Bring positive change to your life with #1 New York Times bestselling author Marianne Williamson – preorder her latest, The Mystic Jesus, picking up where A Return to Love left off In this stirring call to arms, the activist, spiritual leader, and New York Times bestselling author of the classic A Return to Love confronts the cancerous politics of fear and divisiveness threatening the United States today, urging all spiritually aware Americans to return to—and act out of—our deepest love. America’s story is one of great social achievement. From the Abolitionists who fought to outlaw slavery, to the Suffragettes who championed women’s right to vote, to the Civil Rights proponents who battled segregation and institutionalized white supremacy, to the proponents of the women’s movement and gay rights seeking equality for all, citizens for generations have risen up to fulfill the promise of our nation. Over the course of America’s history, these activists have both embodied and enacted the nation’s deepest values. Today, America once again is in turmoil. A spiritual cancer of fear threatens to undo the progress we have achieved. Discord and hatred are dissolving our communal bonds and undermining the spirit of social responsibility—the duty we feel toward one another. In this powerful spiritual manifesto, Marianne Williamson offers a tonic for this cultural malignancy. She urges us to imitate the heroes of our past and live out our deepest spiritual where some have sown hatred, let us now sow love. Williamson argues that we must do more than respond to external political issues. We must address the deeper, internal causes that have led to this current dysfunction. We need a new, whole-person politics of love that stems not just from the head but from the heart, not just from intellectual understanding but from a genuine affection for one another. By committing to love, we will make a meaningful contribution to the joyful, fierce and disruptive energies that are rising at this critical point in time. In the words of Abraham Lincoln, "we must think anew, and act anew . . . and then we shall save our country."

The work of love is a feminist problem, and it demands feminist solutions Comforting a family member or friend, soothing children, providing company for the elderly, ensuring that people feel well enough to work; this is all essential labour. Without it, capitalism would cease to function. They Call It Love investigates the work that makes a haven in a heartless world, examining who performs this labor, how it is organised, and how it might change. In this groundbreaking book, Alva Gotby calls this work “emotional reproduction,” unveiling its inherently political nature. It not only ensures people’s well-being but creates sentimental attachments to social hierarchy and the status quo. Drawing on the thought of the feminist movement Wages for Housework, Gotby demonstrates that emotion is a key element of capitalist reproduction. To improve the way we relate to one another will require a radical restructuring of society.

Music is magic in this novel set in a fantastical version of New Orleans where a battle for the city's soul brews between two young mages, a vengeful wraith, and one powerful song. Nola is a city full of wonders. A place of sky trolleys and dead cabs, where haints dance the night away and Wise Women help keep the order. To those from Away, Nola might seem strange. To Perilous Graves, it’s simply home. In a world of everyday miracles, Perry might not have a talent for magic, but he does know Nola’s rhythm as intimately as his own heartbeat. So when the city’s Great Magician starts appearing in odd places and essential songs are forgotten, Perry realizes trouble is afoot. Nine songs of power have escaped from the piano that maintains the city’s beat, and without them, Nola will fail. Unwilling to watch his home be destroyed, Perry will sacrifice everything to save it. But a storm is brewing, and the Haint of All Haints is awake. Nola’s time might be coming to an end.

We can’t choose what we inherit. But can we choose who we become? In present-day California, Eleanor Bennett’s death leaves behind a puzzling inheritance for her two children, Byron and Benny: a black cake, made from a family recipe with a long history, and a voice recording. In her message, Eleanor shares a tumultuous story about a headstrong young swimmer who escapes her island home under suspicion of murder. The heartbreaking tale Eleanor unfolds, the secrets she still holds back, and the mystery of a long-lost child challenge everything the siblings thought they knew about their lineage and themselves. Can Byron and Benny reclaim their once-close relationship, piece together Eleanor’s true history, and fulfill her final request to “share the black cake when the time is right”? Will their mother’s revelations bring them back together or leave them feeling more lost than ever? Charmaine Wilkerson’s debut novel is a story of how the inheritance of betrayals, secrets, memories, and even names can shape relationships and history. Deeply evocative and beautifully written, Black Cake is an extraordinary journey through the life of a family changed forever by the choices of its matriarch.

Tara Selter, the heroine of On the Calculation of Volume, has involuntarily stepped off the train of time: in her world, November eighteenth repeats itself endlessly. We meet Tara on her 122nd November 18th: she no longer experiences the changes of days, weeks, months, or seasons. She finds herself in a lonely new reality without being able to explain why: how is it that she wakes every morning into the same day, knowing to the exact second when the blackbird will burst into song and when the rain will begin? Will she ever be able to share her new life with her beloved and now chronically befuddled husband? And on top of her profound isolation and confusion, Tara takes in with pain how slight a difference she makes in the world. (As she puts it: “That’s how little the activities of one person matter on the eighteenth of November.”) Balle is hypnotic and masterful in her remixing of the endless recursive day, creating curious little folds of time and foreshadowings: her flashbacks light up inside the text like old flash bulbs. The first volume’s gravitational pull―a force inverse to its constriction―has the effect of a strong tranquilizer, but a drug under which your powers of observation only grow sharper and more acute. Give in to the book's logic (its minute movements, its thrilling shifts, its slant wit, its slowing of time) and its spell is utterly intoxicating. Solvej Balle’s seven-volume novel wrings enthralling and magical new dimensions from time and its hapless, mortal subjects. As one Danish reviewer beautifully put it, Balle’s fiction consists of writing that listens. “Reading her is like being caressed by language itself.”

2014: A great poem is read aloud and never heard again. For generations, people speculate about its message, but no copy has yet been found. 2119: The lowlands of the UK have been submerged by rising seas. Those who survive are haunted by the richness of the world that has been lost.Tom Metcalfe, an academic at the University of the South Downs, part of Britain’s remaining island archipelagos, pores over the archives of that distant era, captivated by the freedoms and possibilities of human life at its zenith. When he stumbles across a clue that may lead to the lost poem, a story is revealed of entangled loves and a crime that destroy his assumptions about people he thought he knew intimately well.What We Can Know is a masterpiece, a fictional tour de force that reclaims the present from our sense of looming catastrophe, and imagines a future world where all is not quite lost.

Kinga is a woman who is just trying to make it through the week. To move things along, there's a Kinga for every day: on Mondays, you can catch Kinga A deleting food delivery apps and urging the others to get their stamina up, while Kinga E is happy to spend Fridays soaking, wine-drunk, in the bath until her toes prune. Kingas A-G, perhaps unsurprisingly, live a varied life - between them is a professional matchmaker, a scent-crazed perfumer and a window cleaner, all with varying degrees of apathy, anger, introversion and bossiness. At least three of them are Team Toxic. It's an arrangement that's not without its fair share of admin, grudges and half-truths. But when Kinga A discovers a man tied up in their apartment - a man none of them have confessed to knowing - the Kingas have to reckon with the possibility that one of them might be planning to destroy them all.

Frances Ha meets No One Is Talking About This in a debut that follows two twenty-something siblings-turned-roommates navigating an absurd world about to suffer great change—a Seinfeldian novel of existentialism and sisterhood. It’s March of 2019, and twenty-eight-year-old Jules Gold—anxious, artistically frustrated, and internet-obsessed—has been living alone in the apartment she once shared with the man she thought she’d marry when her younger sister Poppy comes to crash. Indefinitely. Poppy is a year out from a suicide attempt only Jules knows about, and as she searches for work and meaning in Brooklyn, Jules spends her days hate-scrolling the feeds of Mormon mommy bloggers and waiting for life to happen. Then the hives that’ve plagued Poppy since childhood flare up. Jules’s uterus turns against her. Poppy brings home a maladjusted rescue dog named Amy Klobuchar. The girls’ mother—a newly devout Messianic Jew—starts falling for the same deep-state conspiracy theories as Jules’s online mommies. A trip home to Florida ends in disaster. Amy Klobuchar may or may not have rabies. And Jules struggles halfheartedly to scrape her way to the source of her ennui, slowly and cruelly coming to blame Poppy for her own insufficiencies as a friend, a writer, and a sister. As the year shambles on and a new decade looms near, Jules and Poppy—comrades, competitors, permanent fixtures in each other’s lives—must ask themselves what they want their futures to look like, and whether they’ll spend them together or apart. Deadpan, dark, and brutally funny, Worry is a sharp portrait of two sisters enduring a dread-filled American moment from a nervy new voice in contemporary fiction.

They have names like Barmy Bernie, Daft Donald, and Steamin' Sammy. They like lager (in huge quantities), the Queen, football clubs (especially Manchester United), and themselves. Their dislike encompasses the rest of the known universe, and England's soccer thugs express it in ways that range from mere vandalism to riots that terrorize entire cities. Now Bill Buford, editor of the prestigious journal Granta, enters this alternate society and records both its savageries and its sinister allure with the social imagination of a George Orwell and the raw personal engagement of a Hunter Thompson.

The #1 New York Times bestselling series finale and sequel to A Discovery of Witches and Shadow of Night Bringing the magic and suspense of the All Souls Trilogy to a deeply satisfying conclusion, this highly anticipated finale went straight to #1 on the New York Times bestseller list. In The Book of Life, Diana and Matthew time-travel back from Elizabethan London to make a dramatic return to the present—facing new crises and old enemies. At Matthew’s ancestral home, Sept-Tours, they reunite with the beloved cast of characters from A Discovery of Witches—with one significant exception. But the real threat to their future has yet to be revealed, and when it is, the search for Ashmole 782 and its missing pages takes on even more urgency.