to realize the world is wider and full of more adventure and opportunity than they ever imagined . . . so long as they find the will to seize it. Sensual, sweet, and beautifully illustrated, PATIENCE & ESTHER is a steamy period romance and an inspirational erotic journey across the epic sweep of history, from the end of a gilded age to the start of an uncharted future.

In seven light-filled prisms of short stories, Emily Zhou chronicles modern queer life with uncompromising and hilarious lucidity. Attending to the intimacy of Gen Z women’s lives, these stories move from the provinces to the metropolis, from chaotic student accommodation to insecure jobs, from parties to dates to the nights after, from haplessness to some kind of power. Funny and devastating, like a trans Mary McCarthy, Zhou depicts with shocking precision the choices and shifts through which we work on each other and ourselves. Tender, merciless, and gracious, Girlfriends is a breath of fresh air.

Across two different time periods, two women confront fear, loneliness, mortality, and a haunting yearning that will not let them rest. A breakout, genre-blurring novel from one of the most exciting new voices of Latin America’s feminist Gothic. It is the twilight of Europe’s bloody bacchanals, of murder and feasting without end. In the nineteenth century, a vampire arrives from Europe to the coast of Buenos Aires and, for the second time in her life, watches as villages transform into a cosmopolitan city, one that will soon be ravaged by yellow fever. She must adapt, intermingle with humans, and be discreet. In present-day Buenos Aires, a woman finds herself at an impasse as she grapples with her mother's terminal illness and her own relationship with motherhood. When she first encounters the vampire in a cemetery, something ignites within the two women—and they cross a threshold from which there’s no turning back. With echoes of Mary Shelley’s Frankenstein and written in the vein of feminist Gothic writers like Shirley Jackson, Daphne du Maurier, and Carmen Maria Machado, Thirst plays with the boundaries of genre while exploring the limits of female agency, the consuming power of desire, and the fragile vitality of even the most immortal of creatures.

From the co-author of Let This Radicalize You, a collection of letters to inspire activists to continue the fight  Organizers are well seasoned in defeat. We study movement histories, strategize collectively, and gather strength in direct action, knowing that liberation does not arrive overnight, but that the fight is worth it. But what happens when political and personal crises overlap, and the despair becomes overwhelming? Where do we turn when the process of organizing no longer feels like a site of refuge, but isolating, or even tragic?  Read This When Things Fall Apart is a collection of letters written to organizers in crisis who are struggling with the conflicts, heartbreaks, and catastrophes that activists so often experience. From grief to exhaustion, fractured relationships, state violence and interpersonal violence, the struggle for justice can be tumultuous. Each letter invites the reader to the writer’s particular world in abortion defense, organizing within prison walls, recuperating from state repression after the 2020 uprisings, or as a new parent struggling to find their way in movement spaces, and offers an authentic account of moving through difficult times.  Personal, reflective, and hopeful, Read This When Things Fall Apart is a new type of book for radicals that harnesses the writers' individual moments of despair into living, breathing wisdom capable of chipping away at the supposed inevitability of fascist life. Restorative like a letter from a trusted friend and invigorating like a story from a mentor, the book is an indispensable companion for all of us navigating the challenging times ahead. 

Deep in the desert a storm is brewing. The first in a slow burning YA romantasy. Under the blazing sun, an elite troupe of dancers are trained to harness their magic. They are the queen’s most formidable assassins. Aasira has one of the rarest talents – for she is a flame-wielder. Feared by all and envied by some, she uses her power to execute enemies of the crown. Aasira’s greatest wish is to serve her queen. But on the eve of her graduation, with tensions rising among the dancers and secrets stirring in the shifting sand dunes, she begins to question whether she was truly born to kill… An epic story about truth, loyalty and betrayal.

The sisters of the Order of Saint Rita captain their living ship into the reaches of space in Lina Rather's debut novella, Sisters of the Vast Black. Years ago, Old Earth sent forth sisters and brothers into the vast dark of the prodigal colonies armed only with crucifixes and iron faith. Now, the sisters of the Order of Saint Rita are on an interstellar mission of mercy aboard Our Lady of Impossible Constellations, a living, breathing ship which seems determined to develop a will of its own. When the order receives a distress call from a newly-formed colony, the sisters discover that the bodies and souls in their care—and that of the galactic diaspora—are in danger. And not from void beyond, but from the nascent Central Governance and the Church itself.

From V. E. Schwab, the #1 New York Times bestselling author of The Invisible Life of Addie LaRue: a new genre-defying novel about immortality and hunger. This is a story about hunger. 1532. Santo Domingo de la Calzada. A young girl grows up wild and wily—her beauty is only outmatched by her dreams of escape. But María knows she can only ever be a prize, or a pawn, in the games played by men. When an alluring stranger offers an alternate path, María makes a desperate choice. She vows to have no regrets. This is a story about love. 1827. London. A young woman lives an idyllic but cloistered life on her family’s estate, until a moment of forbidden intimacy sees her shipped off to London. Charlotte’s tender heart and seemingly impossible wishes are swept away by an invitation from a beautiful widow—but the price of freedom is higher than she could have imagined. This is a story about rage. 2019. Boston. College was supposed to be her chance to be someone new. That’s why Alice moved halfway across the world, leaving her old life behind. But after an out-of-character one-night stand leaves her questioning her past, her present, and her future, Alice throws herself into the hunt for answers . . . and revenge. This is a story about life— how it ends, and how it starts.

Thirst, a collection of forty-three new poems from the Pulitzer Prize-winner Mary Oliver, introduces two new directions in the poet's work. Grappling with grief at the death of the love of her life and partner of over forty years, the remarkable photographer Molly Malone Cook, she strives to experience sorrow as a path to spiritual progress, grief as part of loving and not its end. And within these pages she chronicles for the first time her discovery of faith, without abandoning the love of the physical world that has been a hallmark of her work for four decades. In three stunning long poems, Oliver explores the dimensions and tests the parameters of religious doctrine, asking of being good, for example, "To what purpose? / Hope of Heaven? Not that. But to enter / the other kingdom: grace, and imagination, / and the multiple sympathies: to be as a leaf, a rose,/ a dolphin."

"Bob Hicok is a spectrum... I’d love to see an MRI of his brain while he’s writing, as the neurons show us what’s possible, how a human can be a thought leader, taking us into the future… Hicok interrogates the world with mercy and wit and style and intelligence and modest swag. He’s one of America’s favorites―and to make the reader want to share the poet’s reality fulfills poetry’s finest aspiration." ― Washington Independent Review of Books "In his ninth collection, Hicok navigates a world bereft of empathy and kindness, leading by example with a charm and emotional intelligence that speaks to a deep insight into the human condition… Mixing cleverness with tenderness, Hicok demonstrates how to be a beacon of light in the darkest of settings." ― Publishers Weekly Bob Hicok’s tenth collection of poetry, Hold , moves nimbly between childlike revelry and serious introspection. While confronting the rampant hypocrisies of the American collective unconscious, Hicok is guided by his deep and tender sense of whimsy and humility. Pointing to the natural world as a mirror through which to rediscover human beauty, he pauses to unapologetically celebrate the wonder of living at all. From "About the size of it": . . . my breath shuttling in and out, as if it can’ t decide between stay and go, the little bird long gone by the time I realize the sun has set and it will soon feel like my father was never here, which is no big deal compared to the erasures the world endures and offers every day, except this one is mine Bob Hicok teaches at Virginia Tech University and is the author of ten collections, including Animal Soul, This Clumsy Living , Elegy Owed , and Sex & Love & . He is the recipient of two fellowships from the National Endowment for the Arts and the Guggenheim Foundation, respectively.

From V. E. Schwab, the #1 New York Times bestselling author of The Invisible Life of Addie LaRue: a new genre-defying novel about immortality and hunger. This is a story about hunger. 1532. Santo Domingo de la Calzada. A young girl grows up wild and wily—her beauty is only outmatched by her dreams of escape. But María knows she can only ever be a prize, or a pawn, in the games played by men. When an alluring stranger offers an alternate path, María makes a desperate choice. She vows to have no regrets. This is a story about love. 1827. London. A young woman lives an idyllic but cloistered life on her family’s estate, until a moment of forbidden intimacy sees her shipped off to London. Charlotte’s tender heart and seemingly impossible wishes are swept away by an invitation from a beautiful widow—but the price of freedom is higher than she could have imagined. This is a story about rage. 2019. Boston. College was supposed to be her chance to be someone new. That’s why Alice moved halfway across the world, leaving her old life behind. But after an out-of-character one-night stand leaves her questioning her past, her present, and her future, Alice throws herself into the hunt for answers . . . and revenge. This is a story about life— how it ends, and how it starts.

Odd-mannered, obsessive, withdrawn, Aster has little to offer folks in the way of rebuttal when they call her ogre and freak. She's used to the names; she only wishes there was more truth to them. If she were truly a monster, as they accuse, she'd be powerful enough to tear down the walls around her until nothing remained of her world, save for stories told around the cookfire. Aster lives in the low-deck slums of the HSS Matilda, a space vessel organized much like the antebellum South. For generations, the Matilda has ferried the last of humanity to a mythical Promised Land. On its way, the ship's leaders have imposed harsh moral restrictions and deep indignities on dark-skinned sharecroppers like Aster, who they consider to be less than human. When the autopsy of Matilda's sovereign reveals a surprising link between his death and her mother's suicide some quarter-century before, Aster retraces her mother's footsteps. Embroiled in a grudge with a brutal overseer and sowing the seeds of civil war, Aster learns there may be a way off the ship if she's willing to fight for it.

George has major problems: They’ve just inherited the failing family estate, and the feelings for their best friend, Eleanor, have become more complicated than ever. Not to mention, if anyone found out they were secretly dressing in men’s clothes, George is sure it would be ruination for the family name. Eleanor has always wanted to do everything "right," including falling in love—but she’s never met a boy she was interested in. She’d much rather spend time with her best friend, George, and beloved cousin Charlotte. However, when a new suitor comes to town, she finds her closest friendships threatened, forcing her to rethink what "right" means and confront feelings she never knew she had. Inspired by Jane Austen and queer history, I Shall Never Fall in Love shines a light on what it means to be true to yourself and rewrites the rules for what makes a happily ever after.

Odd-mannered, obsessive, withdrawn, Aster has little to offer folks in the way of rebuttal when they call her ogre and freak. She's used to the names; she only wishes there was more truth to them. If she were truly a monster, as they accuse, she'd be powerful enough to tear down the walls around her until nothing remained of her world, save for stories told around the cookfire. Aster lives in the low-deck slums of the HSS Matilda, a space vessel organized much like the antebellum South. For generations, the Matilda has ferried the last of humanity to a mythical Promised Land. On its way, the ship's leaders have imposed harsh moral restrictions and deep indignities on dark-skinned sharecroppers like Aster, who they consider to be less than human. When the autopsy of Matilda's sovereign reveals a surprising link between his death and her mother's suicide some quarter-century before, Aster retraces her mother's footsteps. Embroiled in a grudge with a brutal overseer and sowing the seeds of civil war, Aster learns there may be a way off the ship if she's willing to fight for it.

A cheese cave. A sun. A million problems. Millions Wayland was cutting the curds when she learned someone had thrown her cheese cave into the sun. To find out who is responsible, Millions makes a copy of her digitally uploaded consciousness and transmits it to a nearby orbital city. Soon enough, she becomes entangled in a messy conflict between several copies of herself that she made decades ago, one that soon ferments into a situation ready to go off. Cover illustration by Drew Shields. Interior illustrations by Matthew Spencer Cover design by dave ring.

In this lush, magical, queer, and feminist take on Hamlet in modern-day New York City, a neuro-atypical physicist, along with his best friend Horatio and artist ex-fiancée, Lia, are caught up in the otherworldly events surrounding the death of his father. Meet Ben Dane: brilliant, devastating, devoted, honest to a fault (truly, a fault). His Broadway theater baron father is dead--but on purpose or by accident? The question rips him apart. Unable to face alone his mother's ghastly remarriage to his uncle, Ben turns to his dearest friend, Horatio Patel, whom he hasn't seen since their relationship changed forever from platonic to something...other. Loyal to a fault (truly, a fault), Horatio is on the first flight to New York City when he finds himself next to a sly tailor who portends inevitable disaster--and who seems ominously like an architect of mayhem himself. Meanwhile, Lia, sundered her from her loved ones thanks to her addiction recovery, and torn from her art, has been drawn into the fold of three florists from New Orleans, seemingly ageless sisters who teach her the language of flowers and whose magical bouquets hold both curses and cures--for a price. On one explosive night, these kinetic forces will collide, and the only possible outcome is death. But in the masterly hands of Lyndsay Faye, the story we all know has abundant surprises in store. Impish, captivating, and achingly romantic, this is Hamlet as you've never seen it before.

A lyrical, queer sci-fi retelling of Shakespeare's Hamlet as a locked-room thriller Hayden Lichfield’s life is ripped apart when he finds his father murdered in their lab, and the camera logs erased. The killer can only have been after one thing: the Sisyphus Formula the two of them developed together, which might one day reverse death itself. Hoping to lure the killer into the open, Hayden steals the research. In the process, he uncovers a recording his father made in the days before his death, and a dying wish: Avenge me… With the lab on lockdown, Hayden is trapped with four other people—his uncle Charles, lab technician Gabriel Rasmussen, research intern Felicia Xia and their head of security, Felicia’s father Paul—one of whom must be the killer. His only sure ally is the lab’s resident artificial intelligence, Horatio, who has been his dear friend and companion since its creation. With his world collapsing, Hayden must navigate the building’s secrets, uncover his father’s lies, and push the boundaries of sanity in the pursuit of revenge.

Less than a hundred years from now, the forces of law and order crack down on the world of the computer nets. The hip, noir adventurers who get by on wit, bravado, and drugs, and haunt the virtual worlds of the Shadows of cyberspace, are up against the encroachments of civilization. It's time to adapt or die. India Carless, alias Trouble, got out ahead of the feds and settled down to run a small network for an artist's co-op. Now someone has taken her name and begun to use it for criminal hacking. So Trouble returns. Once the fastest gun on the electronic frontier, she had tried to retire-but has been called out for one last fight. And it's a killer.