The road to redemption is far from smooth as ice in this sweeping romance between a figure skater and hockey player from the USA Today bestselling author of Collide. Sierra Romanova was an Olympian figure skater before a life-altering accident on the ice left her with panic attacks every time she enters the rink. Now, back for her final year at Dalton University, she’s ready to reclaim the spotlight, with all eyes on her…including those of hockey player Dylan Donovan, whose audacious words goad her back into her skates to prove him wrong. After getting kicked off his hockey team for his reckless behavior, Dylan is left with slim chances of making it to the NHL draft. But Dylan’s whole world revolves around the ice, and if hockey is forbidden, well at least there’s figure skating. Even better, it means more time at the rink with Sierra. Sure, he’s helping her rebuild her confidence, but pushing her buttons along the way? That’s just a bonus. As the figure skating world awaits Sierra's comeback, she finds herself in need for a new pairs partner. The only person she knows who can match her skill on the ice is none other than the cocky hockey player who refuses to cut her any slack. Dylan's a wildcard, Sierra's a seasoned pro, but together, they might just be the perfect match on the ice.

The third in the New York Times bestselling Maple Hills series follows fan-favorite Henry and a bookish fellow student who come up with a plan to help them both overcome their respective challenges in a difficult year. When his procrastination lands him in a difficult class with his least favorite professor, Henry Turner knows he’s going to have to work extra hard to survive his junior year of college. And now with his new title of captain for the hockey team—which he didn’t even want—Henry absolutely cannot fail. Enter Halle Jacobs, a fellow junior who finds herself befriended by Henry when he accidentally crashes her book club. Halle may not have the romantic pursuits of her favorite fictional leads, but she’s an academic superstar, and as soon as she hears about Henry’s problems with his class reading material, she offers to help. Too bad being a private tutor isn’t exactly ideal given her own studies, job, book club, and the novel she’s trying to write. But new experiences are the key to beating her writer’s block, and Henry’s promising to be the one to give them to her. They just need to stick to their rule book. Oh, and not fall in love.

Maisie: I’ve always been good at staying invisible. The girl no one really notices. The quiet one who keeps her head down and stays out of trouble. Until Austin Rhodes crashes into my life and everything changes. Now he needs tutoring and apparently, I’m his only shot at passing. He’s loud, way too charming for his own good, and the kind of guy I’ve spent my whole life avoiding. I should have no problem keeping this professional. Tutor him, help him pass, then walk away. But Austin has a way of breaking down my walls. And that might be fine… If I wasn’t already caught up with someone else. Someone I’ve never met. Someone who knows every secret I’m too scared to say out loud. I’m the tutor. The girl with all the answers. But this is the one problem I can’t solve. Austin: Hockey is everything to me. It’s the plan, the dream, the only thing I’ve ever really been good at. So when I get suspended for failing anatomy, I’ll do whatever it takes to fix it. Even if that means getting tutored by the figure skater I accidentally knocked in the head. Maisie Wilson is sharp, guarded, and completely uninterested in my charm. Which just makes her more fun to mess with. She thinks she knows exactly who I am. But what she doesn’t see is how fast she’s becoming the only thing I want—on and off the ice. I should focus on getting through the season and staying out of her way. But I can’t stop thinking about her. Problem is... she’s not the only one. Because I’m also falling for a girl I’ve never met—one who only exists behind a screen. I might be a playmaker, but right now, I’m at a loss for which play to make next.

Written in 1914 but not published until 1925, a year after Kafka’s death, The Trial is the terrifying tale of Josef K., a respectable bank officer who is suddenly and inexplicably arrested and must defend himself against a charge about which he can get no information. Whether read as an existential tale, a parable, or a prophecy of the excesses of modern bureaucracy wedded to the madness of totalitarianism, The Trial has resonated with chilling truth for generations of readers.

Andre Breton described Maldoror as -the expression of a revelation so complete it seems to exceed human potential.- Little is known about its pseudonymous author, aside from his real name (Isidore Ducasse), birth in Uruguay (1846) and early death in Paris (1870). Lautreamont bewildered his contemporaries, but the Surrealists modeled their efforts after his black humor and poetic leaps of logic, exemplified by the oft-quoted line, -As beautiful as the chance meeting on a dissecting table of a sewing machine and an umbrella.- Maldoror 's shocked first publisher refused to bind the sheets of the original edition--and perhaps no better invitation exists to this book, which warns the reader, -Only the few may relish this bitter fruit without danger.- This is the only complete annotated collection of Lautreamont's writings available in English, in Alexis Lykiard's superior translation. For this latest edition, Lykiard updates his introduction to include recent scholarship.

Monkey depicts the adventures of Prince Tripitaka, a young Buddhist priest on a dangerous pilgrimage to India to retrieve sacred scriptures accompanied by his three unruly disciples: the greedy pig creature Pipsy, the river monster Sandy – and Monkey. Hatched from a stone egg and given the secrets of heaven and earth, the irrepressible trickster Monkey can ride on the clouds, become invisible and transform into other shapes – skills that prove very useful when the four travellers come up against the dragons, bandits, demons and evil wizards that threaten to prevent them in their quest. Wu Ch’êng-ên wrote Monkey in the mid-sixteenth century, adding his own distinctive style to an ancient Chinese legend, and in so doing created a dazzling combination of nonsense with profundity, slapstick comedy with spiritual wisdom.