First published in 1905, The House of Mirth shocked the New York society it so deftly chronicles, portraying the moral, social and economic restraints on a woman who dared to claim the privileges of marriage without assuming the responsibilities. Lily Bart, beautiful, witty and sophisticated, is accepted by 'old money' and courted by the growing tribe of nouveaux riches. But as she nears thirty, her foothold becomes precarious; a poor girl with expensive tastes, she needs a husband to preserve her social standing, and to maintain her in the luxury she has come to expect. Whilst many have sought her, something—fastidiousness or integrity—prevents her from making a 'suitable' match.

John Steinbeck wrote The Grapes of Wrath during an astonishing burst of activity between June and October of 1938. Throughout the time he was creating his greatest work, Steinbeck faithfully kept a journal revealing his arduous journey toward its completion.The journal, like the novel it chronicles, tells a tale of dramatic proportions—of dogged determination and inspiration, yet also of paranoia, self-doubt, and obstacles. It records in intimate detail the conception and genesis of The Grapes of Wrath and its huge though controversial success. It is a unique and penetrating portrait of an emblematic American writer creating an essential American masterpiece.

"I never truckled. I never took off the hat to Fashion and held it out for pennies. I told them the truth. They liked it or they didn't like it. What had that to do with me? I told them the truth," declared Frank Norris, shortly before his death at the age of thirty-two. Of his novels, none have shocked the reading public more than McTeague, and few works since have captured the seamy side of American urban life with such graphic immediacy as does this portrayal of human degradation in turn-of-the-century San Francisco. Its protagonists, men and women alike, are shown as both products and victims of a debasing social order. Heredity and environment play the role of fate in a tale that moves toward its harrowing conclusion with the grim power and inevitablity of classic tragedy.

Do not touch the sword.Do not turn the key.Do not open the gate.In the land of the unforgiving desert, there isn’t much a girl wouldn’t do for a glass of water.Twenty-four-year-old Saeris Fane is good at keeping secrets. No one knows about the strange powers she possesses, or the fact that she has been picking pockets and stealing from the Undying Queen’s reservoirs for as long as she can remember.But a secret is like a knot.Sooner or later, it is bound to come undone.When Saeris comes face-to-face with Death himself, she inadvertently reopens a gateway between realms and is transported to a land of ice and snow. The Fae have always been the stuff of myth, of legend, of nightmares…but it turns out they’re real, and Saeris has landed herself right in the middle of a centuries-long conflict that might just get her killed.The first of her kind to tread the frozen mountains of Yvelia in over a thousand years, Saeris mistakenly binds herself to Kingfisher, a handsome Fae warrior, who has secrets and nefarious agendas of his own. He will use her Alchemist’s magic to protect his people, no matter what it costs him… or her.Death has a name.It is Kingfisher of the Ajun Gate.His past is murky.His attitude stinks.And he’s the only way Saeris is going to make it home. Be careful of the deals you make, dear child.The devil is in the details...N.B. Quicksilver contains depictions of graphic violence/adult situations and is therefore recommended for readers 17+. For a full list of tropes and TWs, please visit the author's website.

From award-winning author R. F. Kuang comes Babel, a historical fantasy epic that grapples with student revolutions, colonial resistance, and the use of language and translation as the dominating tool of the British Empire Traduttore, traditore: An act of translation is always an act of betrayal. 1828. Robin Swift, orphaned by cholera in Canton, is brought to London by the mysterious Professor Lovell. There, he trains for years in Latin, Ancient Greek, and Chinese, all in preparation for the day he’ll enroll in Oxford University’s prestigious Royal Institute of Translation—also known as Babel. The tower and its students are the world's center for translation and, more importantly, magic. Silver-working—the art of manifesting the meaning lost in translation using enchanted silver bars—has made the British unparalleled in power, as the arcane craft serves the Empire's quest for colonization. For Robin, Oxford is a utopia dedicated to the pursuit of knowledge. But knowledge obeys power, and as a Chinese boy raised in Britain, Robin realizes serving Babel means betraying his motherland. As his studies progress, Robin finds himself caught between Babel and the shadowy Hermes Society, an organization dedicated to stopping imperial expansion. When Britain pursues an unjust war with China over silver and opium, Robin must decide . . . Can powerful institutions be changed from within, or does revolution always require violence?