Samantha Heather Mackey couldn't be more of an outsider in her small, highly selective MFA program at New England's Warren University. A scholarship student who prefers the company of her dark imagination to that of most people, she is utterly repelled by the rest of her fiction writing cohort--a clique of unbearably twee rich girls who call each other "Bunny," and seem to move and speak as one. But everything changes when Samantha receives an invitation to the Bunnies' fabled "Smut Salon," and finds herself inexplicably drawn to their front door--ditching her only friend, Ava, in the process. As Samantha plunges deeper and deeper into the Bunnies' sinister yet saccharine world, beginning to take part in the ritualistic off-campus "Workshop" where they conjure their monstrous creations, the edges of reality begin to blur. Soon, her friendships with Ava and the Bunnies will be brought into deadly collision. The spellbinding new novel from one of our most fearless chroniclers of the female experience, Bunny is a down-the-rabbit-hole tale of loneliness and belonging, friendship and desire, and the fantastic and terrible power of the imagination.

Simon and Marie can't seem to have a baby. And so they flee the city for an idyllic village, where things will certainly be better. But the town is gloomy, even hostile -- things haven't been the same since the factory closed down and a broadcast antenna was erected. Now there are no birds singing, and people have started disappearing.

It is the story of four seekers who arrive at a notoriously unfriendly pile called Hill House: Dr. Montague, an occult scholar looking for solid evidence of a "haunting"; Theodora, the lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House. At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers—and soon it will choose one of them to make its own.

In the north of England, far from the intrusions of cities but not far from civilization, Silvie and her family are living as if they are ancient Britons, surviving by the tools and knowledge of the Iron Age. For two weeks, the length of her father's vacation, they join an anthropology course set to reenact life in simpler times. They are surrounded by forests of birch and rowan; they make stew from foraged roots and hunted rabbit. The students are fulfilling their coursework; Silvie's father is fulfilling his lifelong obsession. He has raised her on stories of early man, taken her to witness rare artifacts, recounted time and again their rituals and beliefs—particularly their sacrifices to the bog. Mixing with the students, Silvie begins to see, hear, and imagine another kind of life, one that might include going to university, traveling beyond England, choosing her own clothes and food, speaking her mind. The ancient Britons built ghost walls to ward off enemy invaders, rude barricades of stakes topped with ancestral skulls. When the group builds one of their own, they find a spiritual connection to the past. What comes next but human sacrifice? A story at once mythic and strikingly timely, Sarah Moss's Ghost Wall urges us to wonder how far we have come from the "primitive minds" of our ancestors.

Twenty-eight-year-old Nell has curated a perfect museum of the self: early accolades in her career as an archaeobotanist, a pastel Instagram filled with flowers, and a consistent manicure routine to give a veneer of control. But there has always been a part of her that doesn’t fit the mask of perfection she wears. When two ‘bog bodies’ are discovered in elaborate floral graves in a Somerset fen, Nell gets the opportunity of a lifetime to excavate and uncover their secrets. But the deeper she digs into the fertile, waterlogged mud, the more she uncovers repressed memories of her unsettled childhood and strained relationship with her sister… and the more her body manifests her own wildness in ways she can’t ignore. Under the pressure of a blazing summer, Nell whirlwinds into a heated but toxic romance, intense friendships, and the brutal process of reconciling her past and her future before the weight of it all buries her, too. Blending folkloric horror and an exploration of womanhood, against a background of eco-anxiety, Tender beautifully depicts the quiet violence of overcoming and accepting our darkest sides.

A mega best-seller in Sweden, with rights sold to over a dozen countries and a TV adaptation underway, Annika Norlin’s debut novel The Colony is the biggest Swedish literary phenomenon since Fredrik Backman’s A Man Called Ove.   Winner of the Vi Literature Award and Swedish Radio’s Novel Prize, two of Sweden’s biggest literary awards, The Colony is a gripping portrayal of contemporary society and its alternatives.  Burnt-out from a demanding job and a bustling life in the city, Emelie has left town to spend a few days in the country. Once there, in the peaceful, verdant hills, down by the river she encounters a mysterious group of seven people, each with personal stories full of pain, alienation, and the longing to live differently. They are misfits, each in their own way, and all led by the enigmatic and charismatic Sara.  How did they end up there? Are they content with the rigid roles they’ve been assigned? And what happens when an outsider appears and is initially drawn to their alternative lifestyle but cannot help but stir things up?  A masterful blend of humor, emotion, unforgettable characters, and sharp social commentary, The Colony is a magnetic and deeply touching story about love, community, and the unfathomable power we other others and that others have over us.