Spring will come. The leaves on its trees will open after blossom. Before it arrives, a hundred years of empire-making. The dawn breaks cold and still but, deep in the earth, things are growing.

Spring will come. The leaves on its trees will open after blossom. Before it arrives, a hundred years of empire-making. The dawn breaks cold and still but, deep in the earth, things are growing.

In Ons deel van de nacht, de unieke en meermaals bekroonde nieuwe roman van Mariana Enriquez, wordt het bovennatuurlijke gespiegeld aan ware gebeurtenissen uit heden en verleden. Het verhaal speelt tegen de achtergrond van de militaire dictatuur in het Argentinië van de jaren zeventig, de Vuile Oorlog en mensen die ‘verdwenen’. Een meeslepende roman over vaders en zonen, over klassenverschillen en strijd, en over het gewicht van een gruwelijke erfenis. Een vader en zoon maken een lange reis door Argentinië, van Buenos Aires naar de Iguazú-watervallen, gelegen aan de noordelijke grens met Brazilië. Het is het einde van de jaren zeventig, de tijd van de militaire junta. Het hele land staat onder spanning en er zijn checkpoints met gewapende soldaten. De vader wil zijn zoon Gaspar beschermen voor het noodlot dat hem te wachten staat. Zijn moeder stierf onder mysterieuze omstandigheden, misschien een ongeluk, maar misschien ook niet. Net als zijn vader is Gaspar voorbestemd om een medium te worden in het geheime genootschap De Orde. De oorsprong van de orde, geleid door de machtige familie van Gaspars moeder, dateert van vele eeuwen geleden, toen de ontdekking van De Duisternis vanuit het hart van Afrika naar Engeland reisde, en vervolgens in Argentinië terechtkwam. Het genootschap maakt door middel van gruwelijke rituelen contact met De Duisternis om het eeuwige leven te krijgen. Ons deel van de nacht is een duizelingwekkend en fantasierijk epos over vaders en zonen, liefde en vriendschap, ziekte en rituelen.

The first novel of a new space-opera sequence set in an all-new universe by the Hugo Award-winning, New York Times-bestselling author of Redshirts and Old Man's War. Our universe is ruled by physics and faster than light travel is not possible -- until the discovery of The Flow, an extra-dimensional field we can access at certain points in space-time that transport us to other worlds, around other stars. Humanity flows away from Earth, into space, and in time forgets our home world and creates a new empire, the Interdependency, whose ethos requires that no one human outpost can survive without the others. It’s a hedge against interstellar war -- and a system of control for the rulers of the empire. The Flow is eternal -- but it is not static. Just as a river changes course, The Flow changes as well, cutting off worlds from the rest of humanity. When it’s discovered that The Flow is moving, possibly cutting off all human worlds from faster than light travel forever, three individuals -- a scientist, a starship captain and the Empress of the Interdependency -- are in a race against time to discover what, if anything, can be salvaged from an interstellar empire on the brink of collapse.

When Jenny was first published in 1911, Undset found herself called immoral — “this is a side of the free, artistic life that the vast majority of citizens would rather not know.” The novel tells the story of Jenny Winge, a talented Norwegian painter who goes to Rome to seek artistic inspiration but ultimately betrays her own ambitions and ideals. After falling into an affair with the married father of a would-be suitor, Jenny has a baby out-of- wedlock and decides to raise the child on her own. Undset’ s portrayal of a woman struggling toward independence and fulfillment is written with an unflinching, clear-eyed honesty that renders her story as compelling today as it was nearly a century ago. This new translation by Tiina Nunnally captures the fresh, vivid style of Undset’s writing and restores passages omitted from the only previous edition to appear in English, which was published in 1921. Most famous for her later, historical fiction set in Catholic, medieval Scandinavia, Undset stands revealed with Jenny, her first major novel, as an unsparing, compassionate, magnificent realist, the creator of works that are at once thoroughly modern and of enduring interest.

The first novel of a new space-opera sequence set in an all-new universe by the Hugo Award-winning, New York Times-bestselling author of Redshirts and Old Man's War. Our universe is ruled by physics and faster than light travel is not possible -- until the discovery of The Flow, an extra-dimensional field we can access at certain points in space-time that transport us to other worlds, around other stars. Humanity flows away from Earth, into space, and in time forgets our home world and creates a new empire, the Interdependency, whose ethos requires that no one human outpost can survive without the others. It’s a hedge against interstellar war -- and a system of control for the rulers of the empire. The Flow is eternal -- but it is not static. Just as a river changes course, The Flow changes as well, cutting off worlds from the rest of humanity. When it’s discovered that The Flow is moving, possibly cutting off all human worlds from faster than light travel forever, three individuals -- a scientist, a starship captain and the Empress of the Interdependency -- are in a race against time to discover what, if anything, can be salvaged from an interstellar empire on the brink of collapse.

From her place in the store, Klara, an Artificial Friend with outstanding observational qualities, watches carefully the behavior of those who come in to browse, and of those who pass on the street outside. She remains hopeful that a customer will soon choose her, but when the possibility emerges that her circumstances may change forever, Klara is warned not to invest too much in the promises of humans. In Klara and the Sun, Kazuo Ishiguro looks at our rapidly changing modern world through the eyes of an unforgettable narrator to explore a fundamental question: what does it mean to love?

From her place in the store, Klara, an Artificial Friend with outstanding observational qualities, watches carefully the behavior of those who come in to browse, and of those who pass on the street outside. She remains hopeful that a customer will soon choose her, but when the possibility emerges that her circumstances may change forever, Klara is warned not to invest too much in the promises of humans. In Klara and the Sun, Kazuo Ishiguro looks at our rapidly changing modern world through the eyes of an unforgettable narrator to explore a fundamental question: what does it mean to love?

Say hello to Mike Lucifer, Spiritual Consultant. He’s back in town to take care of business. Unfortunately, when business is good, things must be very, very bad. After two years trying to run away from his past, Mike Lucifer’s back in his office less than ten minutes when a persistent young woman shows up asking for her boyfriend’s been possessed by a demon. That’s exactly the kind of mess that drove him from his hometown of Boston to a sunny beach—and the bottom of a bottle—in the first place. But there are some problems that even booze can’t drown, and while Lucifer may be no hero, his dwindling bank account provides a thousand reasons to take the case. No sooner is he back in the game then the complications and corpses start to add up. The boyfriend’s not possessed—he’s dead. The tech company where he worked is looking shadier by the second. And Lucifer’s client definitely knows more than she should…about everything. The deeper Lucifer digs, the more he wonders if whatever sinister entity lurks behind this case wants him to be the last to die…

Say hello to Mike Lucifer, Spiritual Consultant. He’s back in town to take care of business. Unfortunately, when business is good, things must be very, very bad. After two years trying to run away from his past, Mike Lucifer’s back in his office less than ten minutes when a persistent young woman shows up asking for her boyfriend’s been possessed by a demon. That’s exactly the kind of mess that drove him from his hometown of Boston to a sunny beach—and the bottom of a bottle—in the first place. But there are some problems that even booze can’t drown, and while Lucifer may be no hero, his dwindling bank account provides a thousand reasons to take the case. No sooner is he back in the game then the complications and corpses start to add up. The boyfriend’s not possessed—he’s dead. The tech company where he worked is looking shadier by the second. And Lucifer’s client definitely knows more than she should…about everything. The deeper Lucifer digs, the more he wonders if whatever sinister entity lurks behind this case wants him to be the last to die…

People say Beartown is finished. A tiny community nestled deep in the forest, it is slowly losing ground to the ever-encroaching trees. But down by the lake stands an old ice rink, built generations ago by the working men who founded town. And that rink is the reason people in Beartown believe tomorrow will be better than today. Their junior hockey team is about to compete in the national championships, and they actually have a shot at winning. All the hopes and dreams of the town now rest on the shoulders of a handful of teenage boys. A victory would send star player Kevin onto a brilliant professional future in the NHL. It would mean everything to Amat, a scrawny fifteen-year-old treated like an outcast everywhere but on the ice. And it would justify the choice that Peter, the team's general manager, and his wife, Kira, made to return to his hometown and raise their children in this beautiful but isolated place. Being responsible for the hopes of an entire town is a heavy burden, and the semifinal match is the catalyst for a violent act that leaves a young girl traumatized and a town in turmoil. Hers is a story no one wants to believe since the truth would mean the end of the dream. Accusations are made, and like ripples on a pond, they travel through all of Beartown, leaving no resident unaffected.

People say Beartown is finished. A tiny community nestled deep in the forest, it is slowly losing ground to the ever-encroaching trees. But down by the lake stands an old ice rink, built generations ago by the working men who founded town. And that rink is the reason people in Beartown believe tomorrow will be better than today. Their junior hockey team is about to compete in the national championships, and they actually have a shot at winning. All the hopes and dreams of the town now rest on the shoulders of a handful of teenage boys. A victory would send star player Kevin onto a brilliant professional future in the NHL. It would mean everything to Amat, a scrawny fifteen-year-old treated like an outcast everywhere but on the ice. And it would justify the choice that Peter, the team's general manager, and his wife, Kira, made to return to his hometown and raise their children in this beautiful but isolated place. Being responsible for the hopes of an entire town is a heavy burden, and the semifinal match is the catalyst for a violent act that leaves a young girl traumatized and a town in turmoil. Hers is a story no one wants to believe since the truth would mean the end of the dream. Accusations are made, and like ripples on a pond, they travel through all of Beartown, leaving no resident unaffected.

Humanity is struggling to hold out against a hostile takeover by an alien race that claims to be on a religious mission to bring all sentient life to its God at the End of Time. But while things may look grim in the immediate aftermath of the attack, mankind is busy playing an even longer game than the aliens may have expected. Will a strategy millennia in the making finally be enough to defeat this seemingly unstoppable enemy? And what secrets are the aliens truly hiding in their most deeply protected stronghold?With his trademark optimism about humanity's tenacity and capacity for greatness, Peter F. Hamilton ends this brilliant saga with a bang--and reveals a few startling surprises along the way.