Alternate cover edition of ISBN 9781538742570. Every day I clean the Winchesters’ beautiful house top to bottom. I collect their daughter from school. And I cook a delicious meal for the whole family before heading up to eat alone in my tiny room on the top floor. I try to ignore how Nina makes a mess just to watch me clean it up. How she tells strange lies about her own daughter. And how her husband Andrew seems more broken every day. But as I look into Andrew’s handsome brown eyes, so full of pain, it’s hard not to imagine what it would be like to live Nina’s life. The walk-in closet, the fancy car, the perfect husband. I only try on one of Nina’s pristine white dresses once. Just to see what it’s like. But she soon finds out… and by the time I realize my attic bedroom door only locks from the outside, it’s far too late. But I reassure myself: the Winchesters don’t know who I really am. They don’t know what I’m capable of…

All Reyna and Kianthe want is to open a bookshop that serves tea. Worn wooden floors, plants on every table, firelight drifting between the rafters… all complemented by love and good company. Thing is, Reyna works as one of the Queen’s private guards, and Kianthe is the most powerful mage in existence. Leaving their lives isn’t so easy. But after an assassin takes Reyna hostage, she decides she’s thoroughly done risking her life for a self-centered queen. Meanwhile, Kianthe has been waiting for a chance to flee responsibility–all the better that her girlfriend is on board. Together, they settle in Tawney, a town that boasts more dragons than people, and open the shop of their dreams. What follows is a cozy tale of mishaps, mysteries, and a murderous queen throwing the realm’s biggest temper tantrum. In a story brimming with hurt/comfort and quiet fireside conversations, these two women will discover just what they mean to each other… and the world.

A literary horror debut about a boy who transforms into a monster, a monster who tries to be a man, and the people who love him in every form he takes Grieving mother Magos cuts out a piece of her deceased eleven-year-old son Santiago’s lung. Acting on fierce maternal instinct and the dubious logic of an old folktale, she nurtures the lung until it gains sentience, growing into the carnivorous little Monstrilio she keeps hidden within the walls of her family’s decaying Mexico City estate. Eventually, Monstrilio begins to resemble the Santiago he once was, but his innate impulses—though curbed by his biological and chosen family’s communal care—threaten to destroy this fragile second chance at life. A thought-provoking meditation on grief, acceptance, and the monstrous sides of love and loyalty, Gerardo Sámano Córdova blends bold imagination and evocative prose with deep emotional rigor. Told in four acts that span the globe from Brooklyn to Berlin, Monstrilio offers, with uncanny clarity, a cathartic and precise portrait of being human.

You, dear reader, continue at your own risk. It is not for the faint of heart—no more so than the study of dragons itself. But such study offers rewards beyond compare: to stand in a dragon's presence, even for the briefest of moments—even at the risk of one's life—is a delight that, once experienced, can never be forgotten. . . . All the world, from Scirland to the farthest reaches of Eriga, know Isabella, Lady Trent, to be the world's preeminent dragon naturalist. She is the remarkable woman who brought the study of dragons out of the misty shadows of myth and misunderstanding into the clear light of modern science. But before she became the illustrious figure we know today, there was a bookish young woman whose passion for learning, natural history, and, yes, dragons defied the stifling conventions of her day. Here at last, in her own words, is the true story of a pioneering spirit who risked her reputation, her prospects, and her fragile flesh and bone to satisfy her scientific curiosity; of how she sought true love and happiness despite her lamentable eccentricities; and of her thrilling expedition to the perilous mountains of Vystrana, where she made the first of many historic discoveries that would change the world forever.

A grim and gothic new tale from author Alix E. Harrow about a small town haunted by secrets that can't stay buried and the sinister house that sits at the crossroads of it all. Eden, Kentucky, is just another dying, bad-luck town, known only for the legend of E. Starling, the reclusive nineteenth-century author and illustrator who wrote The Underland--and disappeared. Before she vanished, Starling House appeared. But everyone agrees that it’s best to let the uncanny house―and its last lonely heir, Arthur Starling―go to rot. Opal knows better than to mess with haunted houses or brooding men, but an unexpected job offer might be a chance to get her brother out of Eden. Too quickly, though, Starling House starts to feel dangerously like something she’s never had: a home. As sinister forces converge on Starling House, Opal and Arthur are going to have to make a dire choice to dig up the buried secrets of the past and confront their own fears, or let Eden be taken over by literal nightmares. If Opal wants a home, she’ll have to fight for it.

An intimate memoir about the importance of community and care in a world that can feel impossibly broken—and a story about accidentally going viral while tending to a colony of feral cats.When Courtney Gustafson moved into a rental house in the Poets Square neighborhood of Tucson, Arizona, she didn’t know that the property came with thirty feral cats. Focused only on her own survival—in a new relationship, during a pandemic, with poor mental health and a job that didn’t pay enough—Courtney was reluctant to spend any of her own time or money caring for the wayward animals.But the cats—their pleading eyes, their ribs showing, the new kittens born in the driveway—didn’t give her a choice.She had no idea about the grief and hardship of animal rescue, the staggering size of the problem in neighborhoods across the country. And she couldn’t have imagined how that struggle—toward an ethics of care, of individuals trying their best amid spectacularly failing systems—would help pierce a personal darkness she’d wrestled with for much of her life. She also didn’t expect that the TikTok and Instagram accounts she created to share the quirky personalities of the wild but lovable cats, like Monkey, Goldie, Francois, and Sad Boy, would end up saving her home.Courtney writes toward a vision of connectedness, showing how taking care of the cats reshaped her understanding of empathy, resilience, and the healing power of wholly showing up for something outside yourself. She takes us from the dark alleys where she feeds feral cats to inside the tragically neglected homes where she climbs over piles of trash, and occasionally animals, and then into her own driveway with the cats she loves and must sometimes let go. Compelling and tender, Poets Square is as much about cats as it is about the urgency of care, community, and a little bit of dumb hope.

A gothic feminist body horror in two timelines revolving around three Anatomical Venuses—ultrarealistic wax figures of women—that come to life at night to murder men who have wronged themSeoul, present day. Antiques dealer Alys’s task is nearly complete. She has at last secured Elizabeth, the third and final Anatomical Venus. Crafted in eighteenth-century London and modeled after real-life sex workers to entice male medical students, these eerie wax figures, known as slashed beauties, carry unsavory lore. Legend has it that the figures are bewitched, and come to life at night to murder men who have wronged them. Now Alys embarks for England, where she knows what she must sever her cursed connection to the Venuses once and for all.London, 1763. Abandoned and penniless in Covent Garden, wide-eyed Eleanor and another young woman, Emily, are taken under the wing of beautiful and beguiling Elizabeth, one of the city’s most highly desired courtesans among the rich and powerful. But as Eleanor is seduced deeper into a web of money, materialism, and men, it seems that Elizabeth may not be the savior she appears to be.As the timelines begin to intersect, it becomes clear that the women’s stories are linked in deeper, darker ways than it initially seems. And that the only method for Alys to end the witchcraft that binds her legacy is to gather all three models in one place and destroy them.However, these haunted, murderous dolls might not be ready to burn.