Britain, 2023… only in this Britain, the Norman Conquest of 1066 never happened. An uneasy alliance of ancient tribes – the Celtic West, Saxon East and an independent Nordic Scotland – has formed, but the fragile peace is threatened by a series of brutal murders. Members of a mysterious ‘Fisher’ cult are being killed one by one. The gruesome case brings together two mismatched police detectives: Captain Aedith, daughter of the powerful Saxon leader, Earl Lod of Mercia, and Inspector Drustan, from the beleaguered – and mistrusting – Celts. As the threat rises, the detectives must put aside their personal differences to follow the trail, even when they uncover forces behind the killings that go deeper than they could ever have imagined – into their own murky pasts. Set in a world that’s far from our own and yet captivatingly familiar, Pagans explores contemporary themes of religious conflict, nationalism and prejudice in a smart, witty and refreshingly different police procedural that keeps you guessing until the very end.

Centuries after the events of the #1 New York Times bestseller Wings of Starlight, two fairies must battle a dangerous magic—and their growing feelings for each other—in order to save their home in the Winter Woods of Pixie Hollow.When frost fairy Periwinkle travels too close to the forbidden border where Spring meets the Winter Woods, she unknowingly discovers a thread of a lost magic. And, for the first time, she begins to dream. While Periwinkle’s dreams start sweet, they slowly morph into more disastrous visions of the Pixie Dust Tree—the life source for all of Pixie Hollow—destroyed. Soon Periwinkle is confronted by a sparrow man who knows two one, that Peri has been dreaming, and two, that the Winter Woods is in terrible danger. The infuriatingly handsome stranger introduces himself as Weaver, claiming to be a dream-talent, the last of his kind. There's a chance he can spin Periwinkle's dreams into dream thread which could protect the Pixie Dust Tree. But to do so, they will have to embark on a quest to find a magic spindle and scissors in the legendary lost fairy workshops of dream-talents past.Peri begins a reluctant journey with Weaver through the uncharted heart of the Winter Woods. But dreaming is dangerous, and as Peri’s dreams begin to unravel, she will start to question everything she thought she knew. For in Winter even beautiful things can hurt you… and Weaver is no exception.Return to Pixie Hollow with this exciting new story set in the world of Wings of Starlight several hundred years in the future.

Centuries after the events of the #1 New York Times bestseller Wings of Starlight, two fairies must battle a dangerous magic—and their growing feelings for each other—in order to save their home in the Winter Woods of Pixie Hollow.When frost fairy Periwinkle travels too close to the forbidden border where Spring meets the Winter Woods, she unknowingly discovers a thread of a lost magic. And, for the first time, she begins to dream. While Periwinkle’s dreams start sweet, they slowly morph into more disastrous visions of the Pixie Dust Tree—the life source for all of Pixie Hollow—destroyed. Soon Periwinkle is confronted by a sparrow man who knows two one, that Peri has been dreaming, and two, that the Winter Woods is in terrible danger. The infuriatingly handsome stranger introduces himself as Weaver, claiming to be a dream-talent, the last of his kind. There's a chance he can spin Periwinkle's dreams into dream thread which could protect the Pixie Dust Tree. But to do so, they will have to embark on a quest to find a magic spindle and scissors in the legendary lost fairy workshops of dream-talents past.Peri begins a reluctant journey with Weaver through the uncharted heart of the Winter Woods. But dreaming is dangerous, and as Peri’s dreams begin to unravel, she will start to question everything she thought she knew. For in Winter even beautiful things can hurt you… and Weaver is no exception.Return to Pixie Hollow with this exciting new story set in the world of Wings of Starlight several hundred years in the future.

Mors vincit omnia. Death conquers all. London, 1883. The Veil between the living and dead has thinned. Violet-eyed mediums commune with spirits under the watchful eye of the Royal Speaker Society, and sixteen-year-old Silas Bell would rather rip out his violet eyes than become an obedient Speaker wife. According to Mother, he’ll be married by the end of the year. It doesn’t matter that he’s needed a decade of tutors to hide his autism; that he practices surgery on slaughtered pigs; that he is a boy, not the girl the world insists on seeing. After a failed attempt to escape an arranged marriage, Silas is diagnosed with Veil sickness—a mysterious disease sending violet-eyed women into madness—and shipped away to Braxton’s Sanitorium and Finishing School. The facility is cold, the instructors merciless, and the students either bloom into eligible wives or disappear. So when the ghosts of missing students start begging Silas for help, he decides to reach into Braxton’s innards and expose its rotten guts to the world—as long as the school doesn’t break him first.

CG Drews, acclaimed author of Don't Let the Forest In, returns with another deeply unsettling and yet hauntingly beautiful tale of murder and botanical body horror, perfect for fans of Andrew Joseph White and We Have Always Lived in the Castle. Evander has lived like a ghost in the forgotten corners of the Hazelthorn estate ever since he was taken in by his reclusive billionaire guardian, Byron Lennox-Hall, when he was a child. For his safety, Evander has been given three ironclad rules to follow: He can never leave the estate. He can never go into the gardens. And most importantly, he can never again be left alone with Byron's charming, underachieving grandson, Laurie. That last rule has been in place ever since Laurie tried to kill Evander seven years ago, and yet somehow Evander is still obsessed with him. But when Byron suddenly dies, Evander inherits Hazelthorn’s immense gothic mansion and acres of sprawling grounds, along with the entirety of the Lennox-Hall family's vast wealth. There’s just one caveat: He must choose a new guardian from amongst Laurie's scheming, backstabbing relatives to help manage the estate until he turns eighteen. Except Evander's sure his guardian was murdered, and Laurie may be the only one who can help him find the killer before they come for Evander next. Perhaps even more concerning is how the overgrown garden is refusing to stay behind its walls, slipping its vines and spores deeper into the house with each passing day. As the family’s dark secrets unravel alongside the growing horror of their terribly alive, bloodthirsty garden, Evander needs to find out what he’s really inheriting before the garden demands to be fed once more.

It has Hikaru’s face. It has Hikaru’s voice. It even has Hikaru’s memories. But whatever came down from the mountains six months ago isn’t Yoshiki’s best friend. Whatever it is, it’s dangerous. Carrying on at school and hanging out as if nothing has changed―as if Hikaru isn’t gone―would be crazy...but when it looks so very like Hikaru...and acts so very like Hikaru...

When Edward VI - Henry VIII’s longed-for son - died in 1553, extraordinarily, there was no one left to claim the title King of England. For the first time, all the contenders for the crown were female. In 1553, England was about to experience the ‘monstrous regiment’ - the unnatural rule - of a woman. But female rule in England also had a past. Four hundred years before Edward’s death, Matilda, daughter of Henry I and granddaughter of William the Conquerer, came tantalisingly close to securing her hold on the power of the crown. And between the 12th and the 15th centuries three more exceptional women - Eleanor of Aquitaine, Isabella of France, and Margaret of Anjou - discovered, as queens consort and dowager, how much was possible if the presumptions of male rule were not confronted so explicitly. The stories of these women - told here in all their vivid humanity - illustrate the paradox which the female heirs to the Tudor throne had no choice but to negotiate. Man was the head of woman; and the king was the head of all. How, then, could a woman be king, how could royal power lie in female hands?

An engaging exploration of what it means to be asexual in a world that's obsessed with sexual attraction, and what we can all learn about desire and identity by using an ace lens to see the world What exactly is sexual attraction and what is it like to go through the world not experiencing it? What does asexuality reveal about consent, about compromise, about the structures of society? This exceedingly accessible guide to asexuality shows that the issues that aces face—confusion around sexual activity, the intersection of sexuality and identity, navigating different needs in relationships—are conflicts that all of us need to address as we move through the world. Through interviews, cultural criticism, and memoir, ACE invites all readers to consider big-picture issues through the lens of asexuality, because every place that sexuality touches our world, asexuality does too. Journalist Angela Chen uses her own journey of self-discovery as an asexual person to unpretentiously educate and vulnerably connect with readers, effortlessly weaving analysis of sexuality and societally imposed norms with interviews of ace people. Among those included are the woman who had blood tests done because she was convinced that "not wanting sex" was a sign of serious illness, and the man who grew up in an evangelical household and did everything "right," only to realize after marriage that his experience of sexuality had never been the same as that of others. Also represented are disabled aces, aces of color, non-gender-conforming aces questioning whether their asexuality is a reaction against stereotypes, and aces who don't want romantic relationships asking how our society can make room for them.

As alluring as it is unsettling, award-winning author CG Drews' debut YA psychological horror will leave readers breathless and hesitant to venture deeper into the woods. Once upon a time, Andrew had cut out his heart and given it to this boy, and he was very sure Thomas had no idea that Andrew would do anything for him. Protect him. Lie for him. Kill for him. High school senior Andrew Perrault finds refuge in the twisted fairytales that he writes for the only person who can ground him to reality—Thomas Rye, the boy with perpetually ink-stained hands and hair like autumn leaves. And with his twin sister, Dove, inexplicably keeping him at a cold distance upon their return to Wickwood Academy, Andrew finds himself leaning on his friend even more. But something strange is going on with Thomas. His abusive parents have mysteriously vanished, and he arrives at school with blood on his sleeve. Thomas won't say a word about it, and shuts down whenever Andrew tries to ask him questions. Stranger still, Thomas is haunted by something, and he seems to have lost interest in his artwork—whimsically macabre sketches of the monsters from Andrew's wicked stories. Desperate to figure out what's wrong with his friend, Andrew follows Thomas into the off-limits forest one night and catches him fighting a nightmarish monster—Thomas's drawings have come to life and are killing anyone close to him. To make sure no one else dies, the boys battle the monsters every night. But as their obsession with each other grows stronger, so do the monsters, and Andrew begins to fear that the only way to stop the creatures might be to destroy their creator...

CG Drews, acclaimed author of Don't Let the Forest In, returns with another deeply unsettling and yet hauntingly beautiful tale of murder and botanical body horror, perfect for fans of Andrew Joseph White and We Have Always Lived in the Castle. Evander has lived like a ghost in the forgotten corners of the Hazelthorn estate ever since he was taken in by his reclusive billionaire guardian, Byron Lennox-Hall, when he was a child. For his safety, Evander has been given three ironclad rules to follow: He can never leave the estate. He can never go into the gardens. And most importantly, he can never again be left alone with Byron's charming, underachieving grandson, Laurie. That last rule has been in place ever since Laurie tried to kill Evander seven years ago, and yet somehow Evander is still obsessed with him. But when Byron suddenly dies, Evander inherits Hazelthorn’s immense gothic mansion and acres of sprawling grounds, along with the entirety of the Lennox-Hall family's vast wealth. There’s just one caveat: He must choose a new guardian from amongst Laurie's scheming, backstabbing relatives to help manage the estate until he turns eighteen. Except Evander's sure his guardian was murdered, and Laurie may be the only one who can help him find the killer before they come for Evander next. Perhaps even more concerning is how the overgrown garden is refusing to stay behind its walls, slipping its vines and spores deeper into the house with each passing day. As the family’s dark secrets unravel alongside the growing horror of their terribly alive, bloodthirsty garden, Evander needs to find out what he’s really inheriting before the garden demands to be fed once more.

As alluring as it is unsettling, award-winning author CG Drews' debut YA psychological horror will leave readers breathless and hesitant to venture deeper into the woods. Once upon a time, Andrew had cut out his heart and given it to this boy, and he was very sure Thomas had no idea that Andrew would do anything for him. Protect him. Lie for him. Kill for him. High school senior Andrew Perrault finds refuge in the twisted fairytales that he writes for the only person who can ground him to reality—Thomas Rye, the boy with perpetually ink-stained hands and hair like autumn leaves. And with his twin sister, Dove, inexplicably keeping him at a cold distance upon their return to Wickwood Academy, Andrew finds himself leaning on his friend even more. But something strange is going on with Thomas. His abusive parents have mysteriously vanished, and he arrives at school with blood on his sleeve. Thomas won't say a word about it, and shuts down whenever Andrew tries to ask him questions. Stranger still, Thomas is haunted by something, and he seems to have lost interest in his artwork—whimsically macabre sketches of the monsters from Andrew's wicked stories. Desperate to figure out what's wrong with his friend, Andrew follows Thomas into the off-limits forest one night and catches him fighting a nightmarish monster—Thomas's drawings have come to life and are killing anyone close to him. To make sure no one else dies, the boys battle the monsters every night. But as their obsession with each other grows stronger, so do the monsters, and Andrew begins to fear that the only way to stop the creatures might be to destroy their creator...

Your body. Their Choice.The Hope Party's new laws have transformed Great the countryside rewilded, children's rights prioritised, and births on the rise. But freedom is fading. Karen has learned to navigate this new world, keeping her head down as her fertility is constantly monitored. As her husband's career thrives, while hers stalls. As her son is drawn into misogynist groups. Like everyone else, she's too frightened to speak up.Until her teenage daughter reveals a life-changing she's pregnant. With abortion and contraception banned, her future has gone up in flames. But Karen won't let this happen - Charlotte is going to have the life she lost.Karen turns to her sister Isobel, a doctor who's initially reluctant to help. But when they learn Charlotte's pregnancy is ectopic and life-threatening, the stakes skyrocket. The three women go on the run, getting deeper into danger with every hour that passes. With powerful enemies on their tail, they will risk everything in a desperate fight for freedom, and for life. The Quickening is a powerful exploration of motherhood, sacrifice, and the terrifying cost of complicity. For fans of Vox, Red Clocks, and The Handmaid's Tale.

Your body. Their Choice.The Hope Party's new laws have transformed Great the countryside rewilded, children's rights prioritised, and births on the rise. But freedom is fading. Karen has learned to navigate this new world, keeping her head down as her fertility is constantly monitored. As her husband's career thrives, while hers stalls. As her son is drawn into misogynist groups. Like everyone else, she's too frightened to speak up.Until her teenage daughter reveals a life-changing she's pregnant. With abortion and contraception banned, her future has gone up in flames. But Karen won't let this happen - Charlotte is going to have the life she lost.Karen turns to her sister Isobel, a doctor who's initially reluctant to help. But when they learn Charlotte's pregnancy is ectopic and life-threatening, the stakes skyrocket. The three women go on the run, getting deeper into danger with every hour that passes. With powerful enemies on their tail, they will risk everything in a desperate fight for freedom, and for life. The Quickening is a powerful exploration of motherhood, sacrifice, and the terrifying cost of complicity. For fans of Vox, Red Clocks, and The Handmaid's Tale.