This is an alternate cover edition of ISBN 9780451529305. Generations of readers young and old, male and female, have fallen in love with the March sisters of Louisa May Alcott’s most popular and enduring novel, Little Women. Here are talented tomboy and author-to-be Jo, tragically frail Beth, beautiful Meg, and romantic, spoiled Amy, united in their devotion to each other and their struggles to survive in New England during the Civil War. It is no secret that Alcott based Little Women on her own early life. While her father, the freethinking reformer and abolitionist Bronson Alcott, hobnobbed with such eminent male authors as Emerson, Thoreau, and Hawthorne, Louisa supported herself and her sisters with "woman’s work,” including sewing, doing laundry, and acting as a domestic servant. But she soon discovered she could make more money writing. Little Women brought her lasting fame and fortune, and far from being the "girl’s book” her publisher requested, it explores such timeless themes as love and death, war and peace, the conflict between personal ambition and family responsibilities, and the clash of cultures between Europe and America.

THIS IS A LOVE STORY, TOLD BY EVERYONE BUT THE MAIN CHARACTERS. Clara and Seb are about to fall in love. They don't know it yet. But everybody else does.When Clara and Seb meet in a quiet corner of London, it's the start of something. She wants to be a director. He's an actor, unsure what he wants from life.Their connection is magnetic. Everyone can see that falling in love looks something like this. But when Clara casts Seb in the film that will make her name, what should be the happiest time of their lives ends with a gut-wrenching betrayal.Some love stories are bigger than just two people. This one is told through the eyes of friends, flatmates, exes and strangers who see all the sides of Seb and Clara, from their first date to the moment they fell apart. Everyone has their version of events. But only Clara and Seb can decide how their story ends...

THIS IS A LOVE STORY, TOLD BY EVERYONE BUT THE MAIN CHARACTERS. Clara and Seb are about to fall in love. They don't know it yet. But everybody else does.When Clara and Seb meet in a quiet corner of London, it's the start of something. She wants to be a director. He's an actor, unsure what he wants from life.Their connection is magnetic. Everyone can see that falling in love looks something like this. But when Clara casts Seb in the film that will make her name, what should be the happiest time of their lives ends with a gut-wrenching betrayal.Some love stories are bigger than just two people. This one is told through the eyes of friends, flatmates, exes and strangers who see all the sides of Seb and Clara, from their first date to the moment they fell apart. Everyone has their version of events. But only Clara and Seb can decide how their story ends...

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

A gorgeous memoir about the sudden end to a seemingly happy marriage—an aching, love-filled, and transcendent account of surviving betrayal and discovering joyOn a chilly day in early spring, Belle Burden’s husband of twenty years announced, with no prior warning, that he was leaving her. Belle was shocked; he had always been a committed partner and a devoted father to their three children. She thought they were in love. She thought he—they—were living the life they'd always professional success, summers at their beloved beachside home, a vibrant social life. But overnight, her caring, steady husband became a man she hardly recognized. He exited his life with her like an actor shrugging off a costume.In Strangers, Belle revisits her marriage, searching for clues that her husband was not who she always thought he was. As she examines her relationship through a new lens, she reckons with her own family history and the lessons she intuited about how a woman is expected to behave in the face of betrayal. Through all of it, she is transformed. The discreet, compliant woman she once was—someone whose nickname was “Belle the Good”—gives way to someone braver, someone determined to use her voice.With unflinching honesty and profound grace, Burden charts a path through heartbreak to show the power of a woman who refuses to give up on love and rediscovers trust in herself. Strangers is a stunning, deeply moving, compulsively readable memoir heralding the arrival of a thrilling new literary talent.

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

Beckett, If you’re reading this, well, you know the last-letter drill. You made it. I didn’t. Get off the guilt train, because I know if there was any chance you could have saved me, you would have. I need one thing from you: get out of the army and get to Telluride. My little sister Ella’s raising the twins alone. She’s too independent and won’t accept help easily, but she has lost our grandmother, our parents, and now me. It’s too much for anyone to endure. It’s not fair. And here’s the kicker: there’s something else you don’t know that’s tearing her family apart. She’s going to need help. So if I’m gone, that means I can’t be there for Ella. I can’t help them through this. But you can. So I’m begging you, as my best friend, go take care of my sister, my family. Please don’t make her go through it alone. Ryan