Ryder, Garrett, Kenzo, and Diesel—The Vipers. They run this town and everyone in it. Their deals are as sordid as their business, and their reputation is enough to bring a grown man to his knees, forcing him to beg for mercy. They are not people you mess with, yet my dad did. The old man ran up a debt with them and then sold me to cover his losses. Yes, sold me. They own me now. I’m theirs in every sense of the word. But I’ve never been meek and compliant. These men, they look at me with longing. Their scarred, blood-stained hands holding me tight. They want everything I am, everything I have to give, and won’t stop until they get just that. They can own my body, but they will never have my heart. The Vipers? I’m going to make them regret the day they took me. This girl? She bites too. 18+ Reverse Harem Romance. Warning this book contains scenes and references of abuse/assault that some readers may find triggering. Along with graphic sex scenes and violence. This is a dark book.

I spent most of my life feeling dead inside -- until I met Peter Pan and the Lost Boys. It wasn't until Pan and Neverland that I finally felt alive. But things are not all full of magic and sunlight on the island. There's something darker and more sinister haunting the forest. And worse, the fae queen and Captain Hook are ready to fight for control of Neverland and they will stop at nothing to get what they want. Including using the one thing Pan never thought he wanted or needed -- me. I'm a descendant of the Darling family and now I belong to him and the Lost Boys. War is brewing -- can the Never King get his shadow back and assume his rightful throne? And if he does, where will I fit? Or will all of Neverland be in jeopardy right along with my dark, twisted heart? NOTE: The Dark One is book two in the Vicious Lost Boys series. It is a dark reimagining of Peter and Wendy. If you like your enemies to lovers romance with hot, ruthless, morally gray love interests, you’ll enjoy The Dark One and the Lost Boys. You can expect hate kissing, fighting, bickering, and ‘touch her and I’ll unalive you’ vibes. Please check the author's website for CWs.

The stories were all wrong — Hook was never the villain. For two centuries, all of the Darling women have disappeared on their 18th birthday. Sometimes they’re gone for only a day, some a week or a month. But they always return broken. Now, on the afternoon of my 18th birthday, my mother is running around the house making sure all the windows are barred and the doors locked. But it’s pointless. Because when night falls, he comes for me. And this time, the Never King and the Lost Boys aren’t willing to let me go. * Release Date is not final and will likely be much sooner. Target release date is March 2022 * The Never King is a dark retelling of Peter and Wendy. If you like your enemies to lovers romance with hot, ruthless, morally gray love interests, you’ll enjoy The Never King and the Lost Boys. You can expect hate kissing, fighting, bickering, and ‘touch her and I’ll unalive you’ vibes.

About three things I was absolutely positive. First, Edward was a vampire. Second, there was a part of him - and I didn't know how dominant that part might be - that thirsted for my blood. And third, I was unconditionally and irrevocably in love with him. Deeply seductive and extraordinarily suspenseful, Twilight is a love story with bite.

The stories were all wrong — Hook was never the villain. For two centuries, all of the Darling women have disappeared on their 18th birthday. Sometimes they’re gone for only a day, some a week or a month. But they always return broken. Now, on the afternoon of my 18th birthday, my mother is running around the house making sure all the windows are barred and the doors locked. But it’s pointless. Because when night falls, he comes for me. And this time, the Never King and the Lost Boys aren’t willing to let me go. * Release Date is not final and will likely be much sooner. Target release date is March 2022 * The Never King is a dark retelling of Peter and Wendy. If you like your enemies to lovers romance with hot, ruthless, morally gray love interests, you’ll enjoy The Never King and the Lost Boys. You can expect hate kissing, fighting, bickering, and ‘touch her and I’ll unalive you’ vibes.

The Secret: Everybody in Jessica's English class makes fun of Daphne. She never says a word to anyone -- just walks around with her nose in a book, with her long straggly hair hanging over her face. Now the worst thing has happened. The teacher has assigned Jessica to be partners with Daphne in the Write-A-Book contest! But being forced to work with the class "weirdo", Jessica gets an even bigger surprise. Not only does Daphne talk to her, but she tells Jessica a terrible secret...one that Jessica knows could be very dangerous to keep.

Travis and his sister, Corey, can t resist a good trick. When they learn that their grandmother's quiet Vermont inn, where they re spending the summer, has a history of ghost sightings, they decide to do a little haunting of their own. Before long, their supernatural pranks have tourists flocking to the inn, and business booms. But Travis and Corey soon find out that they aren't the only ghosts at Fox Hill Inn. Their thoughtless games have awakened something dangerous, something that should have stayed asleep. Restless, spiteful spirits swarm the inn, while a dark and terrifying presence stalks the halls and the old oak grove on the inn s grounds. Only Travis and Corey can lay to rest the ghosts they've stirred. This means discovering the secret of Fox Hill and the horrors visited on its inhabitants years before... Once again, Mary Downing Hahn has created a chilling and gripping ghost story in the tradition of The Old Willis Place, Witch Catcher, and Deep and Dark and Dangerous.

Cassie discovers that her stepfather, Rick, a teen psychiatrist, has been illegally prescribing a new behavioral drug to his patients— and three teens have died. Before she can report him, Rick commits Cassie to Peaceful Cove, a boot camp for troubled teens in Mexico. Cassie knows she has to get out now, before more teens die. But no one has ever escaped from Peaceful Cove alive, and even if Cassie gets over the walls and survives the Mexican desert, will anyone believe her story?

When newly widowed Elsie is sent to see out her pregnancy at her late husband's crumbling country estate, The Bridge, what greets her is far from the life of wealth and privilege she was expecting . . . When Elsie married handsome young heir Rupert Bainbridge, she believed she was destined for a life of luxury. But with her husband dead just weeks after their marriage, her new servants resentful, and the local villagers actively hostile, Elsie has only her husband's awkward cousin for company. Or so she thinks. Inside her new home lies a locked door, beyond which is a painted wooden figure —a silent companion —-that bears a striking resemblance to Elsie herself. The residents of The Bridge are terrified of the figure, but Elsie tries to shrug this off as simple superstition--that is, until she notices the figure's eyes following her. A Victorian ghost story that evokes a most unsettling kind of fear, this is a tale that creeps its way through the consciousness in ways you least expect--much like the silent companions themselves.

All children mythologize their birth...So begins the prologue of reclusive author Vida Winter's collection of stories, which are as famous for the mystery of the missing thirteenth tale as they are for the delight and enchantment of the twelve that do exist. The enigmatic Winter has spent six decades creating various outlandish life histories for herself -- all of them inventions that have brought her fame and fortune but have kept her violent and tragic past a secret. Now old and ailing, she at last wants to tell the truth about her extraordinary life. She summons biographer Margaret Lea, a young woman for whom the secret of her own birth, hidden by those who loved her most, remains an ever-present pain. Struck by a curious parallel between Miss Winter's story and her own, Margaret takes on the commission. As Vida disinters the life she meant to bury for good, Margaret is mesmerized. It is a tale of gothic strangeness featuring the Angelfield family, including the beautiful and willful Isabelle, the feral twins Adeline and Emmeline, a ghost, a governess, a topiary garden and a devastating fire. Margaret succumbs to the power of Vida's storytelling but remains suspicious of the author's sincerity. She demands the truth from Vida, and together they confront the ghosts that have haunted them while becoming, finally, transformed by the truth themselves. The Thirteenth Tale is a love letter to reading, a book for the feral reader in all of us, a return to that rich vein of storytelling that our parents loved and that we loved as children. Diane Setterfield will keep you guessing, make you wonder, move you to tears and laughter and, in the end, deposit you breathless yet satisfied back upon the shore of your everyday life.

You can find an alternative cover edition for this ISBN here and here. When Jonathan Harker visits Transylvania to help Count Dracula with the purchase of a London house, he makes a series of horrific discoveries about his client. Soon afterwards, various bizarre incidents unfold in England: an apparently unmanned ship is wrecked off the coast of Whitby; a young woman discovers strange puncture marks on her neck; and the inmate of a lunatic asylum raves about the 'Master' and his imminent arrival. In Dracula, Bram Stoker created one of the great masterpieces of the horror genre, brilliantly evoking a nightmare world of vampires and vampire hunters and also illuminating the dark corners of Victorian sexuality and desire. This Norton Critical Edition includes a rich selection of background and source materials in three areas: Contexts includes probable inspirations for Dracula in the earlier works of James Malcolm Rymer and Emily Gerard. Also included are a discussion of Stoker's working notes for the novel and "Dracula's Guest," the original opening chapter to Dracula. Reviews and Reactions reprints five early reviews of the novel. "Dramatic and Film Variations" focuses on theater and film adaptations of Dracula, two indications of the novel's unwavering appeal. David J. Skal, Gregory A. Waller, and Nina Auerbach offer their varied perspectives. Checklists of both dramatic and film adaptations are included. Criticism collects seven theoretical interpretations of Dracula by Phyllis A. Roth, Carol A. Senf, Franco Moretti, Christopher Craft, Bram Dijkstra, Stephen D. Arata, and Talia Schaffer. A Chronology and a Selected Bibliography are included.

And Now We Have Everything is O'Connell's exploration of transitioning into motherhood as a fledgling young adult. O'Connell addresses the pervasive imposter syndrome that comes with unplanned pregnancy, the second adolescence of a changing postpartum body, the problem of sex post-baby, the weird push to make "mom friends," and the fascinating strangeness of stepping into a new, not-yet-comfortable identity. O'Connell brings us into the delivery room rendering childbirth in all its feverish gore and glory, and shattering the fantasies of a "magical" or "natural" experience that warp our expectations and erode maternal self-esteem. And Now We Have Everything is an unflinchingly frank, funny, and intimate motherhood story for our times, about needing to have a baby in order to stop being one yourself.

In Monterey, on the California coast, Sweet Thursday is what they call the day after Lousy Wednesday, which is one of those days that are just naturally bad. Returning to the scene of Cannery Row, the weedy lots and junk heaps and flophouses of Monterey, John Steinbeck once more brings to life the denizens of a netherworld of laughter and tears from Fauna, new headmistress of the local brothel, to Hazel, a bum whose mother must have wanted a daughter.

Even though Ivan Goncharov wrote several books that were widely read and discussed during his lifetime, today he is remembered for one novel, Oblomov, published in 1859, an indisputable classic of Russian literature, the artistic stature and cultural significance of which may be compared only to other such masterpieces as Nikolai Gogol's Dead Souls, Leo Tolstoy's Anna Karenina, and Fyodor Dostoevsky's Brothers Karamazov. Stephen Pearl's new translation, the first major English-language publication of Oblomov in more than fifty years, succeeds exquisitely to introduce this astonishing and endearing novel to a new generation of readers.

A freak accident comes on the heels of a startling revelation—laying bare the foundation of a marriage, and a husband is left to grapple with the aftermath. A poetry professor at a small college in Asheville, NC, Asa Flowers, comes home one stormy evening to find his wife Betsy inexplicably distraught. As the evening goes on, the couple end up in a heated argument that sends Asa to sleep out in their garage apartment for the first time in twenty-five years of marriage. The next morning, he wakes to blue sky and an altered world. Unfolding over a few tense weeks and told from multiple points of view, this novel explores how a tragedy can assume as many shapes as the people it touches. Asa finds himself reckoning with torn feelings about his marriage and confusion about how to proceed in his complicated relationships with his adult children. As he gradually absorbs revelations—so much he didn't know or understand during his long marriage—he finds himself drawn uneasily toward a new world, one in which he must shed much of his old identity if he is to survive, and more important, rededicate himself to being a father.

In this incendiary mash-up of horror and suspense, a notorious slasher film is remade…and the curse that haunted it is reawakened. Arriving in L.A. to visit the set of a new streaming horror series, journalist Laura Warren witnesses a man jumping from a bridge, landing right behind her car. Here we go, she thinks. It’s started. Because the series she’s reporting on is a remake of a ’90s horror flick. A cursed ’90s horror flick, which she starred in as a child—and has been running from her whole life. In The Guesthouse, Laura played the little girl with the terrifying gift to tell people how the Needle Man would kill them. When eight of the cast and crew died in ways that eerily mirrored the movie’s on-screen deaths, the film became a cult classic—and ruined her life. Leaving it behind, Laura changed her name and her accent, dyed her hair, and moved across the Atlantic. But some scripts don’t want to stay buried. Now, as the body count rises again, Laura finds herself on the run with her aspiring actress sister and a jaded psychic, hoping to end the curse once and for all—and to stay out of the Needle Man’s lethal reach.