Nesta Archeron has always been prickly-proud, swift to anger, and slow to forgive. And ever since being forced into the Cauldron and becoming High Fae against her will, she's struggled to find a place for herself within the strange, deadly world she inhabits. Worse, she can't seem to move past the horrors of the war with Hybern and all she lost in it. The one person who ignites her temper more than any other is Cassian, the battle-scarred warrior whose position in Rhysand and Feyre's Night Court keeps him constantly in Nesta's orbit. But her temper isn't the only thing Cassian ignites. The fire between them is undeniable, and only burns hotter as they are forced into close quarters with each other. Meanwhile, the treacherous human queens who returned to the Continent during the last war have forged a dangerous new alliance, threatening the fragile peace that has settled over the realms. And the key to halting them might very well rely on Cassian and Nesta facing their haunting pasts. Against the sweeping backdrop of a world seared by war and plagued with uncertainty, Nesta and Cassian battle monsters from within and without as they search for acceptance-and healing-in each other's arms.

Art, power, desire, and illusion collide in a hypnotic new novel from Olivia Laing, set in the months leading up to the murder of Pier Paolo Pasolini in 1975. It is September 1974. Two men meet in Venice. One is a young English artist, in panicked flight from London. The other is Danilo Donati, the magician of Italian cinema, the illusionist responsible for realizing the spectacular visions of Fellini and Pasolini. Donati is in Venice to produce sketches for Fellini’s Casanova. A young apprentice is just what he needs.He brings Nicholas back to Rome and introduces him to the looking-glass world of Cinecittà, the studio where Casanova’s Venice will be ingeniously assembled. In the spring, the lovers move together to the set of Salò, Pasolini’s horrifying fable of fascism.But Nicholas has a secret, and in this world of constant illusion, his real nature passes unseen. Amid the rising tensions of Italy’s “Years of Lead,” he acts as an accelerant, setting in motion a tragedy he didn’t intend.Olivia Laing’s The Silver Book is at once a queer love story and a noir-ish thriller, set in the dream factory of cinema. It is a fictional account of real things, and an investigation into the difficult relationship between artifice and truth, illusion and reality, love and power.

A tender addition to the Court of Thorns and Roses series by Sarah J. Maas, bridging the events of A Court of Wings and Ruin and upcoming books. Feyre, Rhysand, and their friends are still busy rebuilding the Night Court and the vastly altered world beyond, recovering from the war that changed everything. But Winter Solstice is finally approaching, and with it, the joy of a hard-earned reprieve. Yet even the festive atmosphere can't keep the shadows of the past from looming. As Feyre navigates her first Winter Solstice as High Lady, her concern for those dearest to her deepens. They have more wounds than she anticipated-scars that will have a far-reaching impact on the future of their court. Bridging the events of A Court of Wings and Ruin with the later books in the series, A Court of Frost and Starlight explores the far-reaching effects of a devastating war and the fierce love between friends.

Art, power, desire, and illusion collide in a hypnotic new novel from Olivia Laing, set in the months leading up to the murder of Pier Paolo Pasolini in 1975. It is September 1974. Two men meet in Venice. One is a young English artist, in panicked flight from London. The other is Danilo Donati, the magician of Italian cinema, the illusionist responsible for realizing the spectacular visions of Fellini and Pasolini. Donati is in Venice to produce sketches for Fellini’s Casanova. A young apprentice is just what he needs.He brings Nicholas back to Rome and introduces him to the looking-glass world of Cinecittà, the studio where Casanova’s Venice will be ingeniously assembled. In the spring, the lovers move together to the set of Salò, Pasolini’s horrifying fable of fascism.But Nicholas has a secret, and in this world of constant illusion, his real nature passes unseen. Amid the rising tensions of Italy’s “Years of Lead,” he acts as an accelerant, setting in motion a tragedy he didn’t intend.Olivia Laing’s The Silver Book is at once a queer love story and a noir-ish thriller, set in the dream factory of cinema. It is a fictional account of real things, and an investigation into the difficult relationship between artifice and truth, illusion and reality, love and power.