From an award-winning writer, a debut novel that’s a fresh and dazzling portrait of a family and its history in the American South, from Reconstruction through the present dayAt thirty-two, Aubrey Lamb is stumbling into adulthood. A semi-employed gig worker in Washington, DC, she's grieving the recent loss of her father and the end of a relationship that she’d thought would lead to marriage. When Aubrey learns that she has inherited a shared stake in a sizable Tennessee farm from her father, she simply sees an opportunity to get out of the city—and the potential to erase a mounting pile of debts.Upon her arrival in Lanyer County, though, Aubrey meets the relatives with whom she shares ownership of the farm, and discovers the backstory of the land, beginning with her great-grandfather Thomas—one of the first Black landowners in his community, who gave his four children a homestead on which they could flourish.But the land proves to be a burdensome inheritance. Over the years, it divides the family, turning Thomas’ descendants against each other and drawing the attention of external forces only too eager to wrest the land from Black hands. These struggles come to a head when a catastrophic tragedy befalls the Lambs, splintering the family and echoing down through the decades, with repercussions for Audrey herself.As Aubrey learns this history from her living relatives, the ghosts of her ancestors interject with their own exasperated, gossipy commentary on the flaws and foibles of relatives living and dead, and stake their own claims on the farm.Injecting the expansive family sagas of Honorée Fanonne Jeffers and Margaret Wilkerson Sexton with a very modern voice, The Great Wherever is at once grand and intimate; it explores the ways we learn to define ourselves through and against our family, how we carry on after loss, and how the past lives on in all of us.

All across the city, pregnant women are walking into water ... Twenty-three-year-old Yosoye arrives in Lagos ready to start her life. Working for a slick architectural firm, she finds a city of adventure and opportunity. Her new world is one of fancy gallery openings, glamorous friends, and all the shiny potential of the future, encapsulated in projects like Omi City, the brand-new housing development her company is building. But Yosoye's idyllic vision of Lagos soon begins to seem naïve, and its darker, stranger layers trouble her. Something is not right about Omi City, but no-one will give her satisfactory answers. And then, after a chance encounter in her first weeks in Lagos, Yosoye realizes that she is pregnant... A vibrant and atmospheric evocation of modern Lagos, the promises of progress and the mysterious lure of the abyss, One Leg on Earth is a haunting and arresting story from an unmissable new voice in literature.

Welcome to the Monkey House is a collection of Kurt Vonnegut’s shorter works. Originally printed in publications as diverse as The Magazine of Fantasy and Science Fiction and The Atlantic Monthly, these superb stories share Vonnegut’s audacious sense of humor and extraordinary range of creative vision. Alternative cover edition here

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

One queen exiled. Another headed for the gallows. Both hungry for revenge. England’s most infamous queens set out to reclaim their story and unite in vengeance against Henry VIII. Anne Boleyn is going to die, and neither her cleverness nor her witchery can save her. So when her late rival, Catalina de Aragón, miraculously appears in her cell at the Tower of London on the eve of her execution, very much alive and offering a daring escape plan, no one is more surprised than Anne. Lina doesn’t have Anne’s magic—but she has just as much hate for England’s wretched king. Severed from her daughter and stripped of all her influence, Lina breathes only for the Hellebore Sisterhood, a clandestine and powerful society with a vested interest in keeping both queens alive…and using their particular skills to advance womankind. Anne and Lina’s old rivalries pale in comparison to a common enemy. One by one, they capture their pawns, infiltrating the court, recruiting the new queens in Henry’s orbit, and eliminating the men who plotted against them. Always inching closer to their true target… And they want his head.

Pulling from the symbolism of tarot cards and fairytales, this speculative horror poetry collection recenters the power from altars of ordinary gods back to our highest self. Rooted in archetypes, magick, and myths, this poetry collection takes on real-world issues and feminist constraints, echoing the still-pertinent issues that women face today. Whether it’s a fresh take on the Persephone myth or recasting Medusa’s trite traditional depiction as a villain, these pages unfold with an unflinching look at love, grief, loss, risk, and finding strength when you need it the most. This collection conjures hope and heartbreak in equal measure—a reminder that life is not meant to be lived neatly. Offerings for Ordinary Gods is a spell for celebrating the self, unleashing the witch in us all.

From the beloved author of THE DIVORCEES, a novel set in the 1970s during an island wedding, where the bride has recently left a sinister cult that might still be trailing her. On a remote island off the coast of Virginia, family and friends gather to celebrate the wedding of Shay O’Connor and Andrew Pruitt. From the moment the guests arrive, all they can whisper about is the bride, who recently left the headline-making cult Synanon. Why would someone like Shay, an Ivy League graduate with a wealthy, doting fiancée, join Synanon? And has she really escaped their grasp? Told from the interwoven perspectives of Shay’s brother William, her longtime friend Joel, and Shay herself, Tenderness is a slow-burn mystery that excavates dark family histories and romantic regrets. As the wedding day approaches, Joel and William pull at the loose threads of Shay’s story, and it becomes clear there is an even greater threat on the island than the secrets each character is keeping from one another. Set in the tinderbox of the 1970s, Tenderness is a lit match, bringing hidden truths to light and asking if we can ever see ourselves or the people we love for who they truly are.

In Barcelona, an aging Brazilian prostitute trains her dog to weep at the grave she has chosen for herself. In Vienna, a woman parlays her gift for seeing the future into a fortunetelling position with a wealthy family. In Geneva, an ambulance driver and his wife take in the lonely, apparently dying ex-President of a Caribbean country, only to discover that his political ambition is very much intact. In these twelve masterful short stories about the lives of Latin Americans in Europe, García Márquez conveys the peculiar amalgam of melancholy, tenacity, sorrow, and aspiration that is the émigré experience. Bon voyage, Mr. President -- The saint -- Sleeping beauty and the Airplane -- I sell my dreams -- "I only came to use the phone" -- The ghosts of August -- Maria dos Prazeres -- Seventeen poisoned Englishmen -- Tramontana -- Miss Forbes's summer of happiness -- Light is like water -- The trail of your blood in the snow

For the last twenty years, George Saunders has been teaching a class on the Russian short story to his MFA students at Syracuse University. In A Swim in a Pond in the Rain, he shares a version of that class with us, offering some of what he and his students have discovered together over the years. Paired with iconic short stories by Chekhov, Turgenev, Tolstoy, and Gogol, the seven essays in this book are intended for anyone interested in how fiction works and why it’s more relevant than ever in these turbulent times. In his introduction, Saunders writes, “We’re going to enter seven fastidiously constructed scale models of the world, made for a specific purpose that our time maybe doesn’t fully endorse but that these writers accepted implicitly as the aim of art—namely, to ask the big questions, questions like, How are we supposed to be living down here? What were we put here to accomplish? What should we value? What is truth, anyway, and how might we recognize it?” He approaches the stories technically yet accessibly, and through them explains how narrative functions; why we stay immersed in a story and why we resist it; and the bedrock virtues a writer must foster. The process of writing, Saunders reminds us, is a technical craft, but also a way of training oneself to see the world with new openness and curiosity. A Swim in a Pond in the Rain is a deep exploration not just of how great writing works but of how the mind itself works while reading, and of how the reading and writing of stories make genuine connection possible.

From New York Times bestselling author Stephen Graham Jones comes a novel that is equal parts psychological horror and cutting social commentary on identity politics and the American Indian experience. Fans of Sylvia Moreno Garcia and Tommy Orange will love this story as it follows the lives of four American Indian men and their families, all haunted by a disturbing, deadly event that took place in their youth. Years later, they find themselves tracked by an entity bent on revenge, totally helpless as the culture and traditions they left behind catch up to them in a violent, vengeful way. In this “thrilling, literate, scary, [and] immersive” (Stephen King) tale, Jones blends his signature storytelling style with a haunting narrative that masterfully intertwines revenge, cultural identity, and tradition.

The Book of Love showcases Kelly Link at the height of her powers, channeling potent magic and attuned to all varieties of love—from friendship to romance to abiding family ties—with her trademark compassion, wit, and literary derring-do. Readers will find joy (and a little terror) and an affirmation that love goes on, even when we cannot. Late one night, Laura, Daniel, and Mo find themselves beneath the fluorescent lights of a high school classroom, almost a year after disappearing from their hometown, the small seaside community of Lovesend, Massachusetts, having long been presumed dead. Which, in fact, they are. With them in the room is their previously unremarkable high school music teacher, who seems to know something about their disappearance—and what has brought them back again. Desperate to reclaim their lives, the three agree to the terms of the bargain their music teacher proposes. They will be given a series of magical tasks; while they undertake them, they may return to their families and friends, but they can tell no one where they’ve been. In the end, there will be winners and there will be losers. But their resurrection has attracted the notice of other supernatural figures, all with their own agendas. As Laura, Daniel, and Mo grapple with the pieces of the lives they left behind, and Laura’s sister, Susannah, attempts to reconcile what she remembers with what she fears, these mysterious others begin to arrive, engulfing their community in danger and chaos, and it becomes imperative that the teens solve the mystery of their deaths to avert a looming disaster.