Manufactured Insecurity  is the first book of its kind to provide an in-depth investigation of the social, legal, geospatial, and market forces that intersect to create housing insecurity for an entire class of low-income residents. Drawing on rich ethnographic data collected before, during, and after mobile home park closures and community-wide evictions in Florida and Texas—the two states with the largest mobile home populations— Manufactured Insecurity forces social scientists and policymakers to respond to a fundamental question: how do the poor access and retain secure housing in the face of widespread poverty, deepening inequality, and scarce legal protection? With important contributions to urban sociology, housing studies, planning, and public policy, the book provides a broader understanding of inequality and social welfare in the United States today.

In this taut Southern family drama, the sins of a favorite son rock a small Mississippi town.Reverend Sabre Winfrey, shepherd of the Seven Seals Baptist Church, believes in God, his own privilege, and enterprise. Besides the barbershop and radio station he owns, he has an iron hand on every aspect of Dominion, Mississippi, society. He and his wife, Priscilla, have five boys; the youngest, Emanuel, is called Wonderboy—no one sings prettier, runs as fast, or turns as many heads. After a surprising encounter with a stranger, Wonderboy finds himself confronted by questions he’d never imagined, and his response will send shockwaves through the entire community. Told from the point of view of the women who love these two men, Dominion illustrates how we enable the everyday violence and casual sins of the patriarchy. A Black Southern family drama that deals as much in tenderness and humor as it does in brutality, Addie Citchens’s Dominion reveals the many sinister ways in which we are shaped by fear and patriarchy.

From the Booker Prize finalist author of The Island of Missing Trees, an enchanting new tale about three characters living along two rivers, all under the shadow of one of the greatest epic poems of all time. “Make place for Elif Shafak on your bookshelf… you won’t regret it.” (Arundhati Roy) In the ancient city of Nineveh, on the bank of the River Tigris, King Ashurbanipal of Mesopotamia, erudite but ruthless, built a great library that would crumble with the end of his reign. From its ruins, however, emerged a poem, the Epic of Gilgamesh, that would infuse the existence of two rivers and bind together three lives. In 1840 London, Arthur is born beside the stinking, sewage-filled River Thames. With an abusive, alcoholic father and a mentally ill mother, Arthur’s only chance of escaping destitution is his brilliant memory. When his gift earns him a spot as an apprentice at a leading publisher, Arthur’s world opens up far beyond the slums, and one book in particular catches his interest: Nineveh and Its Remains. In 2014 Turkey, Narin, a ten-year-old Yazidi girl, is diagnosed with a rare disorder that will soon cause her to go deaf. Before that happens, her grandmother is determined to baptize her in a sacred Iraqi temple. But with the rising presence of ISIS and the destruction of the family’s ancestral lands along the Tigris, Narin is running out of time. In 2018 London, the newly divorced Zaleekah, a hydrologist, moves into a houseboat on the Thames to escape her husband. Orphaned and raised by her wealthy uncle, Zaleekah had made the decision to take her own life in one month, until a curious book about her homeland changes everything. A dazzling feat of storytelling, There Are Rivers in the Sky entwines these outsiders with a single drop of water, a drop which remanifests across the centuries. Both a source of life and harbinger of death, rivers—the Tigris and the Thames—transcend history, transcend fate: “Water remembers. It is humans who forget.”

For fans of Jia Tolentino and Amanda Montell, a probing and lively exploration of the unlikely dwellings we regard on reality TV — and what they say about American history, modern life, and the architecture of our desires.People like reality TV. There’s been a lot written about the cult of celebrity, how this "reality" angle draws us in through a mix of voyeurism and relatability. But when we look at the houses on these shows, what are we seeing? Predominantly, multi-million-dollar single-family homes in areas that forcibly removed minority groups and mimic the style of a whitewashed age. Why do we watch and covet these conservative homes, while professing to want lives unbound by heteronormative patriarchy and outside of suburban fantasia? Jack posits two main that our relationships with these shows (and social media) have conflated our physical dwellings with the spaces projected onto and projected out from our screens to create a ‘physical-digital hybrid home’ that we see as representative of our actual home; and that what we actually covet when we covet these houses is safety and security, not the specifics of the styles being sold. Dream Facades focuses on seven reality TV Selling Sunset; The Kardashians; The Real World; The Bachelor; Trading Spaces; The Real Housewives of Atlanta; and Fire Island, and their specific associated architectural style. Morley takes us through reality TV’s labyrinthine properties to illuminate what makes us covet these spaces and devour these shows, and what that says about America, ourselves, and the future of design.

A charming, deeply moving novel about second chances, unlikely friendships, and the life-changing power of sharing stories. Our Reasons meet us in the morning and whisper to us at night. Mine is an innocent, unsuspecting, eternally sixty-one-year-old woman named Lorraine Daigle… Violet Powell, a twenty-two-year-old from rural Abbott Falls, Maine, is being released from prison after serving twenty-two months for a drunk-driving crash that killed a local kindergarten teacher. Harriet Larson, a retired English teacher who runs the prison book club, is facing the unsettling prospect of an empty nest. Frank Daigle, a retired machinist, hasn’t yet come to grips with the complications of his marriage to the woman Violet killed. When the three encounter each other one morning in a bookstore in Portland—Violet to buy the novel she was reading in the prison book club before her release, Harriet to choose the next title for the women who remain, and Frank to dispatch his duties as the store handyman—their lives begin to intersect in transformative ways. How to Read a Book  is an unsparingly honest and profoundly hopeful story about letting go of guilt, seizing second chances, and the power of books to change our lives. With the heart, wit, grace, and depth of understanding that has characterized her work, Monica Wood illuminates the decisions that define a life and the kindnesses that make life worth living.  .