Acclaimed author Jade Song (Chlorine) returns with her latest literary exploration: a lyrical, poignant, and heartfelt novel about the meaning of love, friendship, debt, depression, and death in New York City—a coming-of-age for a new generation, in the vein of Sally Rooney and Ottessa Moshfegh. For as far back as she can remember, Vicky has been fascinated and obsessed with death as the only inevitable thing in life. From living above a Chinatown funeral parlor to working at a celebrity start-up for bespoke urns, she has surrounded herself with death—in her home, in her work, and in her ever-growing collection of zhizha, paper creations meant to be burned for the dead, adorning the walls of her apartment. Yet, though living in Manhattan and working her dream job is all she ever wanted, she still struggles to have meaningful connections—or find any meaning at all—in her life. Too often she spends the day in bed, only drawn out from time to time by her best (and only) friend, Jen. That changes when a dating app leads her into a throuple with an artist and a labor organizer, who offer exactly the kind of love she needs. For some time, it’s perfect, but no one understands better than Vicky that all things must end. As doubts grow over the love in her life, her friendship with Jen, and her professional success, the oddly comforting abstraction of death starts becoming something else altogether. With everything beginning to feel hollow and temporary, Vicky must decide how to keep moving forward. To try and hold on to what she has, or to once again do what she does destroy.

In this debut illustrated poetry collection, Two Spirit Lakota storyteller Taté Walker steps into the role of a contemporary trickster to continue the purposefully disruptive legacy of a cultural icon: Iktómi, the Spider. The Trickster Riots weaves through the origins of a lost baby queer in love and spiritache to shapeshift into a momma spider exploring what it means to be a good relative, an obliterator of status quo, and a builder of community. Ohíya Walker (Lakota/Ojibwe/Mvskoke) translates their mother's poems into beautifully quirky and emotionally-driven illustrations, perfectly paring with the provocative wordplay to channel Iktómi as they examine Indigeneity. Buckle up: The Trickster Riots journeys through fury and disaffection, libratic ceremony, and the lightning bolts of a struggling future ancestor. --- About the Author: Taté Walker (they/them) is a Lakota citizen of the Cheyenne River Sioux Tribe of South Dakota. They are an award-winning Two Spirit storyteller for various national news and magazine outlets, as well as a contributor for several anthologies. About the Illustrator: Ohíya Walker (they/them) is a Lakota citizen of the Cheyenne River Sioux Tribe and is also Red Lake Ojibwe and Mvskoke Creek. They are an award-winning 13-year-old trans/nonbinary painter and graphic artist combining contemporary and traditional imagery and mediums.

In October 2023, upon witnessing the escalation of Palestinian genocide, Ktunaxa poet Smokii Sumac began writing poems reflecting on the stories of Palestinians in Gaza who were risking their lives to share news of the genocide of Palestinian culture, literature, and life. These 100 poems offer a witnessing of the escalation of colonial violence, both current and historical, across oceans, lands, cultures, and people, and the reckoning one has in the face of a genocide. Vulnerable, eloquent, compassionate, and enduring, Born Sacred is an in-time reflection honouring the shared histories of Indigenous Peoples of North America and of the people in Palestine. Sumac offers this collection as a small piece of life dedicated to Palestinians and resounds the collective call for solidarity in our shared liberation.

Written after two years of artistic silence, during which the world came to a halt due to the COVID pandemic and Minneapolis became the epicenter of protest following the murder of George Floyd, Bluff is Danez Smith’s powerful reckoning with their role and responsibility as a poet and with their hometown of the Twin Cities. This is a book of awakening out of violence, guilt, shame, and critical pessimism to wonder and imagine how we can strive toward new existence in a world that seems to be dissolving into desolate futures. Smith brings a startling urgency to these poems, their questions demanding a new language, a deep self-scrutiny, and virtuosic textual shapes. A series of “ars poetica” gives way to “anti poetica” and “ars america” to implicate poetry’s collusions with unchecked capitalism. A photographic collage accrues across a sequence to make clear the consequences of American acceptance of mass shootings. A brilliant long poem―part map, part annotation, part visual argument―offers the history of Saint Paul’s vibrant Rondo neighborhood before and after the city decided to run an interstate directly through it. Bluff is a kind of manifesto about artistic resilience, even when time and will can seem fleeting, when the places we most love―those given and made―are burning. In this soaring collection, Smith turns to honesty, hope, rage, and imagination to envision futures that seem possible.

A revolutionary call to arms wherein the arms are love, art, self-definition, and community care as an alternative to so-called care under carceral capitalism. Borrowing and disrupting the forms of patient records, psychiatric assessments, and court documents, Jody Chan's impact statement traces a history of psychiatric institutions within a settler colonial state. These poems bring the reader into the present moment of the Diagnostic and Statistical Manual , capitalism and "money models of madness," and "wellness" checks. Forming a ghost chorus, they sing an impact statement on migration and intergenerational trauma, gentrification, and police neglect of racialized violence against queer communities in Toronto?and how the "wrong" kinds of desire, be it across class, race, or gender lines, or towards other worlds, are often punished or disappeared. And yet, these poems also make space for what can take root, despite?care teams, collective grief rituals, dinners around a table with too many friends to fit?imagining, and re-imagining, and re-imagining again, a queer, disabled, abolitionist revolution towards our communal flourishing.

A debut poetry collection in which non-binary poet and drag performer Wo Chan recounts stories from their queer childhood and adolescence. Togetherness sends out sparks from its electric surface, radiating energy and verve from within its deep and steady emotional core: stories of the poet’s immigrant childhood spent in their family’s Chinese restaurant, culminating in a deportation battle against the State. These narrative threads weave together monologue, soaring lyric descants, and document, taking the positions of apostrophe, biography, and soulful plaint to stage a vibrant and daring performance in which drag is formalism and formalism is drag―at once campy and sincere, queer, tender, and winking.

Kate Tempest, winner of the Ted Hughes Prize for Brand New Ancients and widely regarded as the UK's leading spoken word poet, has produced a new poem-sequence of electrifying power. Based on the myth of the blind prophet Tiresias, Hold Your Own is a riveting tale of youth and experience, sex and love, wealth and poverty, community and alienation. Walking in the forest one morning, a young man disturbs two copulating snakes - and is punished by the goddess Hera, who turns him into a woman. This is only the beginning of his journey . . . Weaving elements of classical myth, autobiography and social commentary, Tempest uses the story of the gender-switching, clairvoyant Tiresias to create four sequences of poems: 'childhood', 'manhood', 'womanhood' and 'blind profit'. The result is a rhythmically hypnotic tour de force - and a hugely ambitious leap forward for one of the UK's most talented and compelling young writers.

In this exquisite speculative novel set in a world where white people no longer exist, college professor Charlie Brunton receives a call from his estranged daughter Sidney, setting off a chain of events as they journey across a truly “post-racial” America in search of answers. One day, a cataclysmic event occurs: all of the white people in America walk into the nearest body of water. A year later, Charles Brunton is a Black man living in an entirely new world. Having served time in prison for a wrongful conviction, he’s now a professor of electric and solar power systems at Howard University when he receives a call from someone he wasn’t even sure existed: his daughter Sidney, a nineteen-year-old who watched her white mother and step-family drown themselves in the lake behind their house. Traumatized by the event, and terrified of the outside world, Sidney has spent a year in isolation in Wisconsin. Desperate for help, she turns to the father she never met, a man she has always resented. Sidney and Charlie meet for the first time as they embark on a journey across America headed for Alabama, where Sidney believes she may still have some family left. But neither Sidney or Charlie is prepared for this new world and how they see themselves in it. When they enter the Kingdom of Alabama, everything Charlie and Sidney thought they knew about themselves, and the world, will be turned upside down. Brimming with heart and humor, Cebo Campbell’s astonishing debut novel is about the power of community and connection, about healing and self-actualization, and a reckoning with what it means to be Black in America, in both their world and ours.

A blisteringly funny and transcendently deranged debut novel following a young woman who takes a job at an all-girls boarding school in a small coastal town to teach English literature—and to try, desperately, to escape the trap that is herself.In Avigayl Sharp’s brilliant and bold debut novel, Offseason, our fiercely observant but self-deluded narrator finds herself teaching at an all-girls boarding school on the Eastern Seaboard. In between manic lectures that veer from Charles Dickens’s Bleak House to the childhood maltreatment of her beloved Iosif Stalin and the generational legacy of the Holocaust, she consorts and canoodles with the town’s locals—including the possibly disgraced male teacher whose job she’s taken over—implicating everyone she meets in her obsessive quest to pin down where, exactly, her own life went wrong.Though she's vowed never to return to her hometown in the middle of the country, the holiday season sends her careening back into the orbit of her overbearing, maladjusted family. Drunk at a bar on the frigid afternoon of the seventh night of Chanukah, she encounters the figure from her adolescence who may or may not be responsible for violating her, bringing her down, and ruining her life. The past collides with the present—but catharsis and closure are nowhere to be found. Not at the bar. Not in her childhood home. And certainly not in the unruly spirals of her mind.Serious yet irreverent with a delirious velocity, Offseason reimagines the conversation around trauma while reckoning with the doomed project of “speaking your truth,” the compulsion to repeat, and whether we can be transformed by art and love.

A blisteringly funny and transcendently deranged debut novel following a young woman who takes a job at an all-girls boarding school in a small coastal town to teach English literature—and to try, desperately, to escape the trap that is herself.In Avigayl Sharp’s brilliant and bold debut novel, Offseason, our fiercely observant but self-deluded narrator finds herself teaching at an all-girls boarding school on the Eastern Seaboard. In between manic lectures that veer from Charles Dickens’s Bleak House to the childhood maltreatment of her beloved Iosif Stalin and the generational legacy of the Holocaust, she consorts and canoodles with the town’s locals—including the possibly disgraced male teacher whose job she’s taken over—implicating everyone she meets in her obsessive quest to pin down where, exactly, her own life went wrong.Though she's vowed never to return to her hometown in the middle of the country, the holiday season sends her careening back into the orbit of her overbearing, maladjusted family. Drunk at a bar on the frigid afternoon of the seventh night of Chanukah, she encounters the figure from her adolescence who may or may not be responsible for violating her, bringing her down, and ruining her life. The past collides with the present—but catharsis and closure are nowhere to be found. Not at the bar. Not in her childhood home. And certainly not in the unruly spirals of her mind.Serious yet irreverent with a delirious velocity, Offseason reimagines the conversation around trauma while reckoning with the doomed project of “speaking your truth,” the compulsion to repeat, and whether we can be transformed by art and love.

Cross the jet bridge with Linda, a frequent flyer with a dangerous obsession, in this hilarious and provocative debut novel by the acclaimed author of Out ThereI glimpsed many fine planes resting at their gates. A beefy Boeing 777 pulled back from F4, pivoting on his slender ankles, with surprising grace for such a big fellow. I spotted an old friend who went by the tail number N78823, an Embraer 175. I’d accompanied him to Salt Lake City a few months ago, and found him to be a playful lover, teasing me with a round of turbulence as we descended. To outside observers, Linda’s life might seem drab. Weekdays, she earns $20 an hour moderating comments for a video-sharing platform, then rides the bus home to the windowless room she rents in a garage on the outskirts of San Francisco. But on the last Friday of each month, she indulges her true taking BART to SFO for a round-trip flight to a regional hub. Linda's secret is that she's sexually attracted to Their intelligent windscreens, sleek fuselages and powerful engines make her feel a way that no human lover ever could. She believes her destiny is to someday “marry” one of her suitors by dying in a plane crash, a catastrophic event that would unite Linda with her soulmate plane for eternity.Linda is used to hiding her true nature, but when her coworker, Karina, invites her to a quarterly Vision Board Brunch, Linda sees a chance both to get closer to her work friend, and to nudge the universe on behalf of her destiny. However, as the vision boards seem to manifest items more quickly—and more literally—than Linda had expected, the carefully balanced elements of her life begin to spin out of her control, and she must choose between maintaining the trappings of normalcy or launching herself headlong toward her greatest dream.A subversive, unforgettable tale of the distances some will travel for true love, Sky Daddy examines desire, fate, and the longing to be accepted for who we truly are.

Acclaimed author Jade Song (Chlorine) returns with her latest literary exploration: a lyrical, poignant, and heartfelt novel about the meaning of love, friendship, debt, depression, and death in New York City—a coming-of-age for a new generation, in the vein of Sally Rooney and Ottessa Moshfegh. For as far back as she can remember, Vicky has been fascinated and obsessed with death as the only inevitable thing in life. From living above a Chinatown funeral parlor to working at a celebrity start-up for bespoke urns, she has surrounded herself with death—in her home, in her work, and in her ever-growing collection of zhizha, paper creations meant to be burned for the dead, adorning the walls of her apartment. Yet, though living in Manhattan and working her dream job is all she ever wanted, she still struggles to have meaningful connections—or find any meaning at all—in her life. Too often she spends the day in bed, only drawn out from time to time by her best (and only) friend, Jen. That changes when a dating app leads her into a throuple with an artist and a labor organizer, who offer exactly the kind of love she needs. For some time, it’s perfect, but no one understands better than Vicky that all things must end. As doubts grow over the love in her life, her friendship with Jen, and her professional success, the oddly comforting abstraction of death starts becoming something else altogether. With everything beginning to feel hollow and temporary, Vicky must decide how to keep moving forward. To try and hold on to what she has, or to once again do what she does destroy.

You’d never guess Lottie Jones had skeletons in her closet.She’s lived in town for decades now. She’s getting older. She lives for the simple pleasures of weekly bingo games at church, and gossiping with her friends about their children’s love lives.But when investigative journalist Plum Dixon shows up on her doorstep asking questions about Lottie’s past, and specifically about her connection to numerous unsolved murders, well, Lottie just can’t have that.But getting away with murder is hard enough when you’re young. And when Lottie receives another annoying knock on the door, she realises this crime might just be the death of her…