For fans of Before the Coffee Gets Cold, What You Are Looking for Is In the Library, and Days at the Morisaki Bookshop comes an enchanting novel that will linger in your heart long after the last page is turned. As the last petal falls, the final page is turned… Welcome to The Cherry Blossom Bookshop, a haven for book lovers that only appears during the fleeting cherry blossom season. Nestled amidst the bloom of delicate petals, you’ll find a sanctuary for those burdened by regrets and past sorrows. Here, Sakura, the mysterious young owner, and her wise calico cat, Kobako, patiently await the arrival of souls in need of solace and healing. Told over four seasons, each visitor to the bookshop holds a book that bridges their past and present, guiding them towards understanding and acceptance. Within the antique charm of the shop and the soothing aroma of freshly brewed coffee, Sakura and Kobako help their guests confront their lingering sadness through the power of stories, enabling them to move forward with renewed hope.

The Lost Estate is Robin Buss's translation of Henri Alain-Fournier's poignant study of lost love, Le Grand Meaulnes. This Penguin Classics edition also contains an introduction by Adam Gopnik. When Meaulnes first arrives at the local school in Sologne, everyone is captivated by his good looks, daring and charisma. But when Meaulnes disappears for several days, and returns with tales of a strange party at a mysterious house - and his love for the beautiful girl hidden within it, Yvonne de Galais - his life has been changed forever. In his restless search for his Lost Estate and the happiness he found there, Meaulnes, observed by his loyal friend Francois, may risk losing everything he ever had. Poised between youthful admiration and adult resignation, Alain-Fournier's compelling narrator carries the reader through this evocative and unbearably poignant portrayal of desperate friendship and vanished adolescence. Robin Buss's translation of Le Grand Meaulnes sensitively and accurately renders Alain-Fournier's poetically charged, expressive and deceptively simple style. In his introduction, New Yorker writer Adam Gopnik discusses the life of Alain-Fournier, who was killed in the First World War after writing this, his only novel. I read it for the first time when I was seventeen and loved every page. I find its depiction of a golden time and place just as poignant now as I did thenNick Hornby

In Anthony Burgess's influential nightmare vision of the future, criminals take over after dark. Teen gang leader Alex narrates in fantastically inventive slang that echoes the violent intensity of youth rebelling against society. Dazzling and transgressive, A Clockwork Orange is a frightening fable about good and evil and the meaning of human freedom. This edition includes the controversial last chapter not published in the first edition, and Burgess’s introduction, “A Clockwork Orange Resucked.”

In Anthony Burgess's influential nightmare vision of the future, criminals take over after dark. Teen gang leader Alex narrates in fantastically inventive slang that echoes the violent intensity of youth rebelling against society. Dazzling and transgressive, A Clockwork Orange is a frightening fable about good and evil and the meaning of human freedom. This edition includes the controversial last chapter not published in the first edition, and Burgess’s introduction, “A Clockwork Orange Resucked.”

Two young people meet at a pub in South East London. Both are Black British, both won scholarships to private schools where they struggled to belong, both are now artists -- he a photographer, she a dancer -- trying to make their mark in a city that by turns celebrates and rejects them. Tentatively, tenderly, they fall in love. But two people who seem destined to be together can still be torn apart by fear and violence. At once an achingly beautiful love story and a potent insight into race and masculinity, Open Water asks what it means to be a person in a world that sees you only as a Black body, to be vulnerable when you are only respected for strength, to find safety in love, only to lose it. With gorgeous, soulful intensity, Caleb Azumah Nelson has written the most essential British debut of recent years.

Set in Colonial New England, Slewfoot is a tale of magic and mystery, of triumph and terror as only dark fantasist Brom can tell it.A spirited young Englishwoman, Abitha, arrives at a Puritan colony betrothed to a stranger – only to become quickly widowed when her husband dies under mysterious circumstances. All alone in this pious and patriarchal society, Abitha fights for what little freedom she can grasp onto, while trying to stay true to herself and her past.Enter Slewfoot, a powerful spirit of antiquity newly woken ... and trying to find his own role in the world. Healer or destroyer? Protector or predator? But as the shadows walk and villagers start dying, a new rumor is whispered: Witch.Both Abitha and Slewfoot must swiftly decide who they are, and what they must do to survive in a world intent on hanging any who meddle in the dark arts.Complete with 8 pages of Brom’s mesmerizing full-color artwork and chapter illustrations throughout, his latest book is sure to delight.

Dostoevsky’s most revolutionary novel, Notes from Underground marks the dividing line between nineteenth- and twentieth-century fiction, and between the visions of self each century embodied. One of the most remarkable characters in literature, the unnamed narrator is a former official who has defiantly withdrawn into an underground existence. In complete retreat from society, he scrawls a passionate, obsessive, self-contradictory narrative that serves as a devastating attack on social utopianism and an assertion of man’s essentially irrational nature. Richard Pevear and Larissa Volokhonsky, whose Dostoevsky translations have become the standard, give us a brilliantly faithful edition of this classic novel, conveying all the tragedy and tormented comedy of the original.

Dostoevsky’s most revolutionary novel, Notes from Underground marks the dividing line between nineteenth- and twentieth-century fiction, and between the visions of self each century embodied. One of the most remarkable characters in literature, the unnamed narrator is a former official who has defiantly withdrawn into an underground existence. In complete retreat from society, he scrawls a passionate, obsessive, self-contradictory narrative that serves as a devastating attack on social utopianism and an assertion of man’s essentially irrational nature. Richard Pevear and Larissa Volokhonsky, whose Dostoevsky translations have become the standard, give us a brilliantly faithful edition of this classic novel, conveying all the tragedy and tormented comedy of the original.