tony_w_a_b commented on tony_w_a_b's review of A Soul to Keep (Duskwalker Brides, #1)
the emojis are @maomi 's idea and i love it so much, it's soo funny 😭
me after finishing this book:
honestly not the worst monster smut i've read but it definitely had a LOT of issues. I would have been way more understanding if this was a debut, but it wasn't. The author has published at least 3 books before this one......
I think @maomi did a really good review on this, so pls read it! She explains more eloquently than I do here :)
My biggest issue was definitely the dialogue/language of the characters. This is something I struggle a lot in books in general, I really hate cringe interactions, and awkward writing. (I do think this is a bit of a generational thing. Slang and casual language changes so much between each generation, that what I find normal when talking, can definitely be seen as cringe to millenniums and vice-versa.)
I also didn't really understand the context of the book, was it in a dystopian present/future, in a historical setting, idk.... (UPDATE: I made a forum post about this and @ohsunnyaa explained the context SO well! i definitely encourage people who were confused like me to check that out :)
also, this was WAYYY too long, 500+ pages is craaazy.
There was also a lot of things that contradicted themselves or didn't make sense, and it made the story unpleasant to me.
ps.: i just said also four times in a row......i swear i usually write better than this! [insert rant on me putting the blame on the book for my own lazy writing]
tony_w_a_b commented on a post
the priest......the.....PRIEST?!.......THE......PRIEST???!!! PANORAMIX IS A DRUID, NOT A PRIEST???? NOT A DRUID PRIEST (whatever that is) JUST A DRUID!!! Also, why are the names translated??? Astérix and Obélix have an accent (é) in their name, why would the translation remove it?? The author loved to flex her italian, french and latin but this is too far?? Also considering the context of the book, the guy would have read it in FRENCH and so, would pronounce the names in FRENCH so WITH the accent.....I'm crashing out.
I'm sorry 😔✋ you can't just name drop Astérix and Obélix to show you know ball, just to get one of the most basic details of the story wrong. I smell a poser 🧐
This is (mostly) a joke....
UPDATE: the next page they write sacré with the accent.......this book is ragebaiting me......
Post from the Artifacts forum
the priest......the.....PRIEST?!.......THE......PRIEST???!!! PANORAMIX IS A DRUID, NOT A PRIEST???? NOT A DRUID PRIEST (whatever that is) JUST A DRUID!!! Also, why are the names translated??? Astérix and Obélix have an accent (é) in their name, why would the translation remove it?? The author loved to flex her italian, french and latin but this is too far?? Also considering the context of the book, the guy would have read it in FRENCH and so, would pronounce the names in FRENCH so WITH the accent.....I'm crashing out.
I'm sorry 😔✋ you can't just name drop Astérix and Obélix to show you know ball, just to get one of the most basic details of the story wrong. I smell a poser 🧐
This is (mostly) a joke....
UPDATE: the next page they write sacré with the accent.......this book is ragebaiting me......
tony_w_a_b commented on PercabethHarpy's update
PercabethHarpy started reading...

A Murder Most Camp
Nicolas DiDomizio
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Beast in the Shadows (Penguin Modern Classics – Crime & Espionage)
Edogawa Rampo
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Beast in the Shadows (Penguin Modern Classics – Crime & Espionage)
Edogawa Rampo
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The Princess Trap (The Midnight Heat Collection, #1)
Talia Hibbert
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Content warnings for this book according to Storygraph and my reading experience! I'm currently only half way through the book, so I don't know the actual intensity of some of these, and some might be wrong or not detailed enough. If any are missing or in the wrong category, please comment and i'll add details. I wanted to do this considering the upcoming summer readalong :)
The content is separated in GRAPHIC, MODERATE, and MINOR, where some have more detail on the content in parentheses. I tried to avoid spoilers as much as possible, but some of the details are spoiler-ish.
UPDATE: I finished the book! I tried my best with the content warning details, but some are still missing or inaccurate, so I would appreciate any help! I'm also not 100% sure for some of the content's category. I'm hesitating between Graphic, Moderate and Minor for some of these so I would love everyone's opinion :)
-GRAPHIC-
Alcohol (Drinking. Underage drinking resulting in hospitalization due to alcohol poisoning.) Classism (One of the main themes of the story. Main character acts classicist and entitled sometimes.) Death (Death of a important side character. Mentions of mass murders and deaths.) Murder (Mass murder of civilians in a fire. Description of REAL LIFE EVENT Cinema Rex Fire.) Religious bigotry (Implementation of religious government and forced religion/religious doctrine onto characters.) Sexism (One of the main themes of the story. Scenes where the characters are victims of it or perpetuate it.) Torture (Psychological torture in prison. Sexual torture alluded to only.) Violence (Sexual, physical, verbal violence suffered by the main characters and sometimes done by main characters.) War (War with Iraq. Bombing. Sirens. Rumbles. Displacement.)
-MODERATE-
Child marriage (Teenager marries right after graduation to an older man. Mention of legalized marriage to children as young as 9 years old.) Death of parent (Mention of by side character dead parents. Death of a parent of a main character in the book's timeline.) Fire/Fire Injury (Mention of a premeditated fire that kills several people. Actual REAL LIFE EVENT of Cinema Rex Fire.) Grief (Death of a husband, friend, father.) Incarceration (Main character incarcerated for political activism. Mentions of parent incarcerated for political activism.) Infertility (Main character struggling with it.) Miscarriage (Main character has repeated miscarriages. Not graphic.) Police brutality (Kidnapping by secret police. Fast scene. Mentions of the morality police.) Rape (Main character raped. Not described in details. Only mentioned/alluded to.) Sexual assault (Alluded to/Mentionned sexual assault in prison to torture main character.) Sexual violence (Alluded to/Mentionned sexual violence in prison to torture main character.)
-MINOR-
Pregnancy (Mentions of being pregnant. Normal pregnancy. Pregnancy resulting from rape.)
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tony_w_a_b commented on crybabybea's review of Revolting Prostitutes: The Fight for Sex Workers’ Rights
So so so so good! Layered, nuanced, and adds an imperative perspective to any intersectional feminist's framework.
Revolting Prostitutes is especially powerful in the way it refuses every simple binary. So often, feminist theorists talk about sex work as if it exists in a special position separate from everyday issues that affect them. Because of this, sex work can become a sort of political symbol, something that gets theorized about while the real sex workers get silenced, dismissed, and forgotten.
Instead of wasting time debating the false binary that sex work often gets reduced to (sex work is empowering and therefore a feminist act vs. sex work is degrading and therefore anti-feminist), the authors recontextualize sex work as an industry, a form of capital labor like any other, and rehumanize the sex workers who are harmed by misguided and oftentimes intentionally oppressive policy makers and activists.
This book majorly helped me see the limits of a feminism organized around harm. Obviously, feminism has to take harm seriously. But when harm becomes the center of the politics, rather than the starting point for imagining liberation, the movement can become obsessed with identifying victims and perpetrators instead of changing material conditions.
Since victims and perpetrators are defined by the state, the complexity of harm and survival under coercive systems is lost and flattened to "innocent vs. guilty". This inevitably turns the conversation back to carceral thinking focused on policing, incarceration, and punishment that disproportionately harms the most marginalized sex workers.
Smith and Mac assert: policing can never be the answer to patriarchal violence, because policing is an extension of the patriarchy. Giving more power to one patriarchal institution to fight another does not liberate anyone, and anti-prostitution law can never be progressive as long as it depends on state-sanctioned violence as the only solution.
Additionally, Smith and Mac pull apart this carceral thinking as the cause for the performative empathy that so clearly defines liberal feminist frameworks. People prove they care and prove that they are a feminist by displaying horror at harm and centering progress on condemnation of the perpetrator, rather than improving the lives of those most harmed, which becomes another form of mindless consumption that stalls progress.
Without deconstruction from carceral thinking, white and liberal feminists position themselves as "saviors", but never address what liberation means for those who don't fit into their victim/perpetrator binary.
Through careful argumentation and constant refusal of black-and-white thinking, Smith and Mac challenge the reader to think beyond the binary of good and bad, and assert that a liberatory feminism cannot stop at witnessing and punishing harm. It must also imagine and build the conditions that make liberation possible. To do so, it must include the most marginalized sex workers without moralization or insistence on respectability.
Beyond more abstract theory about the limits of mainstream feminism, Revolting Prostitutes offers a detailed breakdown of the differences between legalization and decriminalization. The difference seems simple on the surface, but in reality, it is politically massive. Especially interesting was the deep-dive into the way decriminalization and legalization are intentionally conflated to obfuscate the power sex workers are actually seeking.
As well, Smith and Mac discuss the differences between sex work and trafficking, and how weaponizing trafficking as an anti-prostitution gotcha disproportionately harms migrants and undocumented people. This nuanced separation of arguments firmly roots the book back into the material and exposes the latent white supremacy and carceral thinking in the most common anti-prostitution talking points.
This book is not just relevant to sex work or feminism. In its simplest terms, it is about how society manages people it considers "wrong". The title is a perfect example of the sentiment the authors are trying to exemplify with their line of thinking.
Revolting prostitutes will not be silent enough to be perfect victims, degraded enough to justify pity, or deferent enough to accept punishment disguised as saviorism or empowerment by neoliberal institutions. Due to their refusal of respectability, revolting prostitutes are treated as revolting; objectified, stigmatized, and dehumanized.
Revolting Prostitutes is materialist in the clearest sense of the word. The authors are not interested in whether or not sex work sends the "correct" feminist message, or in molding sex workers to fit the "correct" feminist image. Instead, it proves unquestionably that a feminist politic cannot be intersectional without centering the voices of those most affected, those who do not fit the mainstream feminist's image of "victim".
Smith and Mac prove that sex work exists uniquely at the intersection of capitalism, patriarchy, racism, ableism, transphobia, and borders, so a feminism that wants to help sex workers without abolishing those systems of oppression and the institutions that uphold them can never truly succeed.
Once feminism has built a politics that can protect sex workers, including poor, migrant, racialized, trans, disabled, unhoused, drug-using, and criminalized sex workers, then it has built a politics capable of protecting people without requiring innocence or respectability first, and that is the kind of feminism worth fighting for. When prostitutes win, all women win.
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Artifacts
Natalie Lemle
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