O romance trata de uma história de amor entre dois jovens: a pura e simples Úrsula e o nobre bacharel Tancredo, e, aparentemente, é uma clássica história de amor impossível. Maria Firmina dos Reis Ursula. A obra Úrsula, de Maria Firmina dos Reis, foi publicada em 1859. Foi a primeira mulher brasileira a ter um romance publicado. O livro é considerado pela maioria dos historiadores o primeiro romance abolicionista da literatura brasileira, e também, o primeiro romance da literatura afrobrasileira, isto é, uma obra produzida por uma autora afrodescendente.

From the award-winning author of The Twisted Ones comes a gripping and atmospheric retelling of Edgar Allan Poe's classic "The Fall of the House of Usher." When Alex Easton, a retired soldier, receives word that their childhood friend Madeline Usher is dying, they race to the ancestral home of the Ushers in the remote countryside of Ruravia. What they find there is a nightmare of fungal growths and possessed wildlife, surrounding a dark, pulsing lake. Madeline sleepwalks and speaks in strange voices at night, and her brother Roderick is consumed with a mysterious malady of the nerves. Aided by a redoubtable British mycologist and a baffled American doctor, Alex must unravel the secret of the House of Usher before it consumes them all.

The Dominican Republic’s famed Grand Paloma Resort is the paradise of dreams. Here, you can have it all, and the staff is always eager to please—that is, until they are pushed to the brink. Vida is a curandera, a local healer, who has been called to the resort to attend to a crisis. A young guest lies unconscious due to negligent resort childcare. Vida wants nothing to do with it, as she has her own unborn child to think about. Laura, a mid-level manager at the Grand Paloma Resort, is forced to call Vida for help. She’s made it this far through sheer hard work. Her brainchild, which pairs platinum guests with a resort employee to attend to their every need, has been wildly successful. She’s mere weeks away from a promotion that will blaze a path off the resort, to a life of freedom and opportunity. If only her little sister, Elena, could get with the program. Elena has tried her best to live up to her own ideals and her sister’s expectations; to escape the endless monotony of her life, she’s become increasingly dependent on pills and partying. As a babysitter at the resort, she’s at the mercy of guests who are only interested in having fun, cheating on each other, and getting a break from their screen-addicted kids. Now one of those kids is believed to be dead and it’s all her fault. At a local beachfront watering hole, Elena runs into the child’s father. High and clueless, he offers her an obscene amount of money to give him private time with two young local girls. Elena pockets the cash and prays she’s gotten the girls out of harm’s way—until they disappear. Over the course of seven days, The Grand Paloma Resort offers an unforgettable story of class, family, and community revolving around this cast of characters, that shows surviving paradise comes down to reckoning with long-held secrets and true acts of love.

The interwoven destinies of the people of Meridian will finally be determined in this stunning conclusion to New York Times bestselling author Rebecca Roanhorse’s Between Earth and Sky trilogy. Even the sea cannot stay calm before the storm. —Teek saying Serapio, avatar of the Crow God Reborn and the newly crowned Carrion King, rules Tova. But his enemies gather both on distant shores and within his own city as the matrons of the clans scheme to destroy him. And deep in the alleys of the Maw, a new prophecy is whispered, this one from the Coyote God. It promises Serapio certain doom if its terrible dictates are not fulfilled. Meanwhile, Xiala is thrust back amongst her people as war comes first to the island of Teek. With their way of life and their magic under threat, she is their last best hope. But the sea won’t talk to her the way it used to, and doubts riddle her mind. She will have to sacrifice the things that matter most to unleash her powers and become the queen they were promised. And in the far northern wastelands, Naranpa, avatar of the Sun God, seeks a way to save Tova from the visions of fire that engulf her dreams. But another presence has begun stalking her nightmares, and the Jaguar God is on the hunt. Nominated for the Nebula, Lambda, Locus, and Hugo Awards, winner of the Alex Award from the American Library Association and the Ignyte Award from Fiyah magazine, the Between the Earth and Sky trilogy is amongst our most lauded modern fantasy series from The New York Times, Los Angeles Times, and USA TODAY bestselling author Rebecca Roanhorse.

There are no tides more treacherous than those of the heart. —Teek saying The great city of Tova is shattered. The sun is held within the smothering grip of the Crow God’s eclipse, but a comet that marks the death of a ruler and heralds the rise of a new order is imminent. The Meridian: a land where magic has been codified and the worship of gods suppressed. How do you live when legends come to life, and the faith you had is rewarded? As sea captain Xiala is swept up in the chaos and currents of change, she finds an unexpected ally in the former Priest of Knives. For the Clan Matriarchs of Tova, tense alliances form as far-flung enemies gather and the war in the heavens is reflected upon the earth. And for Serapio and Naranpa, both now living avatars, the struggle for free will and personhood in the face of destiny rages. How will Serapio stay human when he is steeped in prophecy and surrounded by those who desire only his power? Is there a future for Naranpa in a transformed Tova without her total destruction? Welcome back to the fantasy series of the decade in Fevered Star—book two of Between Earth and Sky from one of the “Indigenous novelists reshaping North American science fiction, horror, and fantasy” (The New York Times) and the “epic voice of our continent and time” (Ken Liu, award-winning author of The Grace of Kings).

The first book in the Between Earth and Sky trilogy, inspired by the civilizations of the Pre-Columbian Americas and woven into a tale of celestial prophecies, political intrigue, and forbidden magic. A god will return When the earth and sky converge Under the black sun In the holy city of Tova, the winter solstice is usually a time for celebration and renewal, but this year it coincides with a solar eclipse, a rare celestial event proscribed by the Sun Priest as an unbalancing of the world. Meanwhile, a ship launches from a distant city bound for Tova and set to arrive on the solstice. The captain of the ship, Xiala, is a disgraced Teek whose song can calm the waters around her as easily as it can warp a man’s mind. Her ship carries one passenger. Described as harmless, the passenger, Serapio, is a young man, blind, scarred, and cloaked in destiny. As Xiala well knows, when a man is described as harmless, he usually ends up being a villain. Crafted with unforgettable characters, Rebecca Roanhorse has created a “brilliant world that shows the full panoply of human grace and depravity” (Ken Liu, award-winning author of The Grace of Kings). This epic adventure explores the decadence of power amidst the weight of history and the struggle of individuals swimming against the confines of society and their broken pasts in this “absolutely tremendous” (S.A. Chakraborty, nationally bestselling author of The City of Brass) and most original series debut of the decade.

When you’re a woman smack in so-called “middle age” you are not promised anything at all other than that everything will get worse. But what if everything you’ve been told is a lie. Come to Paris, August 2021, when the City of Lights was still empty of tourists, and a thirst for long overdue pleasure gripped those who wandered its streets. After New York City emptied out in March 2020, Glynnis MacNicol, aged 46, unmarried with no children, spent 16 months alone in her tiny Manhattan apartment. The isolation was punishing. A year without touch. Women are warned of invisibility as they age, but this was an extreme loneliness no one can prepare you for. When the opportunity to sublet a friend’s apartment in Paris arose, MacNicol jumped on it. Leaving felt like less of a risk than a necessity. What follows is a decadent, unexpected journey into one woman’s pursuit of radical enjoyment. The weeks in Paris are filled with friendship and food and sex. There is dancing on the Seine; a plethora of gooey cheese; midnight bike rides through empty Paris; handsome men; afternoons wandering through the empty Louvre; nighttime swimming in the ocean off a French island. And yes, plenty of nudity. In the spirit of Deborah Levy and Annie Ernaux, I’m Mostly Here to Enjoy Myself is an intimate, insightful, powerful, and endlessly pleasurable memoir of an intensely lived experience whose meaning and insight expands far beyond the personal narrative. MacNicol is determined to document the beauty, excess, and triumph of a life that does not require permission. The pursuit of enjoyment is a political act, both a right and a responsibility. Enjoying yourself—as you are—is not something the world tells you is possible, but it is. Here’s the proof.

Edgar Award Finalist: The “sensational” true story of two desperate housewives and the killing that shocked a Texas community (Los Angeles Times Book Review). Candy Montgomery and Betty Gore had a lot in common: They sang together in the Methodist church choir, their daughters were best friends, and their husbands had good jobs working for technology companies in the north Dallas suburbs known as Silicon Prairie. But beneath the placid surface of their seemingly perfect lives, both women simmered with unspoken frustrations and unanswered desires.   On a hot summer day in 1980, the secret passions and jealousies that linked Candy and Betty exploded into murderous rage. What happened next is usually the stuff of fiction. But the bizarre and terrible act of violence that occurred in Betty’s utility room that morning was all too real.   Based on exclusive interviews with the Gore and Montgomery families, Evidence of Love is the “superbly written” account of a gruesome tragedy and the trial that made national headlines when the defendant entered the most unexpected of pleas: not guilty by reason of self-defense (Fort Worth Star-Telegram).   Adapted into the Emmy and Golden Globe Award–winning television movie A Killing in a Small Town, this chilling tale of sin and savagery will “fascinate true crime aficionados” (Kirkus Reviews).    

The near-distant future. Millions of kilometres from Earth. The crew of the Six-Thousand Ship consists of those who were born, and those who were made. Those who will die, and those who will not. When the ship takes on a number of strange objects from the planet New Discovery, the crew is perplexed to find itself becoming deeply attached to them, and human and humanoid employees alike start aching for the same things: warmth and intimacy. Loved ones who have passed. Shopping and child-rearing. Our shared, far-away Earth, which now only persists in memory. Gradually, the crew members come to see their work in a new light, and each employee is compelled to ask themselves whether they can carry on as before and what it means to be truly living. Structured as a series of witness statements compiled by a workplace commission, Ravn's crackling prose is as chilling as it is moving, as exhilarating as it is foreboding. Wracked by all kinds of longing, The Employees probes into what it means to be human, emotionally and ontologically, while simultaneously delivering an overdue critique of a life governed by work and the logic of productivity.

Renowned not only as the best concise introduction to art history, but also as a classic of art historical literature, this book reflects the vast knowledge, insights, and expertise of one of this century's greatest art historians and thinkers. Extensively illustrated, it treats the history of art -- both chronologically and geographically -- as a continuous unfolding story. Offers a vivid, enthusiastic, and interpretive narrative written in direct, straightforward language with technical terms always explained when they are introduced. KEY TOPICS: Focuses on the most significant works of Western art. Considers each work of art in its context: shows how art reflects the historical setting, the artist's intentions, and the values of that civilization, and how each artist built upon, or sometimes reacted against, the style of his/her predecessors. Contains chronological charts, maps, and notes on art books. Illustrates all works that are discussed. Features a new design with each illustration appearing on the same spread as the narrative that discusses it.

Em Olhos d’água Conceição Evaristo ajusta o foco de seu interesse na população afro-brasileira abordando, sem meias palavras, a pobreza e a violência urbana que a acometem. Sem sentimentalismos, mas sempre incorporando a tessitura poética à ficção, seus contos apresentam uma significativa galeria de mulheres: Ana Davenga, a mendiga Duzu-Querença, Natalina, Luamanda, Cida, a menina Zaíta. Ou serão todas a mesma mulher, captada e recriada no caleidoscópio da literatura em variados instantâneos da vida?Elas diferem em idade e em conjunturas de experiências, mas compartilham da mesma vida de ferro, equilibrando-se na “frágil vara” que, lemos no conto “O Cooper de Cida”, é a “corda bamba do tempo”. Em Olhos d’água estão presentes mães, muitas mães. E também filhas, avós, amantes, homens e mulheres – todos evocados em seus vínculos e dilemas sociais, sexuais, existenciais, numa pluralidade e vulnerabilidade que constituem a humana condição. Sem quaisquer idealizações, são aqui recriadas com firmeza e talento as duras condições enfrentadas pela comunidade afro-brasileira. (fonte: Editora Pallas)