A pulpy lesbian romance between an elven thief from another world and a corporate princess whose company is built on her clones. 300,000 and counting, and the woman they're made from wishes they didn't exist. Danger, spice, and everything not-nice.When the twice-dead thief Nil steals a magical dagger from one of the world's angriest trillionaires, the last thing she expects is to fall in love with his daughter Sook, the so-called Mother of a Million Clones. But the heart wants what the heart wants, and in this case the heart wants to be chased, shot at, and possibly exploded.Til death do us part is gonna need a bit of an extension...

Loneliness and queer desire haunt these stories, and as often as there is despair, there is hope. Gods, dragon keepers, death witches, seekers, and lovers reach for intimacy and find startling answers. In “On Lore,” a woman tries to save her girlfriend from the allure of nightmares. “In Our Season” finds a couple vacationing in Iceland's fairytale summer only to be confronted with the emotional pain of its winters. A woman who lives her life covered in snakes grieves her mother's death, and a girl with moonstone eyes plots a desperate escape from Earth. Poison becomes liberation. Kisses are most transformative when they draw blood. These stories are glittering pieces of sapphic fantasy, each served like red fruit on a black mirror.

A new Queer, Asian-inspired fantasy novella about a renowned dragon slayer who never takes her armor off in public, Brighter than Scale, Swifter than Flame reads like She Who Became the Sun meets The Mandalorian, with dragons!The fiercely independent nation of Quanbao is isolated, reclusive, and something of a mystery to the rest of the world. It is rumored that there, dragons are not feared as is right and proper but instead loved and worshiped.Yeva is perhaps a strange emissary to these people. Not only because their face has never been seen in public, but because they are a hero born to a birthright that makes them suited for their task—hunting dragons.And so the dragon hunter must woo Quanbao's queen—the Lady Sookhee—to understand what secrets she is hiding. A woman reasonably suspicious of Yeva's intentions, and the imperial might of the throne she represents, Sookhee bears the burden of the safety of her entire people. How can she trust this stranger newly arrived to her court, a weapon forged in blood and fire, to understand what her people need and how best to safeguard their future?At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

In Cherokee Asegi udanto refers to people who either fall outside of men’s and women’s roles or who mix men’s and women’s roles. Asegi , which translates as “strange,” is also used by some Cherokees as a term similar to “queer.” For author Qwo-Li Driskill, asegi provides a means by which to reread Cherokee history in order to listen for those stories rendered “strange” by colonial heteropatriarchy. As the first full-length work of scholarship to develop a tribally specific Indigenous Queer or Two-Spirit critique, Asegi Stories examines gender and sexuality in Cherokee cultural memory, how they shape the present, and how they can influence the future. The theoretical and methodological underpinnings of Asegi Stories derive from activist, artistic, and intellectual genealogies, referred to as “dissent lines” by Maori scholar Linda Tuhiwai Smith. Driskill intertwines Cherokee and other Indigenous traditions, women of color feminisms, grassroots activisms, queer and Trans studies and politics, rhetoric, Native studies, and decolonial politics. Drawing from oral histories and archival documents in order to articulate Cherokee-centered Two-Spirit critiques, Driskill contributes to the larger intertribal movements for social justice.