In a world of witches, a human woman must hunt or be hunted in this explosive gothic dark academia fantasy filled with war-bent rivals, guarded secrets, and simmering chemistry. Vic Wood knows her priorities: scrape by on her restaurant wages, take care of her younger brother Henry, and forget their mother ever existed. But Vic’s careful life crumbles when Henry reveals that their long-missing mother belonged to the Acheron Order—a secret society of witches tasked with keeping the dead at bay. What’s worse, Henry inherited their mother’s magical abilities while Vic did not, and Henry has been chosen as the Order's newest recruit. Determined to keep him safe, Vic accompanies Henry to the isolated woods in upstate New York that play host to the sprawling and eerie Avalon Castle. When she joins the academy despite lacking powers of her own, she risks not only the Order’s wrath, but also her brother’s. And then there is Xan, the head Sentinel—imposing, ruthless, and frustrating—in charge of protecting Avalon. He makes no secret that he wants Vic to leave. As she makes both enemies and allies in this mysterious realm, Vic becomes caught between the dark forces at play, with her mother at the heart of it all. What's stranger is that Vic begins to be affected by the academy—and Xan—in ways she can't quite understand. But with war between witches threatening the fabric of reality, Vic must decide whether to risk her heart and life for a world where power is everything.

“Big-hearted and inspired, George Falls Through Time gifts us the timeless reminder that love makes the best sword to slay our outsized problems. On top of that, it's great, page-turning fun.” —Steven Rowley, New York Times bestselling author of The Guncle and The Celebrants A brilliant, genre-exploding love story about a man who, in a moment of extreme stress, time travels to the year 1300 . . . where his modern problems are replaced by medieval brutalities—blending  the literary dynamism of Madeline Miller with the sharp wit of Andrew Sean Greer, and perfect for fans ofThe Ministry of Time. Newly laid off George’s internet bill is in his ex-boyfriend’s name. He’s got a spider-infested apartment, and two of the six dogs he’s walking in London have just escaped. It’s pure undiluted stress that sends him into a spiral—all the way to the year 1300. When he comes to, George recognizes the same rolling hills of Greenwich Park. But the luxuries and phone service of modernity are nowhere. In their place are locals with a bizarre, slanted speech in awe of his foreign clothes, who swiftly toss him in a dungeon. Despite the barbarity of a medieval world, a servant named Simon helps George acclimate to a simpler, easier existence. But rumors of a dragon haunting the countryside and a summons from the King threaten to send his life up in flames—this time, literally. A confessional queer romance, a swords-and-sorcery soap opera, a paradox-embracing reimagining of the legend of St. George and the Dragon, George Falls Through Time is a profound meditation on the nature of desire that pits modern sensibilities against a raw and alien backdrop. It asks whether we can love each other without destroying one another, even when life feels like a pile of bills. 

Emily Austin, the bestselling “queen of darkly quirky, endearingly flawed heroines” (Sarah Haywood, author of The Cactus), returns with a luminous new novel following a librarian who comes back to work after a mental breakdown only to confront book-banning crusaders in an empowering story of grief, love, and the power of libraries. Darcy’s life turned out better than she could have ever imagined. She is a librarian at the local branch, while her wife Joy runs a book binding service. Between the two of them, there is no more room on their shelves with their ample book collections, various knickknacks and bobbles, and dried bouquets. Rounding out their ideal life is two cats and a sun-soaked house by the lake. But when Darcy receives the news that her ex-boyfriend, Ben, has passed away, she spirals into a pit of guilt and regret, resulting in a mental breakdown and medical leave from the library. When she returns to work, she is met by unrest in her community, and protests surrounding intellectual freedom, resulting in a call for book bans and a second look at the branch’s upcoming DEI programs. Through the support of her community, colleagues, and the personal growth that results from examining her previous relationships, Darcy comes into her own agency and the truest version of herself. Is This a Cry for Help? not only offers a moving portrait of queer life after coming of age but also powerfully explores questions about sexuality, community, and the importance of libraries.

Authors June Hayward and Athena Liu were supposed to be twin rising stars: same year at Yale, same debut year in publishing. But Athena's a cross-genre literary darling, and June didn't even get a paperback release. Nobody wants stories about basic white girls, June thinks. So when June witnesses Athena's death in a freak accident, she acts on impulse: she steals Athena's just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers to the British and French war efforts during World War I. So what if June edits Athena's novel and sends it to her agent as her own work? So what if she lets her new publisher rebrand her as Juniper Song--complete with an ambiguously ethnic author photo? Doesn't this piece of history deserve to be told, whoever the teller? That's what June claims, and the New York Times bestseller list seems to agree. But June can't get away from Athena's shadow, and emerging evidence threatens to bring June's (stolen) success down around her. As June races to protect her secret, she discovers exactly how far she will go to keep what she thinks she deserves. With its totally immersive first-person voice, Yellowface takes on questions of diversity, racism, and cultural appropriation not only in the publishing industry but the persistent erasure of Asian-American voices and history by Western white society. R. F. Kuang's novel is timely, razor-sharp, and eminently readable.

A chilling historical horror novel set in the American west in 1912 following a Lutheran priest who transcribes the life of a vampire who haunts the fields of the Blackfeet reservation looking for justice. A diary, written in 1912 by a Lutheran pastor is discovered within a wall. What it unveils is a slow massacre, a chain of events that go back to 217 Blackfeet dead in the snow. Told in transcribed interviews by a Blackfeet named Good Stab, who shares the narrative of his peculiar life over a series of confessional visits. This is an American Indian revenge story written by one of the new masters of horror, Stephen Graham Jones.

A chilling historical horror novel set in the American west in 1912 following a Lutheran priest who transcribes the life of a vampire who haunts the fields of the Blackfeet reservation looking for justice. A diary, written in 1912 by a Lutheran pastor is discovered within a wall. What it unveils is a slow massacre, a chain of events that go back to 217 Blackfeet dead in the snow. Told in transcribed interviews by a Blackfeet named Good Stab, who shares the narrative of his peculiar life over a series of confessional visits. This is an American Indian revenge story written by one of the new masters of horror, Stephen Graham Jones.

Ask no questions. Obey your orders. Respect your masters. But most of all… Love no one. Born without breath, Aella’s life began with a solemn promise etched in fate. Ousted from the Palace of Sorrows and gifted to the Aviary at a young age, she was shaped to fit the mold they made for her. Spy. Thief. Princess. Songbird. After Aella completes her training and passes the Naming ceremony, she is assigned to the prestigious Alpha Flight, led by none other than her former flame. Everything about Raven calls to her. He is brave, loyal, and lethal. But love is forbidden within the Aviary. When Alpha Flight is tasked with infiltrating the eastern kingdom’s royal trials to seek a weapon hidden deep within its court, Aella struggles with the expectations placed on her. As old sparks reignite and the harsh realities of the realm reveal themselves, she must decide whether to follow orders or defy them. Songbird of the Sorrows is the first book in Myths of the Empyrieos, an epic romantic fantasy series that follows a feisty heroine, her struggles through high stakes trials, a perilous heist, court intrigue and kingdom politics, and a journey of self-discovery, true love, and redemption. This book will appeal to fans of character-driven, plot-heavy romantasy such as The Bridge Kingdom, Throne of Glass, Trial of the Sun Queen, and Spark of the Everflame.

Authors June Hayward and Athena Liu were supposed to be twin rising stars: same year at Yale, same debut year in publishing. But Athena's a cross-genre literary darling, and June didn't even get a paperback release. Nobody wants stories about basic white girls, June thinks. So when June witnesses Athena's death in a freak accident, she acts on impulse: she steals Athena's just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers to the British and French war efforts during World War I. So what if June edits Athena's novel and sends it to her agent as her own work? So what if she lets her new publisher rebrand her as Juniper Song--complete with an ambiguously ethnic author photo? Doesn't this piece of history deserve to be told, whoever the teller? That's what June claims, and the New York Times bestseller list seems to agree. But June can't get away from Athena's shadow, and emerging evidence threatens to bring June's (stolen) success down around her. As June races to protect her secret, she discovers exactly how far she will go to keep what she thinks she deserves. With its totally immersive first-person voice, Yellowface takes on questions of diversity, racism, and cultural appropriation not only in the publishing industry but the persistent erasure of Asian-American voices and history by Western white society. R. F. Kuang's novel is timely, razor-sharp, and eminently readable.