A searing, deeply moving memoir about family, love, and loss from the critically acclaimed, bestselling National Book Award winner. When his mother passed away at the age of 78, Sherman Alexie responded the only way he knew how: he wrote. The result is this stunning memoir. Featuring 78 poems, 78 essays and intimate family photographs, Alexie shares raw, angry, funny, profane, tender memories of a childhood few can imagine—growing up dirt-poor on an Indian reservation, one of four children raised by alcoholic parents. Throughout, a portrait emerges of his mother as a beautiful, mercurial, abusive, intelligent, complicated woman. You Don't Have To Say You Love Me is a powerful account of a complicated relationship, an unflinching and unforgettable remembrance.

An unflinching look at the challenges and misunderstandings mixed-race people face in family spaces and intimate relationships across their varying cultural backgroundsIn this emotionally powerful and intellectually provocative blend of memoir, cultural criticism, and theory, scholar and essayist Samira Mehta reflects on many facets of being multiracial.Born to a white American and a South Asian immigrant, Mehta grew up feeling more comfortable with her mother’s family than with her father’s—they never carried on conversations in languages that she couldn’t understand or blamed her for finding the food was too spicy. But in adulthood, she realized that some of her Indian family’s assumptions about the world had become an indelible part of her.From this vantage point, Mehta tackles several topics in 7 essays around mixed-race identity:· Where Are You Really From? A Triptych· The Racism of People Who Love You · Failing the Authenticity Test· Meat Is Murder· Mentorship· Assimilation· Another Face of American RacismPopular belief assumes that mixedness gives you the ability to feel at home in more than one culture, but the flipside shows you can feel just as alienated in those spaces.The Racism of People Who Love You lays bare the pain and the love, the blending of practices, assumptions, and the creation of a culture of hybrid identity.

People say Beartown is finished. A tiny community nestled deep in the forest, it is slowly losing ground to the ever-encroaching trees. But down by the lake stands an old ice rink, built generations ago by the working men who founded town. And that rink is the reason people in Beartown believe tomorrow will be better than today. Their junior hockey team is about to compete in the national championships, and they actually have a shot at winning. All the hopes and dreams of the town now rest on the shoulders of a handful of teenage boys. A victory would send star player Kevin onto a brilliant professional future in the NHL. It would mean everything to Amat, a scrawny fifteen-year-old treated like an outcast everywhere but on the ice. And it would justify the choice that Peter, the team's general manager, and his wife, Kira, made to return to his hometown and raise their children in this beautiful but isolated place. Being responsible for the hopes of an entire town is a heavy burden, and the semifinal match is the catalyst for a violent act that leaves a young girl traumatized and a town in turmoil. Hers is a story no one wants to believe since the truth would mean the end of the dream. Accusations are made, and like ripples on a pond, they travel through all of Beartown, leaving no resident unaffected.

After Zahra Paracha makes a decision at odds with her beliefs, her mother forces Zahra to make an impossible choice about her future. So Zahra runs away. A train and a plane ride later, she finds herself in New York, where she relinquishes her past in favor of a new future. There, she must learn who she is without the marionette strings of control in her mother's hands. There, she must learn who she wishes to become. On Long Island, Zahra stays at a bed & breakfast, unsure of her place in the world. Anxious, depressed, and grappling with guilt, she wanders aimlessly. She eventually visits the local masjid, where she is befriended by two sisters and drawn into the welcoming Muslim community there. It is in this place of safety that Zahra's healing truly begins--but can she create a home for herself when the foundation is built on lies she's spun to protect her from the past? When a family friend recognizes her, will everything come crashing down? As Zahra tries to build a life for herself in this new place, the heart of the matter becomes clear: she can't run away forever. Can she close the rift in her family and truly, fully heal? In this powerful novel from new voice Aamna Qureshi, a Muslim teen goes on a breathtaking journey to find her home and--more importantly--herself.

A joyful romantic comedy retelling of Jane Austen’s Emma! I know what you’re thinking: poor little rich girl, she has everything, what else could she possibly need? Well, I’m looking for the great love of my life, thank you very much. For Long Island native Humaira Mirza, it’s always been about love – and she has the matchmaking track record to prove it. Having successfully found ‘the one’ for both her aunt and her sister, the twenty-three-year-old is ready to claim a bit of romance for herself. The perfect candidate? The gorgeous Rizwan Ali. But as Humaira employs her unique skills to obtain the perfect match with Rizwan, she’s forced to endure the disapproval of family friend Fawad Sheikh who she’s known forever. Fawad and Humaira have long traded barbs but as her romantic meddling leads to unintentional misadventures, she realises something shocking – is she starting to care what Fawad thinks?

In 2014, Maia Kobabe, who uses e/em/eir pronouns, thought that a comic of reading statistics would be the last autobiographical comic e would ever write. At the time, it was the only thing e felt comfortable with strangers knowing about em. Now, Gender Queer is here. Maia's intensely cathartic autobiography charts eir journey of self-identity, which includes the mortification and confusion of adolescent crushes, grappling with how to come out to family and society, bonding with friends over erotic gay fanfiction, and facing the trauma of pap smears. Started as a way to explain to eir family what it means to be nonbinary and asexual, Gender Queer is more than a personal story: it is a useful and touching guide on gender identity—what it means and how to think about it—for advocates, friends, and humans everywhere.

In this young adult novel by award-winning author Anna-Marie McLemore, two non-binary teens are pulled into a magical world under a lake - but can they keep their worlds above water intact? Everyone who lives near the lake knows the stories about the world underneath it, an ethereal landscape rumored to be half-air, half-water. But Bastián Silvano and Lore Garcia are the only ones who’ve been there. Bastián grew up both above the lake and in the otherworldly space beneath it. Lore’s only seen the world under the lake once, but that one encounter changed their life and their fate. Then the lines between air and water begin to blur. The world under the lake drifts above the surface. If Bastián and Lore don’t want it bringing their secrets to the surface with it, they have to stop it, and to do that, they have to work together. There’s just one problem: Bastián and Lore haven’t spoken in seven years, and working together means trusting each other with the very things they’re trying to hide.