The fascinating history of women’s health as it’s never been told before. For as long as medicine has been a practice, women's bodies have been treated like objects to be practiced on: examined and ignored, idealized and sexualized, shamed, subjugated, mutilated, and dismissed. The history of women’s healthcare is a story in which women themselves have too often been voiceless—a narrative instead written from the perspective of men who styled themselves as authorities on the female of the species, yet uninformed by women’s own voices, thoughts, fears, pain and experiences. The result is a cultural and societal legacy that continues to shape the (mis)treatment and care of women. While the modern age has seen significant advancements in the medical field, the notion that female bodies are flawed inversions of the male ideal lingers on—as do the pervasive societal stigmas and lingering ignorance that shape women’s health and relationships with their own bodies. Memorial Sloan Kettering oncologist and medical historian Dr. Elizabeth Comen peels back the curtain on the collective medical history of women to reintroduce us to our whole bodies—how they work, the actual doctors and patients whose perspectives and experiences laid the foundation for today’s medical thought, and the many oversights that still remain unaddressed. With a physician’s knowledge and empathy, Dr. Comen follows the road map of the eleven organ systems to share unique and untold stories, drawing upon medical texts and journals, interviews with expert physicians, as well as her own experience treating thousands of women. Empowering women to better understand ourselves and advocate for care that prioritizes healthy and joyful lives—for us and generations to come—All in Her Head is written with humor, wisdom, and deep scientific and cultural insight. Eye-opening, sometimes enraging, yet always captivating, this shared memoir of women’s medical history is an essential contribution to a holistic understanding and much-needed reclaiming of women’s history and bodies.

The first installment of the Pulitzer Prize-winning graphic novel acclaimed as “the most affecting and successful narrative ever done about the Holocaust” (Wall Street Journal) and “the first masterpiece in comic book history” (The New Yorker). A brutally moving work of art—widely hailed as the greatest graphic novel ever written—Maus recounts the chilling experiences of the author’s father during the Holocaust, with Jews drawn as wide-eyed mice and Nazis as menacing cats. Maus is a haunting tale within a tale, weaving the author’s account of his tortured relationship with his aging father into an astonishing retelling of one of history's most unspeakable tragedies. It is an unforgettable story of survival and a disarming look at the legacy of trauma.

A scientific journey to the center of the new female body. The Latin term for the female genitalia, pudendum, means “parts for which you should be ashamed.” Until 1651, ovaries were called female testicles. The fallopian tubes are named for a man. Named, claimed, and shamed: Welcome to the story of the female body, as penned by men. Today, a new generation of (mostly) women scientists is finally redrawing the map. With modern tools and fresh perspectives, they’re looking at the organs traditionally bound up in reproduction—the uterus, ovaries, vagina—and seeing within them a new biology of change and resilience. Through their eyes, journalist Rachel E. Gross takes readers on an anatomical odyssey to the center of this new world—a world where the uterus regrows itself, ovaries pump out fresh eggs, and the clitoris pulses beneath the surface like a shimmering pyramid of nerves. Full of wit and wonder, Vagina Obscura is a celebratory testament to how the landscape of knowledge can be rewritten to better serve everyone.

An aspiring chef and world-famous popstar cook up what starts to sound like a love song in this sapphic new adult debut from Betty Cayouette.This is Riley’s last summer as a chef. At least, this is what she’s promised her dads, who run a Cape Cod lobster shack and don’t want their daughter to follow in their stress-ridden footsteps. So Riley decides to go big and audition as a private chef for a singer’s European tour. When she finds out she got the gig, she’s thrilled. But when she learns that the singer she’ll be cooking for is Luna Leya, she and her sister’s favorite popstar? She almost can’t believe it.Soon enough, Riley and Luna strike up an unexpected friendship, much to Luna’s manager’s disapproval. Luna should be focused on getting her Grammy, which means pulling off this tour without a hitch and continuing to date the notorious singer/heart throb/beloved bad boy Hudson, who’s rocketed her to a new level of fame with their hit single. Luna should definitely not be sneaking off to the Eiffel Tower and private Andalucian dinners to spend time with Riley. As the two get closer, Riley thinks she might be losing her mind. Is it possible the Luna Leya is flirting with her? And is there a world where Riley could keep her dream of being a chef alive? Soon, things will reach a tipping point and both Riley and Luna will be left could their story be a love song after all?

From the author of Love at First Set, a hilariously sexy enemies-to-lovers, second-chance rom-com about a reclusive former child star turned florist whose quiet life is turned upside down when her annoyingly hot ex (and former costar) shows up in town, with plans to write a tell-all memoir. Former child star Anderson “Andy” Ducharme is hiding—has been for a long time, if she’s honest with herself, which she isn’t. When she suddenly cut off all ties and left LA six years earlier to work in a flower shop in coastal New England, she wasn’t just running away from toxic relationships, embezzling agents, and all the rest of her Hollywood life; she was running to something… sort of, if you squinted, and if you accepted that what she was running toward was little more than a vacation daydream she had made up with her (in)famous ex, and former costar, Nicole “Nikki” Price. Then Nikki announces her plan to write a tell-all book about growing up in Hollywood and their tumultuous time on the Nik and Andy show, and Andy’s feelings of hurt and betrayal come rushing back. Emboldened by anger (and maybe one too many drinks), Andy does something very she texts her ex for the first time in years. No one’s more shocked than Andy when Nikki actually shows up to her small florist shop, looking for answers. Andy is fully prepared to send Nikki away, but it seems Nikki has some unfinished business as well. Now that she finally knows where Andy’s been hiding, she’s not letting her go so easy. And with each passing encounter, Andy can’t deny the simmering physical attraction that threatens to boil over every time they get close. But can the two of them really reunite without wrecking Andy’s carefully rebuilt life? Or is she setting herself up for a fresh heartbreak? TROPES second-chance celebrity small town fwb former exes

From USA Today bestselling author Cassandra Khaw comes The Salt Grows Heavy, a razor-sharp and bewitching fairytale of discovering the darkness in the world, and the darkness within oneself. You may think you know how the fairytale goes: a mermaid comes to shore and weds the prince. But what the fables forget is that mermaids have teeth. And now, her daughters have devoured the kingdom and burned it to ashes. On the run, the mermaid is joined by a mysterious plague doctor with a darkness of their own. Deep in the eerie, snow-crusted forest, the pair stumble upon a village of ageless children who thirst for blood, and the three 'saints' who control them. The mermaid and her doctor must embrace the cruellest parts of their true nature if they hope to survive.

Coaching in the women’s hockey league is my dream. What I didn’t plan on? Having to coach my ex… When I took the job with the Toronto Rosebuds hockey team, I never thought I’d be reunited with the woman that ruined me for all others. Lydia Bishop. Playing hockey and Lydia are my past. My future is with this new team. Lydia is a distraction I can’t afford. The more time I spend with Lydia, the more I realize I might not be as over her as I thought. Until one night, we cross aline. A line I don’t want to come back from. She’s my player. I can’t be seen with her. Sneaking around is our only option until the world finds out about us and I’m forced to choose. The future I’ve always wanted or the past I don’t want to let go of. I am so pucking screwed…

Two friends are midway on a canoe trip down the Danube River. Throughout the story Blackwood personifies the surrounding environment—river, sun, wind—and imbues them with a powerful and ultimately threatening character. Most ominous are the masses of dense, desultory, menacing willows, which "moved of their own will as though alive, and they touched, by some incalculable method, my own keen sense of the horrible." "The Willows" is one of Algernon Blackwood's best known short stories. American horror author H.P. Lovecraft considered it to be the finest supernatural tale in English literature. "The Willows" is an example of early modern horror and is connected within the literary tradition of weird fiction.

Egypt, 1912. In an alternate Cairo infused with the otherworldly, the Ministry of Alchemy, Enchantments and Supernatural Entities investigate disturbances between the mortal and the (possibly) divine. What starts off as an odd suicide case for Special Investigator Fatma el-Sha’arawi leads her through the city’s underbelly as she encounters rampaging ghouls, saucy assassins, clockwork angels, and plot that could unravel time itself.

Bernardine Evaristo is the winner of the 2019 Booker Prize and the first black woman to receive this highest literary honor in the English language. Girl, Woman, Other is a magnificent portrayal of the intersections of identity and a moving and hopeful story of an interconnected group of Black British women that paints a vivid portrait of the state of contemporary Britain and looks back to the legacy of Britain’s colonial history in Africa and the Caribbean. The twelve central characters of this multi-voiced novel lead vastly different lives: Amma is a newly acclaimed playwright whose work often explores her Black lesbian identity; her old friend Shirley is a teacher, jaded after decades of work in London’s funding-deprived schools; Carole, one of Shirley’s former students, is a successful investment banker; Carole’s mother Bummi works as a cleaner and worries about her daughter’s lack of rootedness despite her obvious achievements. From a nonbinary social media influencer to a 93-year-old woman living on a farm in Northern England, these unforgettable characters also intersect in shared aspects of their identities, from age to race to sexuality to class. Sparklingly witty and filled with emotion, centering voices we often see othered, and written in an innovative fast-moving form that borrows technique from poetry, Girl, Woman, Other is a polyphonic and richly textured social novel that shows a side of Britain we rarely see, one that reminds us of all that connects us to our neighbors, even in times when we are encouraged to be split apart.

Todd Anderson and his friends at Welton Academy can hardly believe how different life is since their new English professor, the flamboyant John Keating, has challenged them to "make your lives extraordinary! " Inspired by Keating, the boys resurrect the Dead Poets Society--a secret club where, free from the constraints and expectations of school and parents, they let their passions run wild. As Keating turns the boys on to the great words of Byron, Shelley, and Keats, they discover not only the beauty of language, but the importance of making each moment count. But the Dead Poets pledges soon realize that their newfound freedom can have tragic consequences. Can the club and the individuality it inspires survive the pressure from authorities determined to destroy their dreams?

Three casinos. Three bodies. Three days. After a string of brutal murders in Las Vegas, Cassie Hobbes and the Naturals are called in to investigate. But even with the team's unique profiling talents, these murders seem baffling: unlike many serial killers, this one uses different methods every time. All of the victims were killed in public, yet the killer does not show up on any tape. And each victim has a string of numbers tattooed on their wrist. Hidden in the numbers is a code—and the closer the Naturals come to unraveling the mystery, the more perilous the case becomes. Meanwhile, Cassie is dealing with an equally dangerous and much more painful mystery. For the first time in years, there's been a break in her mother's case. As personal issues and tensions between the team mount, Cassie and the Naturals will be faced with impossible odds—and impossible choices.