Told in an engaging graphic novel format, The Bund explains the oppressive origins of Jewish resistance in Ukraine, Poland, and the "Pale of Settlement" in Tsarist Russia. Jewish people adapted to industrialization and organized against exploitation. As they became more divided along the linguistic borders of Yiddish and Hebrew, Jewish people split between those who sought a distant ancestral homeland, others who emigrated and adapted to the "new world," and many more who fought against murderous Soviet and Nazi regimes. Charismatic resistance figures including Pati Kremer and Bernard Goldstein kept secular and progressive ideas alive against impossible odds in this graphic account of a little-known story. The first of its kind, this graphic history of Jewish labour resistance lays bare evidence of a radical past that can have massive implications for leftist Jewish struggles today.

“Rojas Contreras reacquaints herself with her family’s past, weaving their stories with personal narrative, unraveling legacies of violence, machismo and colonialism… In the process, she has written a spellbinding and genre-defying ancestral history.”—New York Times Book Review For Ingrid Rojas Contreras, magic runs in the family. Raised amid the political violence of 1980s and ’90s Colombia, in a house bustling with her mother’s fortune-telling clients, she was a hard child to surprise. Her maternal grandfather, Nono, was a renowned curandero, a community healer gifted with what the family called “the secrets”: the power to talk to the dead, tell the future, treat the sick, and move the clouds. And as the first woman to inherit “the secrets,” Rojas Contreras’ mother was just as powerful. Mami delighted in her ability to appear in two places at once, and she could cast out even the most persistent spirits with nothing more than a glass of water. This legacy had always felt like it belonged to her mother and grandfather, until, while living in the U.S. in her twenties, Rojas Contreras suffered a head injury that left her with amnesia. As she regained partial memory, her family was excited to tell her that this had happened before: Decades ago Mami had taken a fall that left her with amnesia, too. And when she recovered, she had gained access to “the secrets.” In 2012, spurred by a shared dream among Mami and her sisters, and her own powerful urge to relearn her family history in the aftermath of her memory loss, Rojas Contreras joins her mother on a journey to Colombia to disinter Nono’s remains. With Mami as her unpredictable, stubborn, and often amusing guide, Rojas Contreras traces her lineage back to her Indigenous and Spanish roots, uncovering the violent and rigid colonial narrative that would eventually break her mestizo family into two camps: those who believe “the secrets” are a gift, and those who are convinced they are a curse. Interweaving family stories more enchanting than those in any novel, resurrected Colombian history, and her own deeply personal reckonings with the bounds of reality, Rojas Contreras writes her way through the incomprehensible and into her inheritance. The result is a luminous testament to the power of storytelling as a healing art and an invitation to embrace the extraordinary.

A riotous revenge novel about a woman’s quest to escape her stalker ex-boyfriend—by stalking him herself.Clarice’s breakup with P.T. began the usual way—she discovered he was cheating. Then came the constant texts, the nonstop emails from burner accounts, hundreds of phone calls from dozens of different numbers. He showed up outside her house and her office. He sent her flowers and poems, and, perhaps most sinister of all, a link to the music video for Dido's “White Flag.” Relief only arrived when Clarice finally obtained a restraining order and one-way ticket from New York to L.A.Just as the restraining order expires—and three years to the day since she left him—Clarice spots a man who looks suspiciously like P.T. at a nightclub. Could it be him? Her best friend thinks she’s imagining things. Her therapist wants her to focus on healing her inner child. Her mother is busy planning her wedding to her fourth husband. A psychic medium can only reveal that P.T.’s energy is too volatile to locate on the spiritual plane. As painful memories resurface, Clarice is convinced her ex has returned to ruin her life. . . But with scant evidence to prove it, she takes increasingly unhinged steps to uncover the truth, ultimately leading to a place where paranoia and reality begin to blur.A profane and poignant debut novel, Nerve Damage is a different kind of survivor narrative, about how far one woman will go to wrest back control of her life in a world determined to send her spiraling.

To read Gilt is to open windows steamed with bright and exacting language, worlds where a “cobra is a garland—no, the cobra / is a man’s knuckles, a girl’s hair clumped / between them…” Shirali’s tough-tender debut embroiders lavish Indian weddings and Diwali festivals with the reckonings of a relationship’s end. The rich wisdom you glean from the powerful pages of Gilt will leave you spent and enchanted. — Aimee Nezhukumatathil, author of Lucky Fish Raena Shirali is a poet who keeps asking what poems can actually do, and these formally inventive lyrics ask for activity, for travel. Her comment on culture, on identity, on justice is her comment on poetry. It is not fixed; and if it is, it shouldn’t be. Gilt is a book of danger and sarcasm and heart. — Jericho Brown, author of The New Testament

Indebted to the docupoetics tradition, Raena Shirali’s summonings investigates the ongoing practice of witch (“daayan”) hunting in India. Here, poems interrogate the political implications & shortcomings of writing Subaltern personae while acknowledging the author’s Westernized positionality. Continuing to explore multi-national and intersectional concerns around identity raised in her debut collection, Shirali asks how first- & second-generation immigrants reconcile the self with the lineages that shape it, wondering aloud about those lineages’ relationships to misogyny & violence. These precarious poems explore how antiquated & existing norms surrounding female mysticism in India & America inform each culture’s treatment of women. As Jericho Brown wrote of Shirali’s poetics in GILT, her “comment on culture, on identity, on justice is her comment on poetry.” summonings is comment on power & patriarchy, on authorial privilege & the shifting role of witness, &, ultimately, on an ethical poetics, grounded in the inevitable failure to embody the Other.

A riotous revenge novel about a woman’s quest to escape her stalker ex-boyfriend—by stalking him herself.Clarice’s breakup with P.T. began the usual way—she discovered he was cheating. Then came the constant texts, the nonstop emails from burner accounts, hundreds of phone calls from dozens of different numbers. He showed up outside her house and her office. He sent her flowers and poems, and, perhaps most sinister of all, a link to the music video for Dido's “White Flag.” Relief only arrived when Clarice finally obtained a restraining order and one-way ticket from New York to L.A.Just as the restraining order expires—and three years to the day since she left him—Clarice spots a man who looks suspiciously like P.T. at a nightclub. Could it be him? Her best friend thinks she’s imagining things. Her therapist wants her to focus on healing her inner child. Her mother is busy planning her wedding to her fourth husband. A psychic medium can only reveal that P.T.’s energy is too volatile to locate on the spiritual plane. As painful memories resurface, Clarice is convinced her ex has returned to ruin her life. . . But with scant evidence to prove it, she takes increasingly unhinged steps to uncover the truth, ultimately leading to a place where paranoia and reality begin to blur.A profane and poignant debut novel, Nerve Damage is a different kind of survivor narrative, about how far one woman will go to wrest back control of her life in a world determined to send her spiraling.

"Push the Water is a politically astute memoir built around the moving image. In it, filmmaker and artist, Irit Reinheimer, weaves together descriptions of archival footage, home movies and memories that prompt new recognitions of her Jewish family's participation in settler-colonialism and the occupation of Palestine. At the center of this investigation is a painful divide between Reinheimer and her mother, who appears in the foreground as the subject. Through this analysis of their relationship, the author seeks to understand her own connection to tradition, culture and inheritance. These dreamy and vulnerable meditations deny a reader the simple unspooling of the films themselves, asking us to consider what's been hidden from view, as much as what's been centered. This is a story about what it means to be claimed by violent forces and what it looks like to refuse that claim, to choose a queer, liberatory belonging instead. Here you’ll find politics rendered as image, image refracted through memory, and memory bisected by love and rage.

Written during the trial for a close friend’s murder, Come the Slumberless to the Land of Nod exposes that the whimsical, horrible, and absurd all sit together. In this ambitious collection, Traci Brimhall corresponds with the urges of life and death within herself as she lives through a series of impossibilities: the sentencing of her friend’s murderers, the birth of her child, the death of her mother, divorce, a trip sailing through the Arctic. In lullaby, lyric essay, and always with brutal sincerity, Brimhall examines how beauty and terror live right alongside each other—much like how Nod is both a fictional dreamscape and the place where Cain is exiled for murdering Abel. By plucking at the tensions between life and death, love and hate, truth and obscurity, Brimhall finds what it is that ties opposing themes together; how love and loss are married in grief. Like Eve thrust from Eden, Brimhall is tasked with finding meaning in a world defined by its cruelty. Unrelenting, incisive, and tender, these poems expose beauty in the grotesque and argue that the effort to be good always outweighs the desire to succumb to what is easy.

The greatly esteemed essayist, novelist, and philosopher reflects on the art of translation and on Rainer Maria Rilke's Duino Elegies and gives us his own translation of Rilke's masterwork.

A full-throated and provocative memoir in letters from the New York Times-bestselling author, "a dazzling literary talent whose works cut to the quick of the spiritual self." --Esquire In three critically acclaimed novels, Akwaeke Emezi has introduced readers to a landscape marked by familial tensions, Igbo belief systems, and a boundless search for what it means to be free. Now, in this extraordinary memoir, the bestselling author of The Death of Vivek Oji reveals the harrowing yet resolute truths of their own life. Through candid, intimate correspondence with friends, lovers, and family, Emezi traces the unfolding of a self and the unforgettable journey of a creative spirit stepping into power in the human world. Their story weaves through transformative decisions about their gender and body, their precipitous path to success as a writer, and the turmoil of relationships on an emotional, romantic, and spiritual plane, culminating in a book that is as tender as it is brutal. Electrifying and inspiring, animated by the same voracious intelligence that distinguishes their fiction, Dear Senthuran is a revelatory account of storytelling, self, and survival.

"Queer, dirty, insightful, and so funny" (Andrea Lawlor), this coyly revolutionary debut story collection imagines new origins and futures for its cast of unforgettable protagonists—almost all of whom are named Sarah. FINALIST FOR THE GOLDEN POPPY AWARD FOR FICTION  NAMED A MOST ANTICIPATED BOOK OF 2021 BY THE MILLIONS * OPRAH MAGAZINE * LAMBDA LITERARY * ELECTRIC LITERATURE * REFINERY29 * COSMO * THE ADVOCATE * ALMA * PAPERBACK PARIS * WRITE OR DIE TRIBE * READS RAINBOW In Sarahland , Sam Cohen brilliantly and often hilariously explores the ways in which traditional stories have failed us, both demanding and thrillingly providing for its cast of Sarahs new origin stories, new ways to love the planet and those inhabiting it, and new possibilities for life itself. In one story, a Jewish college Sarah passively consents to a form-life in pursuit of an MRS degree and is swept into a culture of normalized sexual violence. Another reveals a version of Sarah finding pleasure—and a new set of problems—by playing dead for a wealthy necrophiliac. A Buffy-loving Sarah uses fan fiction to work through romantic obsession. As the collection progresses, Cohen explodes this search for self, insisting that we have more to resist and repair than our own personal narratives. Readers witness as the ever-evolving "Sarah" gets as a bible-era trans woman, an aging lesbian literally growing roots, a being who transcends the earth as we know it. While Cohen presents a world that will clearly someday end, "Sarah" will continue. In each Sarah's refusal to adhere to a single narrative, she potentially builds a better home for us all, a place to live that demands no fixity of self, no plague of consumerism, no bodily compromise, a place called Sarahland .

Melissa Broder always struggled with anxiety. In the fall of 2012, she went through a harrowing cycle of panic attacks and dread that wouldn't abate for months. So she began @sosadtoday, an anonymous Twitter feed that allowed her to express her darkest feelings, and which quickly gained a dedicated following. In So Sad Today, Broder delves deeper into the existential themes she explores on Twitter, grappling with sex, death, love, low self-esteem, addiction, and the drama of waiting for the universe to text you back. With insights as sharp as her humor, Broder explores—in prose that is both gutsy and beautiful, aggressively colloquial and achingly poetic—questions most of us are afraid to even acknowledge, let alone answer, in order to discover what it really means to be a person in this modern world.

This contemporary companion to the Jewish year cycle is not only a bellwether for radical Jews who want their lives and practice to be rooted in their political commitments but also an educational resource in Jewish tradition, holidays, and ritual. With a chapter for each month of the Hebrew calendar, For Times Such as These offers spiritual practices and holiday rituals rooted in movements for racial justice, decolonization, feminism, and queer and trans liberation. Each chapter opens with an invocation by liturgist and healer Dori Midnight and illuminated by artist Sol Weiss. Highlighting each month’s spiritual and cultural qualities, Rabbi Ariana Katz and Rabbi Jessica Rosenberg summarize and provide commentary on Torah readings; examine the texts, histories, and contemporary customs of Jewish holidays; and offer questions to reflect on and engage spiritually with the month. This work provides a guide for creative action and ritual making throughout the seasons, an exploration of anti-Zionist Judaism, and spiritual-cultural invitation to embody and expand decolonial, anti-racist, queer, and feminist Jewish practice.