Un titre bien sage pour un roman qui l'est moins. Claudine le reconnaît : « Vrai, cette école n'est pas banale ! » Comment pourrait-elle l'être ? Les élèves ont des personnalités peu communes : la grande Anaïs, que Claudine qualifie de menteuse, filouteuse, flagorneuse, traîtresse, possède en outre « une véritable science du comique » ; les Jaubert sont agaçantes à force de sagesse ; Marie Belhomme, « bébête, mais si gaie » ; Luce, charmeuse autant que sournoise ; et les autres, « c'est le vil peuple ». Quant aux maîtresses. Mlle Sergent, « la rousse bien faite », aussi intelligente que laide, est tout yeux pour son assistante, Mlle Aimée, la bien nommée. Ajoutez les instituteurs des garçons, le pâle Duplessis et le vaniteux Rabastens, le médecin scolaire, le Dr Dutertre, aux dents de loup, qui aime s'attarder auprès des grandes. et vous obtenez un mélange détonant. Pour parfaire l'ensemble, c'est une Claudine débordante de vitalité, excessive dans ses élans, qui mène la ronde.

In the ruins of postwar Europe, the world’s leading expert on the Kabbalah and Jewish mysticism goes on a hair-raising journey to recover sacred books stolen by the Nazis . . . At the end of the Second World War Gershom Scholem, the magisterial scholar of Jewish mysticism, is commissioned by the Hebrew University in what was then British-ruled Palestine to retrieve a lost world. He is sent to sift through the rubble of Europe in search of precious Jewish books stolen by the Nazis or hidden by the Jews themselves in secret places throughout the ravaged continent. The search takes him into ruined cities and alien wastelands. The terrible irony of salvaging books that had outlasted the people for whom they’d been written leaves Dr. Scholem longing for the kind of magic that had been the merely theoretical subject of his lamplit studies. Steve Stern’s A Fool’s Kabbalah, a novel featuring numerous real-life historic figures, reimagines Gershom Scholem’s quest and how it sparked in him the desire to realize the legacy of his dear friend, the brilliant philosopher Walter Benjamin. At the heart of that legacy was the idea that humor is an essential tool of redemption. In a parallel narrative, Menke Klepfisch, self-styled jester and incorrigible scamp, attempts to subvert, through his antic behavior, the cruelties of the Nazi occupation of his native village. As Menke’s efforts collide with the monstrous reality of the Holocaust, we see—in another place and time–evidence that Dr. Scholem, in defiance of his austere reputation, has begun to develop the anarchic characteristics of a clown. A Fool’s Kabbalah</I intertwines the stories of these 2 quixotic characters, who, though poles apart, complement one another in their tragicomic struggles to oppose the supreme evil of history, using only the weapons of humor and a little magic.

Witty banter, lust, ennui, and an undercurrent of violence underlie a seemingly paradisiacal summer on the eve of World War II, in this landmark translation of the first and only novel by Éric Rohmer, the French New Wave’s most prolific and beloved filmmaker. Fifteen years before completing his first feature film—and ten before beginning a transformative editorial stint at Cahiers du cinéma that would usher the journal, and French cinema, into a new era—the man who would become known worldwide as Éric Rohmer published a single novel. Released by Éditions Gallimard alongside the early works of Claude Simon and Marguérite Duras, Élisabeth was part of the first flowering of what would come to be known as the nouveau roman—and was also the “matrix,” as Rohmer himself later put it, of the images, ideas, and formal concerns of his first sequence of films, Six Moral Tales. Set in the sunstruck countryside east of Paris during the summer of 1939, a year ahead of the German invasion, where the upper-middle-class Roby family and its eponymous matriarch are spending a listless summer, Élisabeth is a war-novel awaiting a war. While the teenage Roby children and their friends swim, flirt, and lie to one another among the baking fields and icy meanders of the Marne, the novel becomes the scene of an anticipatory haunting. The simmering paranoia, calculated blankness, and potential violence of the coming Occupation are already present—as it were, in mufti. With a cool, kaleidoscopic eye, Rohmer lays out his protagonists and their precarious peace—their restlessness, their desperate boredom, their petty romantic agonies—with the unsettling chilliness and the sinister exactitude of details on a tactical map.

Dive into the chilling depths of Latiné horror with Something Followed Us Home, edited by Bram Stoker Award–winner Cynthia Pelayo, a groundbreaking anthology where each story reimagines immigration, colonization, faith, and folklore as the fears we inherit and carry across borders and generations. Something followed us home. It crawled in with our prayers, slipped into our beds, watched from mirrors, waited in water, and learned our names. In these stories, horror does not announce itself. It possesses, feeds, whispers, and waits. Gathering chilling work from some of today’s most acclaimed Latiné voices, this anthology moves through haunted households, brutal landscapes, sacred spaces turned dangerous, and bodies claimed by forces both ancient and intimate. The dead murmur behind locked doors. Bones rebuild themselves under merciless suns. Love becomes a doorway for demonic hunger. Prayers summon answers that arrive too late…or too fully. Blood, devotion, and memory intertwine as the past presses back with teeth. Something Followed Us Home is a landmark anthology of Latiné horror. These stories remind us that the past is never gone, the dead are never silent, and the places we come from will always find their way back to us. Featuring stories Agustina Bazterrica, Ann Dávila Cardinal, Cynthia Pelayo, Isabel Cañas, Gerardo Sámano Córdova, Zoraida Córdova, Mariana Enriquez, Carolina Flórez-Cerchiaro, Ananda Lima, Xochitl Gonzalez, Leopoldo Goût, Juan Martinez, Mónica Ojeda, Daniel Jóse Older, Lilliam Rivera, Alex Segura, Diana Rodriguez Wallach

Shortlisted for the Weatherglass Novella Prize 2024 The Secret History meets Stranger Things Ali Smith says: “Some teenage girls have – yes – performed a spell and hexed the moon. Now the moon, smooth-skinned, street-smart, dryly witty, seductive, powerful beyond belief, is literally hanging out in one of their bedrooms. Pitch Perfect gone cosmic: in stylish sleight of hand and with pleasurable bravado this pop song of a novella reveals the huge issues, importances, losses, survivals, impotence and potencies in the everyday existence of a group of best friends and their families. Full of young-adult wisdom, braiding dark and light together, it’s a charmer.”

" Strangers on a Train has lost none of its power to disturb…We will likely be reading Patricia Highsmith for the next one hundred years." ―Paula Hawkins Just in time for the centennial celebration of groundbreaking noir fiction writer Patricia Highsmith comes a reissue of her propulsive, engrossing debut, Strangers on a Train , with a new introduction by best-selling author Paula Hawkins. Guy Haines and Charles Anthony Bruno are passengers on the same train. Haines is a successful architect in the midst of a divorce, Bruno a mysterious smooth-talker with a sadistic proposal: he’ll murder Haines’s wife if Haines will murder Bruno’s father. As Bruno carries out his twisted plan, Guy finds himself trapped in Highsmith’s perilous world, where, under the right circumstances, ordinary people are capable of extraordinary crimes. The inspiration for Alfred Hitchcock’s classic 1951 film, Strangers on a Train launched Highsmith’s prolific career, proving her a master at depicting the unsettling forces that tremble beneath the surface of everyday life.

Here is a practical guide to writing short stories that explains all the essential techniques of fiction - from character and plot to flashback and foreshadowing - in a way that is both understandable and useful to the beginning writer. Long considered a classic in the field, WRITING IN GENERAL is the product of a lifetime of reflection by one of our best literary minds.

This classic guide, from the renowned novelist and professor, has helped transform generations of aspiring writers into masterful writers— and will continue to do so for many years to come.   John Gardner was almost as famous as a teacher of creative writing as he was for his own works. In this practical, instructive handbook, based on the courses and seminars that he gave, he explains, simply and cogently, the principles and techniques of good writing. Gardner’s lessons, exemplified with detailed excerpts from classic works of literature, sweep across a complete range of topics—from the nature of aesthetics to the shape of a refined sentence. Written with passion, precision, and a deep respect for the art of writing, Gardner’s book serves by turns as a critic, mentor, and friend. Anyone who has ever thought of taking the step from reader to writer should begin here.

A comedy writer thinks she’s sworn off love, until a dreamily handsome pop star flips the script on all her assumptions. Romantic Comedy is a hilarious, observant and deeply tender novel from New York Times–bestselling author Curtis Sittenfeld. Sally Milz is a sketch writer for "The Night Owls," the late-night live comedy show that airs each Saturday. With a couple of heartbreaks under her belt, she’s long abandoned the search for love, settling instead for the occasional hook-up, career success, and a close relationship with her stepfather to round out a satisfying life. But when Sally’s friend and fellow writer Danny Horst begins dating Annabel, a glamorous actor who guest-hosted the show, he joins the not-so-exclusive group of talented but average-looking and even dorky men at the show—and in society at large—who’ve gotten romantically involved with incredibly beautiful and accomplished women. Sally channels her annoyance into a sketch called the "Danny Horst Rule," poking fun at this phenomenon while underscoring how unlikely it is that the reverse would ever happen for a woman. Enter Noah Brewster, a pop music sensation with a reputation for dating models, who signed on as both host and musical guest for this week’s show. Dazzled by his charms, Sally hits it off with Noah instantly, and as they collaborate on one sketch after another, she begins to wonder whether there might actually be sparks flying. But this isn’t a romantic comedy; it’s real life. And in real life, someone like him would never date someone like her...right? With her keen observations and trademark ability to bring complex women to life on the page, Sittenfeld explores the neurosis-inducing and heart-fluttering wonder of love, while slyly dissecting the social rituals of romance and gender relations in the modern age.

There is something haunting Nuhad's childhood home in Haifa. Cats avoid its perimeter, strange noises come from within, and residents have been known to disappear entirely in its walls without a trace.Our Cut of Salt is an unflinching, sinister and moving take on the haunted house novel, from a bold new Palestinian voice. Perfect for fans of The Only Good Indians and The Haunting of Hill House.Although Nuhad has not returned to her home since the Nakba in 1948, she always held a place for the house in her heart. And, in return, the house did the same for her. After Nuhad passes away, her granddaughter, Marina, is determined to visit her grandmother's home in Haifa after a lifetime of being kept in the dark about her culture and family history. Marina's mother, Haifa-named for the city that was lost to their family-reluctantly agrees to her trip, despite her omnipresent anxiety. When a long-buried spirit of the past begins to haunt both dreams and waking life, Marina develops breathing problems that cause her to feel as if she is drowning on dry land. Despite Nuhad's warnings, Haifa rushes to help her daughter. As the three women converge in their ancestral haunted home, they must learn what the price of the past truly is.

A disquieting, atmospheric debut horror novel about a young woman investigating her mother’s disappearance at an abandoned Nevada observatory, for fans of Jeff VanderMeer and Mariana EnriquezOn a scorched summer day, Renata Scarborough comes home to find the contents of her estranged mother Corinne’s life on her doorstep. Her aunt and cousin seem eager to conclude that the troublesome Corinne is dead. Renata isn’t convinced and begins poring over her mother’s journals for answers. Among descriptions of Corinne’s work at the McNairy Observatory, Renata unearths a hidden obsession with an early twentieth-century surveyor whose encounters with a mysterious entity bear a startling resemblance to her mother’s reports. Compelled beyond reason, Renata journeys to that now-abandoned outpost in the Nevada wilderness to search for the truth.But in McNairy, a thorny, decades-long clash between science and the desert only complicates Renata’s questions. The town’s scarred and suspicious residents refuse to discuss the observatory’s closure, leaving Renata to wonder if Corinne’s version of events reflects reality. As she ascends the peak that looms over McNairy, Renata witnesses unnerving phenomena she can’t explain and feels a creeping dread that what is waiting for her isn’t her mother at all.Haunting, darkly comic, and captivating, Observer reveals the pure cosmic terror of the desert, a place of wonder and menace, asking what happens when we look out at nature and find something inhuman looking back.

In her debut magical-realism collection The Patron Saint of White Menageries, Pushcart-nominated author Lauren T. Davila cracks Los Angeles open to reveal a kaleidoscope of unlikely heroines, talents, and dreams. In a sticky diner, a waitress fits wisps of cloud into coffee mugs, trying to solve her patrons' problems. A motherless girl defies her father's rules, rubbing fish scales from her eyes and learning her mother's half-remembered Spanish. Spectral ballerinas haunt alleys and dance studios, and red bumps rise on the arms of an assistant whose employer has been alive too long. The prophet Cassandra, exhausted from reincarnating and never being believed, tries one last time to escape her fate. For lovers of White Cat, Black Dog and whoever haunts the Pacific Coast Highway, The Patron Saint of White Menageries is a guide to magical LA by one of its native daughters.

A queer and cli-fi reimagining of a Portuguese folktale about a young trans woman who must save her elder sisters from the King of the Air, the King of the Sea, and the King of Misery Elixane lives in a village ravaged by waves, storms, and the encroaching forest. When she was too young to remember, her elder sisters each picked a flower and were whisked Borboleta to marry the King of the Air, Adelina to marry the King of the Sea, and her favorite sister Dores to marry the King of Misery, who No one will ever love you as I will. So when Elixane receives a mysterious message from a toad, she sets out to rescue Dores from the Kingdom of Misery. She is aided by the jester-like Marquês of Luck and his sister Jinx, the contrary and beautiful Marquesa of Misfortune. On the way, she’ll have to reunite with her sisters and their magical husbands, break several unbreakable curses—and, perhaps, find a magical love of her own.

A savage, hypnotic dive into the lives and deaths of a coven of vampires living in 19th Century Paris, perfect for fans of Silvia Moreno-Garcia, Laura Purcell and Elizabeth Kostova Paris, 1869. The Théâtre Saint-Siméon is the place to be, if you can get in. The black slips of paper that guarantee entry are rare and highly desired, and given only to certain persons. The actors on stage are magnetic and ageless, performing only at midnight and never seen during the day… Arnault and his clan of vampires have survived for as long as they have by observing a rigid set of rules. At night, they perform on stage at the Théâtre Saint-Siméon, picking off just enough people in the audience to survive. But they understand the city, and how to live in it without being noticed. Their peace is shattered first with a visit from Béatrice, a witch who forms a strange connection to Arnault; then with the arrival of Victor de Rouvray and his sister Françoise, vampires from a very different world. And, as Arnault grows closer and closer to the beautiful, enigmatic Victor, he risks becoming distracted from the constant bickering of his immortal friends, from the daily running of the theatre, and worse, from the premonitions of blood, death and starvation that he receives at night. For a terrible change is on the horizon, revolt and revolution are brewing in the streets and soon, the city, and Arnault will never be the same again.