The ear is the organ of fear. It is a door to that which is not of this world. Leaving behind the dread and decay of the city, Noa and her best friend, Nicole, travel up into the Andes, headed for Solar Noise: an eight-day festival that takes place in the infinite expanse of the páramo. Nestled on the side of a volcano, it is a world of mysticism, shamanism and underground music, a world in tune with the thunder of the earth and the bellows of the mountains, a world in which the belief systems of Ecuador's indigenous communities live on. Noa also harbours a secret motive for attending the festival: she's been drawn there in search of her father, who abandoned her as a child, and who now lives somewhere near the festival site. But soon after their arrival, she becomes prone to somnambulism and begins speaking in a voice that is not her own. Uncertain of whether Noa is in danger or is communing with something primal and eternal, Nicole struggles to care for her friend. Until, as the party spills into Inti Raymi - the Incan festival of the sun - the girls' desire for belonging burns, incandescent, collapsing the thin membrane separating life from death, trauma from transcendence, and ecstasy from oblivion. Wild and incantatory, Electric Shamans at the Festival of the Sun is both an hallucinogenic trip of a novel, and a heartfelt meditation on love, family and kinship - one that announces the arrival of a major writer.

The astonishing Irish literary magician Keith Ridgway pulls from his hat the 21st-century’s Great Dublin Novel Bartholomew Port, known to all as Mew, steps into the bushes in a London park and steps out of the bushes in a Dublin one. Not only that—there are no cars; there are moving footpaths; there is no church; everything seems quite queer. Home by invitation, he has arrived in a Dublin that is alive with song, with rumor, with tunnels, with ghosts, and with an unmistakable sense of insurgency. In this suspiciously timeless city that breathes an old revolutionary air, Mew fiercely misses his beloved Mootie, back home in London. An unraveling, an impossibility, a gathering of voices, and a single dream, Dooneen is the layered, allusive and wildly original new novel from Keith Ridgway, “one of Ireland’s best writers, in a country with no shortage of them” (The Times).

In 1972, when workers in Pottstown, Pennsylvania, were digging the foundations for a new development, the last thing they expected to find was a skeleton at the bottom of a well. Who the skeleton was and how it got there were two of the long-held secrets kept by the residents of Chicken Hill, the dilapidated neighbourhood where immigrant Jews and African Americans lived side by side and shared ambitions and sorrows. As these characters' stories overlap and deepen, it becomes clear how much the people who live on the margins struggle and what they must do to survive. When the truth is finally revealed about what happened on Chicken Hill and the part the town's white establishment played in it, McBride shows us that even in dark times, it is love and community-heaven and earth-that sustain us.

Down market lanes crammed with too many people, dogs, and rickshaws, past stalls that smell of cardamom and sizzling oil, below a smoggy sky that doesn’t let through a single blade of sunlight, and all the way at the end of the Purple metro line lies a jumble of tin-roofed homes where nine-year-old Jai lives with his family. From his doorway, he can spot the glittering lights of the city’s fancy high-rises, and though his mother works as a maid in one, to him they seem a thousand miles away. Jai drools outside sweet shops, watches too many reality police shows, and considers himself to be smarter than his friends Pari (though she gets the best grades) and Faiz (though Faiz has an actual job). When a classmate goes missing, Jai decides to use the crime-solving skills he has picked up from TV to find him. He asks Pari and Faiz to be his assistants, and together they draw up lists of people to interview and places to visit. But what begins as a game turns sinister as other children start disappearing from their neighborhood. Jai, Pari, and Faiz have to confront terrified parents, an indifferent police force, and rumors of soul-snatching djinns. As the disappearances edge ever closer to home, the lives of Jai and his friends will never be the same again. Drawing on real incidents and a spate of disappearances in metropolitan India.

"Anyone will tell you the born of this world are marked from the get-out, win or lose." Set in the mountains of southern Appalachia, this is the story of a boy born to a teenaged single mother in a single-wide trailer, with no assets beyond his dead father's good looks and copper-colored hair, a caustic wit, and a fierce talent for survival. In a plot that never pauses for breath, relayed in his own unsparing voice, he braves the modern perils of foster care, child labor, derelict schools, athletic success, addiction, disastrous loves, and crushing losses. Through all of it, he reckons with his own invisibility in a popular culture where even the superheroes have abandoned rural people in favor of cities. Many generations ago, Charles Dickens wrote David Copperfield from his experience as a survivor of institutional poverty and its damages to children in his society. Those problems have yet to be solved in ours. Dickens is not a prerequisite for readers of this novel, but he provided its inspiration. In transposing a Victorian epic novel to the contemporary American South, Barbara Kingsolver enlists Dickens' anger and compassion, and above all, his faith in the transformative powers of a good story. Demon Copperhead speaks for a new generation of lost boys, and all those born into beautiful, cursed places they can't imagine leaving behind.

The first book in the Between Earth and Sky trilogy, inspired by the civilizations of the Pre-Columbian Americas and woven into a tale of celestial prophecies, political intrigue, and forbidden magic. A god will return When the earth and sky converge Under the black sun In the holy city of Tova, the winter solstice is usually a time for celebration and renewal, but this year it coincides with a solar eclipse, a rare celestial event proscribed by the Sun Priest as an unbalancing of the world. Meanwhile, a ship launches from a distant city bound for Tova and set to arrive on the solstice. The captain of the ship, Xiala, is a disgraced Teek whose song can calm the waters around her as easily as it can warp a man’s mind. Her ship carries one passenger. Described as harmless, the passenger, Serapio, is a young man, blind, scarred, and cloaked in destiny. As Xiala well knows, when a man is described as harmless, he usually ends up being a villain.

An alchemist and his young nephew hunt down a legend in this profound and unsettling speculative Western, for fans of Karen Russell and Victor LaValle.Alone in a frontier town in the nineteenth-century Northwest, Gentle Montgomery is grieving his best friend. Liam was an alchemist, killed when he tried to capture a creature that shouldn’t a giant salamander that drives men mad. When Gentle’s teenage nephew Kitt arrives at his doorstep, the two set out together to track the monster down, so they can use its blood in an alchemical formula that will bring Liam back to life.It's a hard and haunted journey. The salamander produces surreal nightmares and waking dreams of a blighted, burning future. And Gentle and Kitt soon find themselves pursued by a bloodthirsty hunter, a sadistic judge, and a doomsday cult, all of whom have their own plans for the river monster. Armed with nothing but Liam’s alchemical notebooks, they must not only find the salamander but learn to understand it—and the terrifying visions it causes—before it’s too late. And as Gentle struggles to comprehend the creature, his lost friend, his nephew, and his fellow seekers, it becomes clear that the Great Work of the alchemists may pale in comparison to the small work of human connection.Sheldon Costa’s dark, vivid, and strangely hopeful debut novel is a supernatural adventure through the wilderness of friendship and the rotten heart of the early American empire.

In this companion volume to A Wrinkle In Time (Newbery Award winner) and A Wind In The Door fifteen-year-old Charles Wallace and the unicorn Gaudior undertake a perilous journey through time in a desperate attempt to stop the destruction of the world by the mad dictator Madog Branzillo. They are not alone in their quest. Charles Wallace's sister, Meg - grown and expecting her first child, but still able to enter her brother's thoughts and emotions by "kything" - goes with him in spirit.

A deeply dark academia novel from USA Today bestselling author Cassandra Khaw, perfect for fans of A Deadly Education and The Atlas Six who are hungry for something a little more diabolical.The Hellebore Technical Institute for the Gifted is the premier academy for the dangerously the Anti-Christs and Ragnaroks, the world-eaters and apocalypse-makers.Hellebore promises redemption, acceptance, and a normal life after graduation. At least, that’s what Alessa Li is told when she’s kidnapped and forcibly enrolled. But there’s more to Hellebore than meets the eye. On graduation day, the faculty go on a ravenous rampage, feasting on Alessa’s class. Only Alessa and a group of her classmates escape the carnage. Trapped in the school’s library, they must offer a human sacrifice every night, or else the faculty will break down the door and kill everyone.Can they band together and survive, or will the faculty eat its fill?Also by Cassandra Khaw:The Salt Grows HeavyNothing But Blackened TeethA Song for QuietHammers on BoneThe Dead Take the A Train (co-written with Richard Kadrey)At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The Lost Apothecary meets Dead Dead Girls in this fast-paced, STEMinist adventure. Debut author Kate Khavari deftly entwines a pulse-pounding mystery with the struggles of a woman in a male-dominated field in 1923 London. Newly minted research assistant Saffron Everleigh is determined to blaze a new trail at the University College London, but with her colleagues’ beliefs about women’s academic inabilities and not-so-subtle hints that her deceased father’s reputation paved her way into the botany department, she feels stymied at every turn. When she attends a dinner party for the school, she expects to engage in conversations about the university's large expedition to the Amazon. What she doesn’t expect is for Mrs. Henry, one of the professors’ wives, to drop to the floor, poisoned by an unknown toxin. Dr. Maxwell, Saffron’s mentor, is the main suspect and evidence quickly mounts. Joined by fellow researcher--and potential romantic interest--Alexander Ashton, Saffron uses her knowledge of botany as she explores steamy greenhouses, dark gardens, and deadly poisons to clear Maxwell's name. Will she be able to uncover the truth, or will her investigation land her on the murderer’s list, in this entertaining examination of society’s expectations?

In this companion volume to A Wrinkle In Time (Newbery Award winner) and A Wind In The Door fifteen-year-old Charles Wallace and the unicorn Gaudior undertake a perilous journey through time in a desperate attempt to stop the destruction of the world by the mad dictator Madog Branzillo. They are not alone in their quest. Charles Wallace's sister, Meg - grown and expecting her first child, but still able to enter her brother's thoughts and emotions by "kything" - goes with him in spirit.

The trailblazing scientist who pioneered the concept of sophisticated communication between trees returns with a book that places nature’s own cycles of renewal at the center of a powerful vision for the future of our forestsWith her bestselling book Finding the Mother Tree, forest ecologist Suzanne Simard introduced the world to the profound intelligence and interconnectedness of trees. Now, with When the Forest Breathes, she uncovers the ways that nature’s deep-rooted cycles of renewal can ensure the longevity of threatened ecosystems.Raised in a family of loggers committed to sensible forest stewardship, Simard has watched as timber companies leave forests at higher risk for wildfires, water crises, and plant and animal extinction. But her research has the potential to chart a new course. The forest, she reveals, is a symphony of finely honed cycles of regeneration—from mushrooms breaking down logs to dying elder trees passing their genetic knowledge to younger ones—that hold the key to protecting our forests. Working closely with local Indigenous communities, whose models of responsible forestry have been largely dismissed, Simard examines how human interventions—particularly destruction of the overstory's mother trees—endanger new growth and longevity. If we can honor the tools that trees have honed for sharing intergenerational wisdom, she argues, we can protect these sacred places for many years to come.As she considers how older living things facilitate the conditions for new growth to flourish, Simard faces parallel rhythms of loss and regeneration in her own life, watching her two daughters grow into adults and savoring her final days with her ailing mother. Animated by wonder for our forests and the intricate practices of caretaking that have long sustained them, When the Forest Breathes is a vital reminder of all the natural world has to teach us about adaptability, resilience, and community.