In this cornerstone of modern liberal social theory, Peter Kropotkin states that the most effective human and animal communities are essentially cooperative, rather than competitive. Kropotkin based this classic on his observations of natural phenomena and history, forming a work of stunning and well-reasoned scholarship. Essential to the understanding of human evolution as well as social organization, it offers a powerful counterpoint to the tenets of Social Darwinism. It also cites persuasive evidence of human nature's innate compatibility with anarchist society."Kropotkin's basic argument is correct," noted evolutionary biologist Stephen Jay Gould. "Struggle does occur in many modes, and some lead to cooperation among members of a species as the best pathway to advantage for individuals." Anthropologist Ashley Montagu declared that "Mutual Aid will never be any more out of date than will the Declaration of Independence. New facts may increasingly become available, but we can already see that they will serve largely to support Kropotkin's conclusion that 'in the ethical progress of man, mutual support—not mutual struggle—has had the leading part.'" Physician and author Alex Comfort asserted that "Kropotkin profoundly influenced human biology by his theory of Mutual Aid. . . . He was one of the first systematic students of animal communities, and may be regarded as the founder of modern social ecology."

Gossip Girl meets Get Out in Ace of Spades, a YA contemporary thriller by debut author Faridah Àbíké-Íyímídé about two students, Devon & Chiamaka, and their struggles against an anonymous bully. When two Niveus Private Academy students, Devon Richards and Chiamaka Adebayo, are selected to be part of the elite school’s senior class prefects, it looks like their year is off to an amazing start. After all, not only does it look great on college applications, but it officially puts each of them in the running for valedictorian, too.Shortly after the announcement is made, though, someone who goes by Aces begins using anonymous text messages to reveal secrets about the two of them that turn their lives upside down and threaten every aspect of their carefully planned futures.As Aces shows no sign of stopping, what seemed like a sick prank quickly turns into a dangerous game, with all the cards stacked against them. Can Devon and Chiamaka stop Aces before things become incredibly deadly?With heart-pounding suspense and relevant social commentary comes a high-octane thriller from debut author Faridah Àbíké-Íyímídé.

Something has to give... Could it be her heart? Connie has always distrusted nice guys. In her experience, they’re just waiting to reveal some horrible secret. And then she meets big, adorable, Henry Samuel Beckett—editor extraordinaire, lover of bow ties, sweet and so cheery she struggles to believe he’s real. Until Henry Samuel Beckett—or Beck, as he’s known to most—tells her the secret underneath his sunny surface: He’s been single all his life. But in a moment of panic, he’s told everyone at his publishing house that he’s married. And when Connie, an aspiring writer herself, can’t help defending him, she ends up being the fake wife he doesn’t actually have. When they head off on a writing retreat, surrounded by people convinced this must be a ruse, both of them can't help but agree. Until they share their first kiss, their first touch, their first time in only one bed. Side by side, every night, as the simmering tension builds…Connie starts to wonder if this might be real after all.

Emily Austin, the bestselling “queen of darkly quirky, endearingly flawed heroines” (Sarah Haywood, author of The Cactus), returns with a luminous new novel following a librarian who comes back to work after a mental breakdown only to confront book-banning crusaders in an empowering story of grief, love, and the power of libraries. Darcy’s life turned out better than she could have ever imagined. She is a librarian at the local branch, while her wife Joy runs a book binding service. Between the two of them, there is no more room on their shelves with their ample book collections, various knickknacks and bobbles, and dried bouquets. Rounding out their ideal life is two cats and a sun-soaked house by the lake. But when Darcy receives the news that her ex-boyfriend, Ben, has passed away, she spirals into a pit of guilt and regret, resulting in a mental breakdown and medical leave from the library. When she returns to work, she is met by unrest in her community, and protests surrounding intellectual freedom, resulting in a call for book bans and a second look at the branch’s upcoming DEI programs. Through the support of her community, colleagues, and the personal growth that results from examining her previous relationships, Darcy comes into her own agency and the truest version of herself. Is This a Cry for Help? not only offers a moving portrait of queer life after coming of age but also powerfully explores questions about sexuality, community, and the importance of libraries.

Something has to give... Could it be her heart? Connie has always distrusted nice guys. In her experience, they’re just waiting to reveal some horrible secret. And then she meets big, adorable, Henry Samuel Beckett—editor extraordinaire, lover of bow ties, sweet and so cheery she struggles to believe he’s real. Until Henry Samuel Beckett—or Beck, as he’s known to most—tells her the secret underneath his sunny surface: He’s been single all his life. But in a moment of panic, he’s told everyone at his publishing house that he’s married. And when Connie, an aspiring writer herself, can’t help defending him, she ends up being the fake wife he doesn’t actually have. When they head off on a writing retreat, surrounded by people convinced this must be a ruse, both of them can't help but agree. Until they share their first kiss, their first touch, their first time in only one bed. Side by side, every night, as the simmering tension builds…Connie starts to wonder if this might be real after all.

Fears about AI tell us more about capitalism today than technology in the future. Will AI come and take all our jobs? Will it dominate humanity, hack the foundations of our civilization, or even wipe humans of the face of the planet? All kinds of people seem to think so. From academics to billionaires, artists to fraudsters, journalists to the pope, AI nightmares have gripped the popular imagination. Why We Fear AI boldly asserts these fears are actually about capitalism, reimagined as a kind of autonomous intelligent agent.  Science and tech industry insiders Hagen Blix and Ingeborg Glimmer dive into the dark, twisted, and arcane world of AI nightmares in order to demystify what people say about it. They combine expertise in cognitive science and machine learning with political and economic analyses to cut through the hype and technobabble, and show how fears about AI reflect very different economic from venture capitalists to AI engineers, from artists to warehouse workers at Amazon. If we want to understand the fears and potential impacts of AI, we must think about capitalism, the economy, and class power in real terms we can confront and wage our struggles on. Blix and Glimmer argue that AI nightmares reveal the terrifying underbelly of our current society, of the violence and alienation at the root of capitalism and its way of organizing our world in its image. If we simply let capitalism and tech billionaires run wild, we can expect the automated bureaucracies that protect the powerful and punish the poor; an ever-expanding surveillance apparatus; the cheapening of skills, downward pressures on wages, the expansion of gig-work, and crushing inequality. But that outcome is not inevitable, however much capitalist may dream of it. Why We Fear AI points the way to a different and brighter future, one where our labor, knowledge, and technologies serves us, rather than us serving capital and its owners.

Emily Austin, the bestselling “queen of darkly quirky, endearingly flawed heroines” (Sarah Haywood, author of The Cactus), returns with a luminous new novel following a librarian who comes back to work after a mental breakdown only to confront book-banning crusaders in an empowering story of grief, love, and the power of libraries. Darcy’s life turned out better than she could have ever imagined. She is a librarian at the local branch, while her wife Joy runs a book binding service. Between the two of them, there is no more room on their shelves with their ample book collections, various knickknacks and bobbles, and dried bouquets. Rounding out their ideal life is two cats and a sun-soaked house by the lake. But when Darcy receives the news that her ex-boyfriend, Ben, has passed away, she spirals into a pit of guilt and regret, resulting in a mental breakdown and medical leave from the library. When she returns to work, she is met by unrest in her community, and protests surrounding intellectual freedom, resulting in a call for book bans and a second look at the branch’s upcoming DEI programs. Through the support of her community, colleagues, and the personal growth that results from examining her previous relationships, Darcy comes into her own agency and the truest version of herself. Is This a Cry for Help? not only offers a moving portrait of queer life after coming of age but also powerfully explores questions about sexuality, community, and the importance of libraries.

Alternate cover edition of ISBN 0553213695 / 9780553213690 "As Gregor Samsa awoke one morning from uneasy dreams he found himself transformed in his bed into a gigantic insect. He was laying on his hard, as it were armor-plated, back and when he lifted his head a little he could see his domelike brown belly divided into stiff arched segments on top of which the bed quilt could hardly keep in position and was about to slide off completely. His numerous legs, which were pitifully thin compared to the rest of his bulk, waved helplessly before his eyes." With it's startling, bizarre, yet surprisingly funny first opening, Kafka begins his masterpiece, The Metamorphosis. It is the story of a young man who, transformed overnight into a giant beetle-like insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. A harrowing—though absurdly comic—meditation on human feelings of inadequacy, guilt, and isolation, The Metamorphosis has taken its place as one of the most widely read and influential works of twentieth-century fiction. As W.H. Auden wrote, "Kafka is important to us because his predicament is the predicament of modern man."

The brilliant, bestselling, landmark novel that tells the story of the Buendia family, and chronicles the irreconcilable conflict between the desire for solitude and the need for love—in rich, imaginative prose that has come to define an entire genre known as "magical realism."

Emily Austin, the bestselling “queen of darkly quirky, endearingly flawed heroines” (Sarah Haywood, author of The Cactus), returns with a luminous new novel following a librarian who comes back to work after a mental breakdown only to confront book-banning crusaders in an empowering story of grief, love, and the power of libraries. Darcy’s life turned out better than she could have ever imagined. She is a librarian at the local branch, while her wife Joy runs a book binding service. Between the two of them, there is no more room on their shelves with their ample book collections, various knickknacks and bobbles, and dried bouquets. Rounding out their ideal life is two cats and a sun-soaked house by the lake. But when Darcy receives the news that her ex-boyfriend, Ben, has passed away, she spirals into a pit of guilt and regret, resulting in a mental breakdown and medical leave from the library. When she returns to work, she is met by unrest in her community, and protests surrounding intellectual freedom, resulting in a call for book bans and a second look at the branch’s upcoming DEI programs. Through the support of her community, colleagues, and the personal growth that results from examining her previous relationships, Darcy comes into her own agency and the truest version of herself. Is This a Cry for Help? not only offers a moving portrait of queer life after coming of age but also powerfully explores questions about sexuality, community, and the importance of libraries.

With Aya’s encouragement and inspiration from a music festival they attend together, Mitsuki begins to pursue her passion for music in earnest! But when a certain video of her singing goes viral on social media, Mitsuki ends up becoming somewhat of a celebrity at school—and her newfound fame brings difficulties for both her and Aya...